Reviews
Stranger Things: All-Encompassing Season 4 Review
Warning: Stranger Things 4 Spoilers ahead.
With record-length episode runtimes, 13 Emmy nominations, and at least five records broken at Netflix, the success of the fourth season of Stranger Things is undeniable.
Picking up less than a year after season three left off, season four starts with the group separated. Eleven (Millie Bobby Brown) and the Byers family now live in California, Jim Hopper (David Harbour) is being held prisoner in Russia, and the rest remain in Hawkins.
While the show would eventually see forces coming together, this would not be until after Eleven is subjected to more lab experimentation, and the Hawkins group goes head-to-head with the series’ most formidable bad guy yet, Vecna (Jamie Campbell Bower). In a race to stop Max (Sadie Sink) from becoming Vecna’s next victim, the Stranger Things friends find that the situation is much more harrowing than they ever anticipated.
With the expert implementation of memorable sounds, compelling characters, and gut-wrenching presentations of love and horror, Stranger Things may be one of the best seasons yet. ’86 baby.
Sounds of the Season
Stranger Things did not hold back when it came to creating earworms for season four. From the return of classic hits to character quotes and unusual captions, ST4 is packed with auditory stimulation.
Reviving Classics
Max’s song that protected her from Vecna, Kate Bush’s “Running Up that Hill”, is the undisputed anthem of the season.
Its impact on viewers can be measured by the chart-topping status it has held ever since the fourth season premiered on Netflix. Kate Bush is not the only artist to enjoy their songs being introduced to the upcoming generations, as Metallica’s “Master of Puppets” is gracing charts as well.
Eddie Munson (Joseph Quinn) playing a Metallica song for “the most metal concert in the history of the world” is especially fitting, seeing as how the real person he is based upon is a notorious Metallica fan.
“Separate Worlds (Worlds Apart)” by Journey has also seen rejuvenation from the show, as it was not only played in the first trailer release but also played as the core group readied themselves for the final battle.
While not as much of a successful stand-out as the other songs in this list, Ella Fitzgerald & Louis Armstrong’s “Dream a Little Dream of Me” served as a haunting theme for the Creel house.
Quotes
Outside of the memorable music played in the season, many quotes from the characters have become instant favorites. Quotes from Eddie Munson tend to be the most popular, so much so that the dialogue between Eddie and Chrissy Cunningham (Grace Van Dien) was remixed into a viral music beat titled “Chrissy Wake Up”.
But it’s not just the Hellfire Club leader that had instantly classic lines this season.
Steve Harrington’s (Joe Keery) explanation about who pauses Fast Times at Ridgemont High at 53 minutes and 5 seconds or series newcomer Argyle’s (Eduardo Franco) motto for pineapple on pizza: “Try before you deny” are immediately identifiable, along with countless others from the spectacularly written season.
Stranger Captions
As anyone who has watched the season with captions on will attest, sounds that aren’t physically heard can still be memorable. The sounds of Vecna’s “ichorous” tentacles were never left to the imagination, as they could be found slithering, constricting, “squelching wetly” or, my personal favorite, “undulating moistly.”
There is also a variety of “stingers” ranging from ominous, to dramatic, discomforting, and horrific. Don’t worry though, as some “hokey muzak” plays, breaking up some of the tension.
Stranger Things Characters
While the cinematography and storyline are fantastic, the characters truly make the show.
Introducing New Faces
This season had its share of brand-new characters to root for or against.
New Friends
Jonathan’s (Charlie Heaton) stoner friend Argyle was instantly a fan favorite, and the adoration of Eddie Munson is already legendary. So much so that fans have started a petition to bring him back to the show, which as of this writing has over 73,000 signatures.
These two were not the only new companions that were instant favorites. Fans quickly loved Hopper’s Soviet comrade Dmitri (Tom Wlaschiha), who helped Hopper plan his jailbreak.
Then, the introduction of “The Peanut Butter Smuggler” Yuri (Nikola Djuricko) brought about comedic moments in an otherwise tense season. Who could forget the scene with his untouched helicopter named after Katinka?
Though given his traitorous self-interest, Yuri played more of a pseudo-villain than a friend this season, and he was far from the only one.
Pseudo Villains
Although she only appeared in 3 episodes, Angela (Elodie Grace Orkin) did an excellent job at making everyone simultaneously hate her character. Orkin’s portrayal of the popular mean girl was so phenomenal that it was all the more satisfying when Angela finally got her comeuppance by way of a roller skate to the forehead.
Mason Dye, who played Jason, also put on an excellent portrayal of a hated character, as his downward spiral and popular boy attitude were executed gracefully. While being ripped in half by an emerging gate to the Upside Down was his fate, frankly, it didn’t feel good enough.
After beating Lucas (Caleb McLaughlin) to a pulp, smashing the headset that could’ve saved Max, single-handedly preventing Lucas from saving her from Vecna, stirring up a Satanic Panic in Hawkins, and not to mention allowing Vecna his fourth kill that ripped Hawkins, Indiana in half in the first place…it would’ve been nice if he had been smacked in the forehead with a roller skate too, and then ripped in half.
(Violence isn’t the answer kids. It just makes for satisfying bad guy conclusions on television shows.)
Of course, mini villains Angela and Jason pale starkly in comparison when it comes to the real villain of the season.
Henry/Vecna/One
Jamie Campbell Bower’s transformation from the caring orderly to the ruthless villain was flawless. While Horror Press readers may have known that Vecna was going to have a human origin even before the season aired, few viewers saw it coming that the helpful orderly who cared for Eleven was the main antagonist all along. The Vecna identity reveal was one of the best moments of the season, which says a lot for a season so gripping and powerful.
Furthermore, Stranger Things’ resolve to have a villain created with practical effects rather than CGI was an excellent call, as Vecna’s face is already solidified amongst the haunting faces in horror. Although, Vecna’s body shots are taken a little less seriously as viewers have likened him to a skinned Grinch. Whether he has ever truly lived at the top of Mount Crumpit aside, no one can deny the terrifying nature of his presence, nor the shocking, eye-popping way in which he kills.
After all, his body count is staggering. Not only did he murder his mother and sister, not only did he decimate an entire lab full of psychic children, not only did he cause the brutal deaths of Chrissy Cunningham, Patrick (Myles Truitt), and Fred Benson (Logan Riley Bruner), and the probable brain death of Max, but season four brought about the startling revelation that One created the Mind Flayer.
That means all the Hawkins residents who got turned into Mind Flayer mush in season 3, Billy Hargrove (Dacre Montgomery), and all of those that got killed at the demodog coup at Hawkins Lab in season 2, including Bob Newby (Sean Astin), are all dead because of Vecna.
This of course does not even consider how many died from the ripping of Hawkins, nor how many will die before season five ends the series.
Honorable Mention
Although brief, one would be remiss not to include the appearance of horror legend Robert Englund as the wrongfully imprisoned, father of Henry/Vecna/One: Victor Creel. It is especially fitting that Englund would appear this season as the similarities to Nightmare on Elm Street are enormous.
Old Characters do New Tricks
ST4 saw dynamic characters as old favorites and demonstrated that there is more to them than we’ve seen.
Whether it was finding out that Murray (Brett Gelman) is a karate fighting badass, seeing Erica Sinclair in all of her nerd glory playing D&D, a Hopper that got ripped, a pothead Jonathan (although his character was more or less the same), Eleven trying to assimilate into school life with no powers, Max struggling with depression, Lucas as a popular kid, or Will subtly professing his love for Mike, season four presented these familiar characters in fresh ways.
Old Characters do Old Tricks
While some characters trod new territory, others followed their typical character paths. For example, Steve Harrington is still the honorary den mother, who is desperately seeking love, and Mike Wheeler (Finn Wolfhard) is still oblivious when it comes to matters of the heart.
Suzie (Gabriella Pizzolo) is a genius who unwittingly helps to save the day, and Joyce Byers (Winona Ryder) will still stop at nothing to save the person she loves (we can say at this point that she loves Hop, can’t we?).
While fresh takes are welcome and most times necessary, most of these characters’ greatness is ingrained by these familiar characteristics.
Love & Fear
If anyone remembers the presentation given by Beth Grant and Patrick Swayze in Donnie Darko, they’ll remember that “fear and love are the deepest of human emotions.”
If that’s the case, ST4 played on our deepest emotions as the presentations of love and fear were extraordinarily powerful and sometimes simultaneous.
Horror Comes to Hawkins
While the prior seasons had their share of haunting imagery (e.g., Will Byers’ autopsy, the imposing size of the smoke Mind Flayer, or people seizing into piles of human goo), the seasons of Stranger Things as a whole never felt truly scary…until now. The fourth season of the hit show wasted no time letting viewers know this season would be no walk in the park, as it opened with a mass genocide of psychic children.
If viewers had any doubts about what they were in for, Stranger Things then ended the first episode with the most horrific murder yet. Viewers were left shocked as Chrissy Cunningham floated off the ground and had her limbs snapped one by one. We don’t like this either, Eddie.
Just kidding, we loved it. Although Chrissy Cunningham would have made a compelling character for the series, and she had natural chemistry with Eddie Munson, her gruesome death served as a road sign for the season. This is the moment that told us all to buckle up, we’re in for a bumpy ride through Hawkins.
Of course, the horror didn’t stop there, as gruesome hallucinations from spiders to cradles on fire ensure nightmares for everyone. Perhaps the most chilling of all the hallucinations brought about by Vecna, lie within the first few moments of his trance, as characters do not realize at first that they are hallucinating.
This act is most terrifying, as it suggests that the world in which they think they are existing in is not the world they think it is at all. This kind of reality-bending, mind-twisting horror is by far the scariest.
Though gore had its place in this season too. Steve’s bloody bat wounds, Victor Creel’s gouged-out eyes, One being ripped apart by lightning, and a ripped-in-half basketball player are some of the visual depictions of horror brought about by this jaw-dropping season.
Stranger Things: Love and Ships
Fear’s antithesis played a driving force in much of the season.
Max
Since Max played a large role, it makes sense to see her involvement with love manifested in all different ways.
Lucas & Max
In its most obvious form exists the love that Lucas and Max have for each other. Lucas realized before anyone that something was wrong with Max when her Vecna-induced headaches first began.
It was Lucas’ words that rang the loudest when Max was able to escape from Vecna for the first time: “I don’t need a letter […] I’m right here.”
It is together that they awaited Vecna to fall into Max’s trap, it was Lucas that Max seemingly spoke her last words to, and it is by her bedside that Lucas waits patiently for her to return.
Easter Egg Alert: Lucas read The Talisman to Max as she lay in her post-Vecna coma. This story by Stephen King has been picked up by the Duffer Bros and is poised to become a future Netflix series.
Love Between Friends
When in the throes of a Vecna attack, it wasn’t just memories of Lucas that saved her from the negative thoughts that Vecna would prey upon. Max flashed back to many good times with her group of friends, and Eleven especially.
This love between friends is reciprocated as Eleven goes to great lengths to stay by Max’s side and try to save her from the Upside Down’s five-star general.
These powerful displays of friendship in the face of an evil that feeds upon trauma serve as a fantastic metaphor for the overwhelming benefit of having friends on your side when going through hard times.
Mileven and Byler
The relationship between Mike and Eleven has been a subject of the series from the very beginning. In the final moments of Eleven’s battle with Vecna, when all hope seemed lost, Mike opened his heart to Eleven, and hearing confirmation of his love for her helped her to grow strong enough to save the day.
While it would be more enjoyable to see Eleven empower herself, the scene was powerful, nonetheless.
It was doubly powerful because Will was the one who encouraged Mike to inspire Eleven with his love. He urged Mike on, calling back to the previous conversation that the two had.
In that conversation, it was heavily implied that Will has strong feelings for Mike. Mike, who is historically oblivious to nuanced matters of the heart, remained oblivious.
The scene, along with Noah Schnapp confirming that Will is indeed gay and in love with Mike, has a preponderance of fans rooting for the two to end up together.
This all calls into question what end can become of this triangle and if this doesn’t mean a tragic finale for at least one involved.
Steve, Nancy, Jonathan, Robin, and… Vecna?
Love was on the minds and motivations of many of the characters. As Eddie Munson had explained to Steve, the way that Nancy had rushed to save him with no hesitation “was as unambiguous a sign of true love as these cynical eyes have ever seen.”
Steve is always looking for love and has kept his interest in Nancy no secret from day one. This is complicated as Nancy and Jonathan are still together, and even more complicated given that their relationship seems to be on the rocks. Undoubtedly this love triangle will be a plot point in Stranger Things season five.
However, if left up to the cast members to decide, Nancy would end up with someone else entirely, as the three cast members who act the roles of this love triangle reportedly have a text thread with Maya Hawke where they share memes that ship Ronance (Robin and Nancy).
If that coupling was unexpected, allow me to introduce you to the section of the internet that wants to see Nancy end up with Vecna (Vecnancy).
Before mental images start to form, back to Robin, who, like Steve, is also pining for love this season, though not for Nancy. While she appears to have chemistry with Vickie (Amybeth McNulty), Robin is understandably concerned about expressing her feelings to the wrong girl in this close-minded, Satanic Panic-fueled town. Here’s hoping she and Steve can finally find love in the future.
Eddie and Dustin
While Dustin (Gaten Matarazzo) and Steve (Joe Keery) share fantastic on and off-screen chemistry, making their friendship one of the treasured aspects of the show, there was a new man in Dustin’s life this season as he found a close friendship with Eddie Munson.
From Eddie’s first appearance, it was clear that Dustin admired the D&D club leader, and it was fitting that they would traverse the Upside Down together.
No one can deny the pure elation that filled Dustin’s face as Eddie played his guitar. Their closeness was touching to witness and heartbreaking to watch end in tragedy. The bond they shared helped to deliver one of the more emotionally powerful moments of the season, as Dustin explained to Eddie’s uncle that his nephew died a hero.
That moment emanated love in its purest form.
The Culmination of Love and Fear
The series does not shy away from complex emotions, and the relationship between Eleven and Dr. Brenner (Matthew Modine) is one of the most complicated.
On one hand, he is her “Papa”: the only father she has known for a long time in her life. At the same time, he stole her from her mother at birth and had her mother subjected to mind-frying shock treatment when she came to retrieve her daughter from the lab, his encouraging words and fatherly nature resonated with Eleven.
Even though he medicated her against her will to stop her from running off to save her friends, he did so out of the desire to protect her, although whether this was for her or his benefit is muddled.
Given that Dr. Brenner is neither inherently good nor evil, it causes Eleven’s feelings towards him to be complicated. This is why although Eleven was willing to kill him herself, his death happening in front of her amounted to a jumble of emotions, though forgiveness did not seem to be one of them.
This brand of complex emotions appeared to extend to Vecna as well, as Eleven tried to appeal to the man within the monster during their big battle scene.
She tried to make excuses for him, blaming Dr. Brenner’s exploitation and control over Henry for the villain that he became. After all, they are both Brenner’s children, exploited and tattooed, forever bonded in history and powers. She can imagine what One must’ve felt because she had undoubtedly felt it herself.
Vecna’s ensuing response created one of my top three favorite moments of the season.
He explains to the young hero that people like him and Eleven are special and are wholly incapable of being affected by a “mediocre man” such as Brenner. He tells Eleven that he became this monster because of her. This follows a personal favorite superhero trope that heroes often are the creators of their biggest opponents.
This layered relationship displays the conjunction of fear and love, as mortal enemies Vecna and Eleven each played a part in creating the other, and more than likely are the only ones who can destroy each other.
Where Vecna explains that a mere human couldn’t possibly affect him, conversely, Eleven is very much affected by the support of others. Like Yin and Yang, one is strengthened by the fears of others, and the other finds strength in love.
Given the certain Hell to be unleashed by the largest gate to the Upside Down that Hawkins, Indiana has ever seen, the heartache from losing characters is likely only just beginning. When Stranger Things season 5 ends, will it take fan-favorite characters with it?
“Signs point to yes”
If you crave more Hawkins while awaiting the fifth and final season, check out Stranger Things: The Experience, now available in New York, San Francisco, and London.
Reviews
‘Re-Animator’ Review: The Lasting Legacy of a Horror Comedy
I can’t remember the first time I saw Re-Animator. While this will probably piss someone off, my first real introduction to a variation of the source material was with Joshua Chaplinsky’s Kanye West – Reanimator. Maybe I had seen the film before that, but I wasn’t certain. I decided to go back and watch (or rewatch) the film to compare it to the satirical book. To my surprise, I loved it! I’m not sure why I didn’t remember watching the film, but I was so enthralled that I wanted to make my second tattoo a Re-Animator tattoo! Five tattoos later, and I still don’t have one.
What is Re-Animator About?
Daniel Cain (Bruce Abbott) is a medical student at Miskatonic University, along with his girlfriend Megan Halsey (Barbara Crampton)… Megan just happens to be the daughter of Dean Halsey (Robert Sampson). Herbert West (Jeffrey Combs), who recently transferred to Miskatonic, finds a posting with a room for rent at Daniel’s. Paying with a fat stack of cash, Herbert quickly moves into Daniel’s and gets down to business. The only problem is, Herbert’s business is reanimating the dead.
As someone who has been adamant about not liking horror comedies, Re-Animator really tickles me in a way most don’t. There’s a supremely dark tone to this film that is brightened by the overly campy performances, deadpan jokes, and brutally funny practical effects. Re-Animator is one of the rare films that could have been singularly played for laughs or fear, but exists in this middle ground where it’s the best of both worlds. While this film isn’t deep enough to glean new meanings or gain profound lessons, each rewatch never ceases to be less enjoyable than the last.
One of the Best Lovecraft Adaptations
Writers Dennis Paoli, William J. Norris, and Stuart Gordon took (racist) H.P. Lovecraft’s Herbert West–Reanimator and unknowingly made one of the best Lovecraft adaptations to date. There’s a peculiar phenomenon in horror where films attempt to be overly Lovecraftian, much like the genre’s tendency to label films as Lynchian. What people don’t get about Lovecraft is that not everything was all tentacles and otherworldly. Obviously, there’s a level of that that plays into what Lovecraft was. I would personally label Re-Animator, along with In the Mouth of Madness and Color out of Space, as the best three Lovecraft adaptations/Lovecraftian films to date.
There’s little to say about a film like Re-Animator that hasn’t been said already, but there is one specific point that needs to be echoed. Well, two. Firstly, Re-Animator was director Stuart Gordon’s directorial debut. His insistence on creating a viscerally nasty, sexy, funny debut film was important to set his name apart from others. Stuart Gordon came out swinging and, throughout his career, didn’t stop swinging.
The second point that needs to be echoed is just how amazing the film’s practical effects are. Whether it’s the played-for-laughs cat puppet or Dr. Carl Hill’s (David Gale) decapitated head, each practical moment is handled with dignity, care, and the utmost beauty. While a handful of shots may not hold up as much now as they did in the 80s, the practical effects that grace Re-Animator rival some of the rare practical effects that are used today.
Why Re-Animator Still Matters in Horror History
If you haven’t seen Re-Animator, what are you doing? It’s full of brilliant, campy performances that could be a masterclass in Horror Acting for Screen 101. Barbara Crampton is a gorgeous badass, Bruce Abbott is a hilariously hapless himbo, and Jeffrey Combs showed how he was cultivating his career to be exactly what he wanted it to be. A film like Re-Animator will live on in horror history for the rest of time. My only question is…how hasn’t there been a (yuck) remake yet?
Reviews
‘Iron Lung’ Review: Exceptionally Atmospheric Cosmic Horror
As Iron Lung begins, the film places you in an overhead shot looking down at a submarine that’s seen better days. Jagged metal teeth of a broken cage sit at its head, illuminated by a light from the ship above that’s about to cut it loose. As you’re about to be dropped into a roiling ocean of blood, you become quickly invested in its story.
A dire paternal voiceover runs you through your place in the world as an observer: someone is being sent into the “waters” of a far-off moon in a dead, dark galaxy. They’re in search of an answer you’re automatically aware will never be enough and a penance they will never attain. It prompts an obvious, cutting question: if Hell is where we’re looking for an answer, how bad must things be among the stars to go searching there for hope?
A Surprising Outing for Writer and Director Mark Fischbach
The debut feature film of writer and director Mark Fischbach, better known to the internet at large as Markiplier, is as surprising as it is atmospheric. And no, not surprising because Fischbach is an internet personality crossing over into film. And no, not surprising because this is a video game adaptation that is actually quite good.
The surprise here is mainly from the way Fischbach dodges a number of first-time filmmaker torpedoes that would otherwise sink the film straight to the sea floor. It’s in the very clear coordination and trust he has with his cast and crew. In a way, the film itself is a mirror of the submersible his character is forced to pilot: flawed, surely, but strong enough to complete its mission and deliver an exceptional experience.
What Is Iron Lung About Exactly?
The story goes as follows: in the wake of an event called the Quiet Rapture, the stars themselves have been snuffed out. Most of the galaxy has been plunged into sudden darkness, and a mass dying off has consumed countless worlds (think the worst possible aftermath to The Nine Billion Names of God).
Convicted for a reprehensible crime, the convict Simon (played by Markiplier himself) has been given a rare opportunity to return to life among the survivors. The mission is to pilot a death trap of a one-man submarine into the blood oceans of an alien moon, looking for a scientific sample useful enough to earn his freedom. That is, assuming he doesn’t lose his mind or his life in the process.
Bespoke Set Design That Matches the Premise Perfectly
Iron Lung should be commended first and foremost for being a bottle film with the perfect set design to match. Not overly ambitious, but not too simplistic either. Contained in a marvel of a small space, the submarine here is a tactile nightmare of rusty metal and antiquated technology you never get sick of seeing more of.
While Fischbach and director of photography Philip Roy have the camera linger in close ups almost too often, I don’t blame them for wanting to capture the finer details and leer at them. It’s clear every inch of this condensation covered machine was engineered by the art team and production design to emphasize its prison cell qualities as a barely functional vessel.
The ship’s external camera fires off like a flash bulb on its interior, barely illuminating the cabin with its next horrific image of the sea floor before plunging us back into darkness. The oxygen gauge and its cold robotic voice are a countdown to the painful annihilation that awaits its pilot. Its proximity sensors give only the barest indications of what’s going on outside, ticking a dull noise warning us: you are not alone. It’s a punishment to operate, and the set design as well as the very solid sound design that accompany it make that violently clear and effectively spinetingling.
Translation From Game to Film Isn’t So Perfect Though
This perfect setting isn’t always used perfectly though. The translation of the game’s mechanics and gameplay to the screen are both a weakness and a strength. They make the pacing of the first third run to a slow start, especially when Fischbach’s screenplay grinds against the strong suit of the film’s cinematography: the panic of it all.
Like its video game source material, David Szymanski’s Iron Lung, the film is really at its best when it’s instilling a sense of active and imminent panic. A tone that matches the borrowed time the submarine is glued together with. Putting out fires, both literal and metaphorical, ratcheting up its claustrophobia as you’re placed cheek to cheek with Simon in steamy, metallic darkness. This is where Iron Lung shines.
Markiplier’s Performance in Iron Lung is Hit or Miss, But Mostly Hits
It’s outside of these moments of panic where the weakest parts of the script and Fischbach’s performance are highlighted. Some weak line deliveries and beats of dead air kill the real tight headlock the film could have you gripped in from start to finish. And while Fischbach is phenomenal at playing terrified or pleading or even simple exhaustion in the face of the impossible, he really requires someone to bounce off of as his solo work just isn’t as compelling. Even the clunkiest bits of dialogue between him and his jailer (Caroline Kaplan) are better than the best of his moments where he talks to himself or tries to inject some humor into the bleak story.
This is a shame too, because the minimalist storytelling and background we get for his character is genuinely very intriguing. It’s thematically rich for what the film is trying to say about the power and terror of belief, and it’s doubly satisfying that the film has enough confidence to not lay everything out in a longwinded speech explaining the motives and lore that landed him here.
All that being said, his performance is hit or miss, but he mostly hits. The dialogue becomes more urgent as we approach the climax, and all of the cast delivers on that impending doom nicely. It reaches its peak in the final act, and Fischbach is on fire as he struggles to hold himself together in the face of absolute madness leaching its way into the pressurized cabin.
Iron Lung: A Redemptive Finale With Pure Liquid Body Horror
What a fantastic final act it is, one that makes up for its imperfection in the first two parts with a homerun of pure liquid body horror. It’s just phenomenal how the film’s digital and practical effects present the true horrors of Iron Lung. There’s a near perfect mesh between the two, and they highlight the best influences of similar genre films that came before.
Soaked with all the gore, madness, and mystery of the likes of Event Horizon and Pandorum, Iron Lung is a worthy successor in the cosmic horror genre as it rises above its own problems. It’s a moody, environmentally precise stunner of a horror film that sets a benchmark as the movie to beat for forthcoming releases this year.


