TV
The Stilettos of Bog’s End: The Boulet Brothers’ Dragula: Titans Ep 2 “Revenge of the Witch” Recap
Calling all the basic witches! Put on your dusty wigs and moth-eaten capes, and grab your moldy chalices because another serving of drag, filth, horror, and glamour is bubbling in the cauldron. After a legendary opening night of The Boulet Brothers’ Dragula: Titans, the smoke has settled, and the stage is set for an epic showdown. Shade has been thrown so far and wide that it’s almost impossible to make out a Teletubby from a toilet bowl, but after a kaiju-sized episode, we now have a better understanding of who these Titans are since their time spent six feet under. And while we saw Abhora, the purveyor of chaos, cast back into oblivion, Halloween isn’t over for the Boulet Brothers. It appears they have one more trick up their bewitching couture.
Before that trick can be treated, our chronically costumed creatures enter the boudoir for a fresh day in Hell, and the shit-talking commences. Not fond of this particular form of a death drop, the Titans are still in disbelief over the floor-dropping elimination they witnessed last week. Erika – forever bruised like a bad apple – insists she will neither forgive nor forget being voted into the bottom. Evah’s pissed too, only her anger is directed towards Abhora due to their defeatist attitude, and most others agree. Well, aside from HoSo and Astrud, who have empathy for their beaked beau and wish the world could have seen more of Abhora’s art.
With those words, the first spell of the episode is cast as Abhora – cupping an iconically creepy baby doll mug for all the tea she overheard – casually strolls into the boudoir. Everyone is understandably shocked by this turn of events, and lore-wise it doesn’t make any sense – Miss Thing had been banished into oblivion with no explanation for her return! Some are bothered, but Evah hugs her friend, relieved to see her back for a second (third?) chance. HoSo and Astrud, meanwhile, are overjoyed as their horniness gets the better of them. All three embrace, despite Astrud and Abhora not-so-secretly wanting to murder each other over the beloved third in their throuple. Kendra, always the voice of reason, shrugs her shoulders and says the show must go on, and so it does as the cast is beckoned to the main stage.
The Challenge
None of us like to see corporate America turn Halloween into the holidays overnight, so in Samhain’s spirit, the Boulet Brothers are keeping the spook alive with a Revenge of the Witch challenge. Considering the return of our favorite witchy weirdo, it’s quite the apt title. The Uglies must design and create an original and terrifying look based on the iconic theme of the witch. Creativity is key, but their unique brand of drag must not get lost in the brew. But the real kicker of this challenge is that they must also create a pair of custom-made shoes to go with their witchy wardrobe and serve it ancient city style to a lip sync performance of a “special song” the Boulets have picked out. It’s giving Pearl in her Wicked Witch of the West fantasy.
Fright Feat
Not one to forget torturing their cast for entertainment, the Boulets announce that this week’s Fright Feat is to play and survive a game of Burn the Witch in which they’ll be served some of the hottest foods on the planet. Whoever manages to stuff it all down like Vhagar the dragon, will be given the ability to cast The Curse of Baldness on a fellow competitor. In a wig-snatching twist, the cursed Titan’s wig or headpiece will evaporate for the entirety of the floor show. As Melissa so eloquently puts it, they will be “bald, just pelona, bald.” Given the typically grotesque nature of this show’s lewks, being a bald baddie may prove less of an issue for some more than others, so it would be wise to direct this witchcraft strategically.
HoSo quips that they’re “worried for a lot of white people here,” while Erika the Extermination Kween says she is determined to win the Feat and prove her worth. Kendra leads a toast as they gulp down their first ill-advised consumable, and the ‘ookiest episode of Hot Ones begins!
Level 1: Vato Loco Blood Mary – Easy, right?
Level 2: Cayenne-laced Jalapeño – Tears are welling.
Level 3: Moruga Scorpion Peanuts – Gags are gagging.
Level 4: Plutonium No. 6 Hot Sauce – Snot is flying.
Level 5: Hellfire Wasabi Habaneros – Yovska and Koco are first out.
Level 6: Ghost Chili Pepper Amuse-Bouche – HoSo and Evah lead the charge as the Uglies start dropping like flies.
Level 7: Whole Ghost Chili Pepper – Melissa and Victoria are out.
Level 8: Trinidad Scorpion Chocolate – Abhora, Erika, and Kendra remain.
Level 9: Whole Carolina Reaper Pepper – Kendra is out, leaving last week’s bottom two to battle for the win.
Level 10: Pepper X – A bonus round, since production did not think anyone would last this long.
Level 11: All Levels Combined – Somehow, Abhora and Erika stuck it out this long and are forced to consume everything on the list at once.
Ultimately, Erika licks her plate clean first and prevails. Without any semblance of strategy, she predictably casts The Curse of Baldness upon Abhora for “doubting” her during the Feat, which she later explains was to put Abhora in her place.
And with that tomfoolery finished, Koco leads a group vogueing session to the tune of “Who that witch bitch?” while Erika presumably sets fire to the rain in the restroom.
Floor Show & Judgment
The lights dim, and all oxygen is sucked out of the room. The Boulet Brothers appear on the main stage with high ponytailed deep space lewks that can only be described as “Ellen Ripley listened to Ariana Grande while skinning a Xenomorph.” The pair introduce returning guest judges Bonnie Aarons of The Nun, whose enthusiasm for horror is always appreciated, and Darrein Stein, director of Jawbreaker and first-ever guest judge on the show way back in Season 1.
The first true floor show of the season begins, and the witchy mist-shrouded silhouettes we love to see, appear on stage. This eeriness does not last long, though, because the super secret lip sync song is revealed to be the early aughts viral-before-there-was-viral classic “Shoes” by Kelly. Gagula has somehow gotten gayer and the juxtaposition of these (mostly) terrifying witches performing such a silly and flamboyant song is hilarious. The clear lipsync assassins of the night are Kendra, Evah, HoSo, and Koco. Kendra is nothing if not a performer, with Koco not far behind, and Evah and HoSo bring their characters to life with broom and bubble wand props, respectively. Astrud and Erika kinda-sorta-not-really-vogue-the-house-down-toots, while Yovska, Victoria, and Melissa fade into the background. And finally, the resurrected witch bitch, Abhora, quite honestly slays the performance despite suffering from curse-induced alopecia. Their performance is campy, creepy, and everything we love about that goon.
Now, let’s get some shoes. The Titans model their hooves for the judges, and the Boulets are left somewhat unimpressed. They describe a disconnect between those who succeeded and those that stepped in shit. Erika, displaying a candy corny witch lewk and poorly performed lip sync, remains safe due to a sickening runway in which she literally gags on a sickle. Her fellow Haus of Basic competitor, Astrud, gets by on all looks and no substance, and Koco remains safe by doing the opposite. Abhora, always her own worst enemy, could have easily been at the top of this challenge. Their shoes were Dracmorda’s favorite of the night, and her spiral design turned her Curse in on itself, but as usual, they could not get through the performance without tripping over themselves.
Melissa, serving Diane Keaton back from the dead First Wives Club eleganza, tried a bit too hard with the prosthetics. While not necessarily bad, it isn’t the “deadly, serving, c*nty” Melissa BeFirece we know and love, and Titans is not the time to try something new. She remains safe, with her bottom-landing critiques more of a warning than a scolding. Kendra, on the other hand, performed to perfection, but her shoes were the worst of the week as she hardly customized them at all. And finally, Yovska gets into trouble for serving last week’s Abhora. During judgment, their skull-themed candy witch becomes an eyesore under the harsh studio lights, and their paper mache shoes are hardly visible underneath the outfit. Potion backfired.
That leaves Victoria, Evah, and HoSo at the top of the coven for this week’s challenge. Victoria, as expected, looks fantastic as a one-eyed witch who carries her plucked oculus in a jar of its own. Her bony shoes are jaw-dropping, but her performance was lacking compared to her sisters. HoSo wowed the judges in rat-strewn shoes as a Mad Catter animalistic witch who wears their victims like this year’s runway. But their witch-adjacent vibe isn’t enough for the win, and so it’s handed to Evah Destruction. Evah’s witch lewk may be a bit on the nose, but that’s exactly what’s so charming about it. The broomography sold her performance, and her shoes looked as if the Book of the Dead had a date with a cobbler. She’s over the moon with positive critiques. Blessed be!
Last Rites
The voting from last week, which added a certain level of spice to the competition due to a lack of Exterminations, is strangely missing this time. Instead, Yovska and Kendra must await the Boulet’s final judgment backstage while the ghouls get to gaggling. As such, the drama is fairly chill this week, with the biggest scuffle occurring between Kendra and Yovska. Kendra seems to be asking the others who did the worst for the pleasure of hearing Yovska’s name called out, which Yovska says comes across as a display of insecurity. A small cussing match ensues between the duo and Koco, who sticks up for Kendra before everyone agrees to disagree and shuts up. But before any souls can be damned, production creates some drama of its own by conveniently forgetting to clean up a vote from last week. Abhora quietly saunters over and sees that the name written down is Yovska, and HoSo admits to voting for them in an attempt to stave off votes from one-third of their throuple. Abhora’s revelry is short-lived as HoSo and Astrud fondly reminisce on a hot wax session that fell between the “cracks.” Oh my!
The time has come for Kendra and Yovska to climb the Staircase of Souls and brace for impact. In congruence with everyone’s thoughts backstage, Yovska is the unlucky soul. They drop into oblivion, and we watch as their portrait appears where Abhora’s once hung. We hear the faint sound of a flushing toilet as the screen fades to black.
Quote of the Episode
“My bussy is sweating!” – Melissa BeFierce during the Fright Feat
Honorable Mention
Last week’s victim and this week’s surprise twist, Abhora, laid it all on the line during the challenge. Their spiral concept swatted away that pesky Curse of Baldness, and their wacky personality shone through during the lip sync. Unfortunately, they couldn’t manage to stand up straight through it all.
Rating
As entertaining an episode as any, it’s always curious to see what witchy wonders the show’s Uglies conjure up. However, the drama is cut down considerably with no voting and no exterminations. Instead of a climax, we’re given blue balls. Yes, these Titans have already been murdered during their seasons, but if we’re not going to get an exquisitely filmed death scene, it’d be nice to watch them slit each other’s throats over votes. Perhaps filming so soon after the World Tour threw a wrench in the usual theatrics? (7/10 Fiery Snot Rockets)
TV
Brooklyn Horror Film Festival 2025: The Creep Tapes Season 2
In 2014, Mark Duplass and Patrick Brice created magic with their mumblegore-adjacent found footage epic Creep. Three years later, this dreamy duo brought us the second installment of their creepy killer. Seven years would pass until Josef (Mark Duplass) would creep back into our daily lives with six truly terrifying episodes of The Creep Tapes. It would only be a short time until a second season of The Creep Tapes was announced…and even less time for a third season! The best experience I had at the Brooklyn Horror Film Festival was seeing the first three episodes of The Creep Tapes Season 2.
The Creep Tapes Season 2 Creeps Back Into the Spotlight
The Creep Tapes Season 1 was fairly straightforward throughout. It was a fantastic season (that I loved), but the majority of it was more of the same. Josef finds a victim (through various means), plays nice (and weird), goes after victim, and death. The season finale, “Mom (and Albert)”, was the first time we really got some (what seems to be) true background into Josef. From personal conversations, that episode was hit or miss. (I loved it, the dude hung dong!)
Upon hearing the news of Seasons 2 and 3, I was left wondering, will we get more background, OR will it just dive into Josef’s maniacal madness? While the first three episodes of Season 2 don’t do much to give us too much information about Josef’s background, it does up the ante considerably. Season 2 makes clear that Mark Duplass and Patrick Brice have grandiose ideas that they’re only scratching the surface of.
The Creep Tapes: S2 E1 “Joseph”
Imitation is the sincerest form of flattery, but what happens when the imitation is just… wrong? Josef finds himself in the sights of Joseph (David Dastmalchian), who is looking for a videographer to film a video for his unborn son, as Joseph has been diagnosed with cancer. Sound familiar?
How can someone possibly replicate the insane scenario Josef concocted in Creep? It can’t just be a coincidence—and it’s not. We come to learn that Josef has been doing something with his tapes (and films) that allows Joseph to view his work. Unfortunately for Joseph, the wrong man answered his ad.
This piece of information is crucial for understanding who (and what) Josef is. At points, he seems mentally ill, misguided, a man who just gets too damn lucky sometimes. The information gleaned reveals a much more careless, while still sophisticated, man who believes he’s creating art (of sorts). What’s the purpose of creating chaos in the modern age of technology if you can’t share it with other degenerates?
The “flip of the script” in Season 2 Episode 1 “Joseph” is a heart-racing 20-ish minutes of anticipation. I didn’t separate my butt from the edge of my seat until the credits rolled. But it’s with the casting of Joseph that the true magic of the Season 2 premiere excels. Who else can outmaniac a maniac? Of course, it has to be David Dastmalchian.
The Creep Tapes: S2 E2 “Mark”
Mark (Robert Longstreet) wakes up in a concrete room, his leg chained to the ground. A TV sits atop a table. An empty tub sits across the room. Someone lies still underneath a blanket, with a chain coming out of the bottom. And Josef accompanies Mark, leg chains and all. What could go wrong?
One of the most interesting things about Josef as a character is his ability to showcase his flaws, something that is extremely apparent in Season 2, Episodes 2 and 3. Nearly everything that can go wrong for Josef goes wrong. The reason it goes wrong is because of a simple oversight on Josef’s part. And it’s kind of heartening to see. Nearly every time we see Josef in action, he has a general grasp of his overall plan. He knows, more or less, how his targets will react, and his incredible improv skills allow him to course correct when necessary.
“Mark” just goes off the rails in ways Josef could never imagine.
Season 2, Episode 2 is Duplass and Brice’s nod at the Saw franchise. And, if anything other than a few laughs, solidifies the intense planning and expertise that goes into a John Kramer game. One simple oversight can cause a highly crafted plan to fall apart at the seams. To boot, “Mark” is one of the funniest pieces of horror media I have ever seen. It begs the question, what if an absolute dufus was put in a Saw film?
And don’t worry, bloodhounds, there’s gore aplenty!
The Creep Tapes: S2 E3 “Wes”
Wes (Diego Josef) finds himself taking a job to help Josef film a house-flipping show’s pilot episode. But night descends, and Wes realizes that they’re in the middle of nowhere. Wes’s attempted escape from Josef leads to an unfortunate run-in with law enforcement. Oh boy, how will he get out of this one?!
Even the greatest of franchises will bottom out at some point. Much of what we’ve seen Josef do involves a certain amount of suspension of disbelief. HOW is there not at least a Reddit thread about filmmakers/videographers who have gone missing after answering Craigslist ads? There is no way a 20/20 wouldn’t have been made about these killings if they were real. I mean, just look at how many tapes we see in the opening. Josef is talented at what he does, but everyone slips up eventually.
“Wes” brought me to a point where I was unable to suspend my disbelief. When AMERICAN police see someone moving a potentially dead body and don’t immediately cuff and detain them, you’re asking a bit too much. The crux of this episode revolves around a repeated word: “professionalism.” I get that it’s supposed to shine a light on how unprofessional the police are in this scenario, but it’s a step too far.
What I will say is that it’s a fun angle to take. We’re watching this killer that we’ve seen commit nearly 10 murders, and there are more we haven’t, interact face to face with the police. How will he get out of this sticky situation? I just don’t believe the way it is handled is grounded in a reality that would ever make sense. The chemistry between Wes and Josef, though, is some of the best in the entire franchise. They play off of each other incredibly well, and it makes you wish “Wes” were a feature-length film character instead of an episode character.
A Bold New Chapter for The Creep Tapes
Overall, the first three episodes of The Creep Tapes Season 2 were an overall blast. Even with the issues I had throughout “Wes”, I was entertained the entire time. “Joseph” and “Mark” are contenders for the best episodes of the entire series (and maybe even best entries in the entire franchise). I love seeing Mark Duplass and Patrick Brice spreading their wings to take Josef in different directions. They find ways to keep the product feeling original while still paying direct homage to horror properties beloved by the masses. If these are the first three episodes of Season 2, I think we’re in for a real treat with the final three.
The Creep Tapes Season 2 premieres November 14 on Shudder and AMC+.
TV
Is ‘It: Welcome to Derry’ Worth the Watch?
I loved It (2017) and politely refuse to talk about It Chapter Two. So, I have been impatiently waiting for It: Welcome to Derry to drop. I leaned in as soon as it was announced that Andy Muschietti, Barbara Muschietti, and Jason Fuchs were developing the prequel series for HBO Max. So, while I was denied screeners at the eleventh hour, I still tuned in Sunday night to see if it would live up to the hype. I found myself overall pleasantly surprised, despite having a couple of questions, comments, and concerns.
What’s Going On In Derry?
‘The Pilot’ takes place in 1962. We meet Matt Clements (Miles Ekhardt), a kid with a pacifier habit who loves to sneak into movies. He is caught in a showing of The Music Man and has to leave the venue. He makes the mistake of hitchhiking with a family that turns out to be the last time he is seen. The demonic car ride sets us up to know that kids are in danger in this series, and Matty is clearly not our lead.
Matty’s friends Teddy Uris (Mikkal Karim-Fidler) and Phil Malkin (Jack Molloy Legault) are still reeling from his disappearance. Teddy seems to be taking it the worst as everyone in town refuses to talk to him about it. Another kid taking this disappearance hard is Lilly Bainbridge (Clara Stack), who was on the brink of a possible friendship with Matt. She also has her own baggage, so when Matt’s voice and fingers make their way into her drain, she connects with his friends.
This leads them to form a kid gang to investigate, which includes Susie (Hunter Storm Baker) and Ronnie Grogan (Amanda Christie). As an audience, you assume this will be our core group. However, you know what they say about assuming and It: Welcome to Derry makes a bloody ass out of you and me. The ending is shocking, and the reason I will be tuning into the second episode.
Who’s Who?
While we know Bill Skarsgård will be reprising the role of Pennywise, we do not see him in the first episode. Which is smart because you have to leave the audience wanting more. However, we do meet Leroy Hanlon (Jovan Adepo), who is the grandfather of Mike Hanlon. So, that’s a huge connection to The Loser’s Club we all know from the book and films. He’s experiencing racism at a military base and is ambushed by a weird group that he and his friend fend off. His story was sort of sidelined, so I’m waiting to see how it fully intertwines with what the kids got into. It’s still early yet, and whatever we think we know might not be the gospel. However, his wife Charlotte Hanlon (Taylour Paige) will also be getting screen time. I’m happy to see this because most King adaptations become overwhelmingly white cast affairs.
Speaking of Black characters from the Stephen King Universe getting more to do, young Dick Hallorann (Chris Chalk) will be involved in the story in some way. Constant Readers will remember Dick from The Shining. He was the Black character who also had “the shine’ and saved Danny and Wendy from the Overlook Hotel. In my least favorite adaptation, he is played by the late and great Scatman Crothers. Stanley Kubrick decided to axe the Black psychic character and perpetuate a trope with his version of King’s tale. A choice I still side-eye, and why I love to see this character in other iterations of the tale. So, I am very excited to see how he will fit into It: Welcome to Derry.
Am I Feeling It: Welcome to Derry?
As a former Constant Reader and a lover of horror television, I’m an easy target for this show. While I think the pilot had a couple of things that don’t quite make sense (yet), I’m still leaning in. I am here for the vicious way children are dispatched, the surprising deaths, and for the expansion of one Stephen King’s most iconic baddies. So, I have a date with It: Welcome to Derry this weekend. I want to see where it goes now that most of the cast we were introduced to is dead. I also want to see Pennywise on the small screen to see if Skarsgård can creep us out again. More importantly, it is a fun and intriguing story, and that goes a long way with me.
It’s too soon to say if It: Welcome to Derry will be one of the best shows of the year. However, I have hope that it’s ramping up to be a good time. If it avoids falling into fan service territory and tightens up some of the story, this could be a damn good time. There is so much potential in this pilot. I cannot help rooting for it to find its footing and surprise us all. Sadly, hope is a dangerous thing, so I am so nervous it could be another fumble down the line. All I know is I plan to show up for the next two episodes and see where this all goes.
Watch the ‘It: Welcome to Derry’ Trailer




