Movies
Revisiting ‘Abby’: The Obscure Black Exorcist Film
After the success of Freidkin’s exorcism film, other studios, and filmmakers were eager to ride the wave of the emerging subgenre of religious horror. The Exorcist’s impact on the genre changed the way audiences viewed the horror genre, seeing the genre films as insightful narratives that they could connect with. The film went on to receive ten Academy Award nominations, which had not yet been done by any other horror film. Even today, the impact of The Exorcist can still be seen across genres. And William Girdler decided to capitalize on that trend.
In the mid-1970s, a horror movie was released that terrified audiences by featuring the demonic possession of an innocent young woman. If you assumed that this fits the description of The Exorcist (1973), you’d be right. But Abby was another film that many may not know about that was sued and banned from theaters because of its similarities.
After the success of Freidkin’s exorcism film, other studios, and filmmakers were eager to ride the wave of the emerging subgenre of religious horror. The Exorcist’s impact on the genre changed the way audiences viewed the horror genre, seeing the genre films as insightful narratives that they could connect with. The film went on to receive ten Academy Award nominations, which had not yet been done by any other horror film. Even today, the impact of The Exorcist can still be seen across genres. And William Girdler decided to capitalize on that trend.
Abby and the Post-Exorcist Rise of Religious Horror
Girdler’s sophomore film, Abby, was released on December 25, 1974– almost exactly one year after the December 26th release of The Exorcist. In the Blaxploitation horror film, Dr. Williams (William Marshall) finds an ancient relic while digging in a Nigerian cave. Dr. Williams mistakenly releases Eshu, a Yoruba sex demon. Eshu then travels across the world, attaching itself to Dr. Williams’ daughter-in-law, Abby (Carol Speed). As the film progresses, so does Abby’s possession. Abby’s husband and family are at a loss for her extreme change in behavior. A minister’s wife and a lead in her church choir, is now seducing men at random bars. Dr. Williams returns home, focused on ridding Abby of this demonic entity that makes her a sex-crazed housewife.
Abby and Horror Noire
Girdler’s exorcism film is heavily influenced by Black and African culture, fashion, and music. Much like other Blaxploitation horror films of that time (Blacula, Ganja & Hess), Abby explored a scary scenario told through a Black lens. But let’s not shy away from the fact that Girdler was a white man. Looking back, it’s clear that the film’s writing is problematic in some ways. The only way for Abby to be deemed worthy of saving is for her to be a God-fearing minister’s wife. Her sexual desires are evil and demonic. Her body is not her own. Sound familiar (i.e., slavery)? In the documentary Horror Noire, Tananarive Due says Abby is “a really good example of both fear of Black women in general but fear of Black women’s sexuality in particular.”
One thing that Girdler does differently in Abby is using a male voice for the demon, which drives home even more that Abby is controlled by men. It’s not until she is exorcised by her father-in-law, along with her husband and brother in tow, that she is freed from the monster that she had become.
Audience Impact and Cultural Resonance
When asked what it was like to see this film in 1974, @motomweusi836 responded with: “Me and some friends just had to sneak in and check this out. Worst mistake of my young life! This movie messed all of us up for months. We couldn’t sleep and were constantly thinking folks in the house were possessed. Needless to say our parents had no problems getting us to go to church after that.” And that’s relevant to the impact of this film. Seeing a Black woman being possessed on screen was fresh and scary as hell to Black audiences. And the box office reflected that impact.
Abby was in theaters for one month and was able to scare up $4 million, more than enough to recoup its $100,000 budget. But why was it only in theaters for a month? Because the film was so similar to The Exorcist that Warner Bros. contacted their lawyers to sue. It was even marketed as “The Black Exorcist”. The court sided with Warner Bros., and the film was pulled from theaters. Girdler admitted that Friedkin’s adaptation inspired his film, but it wasn’t a blatant ripoff. It isn’t clear from my research, but it is said that Warner Bros. not only had the film’s theatrical run halted, but they also seized the original reel to ensure that it wouldn’t be distributed.
Abby’s Lasting Legacy in Blaxploitation and Horror
Even fifty years later, the ownership of the original film is still a mystery. You may be able to find some not-so-stellar versions on YouTube and Plex. Despite not having any good quality versions out there, Abby has still become an underground Blaxploitation classic. I asked YouTube creator and director/screenwriter, Tyrone Williams what he believes the lasting legacy of Abby is in the context of both Blaxploitation and horror cinema. He responded, “When it comes to Blaxploitation and horror cinema, Abby leaves behind a legacy of pushing to the forefront a Black woman in a subgenre that they still, to this day, are barely represented in. Her possessed self being the exact opposite of a model housewife in the ’70s is the icing on this supernatural-filled cake.” I couldn’t agree more that there is a significance to Abby that continues to resonate with audiences.
Abby is a Blaxploitation horror gem that remains an underrated classic in cinema history. While it has a controversial legacy, Abby stands as an artifact of its time, pushing boundaries in ways that still spark discussion. Fifty years later, it remains a dynamic, provocative film that deserves more recognition and an appreciation within the context of horror and Blaxploitation cinema.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.
Movies
The Best Horror You Can Stream on Netflix in January 2026
I’m happy Netflix knew I would be back on my bull shit. Now that we’re in January, and the end-of-year lists are done, I’m trying to cram as many 2025 titles into my eyeballs as I possibly can. I know it sounds backwards, but it’s sadly a yearly tradition now. No matter how many titles you cram into a year, there are always a ton more you missed. Because I am broken, I need to know if I missed anything that should have been on my lists ASAP. Then I can drag myself for not getting my eyeballs on things sooner. Or worse, seeing titles that came out after my deadline and would have definitely been on there. I need to feel resentment for their schedules not letting me be great.
Luckily for me, the streamer has dropped quite a bit of new stuff recently. This includes movies and shows that I put off, or that legitimately premiered a couple of weeks ago. So, now I can spiral in the comfort of my own home as I binge all of these titles like a maniac. If you are also trying to walk into the new year stressed out, then maybe this streaming guide is for you, too.
City of Shadows (2025)
When a burned body is put on display on the facade of an iconic building, two inspectors must work together to solve the crime. I don’t know much about this Spanish thriller, but I know winter is the time for an unsettling mystery. The show is based on the first book of the Milo Malart tetralogy written by Aro Sáinz de la Maza. So, if it’s as good as I hope it is, there is a whole world with this inspector awaiting us in print. I’m ready to take all six of these episodes in one setting if the streaming Gods allow.
Frankenstein (2025)
Oscar Isaac, Jacob Elordi, and Christoph Waltz are among the names in this newest adaptation of the beloved Gothic horror classic. Guillermo del Toro’s take on Mary Shelley’s Frankenstein is clearly one of the top priorities this month. While I skipped it in festivals because of the runtime, I knew I would have a date with it on Netflix this winter. While it has been on the streamer for a minute, I wasn’t able to dedicate two and a half hours to it. I also had watched my friends’ mixed reviews come in, and couldn’t take another disappointment last year. So, I saved this treat for the holiday. Fingers crossed, it is better than people are saying it is.
I Know What You Did Last Summer (2025)
A new group of friends is tormented by a new stalker in this sequel to Kevin Williamson’s other ’90s slasher. I’m indifferent to the I Know What You Did Last Summer movies. Some are less awful than others, and I think this one was fine, but I know the original source material. Which means I know just how far they stray from what the original author, Lois Duncan, was about. So, I look at these movies and the flimsy premise they repeat differently than a lot of my friends. I think it’s an interesting look at how IP gets handled in Hollywood, but I don’t usually get much out of these. Which is another reason I’m kinder to this Jennifer Kaytin Robinson film than some people. While I won’t be rewatching it this January, I think a lot of people who missed it in theaters are going to have fun with some of these kills now that it’s on Netflix.
Stranger Things: Season 5 (2025)
The long-awaited conclusion to Stranger Things is finally upon us! Will Vecna take out some of this ridiculously large cast on the way out? I hope so. Will we pretend to be surprised when Eddie Munson gets a few seconds of screentime? I refuse to play this game. However, are we all going to tune in to see how this epic ride ends? You betcha! I hate that they’re breaking this final season up into three chunks, but I will be sitting for all of them.
The first four episodes hit in November. The next three landed on Netflix on December 25, and the finale premiered on December 31. I don’t know what to expect, but I know I am so ready to close this chapter of my relationship with Netflix and the Duffer Brothers. If it is even half as good as season four, then I will be a very happy nerd.
Troll 2 (2025)
A new troll awakens, causing Nora, Andreas, and Captain Kris to find new allies to take it down. This Norwegian monster flick almost got by me, so I’m happy Netflix dropped the trailer for this one. I’m using this as an excuse to finally watch the first one. I’m thinking a double feature is in order, so I can spend a whole day with these trolls. This is not my usual type of party, but after Troll Hunter won me over, I figure anything can happen. So, I will not judge you if you’re not feeling this out of left field pick. Just know that I’m running at it with an open mind and hoping to see some carnage as a reward.
These are just the Netflix titles I’m prioritizing. This is in no way a complete overview of all of the new shows and movies they’ve added this winter. We also know that they usually have a ton of international bangers that they refuse to advertise. So, I end up stumbling over Korean titles every January and then trying to tell people we missed some really excellent stuff. So, pick up your remote and turn your phone off. It’s time to Netflix and Chill in the less sexy and more nerdy way.


