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Queer for Fear All Year: The Definitive LGBTQ+ Horror Calendar

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I find myself in something of a predicament every June. I want to stay home and watch all my favorite queer horror films, but I also want to throw dollars at every drag king and queen in a ten-mile radius. As a result, by the time July 1 rolls around, my Letterboxd diary (like my wallet) often looks emptier than I’d like, and I’m left with a profound sense that there was much more to see.

That got me thinking: are there queer horror movies perfect for other holidays and celebrations? What about those long, slow months in between, when it feels like nothing much is happening and your couch and TV beckon?

June might be over for another year, but this queer horror calendar is here to tide you over until it rolls around again. After all, LGBTQ+ horror movies aren’t just for Pride Month: they’re forever.

Looking for more queer horror streaming guides? Check out Here to Slay for even more year round streaming ideas!

A Year of Queer Horror: Monthly LGBTQ+ Horror Movie Recommendations

Psycho Beach Party (2000)

July: Soak up the Summer Sun With Camp Kills and Sweaty Beach Shenanigans

I’m led to believe from the movies that all American kids go to camp over summer break, so let’s start our queer year there. Infamous slasher Sleepaway Camp (1983) takes a sudden, arguably transphobic turn into LGBTQ+ territory in its final moments when it’s revealed that the introverted Angela (horror icon Felissa Rose) is not only behind the murders that have terrorized Camp Arawak, but was assigned male at birth. However, my pick for a good queer summer camp movie for July would be its first sequel, the joyfully silly Sleepaway Camp II: Unhappy Campers (1988).

Here, an all-grown-up Angela (now played by Pamela Springsteen, sister of Bruce Springsteen) has gotten a gig as a camp counselor and makes short work of misbehaving teens. Far from the near-mute traumatized child we met in the first movie, this vision of Angela is chirpy, camp, and impossible not to root for. As Tracy Gossage writes in an article for Gayly Dreadful, “Other than the intro and Angela’s monologue at the end, Angela’s gender is really not that important to the film other than giving us a rare female slasher villain. Moreover, the film gives us a queer villain whose motivations do not lie in some implied psychosis regarding their LGBTQ+ identity, but instead in their Type-A insistence that things should be done a certain, proper way.”

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Of course, camping isn’t for everyone. If your version of fun in the sun involves more sand and surf than log cabins and campfire songs, consider taking a stroll down to the Santa Carla Beach Boardwalk to party with the definitely-straight-for-real vampires of The Lost Boys (1987). Or, grab your board and head down to Malibu, where a series of murders are taking place at the Psycho Beach Party (2000), written by drag performer Charles Busch. And if you’re looking for a little summer lovin’, consider meeting a Stranger by the Lake (2013) for queer erotic thrills.

Jennifer’s Body (2009)

August: Head Back to School With Jennifer’s Body, Fear No Evil, and More

With many schools going back in August, this month is a prime time to remember why high school is such a drag. Luckily, there’s a wealth of LGBTQ+ horror centered around the classroom experience. (It’s almost like a lot of us queers had a bad time in school and need to process it…)

Jennifer’s Body (2009) is often the first film that comes to mind when people discuss queer fear in a school setting, and while it is overrepresented in discussions of sapphic scares, it’s also a bloody fun watch that I return to year after year. The same could be said of A Nightmare on Elm Street 2 (1985) in terms of gay male horror—not your only option, but a damn good one all the same. Check out the documentary Scream, Queen! My Nightmare on Elm Street (2019) as a fascinating companion piece.

For more obscure high school-set queer viewing, try Fear No Evil (1981), in which a 17-year-old twink learns he’s the antichrist. Fellas, is it gay if you bully the devil by making out with him naked in the shower? Because that’s a scene that happens in this movie. For similarly homoerotic subtext between wet, half-naked men, The Covenant (2006) is also a good option. And there’s literally never a bad time to revisit Jane Schoenbrun’s incredible I Saw the TV Glow (2024), but it’s especially fitting here, with some of its most pivotal scenes taking place in and around a school and its adjacent sports grounds.

Death Drop Gorgeous (2020)

September: Toast a Hard-Working Gay on Labor Day

September brings Labor Day, so let’s raise a glass to all the hard-working queers creating our fears. I’m talking housekeeper Mrs. Danvers (Judith Anderson) in Hitchcock’s Rebecca (1940), who keeps the Manderley mansion spotless despite her all-consuming obsession with the late Rebecca de Winter and her campaign of terror against the pretender to Rebecca’s throne, the second Mrs. de Winter (Joan Fontaine). I’m talking Eleanor (Isabelle Fuhrman) in The Last Thing Mary Saw (2021), a maid whose illicit affair with one of the women she works for sadly exposes them both to a world of pain. I’m talking Norman Bates in Psycho (1960)—running a motel seems hard at the best of times, even when you’re not experiencing the urge to stab. And I’m obviously not forgetting the gays in the hugely fun Slay (2024) and Death Drop Gorgeous (2020), who hustle for dollars while trying to fend off vampires and masked maniacs, respectively.

Honestly, this category is pretty broad. If they’re queer and have a job, they’re a candidate for your watch list this month.

September also marks New York Fashion Week in my neck of the woods, so feel free to stick on a few movies showcasing killer looks, like the bold stylings of The Babadook (2014) or the fearless fetishwear of Hellraiser (1987). (Are we including Buffalo Bill in 1991’s The Silence of the Lambs in this category? Probably shouldn’t, even if he does know how to rock a caftan…)

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Hellbent (2004)

October: Party With the Cast of Hellbent for Halloween

Halloween is basically second Pride, so let’s dig up some queer All Hallows’ Eve-set horror for the month of October. Surprisingly, this task is harder than it sounds.

I would be remiss not to mention the seminal Hellbent (2004), one of the very first queer slasher films (though pre-dated by the lesbionic Make a Wish from 2002) and perhaps the only one set entirely over Halloween. Four gay friends just want to have a nice time at the West Hollywood Halloween Carnaval but find themselves stalked by a “Devil Daddy” who introduces them to the sharp end of his sickle. It’ll make you ask: “Why the hell aren’t more queer horror films set on Halloween?!”

Other than that, you could revisit Scream VI (2023), which takes place over a Halloweekend in New York City. Mindy Meeks-Martin (Jasmin Savoy Brown) finally gets a girlfriend (Devyn Nekoda), though, uh…. Well, let’s just say she’s not gonna be in the sequel, Mr. Ghostface.


Ravenous (1999)

November: Frolick in the Snow With Ravenous and My Animal

As the weather starts to get colder, cuddle up with your partner or polycule and enjoy some queer chillers like Antonia Bird’s Ravenous (1999). One of my all-time favorite queer-coded horror movies, this wildly underrated film is set at an isolated military outpost in the snowy Sierra Nevada mountains, where accidental cannibal Captain John Boyd (Guy Pearce) crosses paths with the very intentional cannibal Colonel Ives (a sublime Robert Carlyle). Ives is lonely and wants a partner in… Crime? Life? Bed? As Carlyle explains in one interview, his character “[doesn’t] just want to eat Guy Pearce; he’s going to have Guy Pearce at the same time.”

A more recent favorite of mine also fits the bill for November nicely: 2023’s My Animal. A romantic take on the werewolf subgenre, this delicious slow-burn from director Jacqueline Castel follows a lycanthropic teenage outcast (Bobbi Salvör Menuez) falling for a figure skater (Amandla Stenberg) in the snowy wilds of Canada. I promise you’ll have the score by Boy Harsher’s Augustus Muller on repeat for weeks after watching.


It’s a Wonderful Knife (2023)

December: Make the Yuletide Gay With It’s a Wonderful Knife and Carnage for Christmas

If the holidays weren’t gay enough already (and take it from a former Sunday School teacher, they’re so extra), give yourself the gift of some queer Christmas kills this December. It’s a Wonderful Knife (2023) is exactly what it sounds like: a slasher spin on the 1946 classic It’s a Wonderful Life, only with more lesbians. Jane Widdop plays Winnie Carruthers, who is struggling to move on after taking down a masked killer on Christmas Eve. When she wishes she was never born, she gets to experience what the world would be like without her—and, spoilers, it’s a lot worse! Along the way, Winnie falls for town misfit Bernie (Jess McLeod), a relationship that the actors personally helped to shape. It’s sweet, it’s sapphic, and it’s guaranteed to make your heart grow three sizes.

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Another recent addition to the queer Christmas horror canon is 2024’s Carnage for Christmas. I’ll confess, I haven’t actually watched this one yet, but considering it comes from trailblazer Alice Maio Mackay, the Australian filmmaker behind the superb T-Blockers (2023), I feel confident in recommending it nonetheless. The plot centers on true-crime podcaster Lola (Jeremy Moineau) returning to her hometown after transitioning only to discover a gruesome urban legend come to life. It’s top of my watch list for December, and it should be on yours, too!


Midnight Kiss (2019)

January: Ring in the New Year Queer With Midnight Kiss and Life Blood

When the ball drops, the horror keeps on coming. Part of Hulu’s Into the Dark collection, Midnight Kiss (2019) is the ideal way to ring in the new year. Carter Smith (Swallowed, The Passenger) helms this entry in the anthology series, which follows a group of gay best friends and their one gal pal as they head to Palm Springs for a New Year’s Eve soiree. There, they plan to play the titular “Midnight Kiss” game by finding a stranger to kiss consensually at midnight. Unfortunately, someone in a fetish mask doesn’t know that consent is sexy and is killing people against their will (wow, rude).

Another option for your midnight viewing is Life Blood (2009), a trashy little flick about lesbian vampire angel assassins (?) on a killing spree on New Year’s Eve. Is it good? Uhh… Let’s just call it unique and move on.


Attachment (2022)

February: Celebrate Queer Love in All Its Forms With Attachment, The Hunger, and More

Valentine’s Day is a great excuse to eat chocolate hearts and watch romantic horror. There are plenty of options out there with a queer twist, including the many, many adaptations of Sheridan Le Fanu’s 1872 lesbian vampire novella Carmilla. I’m especially fond of 1970s The Vampire Lovers from Hammer Film Productions, featuring the gorgeous Ingrid Pitt who, in one especially memorable scene, emerges from the bathtub only to chase the virginal Emma (Madeline Smith) around the room and fall on top of her on the bed. Like most of Hammer’s films, The Vampire Lovers can perhaps best be described as a cozy gothic romp. For a wilder adaptation, albeit a very loose one, 1977’s Alucarda is an absolute blast.

Sticking with vampires, The Hunger (1983) features one of the sexiest casts in horror (Catherine Deneuve! Susan Sarandon! David Bowie!) and some frighteningly hot sapphic lovemaking. If you prefer your relationships a little healthier, however, don’t miss heartfelt horror film Attachment (2022), which has lesbians and demons—though, refreshingly, one isn’t caused by the other.

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Fear Street (1994)

March: Mark International Women’s Day With Raw, Fear Street, and Beyond

International Women’s Day is in March, so let’s use this month to revisit all the great women directors making horror queerer.

One of only three women in history to win the Palme d’Or at Cannes, Julia Ducournau’s first two films—2017’s Raw and 2021’s Titane—are both queer masterpieces. Halina Reijn’s Bodies Bodies Bodies, meanwhile, presents the unselfconscious queerness of a new generation alongside the mistrust and mayhem of a supposed killing spree. And before she brought us the sapphic body-building thrills of Love Lies Bleeding (2024), Rose Glass directed Saint Maud (2019) with a distinctly queer gaze. All come highly recommended.

Special shout out to the women ensuring their gays stay very much unburied. Nia DaCosta’s Candyman (2021) features a gay couple who (spoilers, but yay!) get to be totally okay, much like the central lesbians in Leigh Janiak’s Fear Street trilogy (2021), whose love and survival symbolically end the true curse plaguing their town: centuries-old bigotry.

Queens of the Dead (2025)

April: Rhinestone Some Easter Eggs Ahead of Queens of the Dead

There isn’t a whole lot of Easter-themed horror for April, but I’m pleased to report that upcoming zom-com Queens of the Dead is not only set at Easter, but features a bunny-themed drag performance. Directed by Tina Romero, daughter of the zombie maestro himself, George A. Romero, the film sees a group of drag queens, club kids, and one rude straight man holing up in a Bushwick bar as the dead walk the streets outside. Horror Press’s own Chloé Harper Gold called Queens of the Dead a “delightful zombie horror-comedy that’s hilarious and heartfelt,” and after catching it at Tribeca, I wholly concur. Shudder just acquired the flick, so hopefully we’ll see it on the small screen by next April.

Of course, to make it to Easter, we first have to survive the annual nightmare that is April Fool’s Day. In horror, pranks have a habit of going drastically wrong, as is the case in 1987’s Hello Mary Lou: Prom Night II. Though not explicitly queer, this sort-of-not-really sequel about a prom queen (Lisa Schrage) who is accidentally burned to death and returns to enact her revenge is so gloriously camp (not to mention wildly inventive) that not including it feels like a crime.


Lyle (2014)

May: Let’s Hear It for the Moms in Lyle and Huesera: The Bone Woman

Forget flowers: celebrate Mother’s Day in May with some good old pregnancy horror! Often referred to as the lesbian Rosemary’s Baby, 2014’s Lyle from Stewart Thorndike is a tight, suspenseful exercise in unease that clocks in at just over an hour. Leah (Gaby Hoffmann) is pregnant and still grieving the sudden death of her first child, the eponymous Lyle. Unlike her predecessor Rosemary, Leah is married to a woman, June (Ingrid Jungermann). Turns out, women can make sketchy firstborn-sacrificing pacts too, and that’s beautiful.

Another great watch for Mother’s Day is Huesera: The Bone Woman (2022). From director and co-writer Michelle Garza Cervera, the film explores the central character’s ambivalence toward her own pregnancy, as she tries desperately to want and appreciate the comfortable life she’s built with her husband, while finding herself drawn inexorably back to an old queer flame. Plus, there’s a spider monster. Good stuff, and the kind we don’t see enough of, frankly.

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Dracula’s Daughter (1936)

June: All Queer Horror, All the Time

Congratulations—you made it back to June! If you have any gaps in your Pride Month schedule, you’ll find plenty more queer horror films to fill them, from coded classics like Dracula’s Daughter (1936) to affirming oddities like Nightbreed (1990) and underseen gems like Spiral (2019). Seeking out a shadowcast-accompanied screening of The Rocky Horror Picture Show (1975) is also a must.

If this year of queer horror can teach us anything, it’s that it’s a scary world out there, but there’s real power in community. Stay safe, tip your drag queens, stand up for trans rights, and watch more horror movies.

Samantha McLaren is a queer Scottish writer, artist, and horror fanatic living in NYC. Her writing has appeared in publications like Fangoria, Scream the Horror Magazine, and Bloody Disgusting, as well as on her own blog, Terror in Tartan. If she's not talking about Bryan Fuller's Hannibal or Peter Cushing, she's probably asleep.

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‘Silver Bullet’ Should Be Just As Popular As ‘The Lost Boys’

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When you hear the phrase “Corey Haim horror movie,” your mind, it’s safe to assume, jumps to The Lost Boys. That’s only natural. Hell, that’s probably the title that comes to mind when you hear the phrase “Corey Haim movie” in general. Unless you’re a die-hard fan of License to Drive, that is. There are a lot of completely valid reasons for the love that The Lost Boys receives. It’s a great movie. Certainly one of the best vampire movies of the 1980s. But Corey Haim was also in one of the best werewolf movies of the 1980s. That would be the 1985 Stephen King adaptation Silver Bullet, which deserves to have the same level of voracious fandom.

Why Silver Bullet Deserves More Love Than The Lost Boys

I can guess why Silver Bullet hasn’t had the same impact as The Lost Boys. Corey Haim wasn’t as big of a star in 1985. Silver Bullet director Dan Attias went on to a long television career, while Schumacher went on to direct Batman movies. Any 1980s werewolf movie has to exist in the shadow of the masterpiece, An American Werewolf in London. Silver Bullet doesn’t have Kiefer Sutherland psychosexually manipulating Jason Patric. I get it. But Silver Bullet’s stats are lagging.

The Lost Boys is Corey Haim’s #1 most popular movie and his #1 highest-rated on Letterboxd. Silver Bullet is #4 and #12. The Lost Boys is his #1 movie on the Rotten Tomatoes Tomatometer and #2 on the Popcornmeter. Silver Bullet is #5 and #9. Silver Bullet is Corey Haim’s fifth highest-rated movie on IMDb and The Lost Boys is – you guessed it – #1. Silver Bullet also lagged behind at the box office, earning $12.4 million compared to The Lost Boys’ $32.5 million.

October 2025 marks the 40th anniversary of the release of Silver Bullet. It’s high time to raise the profile of this damn movie, even if I have to build the winch myself.

Silver Bullet is a Blast and a Half

Silver Bullet, which was written by Stephen King, adapting his own novella Cycle of the Werewolf, is a doozy. It’s set in a small town that is being besieged by regular werewolf attacks, and nobody can identify the culprit. But never fear, an absolute weirdo is in town!

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That would be Gary Busey as Uncle Red, a deeply unsettling fireball of charisma. His nephew is Marty (Corey Haim), who has paraplegia. Naturally, Red builds him a tricked-out motorcycle wheelchair that he can go rocketing through town in. Gary Busey is something of a punchline these days. But let’s never forget that the man became famous in the first place because he was a goddamn movie star. He makes nonstop strange choices that are electromagnetically compelling. Corey Haim was perhaps the only 1980s child actor who could hold his own against that cinematic force of nature. Thankfully, he was cast, and the characters’ relationship is as rich as it is strange. That’s the sweet spot for any King adaptation.

A Stellar Cast of 1980s Character Actors

That dynamic alone could have been enough to sustain a movie. However, Silver Bullet has also assembled a murderer’s row of 1980s character actors around Busey and Haim. This includes Lawrence Tierney, Terry O’Quinn, and perhaps never better Everett McGill. Not to mention the fact that the story is randomly narrated by Broadway legend Tovah Feldshuh.

Thanks to the talented cast, the movie survives the fact that it features a somewhat goofy-looking werewolf. They bring a sense of grit and reality to their small-town characters. What results is an explosion of intensity that plays startlingly well against the uncut 1980s goofiness of its genre elements. This movie’s confident enough to contain both a thrillingly tense covered bridge setpiece and a werewolf swiping off somebody’s head. And if that’s not the vibe you desperately want from an ‘80s shocker, I don’t know what to tell you.

Silver Bullet Lacks Some of The Lost Boys’ More Obvious Flaws

I am certainly not trying to use this article to cast The Lost Boys into the muck. I think both movies can stand together on the Mount Rushmore of Corey Haim’s career. Nevertheless, it is true that Silver Bullet lacks the two biggest flaws of The Lost Boys. It’s got its own flaws, sure, but none quite so glaring as Lost Boys hugely losing steam in Act 3. Once the identity of the werewolf has become known in Silver Bullet, the story actually gets even more tense. That’s because the danger still stems from children being at the mercy of adults, rather than the werewolf mystery itself.

The Lost Boys is also somewhat scattershot, juggling too many characters, storylines, and tones simultaneously. While Silver Bullet does have a deep bench of characters, its storytelling is much more focused. It’s primarily centered on the relationship between a young boy and his family, and how it’s complicated by werewolf attacks. Standard stuff!

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Silver Bullet Deserves a Spot Next to The Lost Boys

Look, here’s the bottom line. The Lost Boys is a fun, great movie. Silver Bullet is a fun, great movie. This town (Hollywood) is definitely big enough for the two of them. That’s all I’m saying. It’s simply unfair that Silver Bullet has taken up B-tier status behind The Lost Boys. Watchers has more than enough B-movie energy to take up that slot all by itself, thank you very much.

PS: I look forward to Horror Press hosting somebody’s impassioned defense of Watchers, but it ain’t gonna be mine.

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The Best Horror You Can Stream on Shudder in October 2025

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Shudder has officially entered the Halloween chat this year, so the other streamers can hang it up. The app is adding the entire Rec franchise and a nice chunk of Alfred Hitchcock’s work. Fans can watch Psycho, The Birds, Vertigo, and Rear Window on the same streamer this Halloween season. However, my eye is on this year’s Fangoria Chainsaw Awards. It is always a night that brings all my favorite horror people together because most of us watch it live and post about it in real-time. It is what I assume people do at other award shows, where horror is often overlooked. I do not care enough to prove that theory by watching awards where people don’t win chainsaws, though. Anyways, here are five movies I’m excited to get cozy with this October.

The Best Movies to Stream on Shudder This Month

V/H/S/Halloween (2025)

The popular franchise is unleashing a collection of Halloween-themed wicked tales this time. No matter how you feel about found footage or this series, it’s hard to not get excited every time a new installment drops. Who among us can resist the pull of six frightening stories shoved into an unsettling anthology? It also gives us the chance to speed date a handful of filmmakers who want to terrify us. So, it makes sense that it is becoming a yearly tradition. This Shudder Original is also coming hot and fresh from Fantastic Fest. So, if you missed the festival, you can still partake in some of the nightmare fuel at home.

You can watch V/H/S/Halloween on October 3rd.

When A Stranger Calls (1979)

A man terrorizes a babysitter and decides to further traumatize her seven years later. I watched a lot of horror movies as a kid, but this was the one that made me realize scary movies are supposed to be scary. The first act of this film is stressful. It is also probably the reason my phone is always on do not disturb. Carol Kane is an amazing final girl who becomes the final woman in this unsettling story. It also has amazing performances from the late Charles Durning and Tony Beckley, who tragically died way too young. I dare you to watch the first act while you’re alone with the lights off.

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You can watch When A Stranger Calls on October 6th.

Invader (2024)

A woman suspects foul play when her cousin goes missing in Chicago. However, her investigation leads to something beyond her wildest imagination. I need answers to all the questions this movie’s premise is throwing at me. Because it’s about 70 minutes long, I cannot be too mad at whatever this turns out to be. I would have given up way more time to see why what looks like a home invasion seems so mysterious. So, if you are trying to watch a bunch of horror movies this season, this is a quick one coming to an app near you. Everybody, tell Shudder thank you!

You can watch Invader on October 6th.

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OTHER (2025)

A woman returns to her childhood home after her mother’s death to find the house has extensive surveillance and an evil presence. I want to know how the sinister vibes and technology are connected because I am nosy. I also love horror movies that promise family secrets are getting uncovered. After all, nothing is scarier than families. More importantly, this movie got past me, so I did not hear anything about it until making this streaming guide. So, I need to fix that the second it lands on Shudder. It also looks good, so I’m stepping into this movie feeling like it’s going to be a great time.

You can watch Other on October 17th.

Hell House LLC: Lineage (2025)

Vanessa Shepard finds herself haunted after surviving unspeakable horrors at the Abaddon Hotel years earlier. She soon realizes that her nightmares and visions are trying to tell her something she could have never imagined. When this franchise is good, it’s very, very good. Which is why it earned five movies and is one of the franchises we think about when we think of Shudder. While I do not like this fifth and final film, I am sad it was not in theaters long enough to give Hell House LLC fans closure and to allow them to finally see a chapter on the big screen. So, I’m happy this Shudder Original is arriving on Halloween Eve. I also look forward to the discourse once it has more eyes on it because I’m messy.

You can watch Hell House LLC: Lineage on October 30th.

So, that’s why my TV will be parked on Shudder this month. There are plenty of titles that give me an excuse to stay home and mind my own business. Y’all have fun out there because I don’t need to go outside with a lineup like this. 

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Let us know what scary shenanigans you are planning to get into on the app this October. Also, Happy Halloween from the alleged lady always telling you what to watch!

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