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HORROR 101: THE KANDARIAN DEMON, DEADITES, AND YOU

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Welcome to Horror Press’s Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you. In preparation for Evil Dead Rise releasing in April, today we delve into the Evil Dead franchise’s most iconic villains, explaining their origins, powers, and continuity. So, let’s begin with a question many viewers might have about the Kandarian Demon.

WHAT IS THE KANDARIAN DEMON?

Simply put, the Kandarian Demon is THE big bad of most of the Evil Dead series. Best known for torturing Ash Williams and company through three films, a television series, and numerous games of dubious canonicity, it doesn’t seem to have many goals outside of causing The Chosen One (and any human it can get its non-existent hands-on) as much suffering as possible.

Though it is usually an invisible, incorporeal force, it can manifest as a living dust storm. It can take on a physical form as seen in Evil Dead 2, where it makes a body for itself out of the trees surrounding Knowby Cabin.

The Kandarian Demon is no slouch, even without its body. It has considerable telekinetic abilities, uprooting entire trees and moving at incredible speeds, as seen in the series’ signature point-of-view shots. Chief among its powers is its infamous ability to create possessed humans (sometimes live, sometimes dead, always grody) known as Deadites. More on this later.

WHERE DID IT COME FROM?

Due to the wishy-washy nature of the film’s canon and timelines…this is harder to explain. First, we need to talk about the iconic Necronomicon Ex Mortis, the demon’s only method of being summoned.

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The Necronomicon, or Naturom Demonto, was written by the Dark Ones, an order of demons who first penned the tome to control other demons and open passage to dark worlds beyond. When the Dark One who would come to be known as Ruby, lost the book, it would later be unearthed by archaeology professor Raymond Knowby and end up at Knowby Cabin. But from here, it gets more complicated.

The Kandarian Demon’s first technical appearance is when Ash accidentally summoned it during Evil Dead and Evil Dead 2, beginning the demon’s obsession with killing and possessing him. In Evil Dead 2, Annie Knowby uses the Necronomicon and launches both Ash and the Kandarian Demon into the past in an effort to destroy the demon. This only succeeded in landing them in England, where it would get its namesake from Castle Kandar, home of King Arthur.

Following the events of Army of Darkness, the Necronomicon would then be sealed in Castle Kandar following Ash’s victory…only to be discovered by Raymond Knowby in the present day, which in turn causes the events of Evil Dead & Evil Dead 2 to occur, starting the time loop all over.

It’s a very, “Which came first, the chicken or the chainsaw hand?” situation.

All that really is to say the Kandarian Demon, like the Necronomicon itself, is seemingly beyond time and space and possibly has multiple iterations of itself, unlike the Necronomicon’s uncertain number of copies.

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…SO, WHAT’S A DEADITE THEN?

Deadites are the undead, monstrous servants of the Kandarian Demon. Created when a human is violated by the demon (through both traditional and more violent means of possession), the dark spirits corrupt humans to their very core. A Deadite is a demonic force of nature hellbent on torturing its victims and consuming their souls.

Though on a surface level, they resemble your typical zombies with rotten-looking flesh, sunken features, and pure white eyes, they are far from your average shambling undead. Deadites exhibit enhanced strength, invulnerability to pain, and superhuman durability. They can move at high speeds and on occasion, levitate. Even after being dismembered, Deadites can control their severed limbs.

It’s never explained fully whether each Deadite is an individual spirit, though Deadites occasionally use “we” in reference to the actions of an individual, suggesting a hivemind consciousness working in service of the Kandarian Demon. All that matters is their unified goal: desecrating human life in as many ways as it can.

HOW ARE THEY MADE?

While the Kandarian Demon can make Deadites with little effort by assaulting someone in its incorporeal form, Deadites can also create more of themselves by attacking other humans. While the most notable instance of this is the viral bite that forced Ash to sever his hand and replace it with that sweet, sweet chainsaw, any attack that breaks the skin or kills its victim should also suffice.

HOW DO YOU KILL THEM?

Simple! Have a magic knife.

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The Kandarian Dagger, another of Raymond Knowby’s discoveries, is the most potent weapon against most if not all, demons. Carved from bone, the artifact cuts through the demon’s many invulnerabilities.

Barring that? Deadites are dispatched most commonly through dismemberment, capped off by destroying the head. Sunlight also causes the Kandarian Demon to retreat and reverses Ash’s possession in the second film, but most Deadites seem to have shed this particularly weakness by the time of Ash Versus Evil Dead.

Whether Ash will ever actually finish off the Kandarian Demon and its forces, however, is uncertain…

AND IN THE EVIL DEAD REBOOT?

Though Deadites retained their most important qualities (except for those pure white eyes), the main villain of the remake is a different beast altogether. The entity in the Fede Alvarez masterpiece Evil Dead (2013) is not the Kandarian Demon but is a being known as the Taker of Souls. Still, it’s not that big of a stretch to assume they’re of the same or a similar species, given their comparable levels of power and similar means of operation.

Whether the upcoming Evil Dead Rise will show us the Kandarian Demon’s return, the Taker of Souls next attempt at taking form, or a new beast altogether hasn’t been confirmed.

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…IS JASON A DEADITE?

No.

The answer is no.

I will personally fight Adam Marcus on this.

No.

And that will be it for today’s Horror History 101 lesson. See you in the next class, and stay tuned for more content concerning horror movies, television, and everything in between!

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Misc

Our Halloween Giveaway Is Here!

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Halloween and our final giveaway of the month is also here to spice up your Fall before the Holidays take a snowier, and less creepy turn. So be sure to enter now for a chance to win this prize that’ll be sure to keep the thrills going all season long! Don’t miss out—grab your costume, some BBQ and join the fun.

Enter Our Halloween Giveaway!

How to Enter:

Step 1. Make sure to FOLLOW US ON FACEBOOK AND JOIN OUR FACEBOOK GROUP!

Step 2. LIKE AND SHARE the giveaway post!

Step 3. This is the most important step, email us at contact@horrorpress.com with your FULL Facebook name (so we can verify you’re in the group) and who your favorite character is from the Texas Chainsaw franchise.

**Giveaway entries are limited to addresses in the United States.**

**All entries must be 18 or older to enter**

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What You’ll Win

The Texas Chainsaw Massacre (2003) Limited Edition 4K UHD from Arrow Video

  • 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible)
  • Original DTS-HD MA 7.1 and 5.1 surround audio and lossless stereo audio
  • Optional English subtitles for the deaf and hard of hearing
  • Brand new audio commentary with Dread Central co-founder Steve “Uncle Creepy” Barton and co-host of The Spooky Picture Show podcast Chris MacGibbon
  • Archival audio commentary with director Marcus Nispel, producer Michael Bay, executive producers Brad Fuller and Andrew Form and New Line Cinema founder Robert Shaye
  • Archival audio commentary with Marcus Nispel, director of photography Daniel Pearl, production designer Greg Blair, art director Scott Gallager, sound supervisor Trevor Jolly and composer Steve Jablonsky
  • Archival audio commentary with Marcus Nispel, Michael Bay, writer Scott Kosar, Brad Fuller, Andrew Form and actors Jessica Biel, Erica Leerhsen, Eric Balfour Jonathan Tucker, Mike Vogel and Andrew Bryniarski
  • Reimagining a Classic, a brand new interview with director Marcus Nispel
  • Shadows of Yesteryear, a brand new interview with cinematographer Daniel Pearl
  • The Lost Leatherface, a brand new interview with actor Brett Wagner
  • Masks and Massacres, a brand new interview with makeup effects artist Scott Stoddard
  • Chainsaw Symphony, a brand new interview with composer Steve Jablonsky
  • Chainsaw Redux: Making A Massacre, a making-of documentary
  • Ed Gein: The Ghoul of Plainfield, an in-depth look at the infamous killer who inspired the character of Leatherface
  • Severed Parts, a look at the cutting room floor and some of the scenes excised from the final edit
  • Deleted scenes including an alternate opening and ending
  • Screen tests for Jessica Biel, Eric Balfour and Erica Leerhsen
  • Behind-the-scenes featurette
  • Cast and crew interviews
  • Theatrical trailers and TV spots
  • Concept art galleries
  • Reversible sleeve featuring original and newly commissioned artwork by Aaron Lea
  • Double-sided foldout poster featuring original and newly commissioned artwork by Aaron Lea
  • Illustrated collector’s booklet featuring new writing on the film by Michael Gingold
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Misc

NYCC 2025 Horror Highlights: A Sneak Peek at ‘The Lost Boys’ Musical, ‘Resident Evil: Requiem,’ and More!

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As soon as New York Comic Con announced that its 2025 theme would be “haunted,” I started lacing up my comfy shoes and making a beeline for the Javitz Center! Horror has always been represented at the con, but it felt fitting that it should play a central role in this year’s event at a time when the genre seems more popular than ever. 

From beloved family-friendly properties like The Nightmare Before Christmas to pants-dampening titles like the upcoming Resident Evil: Requiem, horror appeared in countless shapes and forms. Here are all the best and scariest insights I gleaned from the show floor, panel rooms, and pop-ups of New York Comic Con 2025! 

Our NYCC 2025 Horror Highlights

Resident Evil: Requiem Is Going to Test Your Bladder Strength

Full disclaimer: I’m not a gamer. I’m honestly pretty bad at games, which made my Resident Evil: Requiem play session all the more frightening because I was convinced that everyone around me would realize I’m a fraud. But with easy-to-grasp controls, even for a newb like me, the latest installment in the iconic horror franchise quickly sucked me in and left me on edge for entirely different reasons. 

During my 30-minute session, I was introduced to FBI analyst Grace Ashcroft, Requiem’s central character. She swims to consciousness to find herself strapped upside down on a gurney with a needle in her arm, siphoning her blood. After Grace managed to free herself, the controls were handed over to me to explore the creepy facility through Grace’s eyes, looking for a fuse. Some spaces were bathed in red light; others were lit only by flickering bulbs that left me white-knuckling the controller, waiting for something to emerge from the shadows and swallow me whole, not helped by Grace’s anxious, stuttering breathing in my ear. 

I took a moment to appreciate how detailed video games have become since my childhood experiences playing Evil Dead: Hail to the King on the original PlayStation (seriously, you can see the dust drifting in beams of light now?!), only for the sound of movement somewhere in the facility to yank me back to the present. I renewed my frantic search for the fuse, only to run blindly into a pitch-black room and encounter something enormous that dragged me into the darkness. Sorry, Grace!

You can find out what happens next when Resident Evil: Requiem releases for the PlayStation 5, Xbox Series X|S, PC, and Nintendo Switch 2 on February 27, 2026.

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Megan Fox Is Among the New Cast Members in Five Nights at Freddy’s 2—And Blumhouse Hasn’t Given Up on Its Other m3gan Yet

Blumhouse made several announcements at their NYCC panel, most notably that Megan Fox (Jennifer’s Body) is voicing Toy Chica in director Emma Tammi’s highly anticipated sequel Five Nights at Freddy’s 2, coming to theaters on December 5. Other new additions to the cast include YouTuber Matthew Patrick, aka MatPat, who cameoed in the first movie and will voice Toy Bonnie, and Kellen Goff, who has voiced multiple characters in the game series and will now lend his pipes to Toy Freddy.

I’m interested in Five Nights at Freddy’s 2, not least because my best friend is terrified of the franchise and makes a wildly entertaining moviegoing companion—but I’m more interested in the future of another Blumhouse franchise, M3GAN. After the sequel underperformed, likely due in part to its hard genre pivot away from horror and into action territory, the future of the killer doll is uncertain. But in a special industry presentation on “The Business of Fear,” Jason Blum revealed that “we’re all working to keep M3GAN alive,” adding that Blumhouse is exploring other potential mediums before trying to resurrect her on film. 

Does that mean a M3GAN video game might come our way in the future, or perhaps a TV series? I don’t know, but I have a feeling this isn’t the last we’ve seen of the silicone diva.

Photo taken by Samantha McLaren.

The Lost Boys: A New Musical Will Feature Flying Stunts and a Live Vampire Band

My queer heart is a sucker for musical adaptations of horror films I love, so you can be certain that I’ll be heading down to the Santa Carla Boulevard—aka Broadway’s Palace Theater—for The Lost Boys: A New Musical, which begins previews on March 27, 2026. At their NYCC panel, producer Patrick Wilson (The Conjuring franchise), director Michael Arden (Maybe Happy Ending), and cast members LJ Benet, Ali Louis Bourzgui, and Maria Wirries revealed why they feel Joel Schumacher’s 1987 classic translates so well to the stage, and what audiences can look forward to. 

“There’s something that I see with both horror movies, musicals, and superhero movies—there’s an element of melodrama that’s really rewarding,” says Wilson, who began his career in musical theater and worked with Schumacher on the director’s 2004 film adaptation of The Phantom of the Opera. “Some people view it as camp, but there’s a reality of it being heightened that felt like this story cemented itself so much to being a musical.”

“They’re a biker gang, after all, and there’s a level of theatricality to that in and of itself,” says Arden. “Our biker gang also happens to play instruments.” 

That’s right: the vampires will be playing instruments live on stage, which made casting twice as hard. Ali Louis Bourzgui, who plays David, the character portrayed by Kiefer Sutherland in the film, reveals that he plays guitar. And that wasn’t the only unusual request in the casting call: auditions included a flying test. (Presumably wires were involved, unless Arden has found himself a real cabal of vampires in his cast.)

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Other highlights that fans can look forward to include killer music from one of Arden’s favorite bands, The Rescues. You can listen to the song “Have to Have You” right now, featuring instrumentals from Slash. The director also teases that many fan-favorite moments from the film will feature in some way in the musical, including the bridge scene and, yes, even the sexy saxophone guy. 

Greg Nicotero’s Guts & Glory Marks a New Challenge for a Legend of the Business

If you like looking at gnarly practical effects in horror movies, chances are you’re familiar with Greg Nicotero’s work, whether you realize it or not. The legendary SFX artist has worked on everything from George Romero’s Day of the Dead and Sam Raimi’s Evil Dead II to Kill Bill and, more recently, The Walking Dead. The impressive extent of his resume was made clear at the panel “Shudder is Here to Scare the S*** Out of You,” in which almost any film mentioned by the other panelists was met by a small smile and a humble murmur of “worked on that” into the mic, often followed by a wild anecdote. Nicotero seems like the most interesting man in the world to grab a drink with, and his new horror competition show for Shudder—Guts & Glory—will let us see more of the man behind the makeup brush.

Guts & Glory is one of the most fun times I’ve had on a show,” Nicotero says, teasing that the series is “part Sam Raimi, part Halloween Horror Nights, and part Survivor.” 

In the six-episode first season, contestants are dropped into an Alabama swamp, where there’s an urban legend about an evil spirit. “One of the contestants gets possessed by the evil spirit, people start dying off, but in the meantime, they’re still competing and there’s a prize,” Nicotero explains.

Guts & Glory is effects-heavy, which was challenging to do in an unscripted series relying on real people’s real-time reactions. “You do a movie, you can cut and try it again,” Nicotero explains. “[This] was completely out of my wheelhouse and out of my comfort zone, but I’m really, really proud of it.”

Nicotero’s Creepshow was one of the first original shows to debut on Shudder, so he’s truly part of the DNA of the horror streamer, which celebrated its 10th anniversary this year. Guts & Glory premieres on October 14 as part of Shudder’s Season of Screams programming.

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Horror Short The Littles Deserves the Big-Screen Feature Treatment

Some short films are perfectly suited to their bite-sized format, while others contain the seeds of something much bigger. At the New York Premiere of The Littles, a new short written and directed by American Horror Story producer Andrew Duplessie, I could immediately see the potential for the feature film that Duplessie hopes to make. 

Equal parts charming and unsettling, The Littles stars M3GAN’s Violet McGraw as a little girl with a loose floorboard in her bedroom. One night, a scuffling sound and a crack of light between the boards lead the little girl to discover that her family isn’t alone in the house… 

Duplessie says The Littles was inspired by his own experiences growing up in a creaky old house with a no-doubt overactive imagination. The short features creepy-cute stop-motion animation from Anthony Scott (The Nightmare Before Christmas), puppets by Katy Strutz (Guillermo del Toro’s Pinocchio), and some truly adorable miniature sets by Aiden Creates, all blended perfectly with the live-action scenes. Check it out if it’s playing at a festival near you, and watch this space for a (fingers-crossed) future feature! 

Photo taken by Samantha McLaren.

Disney Publishing’s New The Nightmare Before Christmas Tie-in Novel Welcomes Younger Fans into the Scary Fun

NYCC’s horror happenings weren’t all geared toward an adult audience. Disney Publishing took over Daily Provisions Manhattan West for a pop-up experience inspired by The Nightmare Before Christmas, featuring themed food and drinks like a delectable Pumpkin Potion coffee that I could honestly drink all season long. 

At a media and creator event in the space, I took a look at the newly released Hour of the Pumpkin Queen from New York Times best-selling author Megan Shepherd, who also wrote the official novelization of The Nightmare Before Christmas for the film’s 30th anniversary in 2023. In this new tie-in novel, Sally and her rag doll apprentice, Luna, embark on a time-bending adventure to save Jack Skellington and Halloween Town after falling through a mysterious portal.

I was gifted a copy of the book by Disney, but all opinions are my own here. I’m looking forward to giving it a read during the inevitable Halloween hangover that takes place in November, before likely passing it on to my young nieces when they’re old enough. It’s a full novel, not a picture book, so definitely geared more toward a YA audience, but between the beautiful artwork on the cover and the seasonal theme, it might just be the perfect gift for the budding horror lover in your life. 

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That’s a wrap on New York Comic Con 2025! Be sure to bookmark Horror Press if you haven’t already so you never miss our coverage of conventions, festivals, and more. 

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