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Presenting: ‘The Boulet Brothers’ Dragula: Titans’ Golden Ghoulie Awards

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Welcome, prized plebeians and titular Titans, to the inaugural Golden Ghoulie Awards™! The first season of The Boulet Brothers’ Dragula: Titans has come to a close and featured nine episodes of lewks, kooks, and truths to scrutinize and glamorize. Equal parts The Real HouseUglies of Hades, a lighthearted hang with old friends, and a deadly battle for drag supremacy – Titans juggled more tonal shifts than the Shudder home page. In honor of yet another phantasmagoric buffet of the senses led by the nightmarish Boulet Brothers, Horror Press thought it’d be horrific to hand out nonexistent awards – courtesy of us – to the Monsters and moments that made this season special. Join us in your Samhain best as we make one final descent into the Underworld. As an unfriendly reminder, if any altercations relating to love triangles break out during the show, all parties will be escorted from the premises and cast back into oblivion.

Best Individual Looks:

Granny hag from hell. Gorgeous ladies with big naturals. Wigless. A lewd homage to the Disney Channel. No, I’m not reading from a discarded flyer for the Boulet Brother’s 2022 Halloween Ball. These are descriptors of just some of the legendary artistry our Titans brought to the main stage this season. Famed artist H.R. Giger once said, “My paintings seem to make the strongest impression on people who are, well, who are crazy,” and our eyeballs were absolutely batshit for the visual splendor that made up the Titans floor shows. We’d be remiss to defibrillate the Golden Ghoulies without first acknowledging all the hard work put in by every single Titan to cross the threshold. So, in order of disappearance, these are the Best Individual Looks each Titan served this season.

Yovska: Pumpkinhead (Halloween House Party) – We didn’t get to see much from our favorite plushy hellion this season, but Yovska came out swinging in this sultry Nightmare Before the Strip Club number. Criticized in their original season for not allowing the personality of Yovska to shine through the cuddly terror of their costumes, this time, Pumpkinhead served body and face. Remain on guard because they’ll distract you with their pumpkaboobs before they sink their teeth in you.

Runner Up: Teletubby Toilet Bowl (Premiere episode entrance) – The Golden Ghoulies wouldn’t be complete without mentioning this meme-worthy moment. Whatever Yovska’s intention, Kendra – through her almighty shade – made sure we will forevermore associate Yovska with that cursed children’s show and the porcelain throne.

Kendra Onixxx: Frankenstein (Halloween House Party) – Grace Jones made an appearance at the party via Kendra’s 1980s-inspired Frankenstein costume. Despite coming across as low-key compared to the competition, the reference is unmistakable, and the vibes are right. She also remained faithful to the 80s spirit with not one but ten (10) coke nails!

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Runner Up: Grandmother Bitch (Science Fiction [Horror] Double Feature) – Confoundingly unhinged, this campy moment gave Club Libby Lu realness. Hold on to your wigs because there will be more on this infamous lewk later in the show.

Erika Klash: Space Hydra (Science Fiction [Horror] Double Feature) – Lay back, and feast as this kaiju guides you through new and exciting dimensions. Erika broke free of her cutesy couture chains and propelled into the stratosphere with this DayGlo Ghidorah experience. Moving on from gel pens to prosthetics and puppetry, Erika entered Titan territory. Artpop, indeed.

Runner Up: The Bat (Halloween House Party) – Spoopy when it counts, Erika’s flittermouse had hair and carnal gore in all the right places. If it were not for her pairing with a literal question mark, perhaps the look would have gotten its due.

Abhora: Angel Eater (Science Fiction [Horror] Double Feature) – Abhora may rarely understand the assignment (and that’s why we love them), but this haute couture original proved that sometimes we need to get on their level. When you can’t figure out if it’s a dove-eating Final Fantasy boss or something from a Paris runway, it’s both, and it’s automatically iconic – we don’t make the rules. Abhora could Ozzy Osbourne, but Ozzy could never Abhora.

Runner Up: Spiral Witch (Revenge of the Witch) – It’s their woods, and we’re just following a trail of candy in it. Much like Miss Grandmother Bitch, stay tuned for more on this one.

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Melissa Befierce: The Fabulous Predator (Science Fiction [Horror] Double Feature) – If you’ve ever wanted to see the Predator in The Fifth Element serving See You Next Tuesday, Melissa worked it out, baby. Her custom bodysuit was meticulously stoned for tha’ gawds, and her lipstick was on point(ed teeth), all while remaining ultra-deadly. To borrow directly from her name, the lady was fierce as fuck.

Runner Up: GLOW Diva (The Ugly Ladies of Wrestling Rematch!) – This 1980s butch-femme fantasy is something only Melissa Befierce could pull off. A true glamazon in a ring of Uglies. Watch out, Sigourney!

Astrud Aurelia: The Kraken (Seamonsters of the Depths) – An ultimate mashup of their animal-infused drag and the show’s high expectations, Astrud’s Kraken had Davy Jones’ locker room on its knees. It was a titanic glow-up from their would-be Season 4 “Ghostship Glamour” challenge look (seen via Instagram) and highlighted their uncanny ability to mix fantasy creatures with reality.

Runner Up: Primordial Ooze (Science Fiction [Horror] Double Feature) – All eyes were on Astrud with this lewk, and that’s how they like it. Resembling something you wouldn’t want to find under your bed or in a dirty kitchen, they landed a laser-sighted bullseye on the challenge.

Evah Destruction: Sea Witch (Seamonsters of the Depths) – Evah’s hairy-armed Ursula blew all the fish out of the water. The curtain of her bioluminescent shell pulled back to reveal a sinister beat, and Evah utilized her thespian skills to sell the high drama. It was, perhaps, this Titan’s finest moment of the franchise. Is there still time for her to film a role in the upcoming live-action The Little Mermaid?

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Runner Up: The Devil (Halloween House Party) – Before Evah’s Sea Witch, there was Evah’s Devil. Yet another personal best, guest judge Cassandra Peterson told no lies when she proclaimed this should be Evah’s signature look.

HoSo Terra Toma: Sadako (Horror Icons Reanimated) – Leave it to HoSo to gift wrap Sadako from Ringu in celluloid and make it fashion. Everything about this look worked, from the analog TV helm to the slimy and tangled hair to the performance itself. They made this character fresh and – most importantly – drag while remaining distinct from the rest of their body of work.

Runner Up: Prom Queen (Zombie Prom) – If one of the countless Resident Evil iterations filmed a prom scene, this creature would be there. Plus, seeing HoSo in “basic bitch” drag was priceless.

Koco Caine: Elf Barbarian (Dungeons and Drag Queens Two: Into the Underdark) – Koco had her fair share of large (and busty) props this season, but none rocked the set more than her Elf Barbarian and axe. In true Koco fashion, the look and performance fused femme fatale with comedic timing, and the detailing ensured her character would be every gay boy’s first pick for the D&D campaign. Gimli is quaking.

Runner Up: Black Widow (Grand Finale) – This terrifying creature was perhaps the best embodiment of filth, horror, and glamour during the final floor show of the season. Nightmare fuel that makes you horny? Classic Koco.

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Victoria Elizabeth Black: Pumpkinhead II (Halloween House Party) – She saved the best for…first? While Victoria’s prosthetic work is out of this Underworld, her first lewk of the season utilized her skillset while leaning more toward traditional drag than “Universal Studios.” From the top of her removable scalp to the bottom of her pumpkin-gore skirt, it was ooey-gooey perfection. It became immediately apparent that VEB was back, and the granny hag from hell mouth prosthetic came with her.

Runner Up: Prom Queen (Zombie Prom) – It was a treat to see a softer side of Victoria pre-zombie bite, and the aftermath was expectedly repulsive. Truly the best of both worlds.

Top 3 Floor Shows:

Drag as an art form is constantly in a cycle of reinvention. It has been around far longer than we realize and will continue to evolve far beyond our wildest imaginations. The Boulet Brothers’ Dragula acknowledges and nurtures this concept, providing alternative drag artists a platform where there once was none. And while we eat up the backstage drama and wait with bated breath for the infamous Exterminations, the otherworldly floor shows keep us coming back for more. Old school and new-age drag form a symbiotic bond on the main stage, mixing ballroom with experimental, glamour with gore. Titans resurrected some old favorites and gave us new surprises. These are the Top 3 Floor Shows of the season.

  1. Zombie Prom: Most symbolic of the fusion of old and new, this floor show allowed us to see a different side of our Titans before tearing their bodies asunder as flesh-eating undead. And while we may never want to see Abhora presenting as a female cheerleader again, some were genuinely breathtaking. Then, when the shit hit the fan and their minds went feral, the show’s editors did a fantastic job splicing together the transition and letting carnage and chaos reign.
  2. Revenge of the Witch: A curse of baldness, a little bit of Project Runway, and a campy lip sync – this floor show had it all! It’s always a treat to see individual takes on the classic iconography of the witch, and this time our whimsical wenches had to design a pair of magical pumps to wear while lip-syncing the bog down boots. Thematically, we saw a few witches exact some sweet revenge, and homosexually, we witnessed the gayest floor show of the franchise. Werk!
  3.  Horror Icons Reimagined: Another take on a prior season’s challenge; this one is oddly personal. As horror lovers, we all have our favorites, and here we can see who or what might inspire the Titans and their work. This go-around, they were tasked with recreating a signature moment from their chosen icon, and the results were killer. A special shout-out goes to Koco Caine for going full-meta and performing as the third Boulet Brother.

Top 3 Fright Feats:

“On Titans, we’re all Erika” – HoSo Terra Toma

Fear: It lurks beneath the surface. We feel it when we catch a shadowy figure in our periphery. We experience it when we forget our charger at home. We see it in the eyes of the woman selling discount paella at the local dive bar. It drives our decisions and alters the course of our lives. Unfortunately, it didn’t create any lasting effects on this season of Titans, in which everyone had to participate in the weekly Fright Feat before continuing the competition. But, in the end, the fear of expulsion forced them to embrace their inner Extermination Queen, Erika Klash, and eat pig brains. In the spirit of fear, here are the Top 3 Fright Feats of the season.

  1. Burn the Witch: Literally and figuratively the spiciest of all, this Feat saw the tempestuous Titans set their mouths ablaze by eating some of the hottest foods on the planet. The most sincere test of wits and physical endurance was undoubtedly the most challenging and appropriately came with higher stakes. The winner (Erika, duh) was able to cast The Curse of Baldness upon a fellow competitor (Abhora, duh) to suffer during the upcoming floor show.
  2. Lie Detector Test: This was a shady ol’ time – pure fun. We got some answers to hard-hitting questions and plenty of spilled tea. Does Victoria think they’re better than everyone else? Does Astrud believe they have what it takes to win? Are Koco’s titties full of secrets? Talk about juicy.
  3. Bobbing for Apples (in blood): While none too challenging or revealing, this throwback to the quintessential party game threw our players into the deep end from the jump. Wigs were slicked back in viscous plasma, and the ghouls were literally gagging. The Boulets surely got their money’s worth watching this puke fest.

 Most Gag-Worthy Moment: “Shoes” Lip Sync

Setting aside the season’s towering amounts of interpersonal drama, the Boulets set out to have fun this season. Their banter was sillier, the Titans made tinfoil hats and played “Stabula” in the boudoir, and an entire episode’s B-plot dedicated itself to the quest for fun. So, when the super-secret lip sync song for the Revenge of the Witch floor show revealed itself to be “Shoes” by Kelly, a collective gay gasp could be heard worldwide. We’re used to the occasional lip sync to a Boulet Brothers song, but something so explicitly camp seemed almost out of reach on the show. Watching these Titans, who are now horror icons in their own right, prance around the stage to such a ridiculous song was pure magic. Thank you for such a stupid surprise, Gagula.

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Most Heartwarming Moment: Melissa and Abhora Make Amends

In a season full of strong personalities and love triangles, the clash of the Titans often happened off-stage more than on. And while we love a good drama, it tended to drone on longer than Merrie Cherry on Season 4. At one point, it seemed as if Melissa and Abhora were going to come to blows due to the former’s intolerance of petty drama and the latter’s self-destructive behavior. In actuality, an angel must have been shining down on Hell that day because while on location for the D&D challenge, the pair set aside their differences and hugged it out. Our stone-cold hearts grew three sizes that day.

Most Robbed: Abhora as the Spiral Witch

Abhora had a very tumultuous season, but one of their moments in the spotlight was during the Revenge of the Witch floor show. They shocked the cast by returning from oblivion, expertly rolled with the Curse of Baldness cast upon them by Erika, and turned out one of their best floor shows of the season. Sure, Abhora can’t quite figure out how to walk in a heel, but they swirled and twirled around that stage like it was New York City and definitely understood the assignment. They should have at least been at the top if they could not secure the win. Instead, they were safe and left to their inner saboteur backstage. Robbed!

Most Iconic Inanimate Object: The Quill

I know what you’re thinking: What about Koco’s axe, HoSo’s bubble gun, and Abhora’s creepy baby doll mug? The Golden Ghoulie goes to Episode 1’s quill, which the Titans used to write down the names of who they thought should be up for elimination, Survivor style. Much like a toxic hookup, it came, caused chaos, and left without a word. It also gave us one of the season’s funniest moments in which Koco could not use the quill to save her life due to her iconically long nails. We need a Koco Caine and Jennifer Coolidge buddy comedy, stat!

Best Wig: Victoria Elizabeth Black’s Zombie Prom Intestines Wig

Intestines transformed into a wig. It looks as intricate as it does disgusting. Need we say more?

Worst Wig: Yovska’s Revenge of the Witch Wig

While we are here to celebrate our Titans, there needs to be at least one straight-up shady category. Yovska doesn’t typically wear the standard drag wig – or any at all – so they must know this was a sin. It looked like a possessed merkin, unless, maybe, that’s what they were going for?

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Biggest WTF Moment: Grandmother Bitch

If you thought “Abhora as ???” was confusing, you hadn’t seen anything until Kendra appeared on stage in Episode 3. Dressed like Judy Jetson as a high-end call girl, she used a Nintendo Switch controller as a prop phone to scream expletives at/about Grandmother Bitch in a surreal spoken word performance. It culminated in her pooping out an alien egg and eating it. After some internet sleuthing, it has come to our attention she was paying homage to the 1999 Disney Channel original movie Zenon: Girl of the 21st Century. If this helps you make more sense of it, we are glad to have helped. In any case, we couldn’t take our eyes off her, and we hope she made it to the Protozoa concert with egg-free hotpants.

Biggest Upset: Melissa Tops While HoSo & Evah Bottom

 Melissa had been playing as an underdog throughout the season, but Episode 6’s wrestling challenge provided the perfect opportunity for the fiercest butch queen of the franchise to snatch a win. In contrast, frontrunners HoSo and Evah couldn’t match her masculine energy and soon faced the Staircase of Souls. Tension was thick, and it seemed the Boulets didn’t bring a knife because both remained safe by the episode’s end. One upset creates another, and everyone was left to wonder what consequences this double save might hold for the future. The drama of it all!

The Golden Breastplate Award of Honor: Koco Caine

The Golden Breastplate Award™ honors the Titan who displays a god-like mastery of shade and the spoken tongue. Koco Caine shone like a beacon of light in the darkness, illuminating a path for all to see. She was the season’s narrator, telling like it was, is, and will be. She lay her shade like delicately placed proximity mines, popping off when you should have known better. The only dragging of Koco Caine was done by Koco Caine herself because if you can’t read yourself, how in the hell are you gonna read somebody else? She left the season unscathed, emerging as the show’s sweetheart with a heart – and a breastplate – of gold.

That’s our show, Uglies. Thank you for being a part of the inaugural Golden Ghoulie Awards, and we hope you enjoyed reminiscing on the crowning achievements of our beloved Titans. If you wish to wash away some of that pesky fire and brimstone, we’ll be dumping buckets of blood on people in the parking lot after the show since it went unused for the finale. Rest in pieces!

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The 10 Most Satisfying Deaths in Horror Movies

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Horror Press’ exploration of catharsis this month lends itself naturally to the topic of satisfying horror movie deaths. While murdering people who vex you in real life is rightly frowned upon, horror allows us to explore our darker sides. Fiction gives us the catharsis and relief to allow us to survive that ineradicable pox that is other people. To that end, here are the 10 most satisfying deaths in horror movies.

PS: It goes without saying that this article contains a few SPOILERS.

The 10 Most Satisfying Deaths in Horror Movies

#10 Franklin, The Texas Chain Saw Massacre

I ranked this death from the original Texas Chain Saw Massacre lowest for two reasons. First, I think Franklin’s whole vibe is a perfect fit for the unnerving, overwhelming atmosphere of Tobe Hooper’s masterpiece. Second, I think it’s important for representation that onscreen characters from marginalized groups be allowed to have flaws. That said, Franklin Hardesty is one of the most goddamn annoying characters in the history of cinema. Endless shrieking and raspberry-blowing will do that for ya. His death via chainsaw comes as a profound relief. His sister Sally spends the next 40 minutes or so screaming nonstop, and that’s considerably more peaceful.

#9 Lori, Happy Death Day

This is less about the character herself and more about Tree’s journey. After watching her time-loop for so long, being thwarted at every turn, Lori’s poison cupcake is a real gut-punch. Tree’s vengeance allows her to break out of the time loop once and for all (until the sequel). It also allows us to rejoice in the fact that her work to improve herself hasn’t been for naught.

#8 Billy, Scream (1996)

There are a hell of a lot of satisfying kills perpetrated upon Ghostfaces in the Scream franchise. However, the original still takes the cake. Sidney Prescott curtly refuses to allow a killer to plug a sequel at the end of her survival story. Instead, she plugs him in the head, saying, “Not in my movie.” It’s not just a great ending to a horror movie. It’s a big middle finger to sleazy teenage boyfriends the world over.

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#7 Crispian, You’re Next

Ooh, when Erin finds out that this rotten man has knowingly brought her along to a home invasion… His attempt to charm (and bribe) her might have won over a weaker person. But in addition to putting her in danger, he has willingly had his family slaughtered for money. Erin won’t stand for that, and her takedown of yet another Toxic Horror Boyfriend is cause for celebration.

#6 Charles, Friday the 13th Part VIII: Jason Takes Manhattan

Charles McCulloch might be one of the nastiest characters in film history. While school administrators are hardly any student’s best friend, his cold cruelty is downright abnormal. How he manages to be simultaneously overbearing and wicked to his niece, Rennie, I’ll never know. But thankfully, Jason Voorhees drowns him in a vat of toxic waste, removing the need to solve that mystery. Not all heroes wear capes. Sometimes they wear hockey masks.

#5 Tyler, The Menu

Up next on the tasting tray of cinema’s worst boyfriends, we have Tyler. He’s not technically Margot’s boyfriend, because she’s an escort he invited to a fancy dinner. But he should still land in the hall of fame. That’s because he brought her despite knowing ahead of time that nobody was meant to leave the restaurant alive. Thankfully, he gets one of the best Bad Boyfriend deaths of them all. He dies at his own hands. By hanging. After being thoroughly humiliated with proof that all the mansplaining in the world can’t make someone a good chef. Delectable.

#4 The Baby, Immaculate

You may remember this kill from my Top 10 Child Deaths article. The ending of Immaculate is (there’s no other word for it) immaculate. Shortly after Sister Cecilia learns that she has been unwillingly impregnated with the son of Christ, she gives birth. Instead of letting the church manipulate her further after violating her body, she smashes that godforsaken thing with a rock. In the process, she sheds years of ingrained doctrine and sets herself free once and for all. This is the ending that Antichrist movies have historically been too cowardly to give us. The fact that this character is a potential messiah makes it that much more cathartic.

#3 Carter, The Final Destination

I mean, come on. This guy is literally credited as “Racist” at the end of the movie. Pretty much every Final Destination movie has an asshole character who you crave to see die. But this epithet-spewing, cross-burning bigot is by far the worst of the bunch.

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#2 Dean, Get Out

Racism comes in many forms, as Jordan Peele’s Get Out highlights. The Armitage family’s microaggressions quickly become macroaggressions, more than justifying Chris’ revenge slayings. While this whole portion of the movie is immensely satisfying, Dean’s death might just be the most cathartic. This is because he is killed via the antlers of a stuffed deer head. Chris uses the family’s penchant for laying claim to their prey’s bodies against them with this perfectly violent metaphor.

#1 Adrian, The Invisible Man (2020)

Here we have the final boss of Toxic Horror Boyfriends. This man is so heinously abusive that he fakes his own death in order to torment his ex even more. Cee using his own invisibility suit against him to stage his death by suicide is perfectly fitting revenge.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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