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The 11 Most Disturbing Horror Movies Ever, According to an Actual Horror Fan

What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans. So here is our list of most disturbing horror movies of all time!

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What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans (it somehow beats out conversations on the DGG Halloween movies). Recently I stumbled upon a Buzzfeed article on “The 11 Grossest Horror Movies Ever,” and I started to feel the keys jingle in my pocket…that gate needed keeping. 

Why Disturbing Horror Films Spark Controversy

Digging through the respective Buzzfeed author’s page, I noticed they had 149 pages of articles since joining Buzzfeed in 2021. Their final article was in September 2021, so within the 92 days this author wrote for Buzzfeed, their average daily output was two articles a day. Going through every single article this author had written brought two things to the surface. Firstly, Buzzfeed is abhorrently negligent with the mental health of their writers to expect an output of that nature. Secondly, this author covered an obscene array of topics, posing as a fanatic of each.

I’m not saying someone can’t be a fan of multiple things, but using context clues throughout their articles helped me piece together this author’s estimated age. Someone who is the age I’ve estimated them to be shows me that it’s nearly impossible to deeply know, inside and out, the lore of LostDesperate HousewivesGame of ThronesFriendsThe Office, and many many others that they claim to. There are only 24 hours in a day. Something reeks of journalistic disintegrity. 

Besides this author’s laughably googled disturbing movies list, I got to thinking, is there a consensus on the most disturbing movie? While this is a noble quest to embark on, it is also one for a madman. And my name isn’t Marz. Rather than going through EVERY SINGLE disturbing movie list and video out there, I picked fifteen different lists from places like Screenrant, Nylon, Mubi, and many others. I wanted to cast a wide net between all types of publications to see if there was a consensus on the most disturbing horror film ever made. 

Spoiler alert: there was not. 

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Some Disturbing Films That Get an Honorable Mention

Before we get into our list of disturbing films, I wanted to discuss what I came to notice on my weeklong quest. For starters, there were a lot of lists that had The Human Centipede (First Sequence) fairly high on the list. This is how it became clear which lists were formed from randomly picking movies from other lists and which were genuine. If you’re making a list of disturbing horror movies and one of your picks is the first film of a franchise, you might want to watch the rest of the films in the franchise, too. First Sequence is a well-made and exquisitely thought-out film. Tom Sixx tapped into something special with that film, and it’s not that graphic. The idea of stitching three people together in an ass-to-mouth configuration was more disturbing than First Sequence was.

As someone who has seen all three films, I know it’s far from the most graphic of the series. If the Buzzfeed author took a quick gander into the parental guide for The Human Centipede 2 (Full Sequence) they’d see how someone is raped by a man who has barbed wire wrapped around his penis, and a woman gives birth in a car and proceeds to step on the baby’s head. The Human Centipede 3 (Final Sequence) has scenes of castration (which you see), waterboarding with boiling water (which you see), and a damn 500-person centipede. Get real. First Sequence being listed on any of these lists is laughable. Among all of the lists I found, First Sequence comes averaging in as the 10th most disturbing movie of all time. 

One More Honorable Mention…

For some reason, the 1999 Takashi Miike film Audition was on quite a few of these lists. Audition is a brilliant and incredibly effective horror film. There’s no question about that. But should it be on these lists because of one specific scene? The scene doesn’t even go on for an extended period of time. The average ranking for Audition was seventh. A single list ranked Oldboy as the 9th most disturbing movie ever. I didn’t realize Brian Regan was making disturbing movie rankings. 

Contradicting myself a bit here, there was an entry I wasn’t surprised to see: Gaspar Noe’s Irreversible. Noe’s seizure-inducing opus is a sight to behold, and every person who makes it through deserves an award. Irreversible is less of a disturbing film and more of an exercise in mental fortitude. In my eyes, Audition does not deserve its spot on the list for the pin scene alone, but Irreversible does, at least, deserve an honorable mention for the incredibly horrific 10-minute one-shot rape scene. Noe’s Irreversible averaged in at the 12th rank. Lastly, one of the few films deserving of a spot on all of these lists, which most had, was the incredibly effed-up Martyrs. Averaging as the third most disturbing film, Martyrs is genuinely a one-of-a-kind film. 

The last note I want to make before giving my list is the films that were just truly laughable in some of these rankings: The ExorcistManiacTuskPossessorI Saw The Devil, and The Devil’s Rejects

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11 Most Disturbing Horror Films to Watch… If You Dare

Now, without further ado, it’s time for “Buzzfeed’s Top 11 Most Disturbing Horror Films, By Someone Who’s Seen More Than 11 Disturbing Films.” (And for those wondering, Sweet Movie will not be on this list, as it’s not categorized as horror, but if it were then it would take the 11th spot). 

11. Kuso (2017) 

FlyLo is one of those artists who has a specific vision. I don’t know what that vision is, but it’s damn impressive. His music is like whiplash for your brain, and his films are like…whiplash for your brain. Kuso is the definition of a midnight movie; it’s best viewed in a packed theater of inebriated people on a Friday night. This shit-slinging apocalypse film doesn’t garner groans of discomfort from sexual violence or inhumane acts of violence. If you watch Kuso, you will see a man getting his erect penis stabbed multiple times, a camera crawling out of someone’s butt, countless pulsating and dripping boils, and lots of fecal matter. And that’s just scraping the surface. 

What makes Kuso so intriguing as a disturbing film is how impressive it truly is. If FlyLo were a hack filmmaker who just wanted to make something gross, for gross’s sake, this film would have been a septic slog to sit through. Instead, FlyLo’s impressive vision and great direction turn this film into something beyond art. Can we talk about the cast too? You have Hannibal Buress, Tim Heidecker, funk icon George Clinton, Salad Fingers himself, David Firth, musician Busdriver (!), and even porn star Lexington Steele. That’s a wild cast. Kuso is genuinely a wild film that delivers the goods and makes its exit before overstaying its welcome. 

10. Megalomaniac (2022)

Megalomaniac is not just a disturbing film, it’s a part of a larger whole. There’s a Newer Extremity Movement in horror spearheaded by films like MegalomaniacRepulse (2021), and Beaten to Death (2022). Just like the New French Extremity movement in the early to mid-aughts, we are in a world of political upheaval and widespread violence. Disturbing horror has existed for a long time, but it’s clear there’s a correlation between an influx of disturbing horror and worldwide unrest. The Newer Extremity Movement is just getting started. 

Unlike KusoMegalomaniac is extremely graphic. When it comes to graphic horror films, there is just an imbalance between story and violence. Look at the Terrifier franchise. The first film has no story, while the second film tries so hard to force a story that doesn’t work. Damien Leone took the criticism of Terrifier having no story and tried course correcting. Only he hydroplaned in the process. Megalomaniac tells a heartwrenching story of a brother and sister who live in the shadow of their father’s serial killings, only they might be closer to the person he is than they’d like to admit. Brutally unflinching, Megalomaniac is a darkly tragic tale of nihilism, pain, and family.

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9. Inside (2007) 

This entry will most likely be the only Christmas film on the list, those are some weird wires to cross. Collaborators Maury and Bustillo sliced their way into the scene with their debut feature, Inside, which helped bring more eyes to the New French Extremity movement. As with the films of this movement, Inside is steeped in social commentary. Where Inside differs from films of this ilk is how it doesn’t compromise its commentary for the sake of violence. There’s a haunting juxtaposition between what the film tries to say and how it handles the extreme violence. The biggest example of this comes to light with the use of a riot gun later in the film. This mirrors the use of extreme force by French police against protestors (which is still going on today). 

I would wager to say the majority of viewers picked this film up based on the brutal Dimension Extreme cover art. Walking through the aisles of a Blockbuster and seeing the title with the word “UNRATED” in blood-red text overtop a pair of bloody and rusty scissors hovering over a pregnant stomach was enough to catch my attention, although not in a positive way. I distinctly remember being scared to walk past this film whenever I went to Blockbuster as a kid. Well, I was 13, but still. Once Inside kicks off, it doesn’t stop. The film is relentlessly grotesque with impressively stomach-churning practical effects. And who can forget the staircase scene? 

8. A Serbian Film (2010)

Like Cannibal HolocaustA Serbian Film is the only other film I found on every list I researched. Through disturbing horror threads I’ve taken part in from Twitter, to Facebook, to Reddit, A Serbian Film is the most hotly contested. For some reason, half of the people in these threads say it’s the most disturbing film ever, while the other half think it shouldn’t be on the list at all. Personally, I don’t understand how it can’t be on a list like this. 

Let’s just go over a few things: eye-hole copulation, beheadings, graphic sexual assault on an adult, graphic sexual assault on a child (both alive and dead), and double murder-suicide. I know I made a joke earlier about being all gatekeepy when it comes to what can/can’t be described as disturbing horror, but I really draw the line here. Sure, films like American Guinea Pig and August Underground are disgusting. Still, there’s something about the high production value of A Serbian Film that brings a higher sense of validity and terror that these other films don’t have. Not saying August Underground or American Guinea Pig hide behind lower production quality. All I’m saying is it’s easier to hide behind film grain and low-budget cameras to sell your product. 

7. We Are The Flesh (2016) 

We Are The Flesh is one of a handful of films to receive a D certification in Mexico, a rating typically reserved for pornography. The mid-teens were fraught with highly sexually explicit films. This was [possibly] kicked off by the hypersexual Under the Skin. Films like Heli and The Untamed took the idea of hypersexuality and amped it up tenfold. We Are The Flesh, and Love took that tenfold and amped THAT up tenfold. Both of these films had the audacity to include unsimulated sex, something that is pretty taboo in the film world. 

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While Love is more of a drama, lacking any true disturbing elements, We Are The Flesh is 80 minutes of unadulterated unsimulated sex…between siblings…at the request of an older man in exchange for food and shelter. If the sexual acts were implied, this would have been a bit more palatable, but the obscenely intense and frequent sex scenes with visible penetration, again between siblings, make We Are The Flesh a truly disturbing film. 

6. Slaughtered Vomit Dolls

This is definitely where subjectivity comes into play, as Lucifer Valentine sort of spearheaded, what he calls, the vomit gore subgenre. And vomit is not my thing. Now this is not me equating anyone who has a vomit fetish to being gross or disturbing, it’s just not for me. Now, you might be saying SVD isn’t even the most disturbing film in the subgenre’s subgenre, but watching one of them was more than enough for me. 

*Exasperated sigh* If you’re looking for vomit, face skinnings, more vomit, screwdriver eyeball removals, and bloody vomit then Slaughtered Vomit Dolls is for you. Moving on. 

5. Grotesque (2009)

Sometimes, disturbing films don’t need a second viewing, and for me, Grotesque is one of those films. When a film has something to say, like the New French Extremity movement, it makes the gore and viscera a bit easier to digest. The story within Grotesque is barebones and is a story in the sense that Terrifier has a story because it follows Art the Clown killing people. Shiraishi was elated with the backlash from his film stating his intent with the film was to upset moralists. I think that tells you all you need to know about the film. His intent behind it wasn’t to tell a story about love and its boundlessness; instead, he just wanted to shock, and that’s where the disturbing horror subgenre gets a bad name from. 

4. Nekromantik (1988)

Banned in multiple countries and labeled, “the first ever erotic film for necrophiliacs,” by John Waters, Nekromantik isn’t a film to shake a stick at. Graphic depictions of necrophilia carry the disturbing torch of this film. Crazily enough, when this film was released in 1988, it was met with surprisingly favorable reviews. I think this shows how disturbing horror can be done right and well. Nekromantik blends commentary and shock to tell an effectively ghastly tale. 

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It’s full of exactly what you’re thinking, and it’s pretty graphic. But the scenes of sexuality aren’t the only disturbing elements. There is some violent brutality within the film, though that’s definitely not where the film gets its notoriety from. There is a point to this film, and I find it surprising how many of the films in my top 11 are well-made films. Maybe that’s because I shy away from the type of disturbing films that serve no purpose as films and have no point of existence (looking at you Slaughtered Vomit Dolls). I tend to avoid films that are purposefully intended to make you hate yourself for taking the time to watch them.

3. The Angels’ Melancholia (2009)

Get this. A woman gives a man oral sex. Then she vomits it up while simultaneously cutting herself. And that’s tame compared to the rest of the film. 

Thank you, next.

2. The Human Centipede (First Sequence

SIKE.

2. Martyrs (2008) 

So, 2015’s Martyrs…just kidding. Two jokes in a row! I’m just honestly drained at this point. Writing this has been hell. The films I’ve watched in short succession to write this piece have made me a shell of a human. What are we talking about? Oh yeah, Martyrs

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Martyrs is a disturbingly accessible horror film. It’s on many respectable top 100 horror film lists and is the film that gets a lot of gore hounds into the subgenre. Unlike most films on this list, Martyrs has a truly interesting and deep story, which is used to exacerbate the on-screen atrocities. Full of realistic practical effects that push the boundaries of depravity, this film is one of a kind. If you haven’t seen it you really must. Fair warning: it will set the bar incredibly high for disturbing horror films. 

1. Philosophy of a Knife (2008) 

Well, here’s number one. We have Andrey Iskanov’s docu-drama Philosophy of a Knife. Intent and application don’t always go hand in hand when making a film. Philosophy of a Knife has possible good intentions behind it, bringing light to wartime atrocities, but whether or not they pulled it off is questionable. This film, like Grotesque, does not need a revisit. A mixture of documentary footage and near-accurate recreations of torture, this film isn’t one to scoff at. The reason it’s number one on this list is just for the fact it is based on real-life events. 

The story behind Philosophy is incredible as it brings the story of Manshu Detachment 731 to light, something much of the world might not be too knowledgeable about. If you’re unfamiliar, here is the TL;DR: during World War II, the Imperial Japanese Army had two prisons where they committed acts of brutality and torture in pursuit of “research.” Unit 731 has an estimated 200,000 to 300,000 deaths on their hands. Is this film necessary? Debatable. Is it poignant, and does it open our eyes to how awful the human race is? Absolutely. 

If you want to see decapitation, white phosphorous to the face, and forcible fetus removal, then this film is for you. My only question is, why do you want to see that? 

So what do you think about our list? Are we missing any crazy disturbing movies? Care to tell us how soft we are? Let us know in the comments!

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Brendan is an award-winning author and screenwriter rotting away in New Jersey. His hobbies include rain, slugs, and the endless search for The Mothman.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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