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Stranger Things: All-Encompassing Season 4 Review

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Warning: Stranger Things 4 Spoilers ahead.

With record-length episode runtimes, 13 Emmy nominations, and at least five records broken at Netflix, the success of the fourth season of Stranger Things is undeniable.

Picking up less than a year after season three left off, season four starts with the group separated. Eleven (Millie Bobby Brown) and the Byers family now live in California, Jim Hopper (David Harbour) is being held prisoner in Russia, and the rest remain in Hawkins.

While the show would eventually see forces coming together, this would not be until after Eleven is subjected to more lab experimentation, and the Hawkins group goes head-to-head with the series’ most formidable bad guy yet, Vecna (Jamie Campbell Bower). In a race to stop Max (Sadie Sink) from becoming Vecna’s next victim, the Stranger Things friends find that the situation is much more harrowing than they ever anticipated.

With the expert implementation of memorable sounds, compelling characters, and gut-wrenching presentations of love and horror, Stranger Things may be one of the best seasons yet. ’86 baby.

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Sounds of the Season

Stranger Things did not hold back when it came to creating earworms for season four. From the return of classic hits to character quotes and unusual captions, ST4 is packed with auditory stimulation.

Reviving Classics

Max’s song that protected her from Vecna, Kate Bush’s “Running Up that Hill”, is the undisputed anthem of the season.

Its impact on viewers can be measured by the chart-topping status it has held ever since the fourth season premiered on Netflix. Kate Bush is not the only artist to enjoy their songs being introduced to the upcoming generations, as Metallica’s “Master of Puppets” is gracing charts as well.

Eddie Munson (Joseph Quinn) playing a Metallica song for “the most metal concert in the history of the world” is especially fitting, seeing as how the real person he is based upon is a notorious Metallica fan.

“Separate Worlds (Worlds Apart)” by Journey has also seen rejuvenation from the show, as it was not only played in the first trailer release but also played as the core group readied themselves for the final battle.

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While not as much of a successful stand-out as the other songs in this list, Ella Fitzgerald & Louis Armstrong’s “Dream a Little Dream of Me” served as a haunting theme for the Creel house.

Quotes

Outside of the memorable music played in the season, many quotes from the characters have become instant favorites. Quotes from Eddie Munson tend to be the most popular, so much so that the dialogue between Eddie and Chrissy Cunningham (Grace Van Dien) was remixed into a viral music beat titled “Chrissy Wake Up”.

But it’s not just the Hellfire Club leader that had instantly classic lines this season.

Steve Harrington’s (Joe Keery) explanation about who pauses Fast Times at Ridgemont High at 53 minutes and 5 seconds or series newcomer Argyle’s (Eduardo Franco) motto for pineapple on pizza: “Try before you deny” are immediately identifiable, along with countless others from the spectacularly written season.

Stranger Captions

As anyone who has watched the season with captions on will attest, sounds that aren’t physically heard can still be memorable. The sounds of Vecna’s “ichorous” tentacles were never left to the imagination, as they could be found slithering, constricting, “squelching wetly” or, my personal favorite, “undulating moistly.”

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There is also a variety of “stingers” ranging from ominous, to dramatic, discomforting, and horrific. Don’t worry though, as some “hokey muzak” plays, breaking up some of the tension.

Stranger Things Characters

While the cinematography and storyline are fantastic, the characters truly make the show.

Introducing New Faces

This season had its share of brand-new characters to root for or against.

New Friends

Jonathan’s (Charlie Heaton) stoner friend Argyle was instantly a fan favorite, and the adoration of Eddie Munson is already legendary. So much so that fans have started a petition to bring him back to the show, which as of this writing has over 73,000 signatures.

These two were not the only new companions that were instant favorites. Fans quickly loved Hopper’s Soviet comrade Dmitri (Tom Wlaschiha), who helped Hopper plan his jailbreak.

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Then, the introduction of “The Peanut Butter Smuggler” Yuri (Nikola Djuricko) brought about comedic moments in an otherwise tense season. Who could forget the scene with his untouched helicopter named after Katinka?

Though given his traitorous self-interest, Yuri played more of a pseudo-villain than a friend this season, and he was far from the only one.

Pseudo Villains

Although she only appeared in 3 episodes, Angela (Elodie Grace Orkin) did an excellent job at making everyone simultaneously hate her character. Orkin’s portrayal of the popular mean girl was so phenomenal that it was all the more satisfying when Angela finally got her comeuppance by way of a roller skate to the forehead.

Mason Dye, who played Jason, also put on an excellent portrayal of a hated character, as his downward spiral and popular boy attitude were executed gracefully. While being ripped in half by an emerging gate to the Upside Down was his fate, frankly, it didn’t feel good enough.

After beating Lucas (Caleb McLaughlin) to a pulp, smashing the headset that could’ve saved Max, single-handedly preventing Lucas from saving her from Vecna, stirring up a Satanic Panic in Hawkins, and not to mention allowing Vecna his fourth kill that ripped Hawkins, Indiana in half in the first place…it would’ve been nice if he had been smacked in the forehead with a roller skate too, and then ripped in half.

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(Violence isn’t the answer kids. It just makes for satisfying bad guy conclusions on television shows.)

Of course, mini villains Angela and Jason pale starkly in comparison when it comes to the real villain of the season.

Henry/Vecna/One

Jamie Campbell Bower’s transformation from the caring orderly to the ruthless villain was flawless. While Horror Press readers may have known that Vecna was going to have a human origin even before the season aired, few viewers saw it coming that the helpful orderly who cared for Eleven was the main antagonist all along. The Vecna identity reveal was one of the best moments of the season, which says a lot for a season so gripping and powerful.

Furthermore, Stranger Things’ resolve to have a villain created with practical effects rather than CGI was an excellent call, as Vecna’s face is already solidified amongst the haunting faces in horror. Although, Vecna’s body shots are taken a little less seriously as viewers have likened him to a skinned Grinch. Whether he has ever truly lived at the top of Mount Crumpit aside, no one can deny the terrifying nature of his presence, nor the shocking, eye-popping way in which he kills.

After all, his body count is staggering. Not only did he murder his mother and sister, not only did he decimate an entire lab full of psychic children, not only did he cause the brutal deaths of Chrissy Cunningham, Patrick (Myles Truitt), and Fred Benson (Logan Riley Bruner), and the probable brain death of Max, but season four brought about the startling revelation that One created the Mind Flayer.

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That means all the Hawkins residents who got turned into Mind Flayer mush in season 3, Billy Hargrove (Dacre Montgomery), and all of those that got killed at the demodog coup at Hawkins Lab in season 2, including Bob Newby (Sean Astin), are all dead because of Vecna.

This of course does not even consider how many died from the ripping of Hawkins, nor how many will die before season five ends the series.

Honorable Mention

Although brief, one would be remiss not to include the appearance of horror legend Robert Englund as the wrongfully imprisoned, father of Henry/Vecna/One: Victor Creel. It is especially fitting that Englund would appear this season as the similarities to Nightmare on Elm Street are enormous.

Old Characters do New Tricks

ST4 saw dynamic characters as old favorites and demonstrated that there is more to them than we’ve seen.

Whether it was finding out that Murray (Brett Gelman) is a karate fighting badass, seeing Erica Sinclair in all of her nerd glory playing D&D, a Hopper that got ripped, a pothead Jonathan (although his character was more or less the same), Eleven trying to assimilate into school life with no powers, Max struggling with depression, Lucas as a popular kid, or Will subtly professing his love for Mike, season four presented these familiar characters in fresh ways.

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Old Characters do Old Tricks

While some characters trod new territory, others followed their typical character paths. For example, Steve Harrington is still the honorary den mother, who is desperately seeking love, and Mike Wheeler (Finn Wolfhard) is still oblivious when it comes to matters of the heart.

Suzie (Gabriella Pizzolo) is a genius who unwittingly helps to save the day, and Joyce Byers (Winona Ryder) will still stop at nothing to save the person she loves (we can say at this point that she loves Hop, can’t we?).

While fresh takes are welcome and most times necessary, most of these characters’ greatness is ingrained by these familiar characteristics.

Love & Fear

If anyone remembers the presentation given by Beth Grant and Patrick Swayze in Donnie Darko, they’ll remember that “fear and love are the deepest of human emotions.”

If that’s the case, ST4 played on our deepest emotions as the presentations of love and fear were extraordinarily powerful and sometimes simultaneous.

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Horror Comes to Hawkins

While the prior seasons had their share of haunting imagery (e.g., Will Byers’ autopsy, the imposing size of the smoke Mind Flayer, or people seizing into piles of human goo), the seasons of Stranger Things as a whole never felt truly scary…until now. The fourth season of the hit show wasted no time letting viewers know this season would be no walk in the park, as it opened with a mass genocide of psychic children.

If viewers had any doubts about what they were in for, Stranger Things then ended the first episode with the most horrific murder yet. Viewers were left shocked as Chrissy Cunningham floated off the ground and had her limbs snapped one by one. We don’t like this either, Eddie.

Just kidding, we loved it. Although Chrissy Cunningham would have made a compelling character for the series, and she had natural chemistry with Eddie Munson, her gruesome death served as a road sign for the season. This is the moment that told us all to buckle up, we’re in for a bumpy ride through Hawkins.

Of course, the horror didn’t stop there, as gruesome hallucinations from spiders to cradles on fire ensure nightmares for everyone. Perhaps the most chilling of all the hallucinations brought about by Vecna, lie within the first few moments of his trance, as characters do not realize at first that they are hallucinating.

This act is most terrifying, as it suggests that the world in which they think they are existing in is not the world they think it is at all. This kind of reality-bending, mind-twisting horror is by far the scariest.

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Though gore had its place in this season too. Steve’s bloody bat wounds, Victor Creel’s gouged-out eyes, One being ripped apart by lightning, and a ripped-in-half basketball player are some of the visual depictions of horror brought about by this jaw-dropping season.

Stranger Things: Love and Ships

Fear’s antithesis played a driving force in much of the season.

Max

Since Max played a large role, it makes sense to see her involvement with love manifested in all different ways.

Lucas & Max

In its most obvious form exists the love that Lucas and Max have for each other. Lucas realized before anyone that something was wrong with Max when her Vecna-induced headaches first began.

It was Lucas’ words that rang the loudest when Max was able to escape from Vecna for the first time: “I don’t need a letter […] I’m right here.”

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It is together that they awaited Vecna to fall into Max’s trap, it was Lucas that Max seemingly spoke her last words to, and it is by her bedside that Lucas waits patiently for her to return.

Easter Egg Alert: Lucas read The Talisman to Max as she lay in her post-Vecna coma. This story by Stephen King has been picked up by the Duffer Bros and is poised to become a future Netflix series.

Love Between Friends

When in the throes of a Vecna attack, it wasn’t just memories of Lucas that saved her from the negative thoughts that Vecna would prey upon. Max flashed back to many good times with her group of friends, and Eleven especially.

This love between friends is reciprocated as Eleven goes to great lengths to stay by Max’s side and try to save her from the Upside Down’s five-star general.

These powerful displays of friendship in the face of an evil that feeds upon trauma serve as a fantastic metaphor for the overwhelming benefit of having friends on your side when going through hard times.

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Mileven and Byler

The relationship between Mike and Eleven has been a subject of the series from the very beginning. In the final moments of Eleven’s battle with Vecna, when all hope seemed lost, Mike opened his heart to Eleven, and hearing confirmation of his love for her helped her to grow strong enough to save the day.

While it would be more enjoyable to see Eleven empower herself, the scene was powerful, nonetheless.

It was doubly powerful because Will was the one who encouraged Mike to inspire Eleven with his love. He urged Mike on, calling back to the previous conversation that the two had.

In that conversation, it was heavily implied that Will has strong feelings for Mike. Mike, who is historically oblivious to nuanced matters of the heart, remained oblivious.

The scene, along with Noah Schnapp confirming that Will is indeed gay and in love with Mike, has a preponderance of fans rooting for the two to end up together.

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This all calls into question what end can become of this triangle and if this doesn’t mean a tragic finale for at least one involved.

Steve, Nancy, Jonathan, Robin, and… Vecna?

Love was on the minds and motivations of many of the characters. As Eddie Munson had explained to Steve, the way that Nancy had rushed to save him with no hesitation “was as unambiguous a sign of true love as these cynical eyes have ever seen.”

Steve is always looking for love and has kept his interest in Nancy no secret from day one. This is complicated as Nancy and Jonathan are still together, and even more complicated given that their relationship seems to be on the rocks. Undoubtedly this love triangle will be a plot point in Stranger Things season five.

However, if left up to the cast members to decide, Nancy would end up with someone else entirely, as the three cast members who act the roles of this love triangle reportedly have a text thread with Maya Hawke where they share memes that ship Ronance (Robin and Nancy).

If that coupling was unexpected, allow me to introduce you to the section of the internet that wants to see Nancy end up with Vecna (Vecnancy).

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Before mental images start to form, back to Robin, who, like Steve, is also pining for love this season, though not for Nancy. While she appears to have chemistry with Vickie (Amybeth McNulty), Robin is understandably concerned about expressing her feelings to the wrong girl in this close-minded, Satanic Panic-fueled town. Here’s hoping she and Steve can finally find love in the future.

Eddie and Dustin

While Dustin (Gaten Matarazzo) and Steve (Joe Keery) share fantastic on and off-screen chemistry, making their friendship one of the treasured aspects of the show, there was a new man in Dustin’s life this season as he found a close friendship with Eddie Munson.

From Eddie’s first appearance, it was clear that Dustin admired the D&D club leader, and it was fitting that they would traverse the Upside Down together.

No one can deny the pure elation that filled Dustin’s face as Eddie played his guitar. Their closeness was touching to witness and heartbreaking to watch end in tragedy. The bond they shared helped to deliver one of the more emotionally powerful moments of the season, as Dustin explained to Eddie’s uncle that his nephew died a hero.

That moment emanated love in its purest form.

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The Culmination of Love and Fear

The series does not shy away from complex emotions, and the relationship between Eleven and Dr. Brenner (Matthew Modine) is one of the most complicated.

On one hand, he is her “Papa”: the only father she has known for a long time in her life. At the same time, he stole her from her mother at birth and had her mother subjected to mind-frying shock treatment when she came to retrieve her daughter from the lab, his encouraging words and fatherly nature resonated with Eleven.

Even though he medicated her against her will to stop her from running off to save her friends, he did so out of the desire to protect her, although whether this was for her or his benefit is muddled.

Given that Dr. Brenner is neither inherently good nor evil, it causes Eleven’s feelings towards him to be complicated. This is why although Eleven was willing to kill him herself, his death happening in front of her amounted to a jumble of emotions, though forgiveness did not seem to be one of them.

This brand of complex emotions appeared to extend to Vecna as well, as Eleven tried to appeal to the man within the monster during their big battle scene.

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She tried to make excuses for him, blaming Dr. Brenner’s exploitation and control over Henry for the villain that he became. After all, they are both Brenner’s children, exploited and tattooed, forever bonded in history and powers. She can imagine what One must’ve felt because she had undoubtedly felt it herself.

Vecna’s ensuing response created one of my top three favorite moments of the season.

He explains to the young hero that people like him and Eleven are special and are wholly incapable of being affected by a “mediocre man” such as Brenner. He tells Eleven that he became this monster because of her. This follows a personal favorite superhero trope that heroes often are the creators of their biggest opponents.

This layered relationship displays the conjunction of fear and love, as mortal enemies Vecna and Eleven each played a part in creating the other, and more than likely are the only ones who can destroy each other.

Where Vecna explains that a mere human couldn’t possibly affect him, conversely, Eleven is very much affected by the support of others. Like Yin and Yang, one is strengthened by the fears of others, and the other finds strength in love.

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Given the certain Hell to be unleashed by the largest gate to the Upside Down that Hawkins, Indiana has ever seen, the heartache from losing characters is likely only just beginning. When Stranger Things season 5 ends, will it take fan-favorite characters with it?

“Signs point to yes”

If you crave more Hawkins while awaiting the fifth and final season, check out Stranger Things: The Experience, now available in New York, San Francisco, and London.

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

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Brooklyn Horror Film Festival 2025: ‘Blood Shine’ Review

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I’ve been pretty clear for some time that cult-based horror isn’t my bag. Many subgenre tropes and cliches work well for me, but cult horror tropes do not. I can see how they work for some audiences, and I tend to flat-out stay away from them. Why watch a film in a subgenre that you don’t necessarily care for? But when I heard that Larry Fessenden was gracing the silver screen, I didn’t care what the subgenre was. I knew I would be seated with popcorn and a cola, ready to see whatever he’s up to. Plus, when one of the writers/directors of the film leads with, “We hope this fucks you up,” how can you not get excited? Little did I know I was about to witness a film with a scene so genuinely grotesque (and kind of hot) that it would make David Cronenberg blush. Thankfully, I was surprised by Blood Shine.

A Filmmaker’s Deadly Encounter

Brighton West (David Call) is a sleazy filmmaker on a deadline. Clara (Emily Bennett) is a secluded, religious nut with hopes of creating a new god. With a deadline approaching, Brighton decides to rent a cabin upstate to get some peace while working on his latest script. But a simple hike through the woods puts Brighton in Clara’s sights. Will Brighton get his just desserts? Or will Clara fail, yet again, at creating a god?

I think there will be a debate over whether Blood Shine is a film about cults. On one hand, it very much is. Larry Fessenden is the leader of this cult who spreads his word (and teachings) through a series of VHS tapes. On the other hand, it’s a film that examines the psyche of two very different people going through similar experiences: Clara and her attempt to come to terms with herself, and Brighton, who deserves little respect and, over his 26 days of torture, starts to realize it. The film’s main driving point is cult-forward. However, the majority of the film’s runtime is spent between Brighton and Clara. So, whether or not this is a cult film will depend on the viewer.

Fessenden and Bennett Give Standout Performances in Blood Shine

The performances in Blood Shine are stellar. Emily Bennett pulls incredible triple duty as co-writer, co-director, and lead. It’s hard enough to do one of those well, let alone three. She weaponizes her charm in the most deadly ways possible. Of course, Larry knocks it out of the park. As always. There’s a natural charisma behind Fessenden’s on-screen (and off) personas. Whether he has one line or a hundred, Fessenden continues to bring his A game. And for the time she’s on screen, Toby Poser does a great job of creating an incredibly creepy atmosphere. Though many of her films haven’t worked for me, I can’t help but admire how genuinely talented she is.

With Blood Shine being a film about emotional and physical torture, the question everyone should be asking is, “How are the practical effects?” Brian Spears (Smile 2, Bloody Axe Wound) does not play around. Spears’s SFX work is impeccable. From the simplest of knife wounds to that scene towards the end, Spears refuses to let the audience get a second of comfort. What’s seemingly becoming a lost art in the digital world, Spears gives a giant middle finger to anyone who thinks practical is dead.

Blood Shine Is a Cult Horror Movie Worth Watching

Would I say that Blood Shine changed my mind about cult horror? Not in a million years. Blood Shine is an outlier. Its emphasis on character and substance is something I find many films of its kind missing. Rather than being a film about a cult, it’s a film that exists around a cult. The only thing I would have asked for more of is to see a bit more of Clara’s torture of Brighton. We see a very solid amount, but it does become a lot of the same after a while. Even though it does become very samey, it’s still effective as hell. It’ll make me think twice before knocking on someone’s door if my car breaks down in the middle of nowhere.

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One final note, I’d be remiss to not bring up how wonderful it was to see Brendan Sexton III on screen. It’s always a delight to see him, and I think this is the first time he and Larry Fessenden have reunited for a film (though not sharing screentime) since Session 9!

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Brooklyn Horror Film Festival 2025: Home Invasion 1 Shorts Block

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Short films are the cornerstone of any good film festival. Sometimes shorts are packed before and after an accompanying feature, sometimes they get their own blocks. Whatever the case is, I’ll show up. Rarely does a film festival program its shorts to be nearly as great as the feature films; Brooklyn Horror Film Festival does.

The Binding // Written and directed by Ryan Kennedy

Stephen (Mike Houston) is a grieving father. Parker (Mel House) is (basically) a demon bounty hunter for hire. Can these righteous individuals beat the ticking clock and bind the demon to a human conduit?

This was the very first film I had the opportunity to see at Brooklyn Horror Film Festival. To say this set the bar for my entire festival experience would be an understatement. Religious horror/possession horror rarely ever works for me. I find these types of stories often overjustify unbelievable story beats because, well, demon. (Said like Giorgio Tsoukalos.) The Binding was quite the surprise.

Writer/director Ryan Kennedy takes an overdone subgenre and makes it feel new and exciting. Sure, stories like this have been told in broader ways, but Kennedy’s telling of this tale adds a humanistic layer to it. Gone are the Warren and Bagans-like characters who know the answers. Kennedy’s idea to make the main characters a grieving father and a demon bounty hunter ups the stakes while grounding the overall story.

Y.M.G. // Written and directed by Alexandra Warrick

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A boyfriend (Joe Gallagher) breaks the fourth wall to tell the audience all of the things he loves about his girlfriend. From there, I don’t really know how to explain what happens except that the (potentially dead) girlfriend (Meg Spectre) gives a haunting musical performance.

Throughout the first few minutes of Y.M.G., I couldn’t figure out what the angle was. Why was this guy telling us all of these “my girlfriend” statements? How is this horror? And then we arrived at his apartment. One of the best things about short films is that there is no structure they need to stick to, no real rules to abide by. If you want to put a full three (and a half?) minute-long musical break into it…you can!

Alexandra Warrick’s blood-soaked epic takes an experimental turn in a way I don’t think I’ve seen before. Something about it feels like it shouldn’t work as well as it does, but I can’t help how many times I’ve thought about this film since I’ve seen it. The unattributed quote of “When words aren’t enough, you sing,” (no, it wasn’t Stephen Sondheim) couldn’t be more accurate than with Y.M.G..

The more I sat on the underlying idea of Y.M.G., the more it became apparent. How many times have you seen a true crime documentary or TV news interview where people say, “He was so nice, I never would have suspected him of this”? The boyfriend IS supposed to come off as a nice, wholesome guy when, in reality, a sinister being lurks behind the thousand-dollar smile. It’s to highlight the fact that no matter what you think, there’s a good chance you may not know what you think you know about your partner. Y.M.G. is a chilling film that provides an incredibly deep story with beautifully haunting visuals.

Brian Won’t Wear Condoms // Written and directed by Genna Edwards

(Please note, I wasn’t able to find many names regarding the cast/crew.)

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Abby is a wellness influencer whose boyfriend, Brian, refuses to wear condoms. His refusal leads to Abby trying out a new form of contraception. Abby’s best friend doesn’t quite know how to feel about it, but wants to be there for Abby. What follows is a grotesquerie of epic proportions. (Yes, I’m talking about that scene.)

After reading an interview between Odd Critic and filmmaker Genna Edwards, one thing became clear: we have the same sex-ed experience. I’m from a town in Pennsylvania where you had to travel about one mile into the forest for high school. That should explain enough.

My middle school sex-ed teacher was a macho, dark black bottle-dyed, ex-military man who regularly arrived at school with dried deer blood in the back of his pickup truck. I come from a red-leaning purple town, but sex-ed was definitely not at the front of my school board’s mind. All of that is to say, I empathize with why and how Genna feels about how many (most?) men view their pleasure in sex.

Brian Won’t Wear Condoms exemplifies the struggle (I think) many people face in heterosexual relationships. Because Brian refuses to do the bare minimum, Abby takes charge in her own way. Unfortunately for Abby, that doesn’t come without consequences. I’ve heard people say things along the lines of their birth control (mainly IUDs, but also the pill) making them suicidal. If you truly loved your partner, wouldn’t you want to do the easiest step you could take to make them a bit more comfortable?

One of my favorite things about this short is how there are two ways to view it. If you’re a normal, good person, then you can see Abby’s struggle and sympathize with the physical and mental pain she’s put through. And if you’re a Brian, Genna introduces one of the most grotesque shots in horror cinema to make you SEE and FEEL Abby’s pain. Let’s just say, it’s one of the most impactful theatrical experiences I’ve had in a long time.

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The Man & The Scarecrow // Written and directed by Justin Knoepfel

A man (Jacob A. Ware) struggles as he and his ex-wife (Kelly Grago) navigate a divorce. One day, while on the road, the man sees something that only he and Pearl would stop for…a scarecrow. And, like Pearl, the man forms a connection with the scarecrow.

Everyone copes differently, and Justin Knoepfel humorously navigates that topic. While Knoepfel plays into the humor of the whole situation, there’s a distinct amount of melancholy behind the whole idea. Most people have gone through a difficult breakup of sorts, and we all handle it differently. The man in this film just takes his grief a bit further than usual.

Knoepfel’s film is fairly down the middle, balancing normalcy and absurdism. On the surface, projecting your emotions onto an inanimate scarecrow is odd. And that’s really the furthest the film takes the idea. I wished it had delved a bit more into the man’s psyche to explore a wider range of emotions. But, at the end of the day, it was an enjoyable watch.

Some Dark Matter // Written and directed by Molly Fisher

A family dinner comes to a quick end after a husband/father dies of a stroke. Most are sad, except one. One daughter remains void of visible emotion. It’s not until a night alone in a hotel that she finally has to express her emotions…unless they express themselves first.

Some Dark Matter was a complete 180, lineup-wise, from the previous film. The Man & The Scarecrow had a levity to it, while Some Dark Matter is pure grief. It’s a very on-the-nose film that doesn’t have quite the bite I would hope for. Molly Fisher does a great job of slowly building the unnerving atmosphere that makes this film work as a horror property, which is obviously the most important aspect. But to me, it provides surface-level commentary on grief and loss, rather than delving deeper into the overall process.

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You Have Her Eyes // Written by Lizzy Miller, Jordan Sommerlad, and Cory Stonebrook, and directed by Jordan Sommerlad and Cory Stonebrook

Elle (Lizzy Miller) and Jacob (Cory Stonebrook) are happy enough. They seem to have a wonderful relationship, a gorgeous house, and a wonderful group of friends. What more could you want?! Well, for Jacob, how about a baby? Elle is on the fence until an old, familiar face rears their head.

Oh boy, this one got me. You Have Her Eyes is a damn effective piece of psychological horror that gets right under your skin. It’s rare for a short film to pull the rug out from under you. The twist in this story by Miller, Sommerlad, and Stonebrook is a gigantic punch to the gut. And if anyone tells you they saw it coming, I can bet you a decent chunk of money that they’re lying.

Eyes takes a somber look at familial values, the human condition, and unconditional love. Elle’s slow descent into terror is done uniquely and brilliantly; it’s nearly impossible not to be chilled to your core with this film. When I tell you that the entire theater gasped at that moment, it’s no exaggeration. A film like this is a perfect example of effective storytelling in a short time.

Rebrand // Written and directed by Edoardo Ranaboldo

Leo (Adam Alpert), Alex (Xavier Clyde), Jess (Eleanor Lougee-Heimer), and Trey (Charlie McElveen) are a group of camping YouTubers. While they’ve seen great success with their channel, they’re ready to spread their wings and take on other personal tasks. But the crusade of campers isn’t alone on their final foray into the forest. A group of masked men, armed with cameras of their own, is hot on their trail.

Rebrand was clearly a crowd favorite. And, interestingly, it was the only found footage film in this entire block. Found footage is an easy go-to for short films, especially those that forgo proper permits. But Edoardo Ranaboldo didn’t pick found footage for ease or permit evasion.

Aside from Un Chien Andalou and The Big Shave, rarely does a short film define a moment in filmmaking. Rebrand has the ability not only to change found footage fundamentally but also to bring life back into a tired subgenre. Ranaboldo did everything right. His story has intrigue, stakes, emotion, [some] humor, and a HELL of a lot of blood. Moreover, the cameras and character motivations make sense, and the story is just incredibly compelling.

Rebrand is everything a short film should be. If you can’t tell, it was clearly my favorite. While it doesn’t do much on the commentary side of the conversation, that’s okay. Ranaboldo doesn’t outwardly try to make the film more than it is, and that’s okay! That’s not to say it’s a substance-less film. But, at the end of the day, Rebrand absolutely kills. And it kills incredibly well.

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