Misc
Fantasia International Film Festival 2024: Mike Flanagan on Horror and the ‘Shelby Oaks’ debut

Last Sunday, Montreal’s International Fantasia Festival awarded beloved horror filmmaker Mike Flanagan with its Cheval Noir Career Achievement Award. The free event, hosted by former editor-in-chief of Fangoria Michael Gingold, saw fans lined up around the block hoping to hear their favorite director talk about his work.
Most of the discussion focused on Flanagan’s early career, and how the writer-director stretched his creative abilities to fit his means. Fantasia’s artistic director, Mitch Davis, introduced the talk by sharing an anecdote about Flanagan’s first ever feature Absentia, a micro-budget film that Davis had personally promoted back when it debuted at Fantasia. Though Flanagan had been trying to get his first short film made into a feature (which would eventually become Oculus), the industry’s reluctance to take a chance on an unknown filmmaker made him pivot to making a feature film independently. He eventually wrote what would become Absentia based on his available resources: his own apartment, some talented friends, and a very creepy tunnel across the street.

Photo taken by Eli Bad Critic
Flanagan also discussed the highs and lows of his various projects, how the ones he was most excited about during production had a poor commercial reception (Ouija: Origin of Evil or Doctor Sleep), or how industry politics prevented some projects from ever being released, like his feature Before I Wake, which was almost lost when Relativity Media went bankrupt in 2015.
Doctor Sleep, a sequel to The Shining, remains a beloved film among his fans. “I got sober making it,” he told the crowd. “[The Shining is] a film and book about sobriety, and I came through the other side of it”. He explained how his approach to adapting Stephen King’s book was to create a kind of “parent trap” between King’s original story and Kubrick’s visuals. Even though the film wasn’t a commercial success, both King and the Kubricks’ estate approved the project, two entities who’ve been at odds for over 40 years. “The parent trap worked!” Flanagan laughed.
As the conversation wrapped up, Flanagan pressed the importance of horror as both a genre and a vehicle for empathy. “Horror is a mirror for us to examine our anxieties and our shortcomings,” he told the audience. “Basic empathy for each other is essential, and horror breeds empathy.” At the heart of Flanagan’s work, both his films and his wildly successful TV series, like The Haunting of Hill House and The Haunting of Bly Manor, are consistent themes about families struggling to find meaning in the face of trauma. “I had a wonderful childhood” Flanagan insisted, going on to explain that he sees the family unit as a kind of safety fortress, and that the horror in his stories arise when that safety is corrupted. Flanagan is currently working on a script for the next Exorcist film, due out in 2026. “I haven’t felt this nauseous [about a project] since Doctor Sleep,” he laughed. “I hope you’re not mad!”
Mike Flanagan’s presence at the festival coincided with the world premiere of Shelby Oaks, a film he executive produced with first-time filmmaker Chris Stuckman. Known as a prominent film critic on Youtube, Stuckman pivoted to filmmaking in 2021, raising an over $1.3 million budget from a record-breaking crowdfunding campaign. At the sold-out premiere, Stuckman echoed the advice of his mentor about using whatever resources are available to do your project. Shelby Oaks is full of impressive sets, including an abandoned prison and an overgrown amusement park, actual locations in Ohio near where he grew up. “Ohio has no shortage of abandoned shit,” he laughed.
Shelby Oaks is a perfectly respectable debut feature, and just a few days before its premiere, Neon Rated acquired its distribution rights. As the credits rolled, the crowd (which even included a few original crowdfunders) gave both filmmakers a standing ovation. The screening quickly became a celebration of DIY films and an ode to artists who carve their own paths.
Misc
A Note From the EIC of Horror Press

Hello! Hi! Greetings!
I know I don’t make posts here very often but here I am! I needed to take a moment from torturing the writers of Horror Press in the basement to make an announcement.
I recently received some feedback regarding the content published on Horror Press, specifically mentioning “too many rankings” and “too many listicles.”
I wanted to take a moment to address this directly.
Since Horror Press began in 2022, we’ve published over 800 articles. (I’m very proud of that number btw!) While that might not seem like a lot, it’s important to consider that every single writer who contributes to the site is paid. I personally handle everything on the backend, and on average, we publish more than 20 articles each month, and that’s on top of my full time job. Yes, I am very busy, which is also why I don’t have much time to make little posts like this.
I manage nearly every aspect of the website myself, including disbursing payments to each writer directly from my own personal income. I’m fortunate enough to have a stable job and the disposable income that allows me to cover the overhead for Horror Press, and I do this because it genuinely brings me joy.
In many ways, I’m the sole driving force behind everything you see here on the site.
It’s also worth noting that the vast majority of websites today don’t generate profit, and those that do often struggle to fully cover operational costs and provide a comfortable living for everyone involved. It would be a dream to pay every writer a full time livable salary. Seriously, the writers at the HP estate are the best and I wouldn’t trade them for anything (except for maybe a taxidermied peacock for my bathroom).
With AI on the rise, and Google constantly changing the rules of the game every other weekend, things are stacked against websites.
My main goal when I started Horror Press was to create an outlet for my passion for horror, and a need to create a platform for underrepresented voices within the genre.
I feel like I have achieved that goal, however, I can always do better, and the goalpost is always moving.
Over the past three and a half years, I’ve had the pleasure of working with many writers, and the brainstorming sessions with them has been some of my most rewarding experiences. Beyond publishing articles, I’ve also made a consistent effort to support creators and their projects through sponsorships and features on our website.
Now, back to the comment about our content: Out of the 800+ articles we’ve published, approximately 60 have been categorized as “rankings.” This represents roughly 7.5% of our total output. My intention with these rankings is for them to be fun and lighthearted. However, if I’ve missed the mark, then please, by all means, join our Patreon, and sign up for the tier to help choose what content we focus on in the future. Hell, sign up for any of the tiers available!
Until then, I remain the Curator of all things Horror Press, and decide what makes it to the website, and you can continue to cry about things like Bella Ramsey on Reddit. Until next time,
JM
Misc
Ranking Every Jason from the Friday the 13th Franchise
The iconic slasher killer has taken many forms over the years, and I’m not just talking about the different performers who played him (who I have mostly credited below, though there are cases where other stunt performers/costume designers/etc. filled in for certain moments that I’m not going to go through with a fine-toothed comb). Jason’s look, behavior, and even the way he operates changes drastically throughout the franchise, even between consecutive films that are directly linked, which is why there is so much meat on the bone here. Without any further ado, let’s rank every Jason from the Friday the 13th franchise!

May 2025 marks the 45th anniversary of the original Friday the 13th, so now is the best time to take a stroll through the 12-film franchise it birthed. Well maybe not the best time, but I don’t want to wait five years, so we’re ranking every version of Jason Voorhees now, dammit.
The iconic slasher killer has taken many forms over the years, and I’m not just talking about the different performers who played him (who I have mostly credited below, though there are cases where other stunt performers/costume designers/etc. filled in for certain moments that I’m not going to go through with a fine-toothed comb). Jason’s look, behavior, and even the way he operates changes drastically throughout the franchise, even between consecutive films that are directly linked, which is why there is so much meat on the bone here. Without any further ado, let’s dive in.
Every Jason from the Friday the 13th Franchise Ranked
#12 Reboot Jason (Derek Mears, Friday the 13th 2009)
No shade to Mears’ performance. He is delivering a powerful and credible threat here. But there’s something about the warren of tunnels, the kidnapping, and the turning on klieg lights (that I highly doubt were there back when Camp Crystal Lake was operational) to hunt down victims that just isn’t “my” Jason. I prefer a hulking avatar of death rather than the backwoods survivalist mode that he’s got going on here.
#11 Roy (Dick Wieand unmasked & Tom Morga masked, Friday the 13th: A New Beginning)
I love the snazzy powder blue accents he’s rocking here. And frankly, I don’t care who’s behind the hockey mask as long as he’s murderizing people good and proper, but Roy is simply not Jason, so it would be a crime to rank him any higher than this.
#10 Imaginary Jason (Tom Morga, Friday the 13th: A New Beginning)
I guess it’s nice that there is a proper Jason Voorhees floating around in the “copycat killer” movie, but outside of the Corey Feldman prologue, the imaginary Jason mostly just stands around like Michael Myers and watches Tommy Jarvis change. Like, I know Tommy’s jacked now, so I sort of get it, but it’s just not a very interesting thing for Jason to be up to.
#9 Zombie Boy Jason (Ari Lehman, Friday the 13th 1980)
Sure, he provides a potent jump scare that is probably the only reason (other than Tom Savini’s effects) that the movie became such a word-of-mouth smash hit. But his presence at the end of the original Friday the 13th absolutely ruins any hope that the character will ever have a comprehensible continuity, right from the beginning. And this is nobody’s fault! They didn’t know they’d have to make 11 more of these. They just wanted one final shock in the movie, and they were right to want that! But Jason transmogrifying from a dead child to a living adult in Part 2 has plagued continuity-heads for 44 years, and it’s hard for that not to rankle just a little bit.
#8 Jason vs. Freddy (Ken Kirzinger, Freddy vs. Jason)
He has some great kills here (the bed! the rave!), but Jason Voorhees is very much second banana when it comes to his position in the overall narrative. I suppose that’s what you get when the other guy talks and you don’t, but that’s not very fair, is it?
#7 Uber Jason (Kane Hodder, Jason X)
Uber Jason is better in theory than in execution. It’s a fun way to engage fully with the sci-fi premise that they’ve thrown their killer into for basically no reason (New Line really spun out the second they got their hands on the property, didn’t they?). But the design is bad and he just looks plasticky and cheap, not actually menacing or properly enhanced.
#6 Demon Worm Jason (Jason Goes to Hell: The Final Friday)
Speaking of New Line spinning out… Jason Voorhees primarily manifests in this movie as a body-hopping demon worm. Why is this ranked so high? It’s nonsense, but at least it’s fun nonsense. Plus, I wouldn’t trade the “Jason shaves a cop, transfers the demon worm, and then his previous body melts” sequence for the world. It’s uncomfortable, ooey gooey gross, and just plain weird, which are things I prize in my horror movies.
#5 Funny Jason (C.J. Graham & Dan Bradley, Jason Lives: Friday the 13th Part VI)
Beyond the James Bond parody at the beginning of Jason Lives, most of the funny bits in the most purposefully comic installment happen around Jason. I think that’s for the best, in order to maintain him as a credible threat. But he does get a little lost in the sauce here, especially with a Tommy Jarvis and a proper final girl jockeying for screen time elsewhere.
#4 “Final” Jason (Ted White, Friday the 13th: The Final Chapter)
This is a real meat-and-potatoes Jason, but he delivers some of the gnarliest kills in the franchise with aplomb.
#3 3-D Jason (Richard Brooker, Friday the 13th Part III)
I don’t like the sexual assault overtones of this Jason, but come on. This is the installment where he embraces his hockey masked self, and that’s simply iconic. Plus, Brooker is acting the hell out of this role, delivering a physical, menacing Jason that has a wiry wiliness that is very different from the raw strength delivered by other performers who I might mention…
#2 Recurring Jason (Kane Hodder, Friday the 13th Part VII: The New Blood, Friday the 13th Part VIII: Jason Takes Manhattan, bits and pieces of Jason Goes to Hell: The Final Friday, the first two-thirds of Jason X)
And oh look, here comes one of those performers now! Kane Hodder’s Jason is a longtime favorite, and for good reason. His Jason is hulking, menacing, and cuts through crowds of nubile young people like a hot knife through butter. However, it’s a damn shame that he showed up right when the franchise was going off the rails, because beyond the telekinetic battle at the end of The New Blood, he only gets a few proper showcase moments scattered throughout his quadrilogy.
He genuinely looks great in his first two movies, though. The rotting zombie face of New Blood and the slimy river rat look of Jason Takes Manhattan are the masked and unmasked versions of Jason that I probably picture the most.
#1 Baghead Jason (Steve Daskewisz masked & Warrington Gillette unmasked, Friday the 13th Part 2)
Betcha didn’t expect to find him here, did you? Now, look. I love the hockey mask. More than the bag. But Steve Dash is acting the hell out of this version of Jason, setting the template for what the adult version of this character could be, now that he has been released from his zombie child shell. Somehow. This makes him a perfect foil for Ginny, who is the best-acted and most effective final girl from the franchise and deserves a worthy opponent.