Movies
It Came From Streaming: Camp HORROR PRESS Edition

Rise and shine, goblins and ghoulies; it’s another horrendous day at Camp HORROR PRESS! Today, we figured you’d want a break from the daily struggle of enduring the summer heat while counting down until nightfall. Archery lessons with Counselor Voorhees – who so generously procured targets from the camp across the lake – and arts and crafts with Captain Spaulding and Baby Firefly are, unfortunately, canceled.
Instead, the day’s itinerary will have you padlocked inside the cool, damp walls of the estate for a horror movie marathon like no other. A selection of delicacies for you to munch, crunch, and guzzle will be suggested, and be sure to keep your wits about, as there are alternate routes along this macabre adventure. Strap in, campers, and when the credits roll, we hope to find that at least a few of you have taken a wrong turn or two – sorry, but we need some open spots for next week’s Out of Darkness retreat with Sidney Prescott.
*All streaming titles are as of this writing
Morning Smoothie
No matter the weather, it’s always Halloween at Camp Horror Press, and what better way to kick off the festivities than with a nutritious blended beverage? The Tropical “Candy Corn” Smoothie from Boulder Locavore will put some pep in your step after rising from the wrong side of the bed. Who knows, maybe it’ll even inject a sprig of life into some of the more dead-eyed delinquents around here. You’re all gonna need it!
Death Proof (2007), 1h 53m – streaming free on Tubi
Quentin Tarantino’s back half of the double-billed feature, Grindhouse, an homage to 1970s exploitation flicks and the sticky theaters that screened them, is a slow burn of hot cars and fast women. You’ll reflect on whatever you were up to in the woods last night after lights out as tension ramps up around the jukebox at a roadside dive stalked by the devilish Stuntman Mike (Kurt Russel). Before long, you’ll be Googling Dave Dee, Dozy, Beaky, Mick & Tich and rooting for revenge as the action heads onto the open road and into the blinding sun. It’s the perfect film to start things off and get your blood pumping.
‘Gator Bait (1973), 1h 28m – streaming on Shudder
This literal exploitation flick from the 1970s takes a shallow dive into the swamps of Louisiana and makes you appreciate how much the world has changed for the better, no matter how dark things may sometimes seem. Cajun Queen Desiree Thibodeau (Claudia Jennings) is wrongfully accused of murder, but predators soon become prey as they seek Desiree out on her turf. It’s crude, lewd, and quite rude, yet while there are some uncomfortable depictions of non-consent as per the genre, that and the film’s violence remain surprisingly brief. Don’t worry about all those bayou boogers because soon we’ll be going for a refreshing swim.
Afternoon Grill
As they say in The Hills Have Eyes, it’s fun to play with your food. Monster Burgers from Belly Rumbles are easy and make deliciously cute #Summerween social media content. Remember to refrigerate your raw remains and leftovers for a special late-night treat we’ll get to later.
Choose Your Own Adventure: Infested Waters
Anaconda (1997), 1h 29m – streaming free on Tubi
Please read in the voice of Don LaFontaine, the movie trailer guy:
If you’re feeling a classic 90s adventure movie starring JLo, Ice Cube, and Owen Wilson set in the Amazon rainforest. If you want to see some gutsy gore that somehow made it into a PG-13 movie. If you don’t mind hearing Jon Voight impersonate Scarface while saying “anacondas” approximately two dozen times. Choose Anaconda.
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The Shallows (2016), 1h 26m – streaming free on Tubi
While monster movie #1 has a man-eating snake, this path in the proverbial fork has Sully the Seagull! A taut shark attack thriller starring the chronically underrated Blake Lively, these waters are gorgeous, and the film’s emotional editing will hit you like a rogue wave. It’s undoubtedly one of the better single-location nail-biters out there, and we’d much rather spend 86 minutes on the beach than buried in a box (hi, Ryan!).
Choosing between JLo or Lively for your aquatic adventure may be challenging, but you’ll always have Sully by your side.
Choose Your Own Adventure: A Sweaty ’05 Afternoon
The Devil’s Rejects (2005), 1h 50m – streaming for free Tubi and Pluto
We’re leaping out of hot water and into the oven, so there’s no need to reach for disinfectant or a towel. This road trip movie from Hell is objectively one of director Rob Zombie’s better outings. It’s wickedly sadistic and downright sassy, and everything about its production screams summer filth. So, if you’re curious about our resident Fireflies’ run-ins with the law between fleeing their House of 1000 Corpses and setting up camp at the Horror Press estate, think about putting on your best Lynyrd Skynyrd tee and joining in on the fun.
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The Skeleton Key (2005), 1h 44m – streaming on Starz
True Blood has been absent from our lives for far too long, but if you’d rather its steamy Southern Gothic supernatural drama vibes over Zombie’s unrelenting gore, Kate Hudson and Gena Rowlands have you covered. Miss Hudson – another criminally underestimated actress whose talents measure far beyond romcoms – leads the charge as a hospice nurse working in an old plantation house who can’t help but ignore the age-old “don’t go in there!” adage. It may not have the deft touch of a filmmaker like Jordan Peele at its helm, but we can’t help but imagine its subversive ending inspired Get Out at least a little bit.
Choose Your Own Adventure: Summer Horror Classic
We could easily tie you to a chaise lounge, press play on a more traditional lineup, and head back underground as you enjoy what are – rightfully so – undisputed champs of the genre. And while we don’t do things by the book here at Camp Horror Press, that doesn’t mean we will entirely ignore the season’s forefathers and newly celebrated hits.
Whether you’ve seen them a thousand times over, love the remake more, or missed out on a recent addition to the crew, now’s the time to get basic with a single summer horror classic to round out the middle of our marathon.
The Texas Chainsaw Massacre (1974 / 2003), 1h 23m / 1h 38m
Jaws (1975), 2h 4m
The Hills Have Eyes (1977 / 2006), 1h 30m / 1h 47m
Piranha / 3D (1978 / 2010), 1h 33m / 1h 28m
Friday the 13th (1980), 1h 35m
The Burning (1981), 1h 31m
Sleepaway Camp (1983), 1h 24m
I Know What You Did Last Summer (1997), 1h 40m
The Cabin in the Woods (2012), 1h 35m
The Final Girls (2015), 1h 31m
Midsommar (2019), 2h, 28m
Evening Libation
At this point in the day, a refreshing breeze has begun to waft over the estate as dusk’s bugs and boos stir. The grill should still be prepped and ready to go, so when it comes to dinner, that’s on you, but we suggest accompanying it with a crisp concoction to calm your nerves and loosen your inhibitions. The May Queen Lemonade from our friends at Geeks Who Eat is infused with chamomile to chill you out as you get your buzz going, and of course, it’s easy to make sans spirits for those who don’t imbibe.
Influencer (2023), 1h 32m – streaming on Shudder
This Shudder exclusive has something to say about the “fauxotic” lives of the social media elite while setting itself in the truly exotic Thailand. Madison (Emily Tennant) learns the ropes of the lonely life of an influencer while vacationing in the lush locale and, as a result, is perhaps too willing to trust a friendly face that appears IRL. Shudder isn’t afraid to push out fresh concepts, and – like the duality of its subject matter – it’s the perfect transition from day to night in our lineup.
Summer of ’84 (2018), 1h 45m – streaming on Shudder
Another Shudder original is here to make us question what’s real, and this time it’s a throwback to a decade saturated with summer horror. A pleasant nostalgia trip about a group of friends who are convinced their neighbor is a serial killer, it’s very The Goonies by way of Stranger Things. Its young cast shines just as bright as those of the pop culture behemoths. We wouldn’t want you caught up in the happy-go-lucky feels for too long, so don’t be surprised if the third act gets dicey.
Choose Your Own Adventure: Favorite Friday
Friday the 13th: Part 2 (1981), 1h 26m – streaming on Showtime
Moving on from hypothetical serial killers to the real deal, the original summer camp slasher from 1980 birthed this franchise and countless more copycats. Yet, after you wipe off the gore-tinted glasses, it becomes clear that a few of its sequels commit patricide. For starters, even though Pamela Voorhees is a horror icon in her own right, it’s Part 2 that introduces Jason as the ultimate baddie of midsummer stalking. The sequel does away with the Giallo-like mystery of the killer’s identity to show us Jason’s hulking form in all his glory, boasting gorier and more exciting kills. We’re also treated to a competent final girl to root for in Ginny (Amy Steel), who uses her brains to outwit Jason’s brawn. The final showdown between the pair will have you gagging at Ginny’s implementation of Pamela’s crusty blue sweater as a critical component in her escape plan.
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Friday the 13th: The Final Chapter (1984), 1h 31m – streaming on Showtime
What is arguably the best in the franchise due to its strong narrative (for a slasher, anyway) and a plethora of excellent kills, The Final Chapter is anything but the last nail in Jason’s coffin. It’s got decently fleshed-out characters, Crispin Glover dancing like only Crispin Glover can do, ties to its predecessors, and an ending that’ll leave you speechless. By all accounts, the infamous killer should have gone out on a high note after this outing. Still, if he did, we wouldn’t have been blessed with sequels that introduce telekinesis, an inexplicably long ferry ride into Manhattan, and a literal trip to Hell that has fans arguing online to this day. Whichever Friday you choose, the night is only getting darker.
Late Night Snack
This one’s an original creation of yours truly. Bring out that leftover Monster Burger meat and crack open some crunchy taco shells. Add lettuce, shredded cheese, and top it off with this recipe’s secret ingredient: ketchup. That’s right, your mind has just been blown at the revelation of Meatloaf Tacos. It tastes just like a bite-sized version of the home-cooked staple! And if there’s no more fresh meat to spare, grab some value tacos over at your Mexican fast-food joint of choice – no other toppings, though – and ask for a few packets of ketchup. Oh, the things we come up with when we run out of hot sauce…
Choose Your Own Adventure: Sleazy Slasher
The Texas Chainsaw Massacre 2 (1986), 1h 40m – streaming on Max
Horror icon Tobe Hooper decided the follow-up to his legendary 1974 film would be as deranged as the cannibalistic Sawyer family at its center. A twelve-year wait for the sequel allowed him to take some liberties with the tone, and while it may be too weird for some, it’s absolutely our brand of freaky. Campy, unhinged line deliveries by final girl – and Sookie Stackhouse lookalike – Stretch (Caroline Williams) and Sawyer family reject Chop-Top (Bill Moseley) provide giggles and gif-able moments galore. It should come as no surprise that this mayhem served as inspiration for Rob Zombie’s filmography. Sprinkle in a second-act jump scare for the ages, and it’ll be a miracle if you can close your mouth long enough to swallow a Meatloaf Taco.
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X (2022), 1h 46m – streaming on Showtime
The first film released in Ti West’s surprise slasher trilogy is the sexier option for your dose of summer sleaze dopamine. In 1970s rural Texas, a crew of hot-bodied youths are on a mission to make the ultimate in elevated pornography, but instead, sacrifice themselves to the horror movie gods and produce a modern classic. The story boasts an excellent cast – rounded out by two killer scream queens (Jenna Ortega and Mia Goth) and an unexpectedly cunning new villain. Horror isn’t typically family-friendly, but this one has certainly seen some pearls clutched. Take note, campers!
The Lost Boys (1987), 1h 37m – available to rent on Amazon
The perfect late-night blaster, it’s all moody sand and fog in this beachside teen vampire smash hit. There’s a reason this one stands the test of time despite being so entrenched in its 80s roots; between its iconic cast, outstanding punk rock costume design, and entrancing synth-rock soundtrack – you can’t look away. And vampires, everyone loves those! If you’ve lasted this long, the witching hour draws nears, and there’s no better way to celebrate than with some creatures of the night.
Slumber Party Massacre (2021), 1h 26m – streaming on Shudder
A meta requel of the cult classic, it not only lampoons genre tropes but also finds a way to reverse engineer them. Nothing is what it seems, and it manages to juggle tone and terror with surprising agility until the bitter end. And for those who can’t help but cringe at the rampant over-sexualization of women while watching some of horror’s greatest hits, know that the inverse of that trend is also explored here – teehee.
Do you hear that humming noise? It’s the Driller Killer! Just kidding, it’s only Jennifer Love Hewitt sawing off the padlocks – every year, she volunteers here for a week as penance for I Still Know What You Did Last Summer.
Anyway, the slumber party’s over! You’ve survived a full-day marathon of the season’s slimiest and zaniest films, and we hope you had a hell of a time doing it. Now scurry back to your cabin, and watch out for rogue machetes…Jason’s a little peeved that we canceled his mom’s archery lessons.
Movies
The Best Horror Movies of 2025 So Far

I don’t know about you, but it feels like I stepped out of the theater after seeing Wolf Man, blinked, and suddenly it was September. It’s been a very busy year in general, but as always, especially so for the horror genre. We’ve had some misses and some hits, but overall, I’d say it’s been a strong year (though maybe not quite as strong as 2024 and its deluge of incredible movies).
Though your mind might still be primarily occupied with a more recent release, there have been a lot of incredible movies to hit both theaters and especially streaming services like Shudder in 2025. So, we here at Horror Press have decided to put together a shortlist of the best horror the year has had to offer so far.
The Best Horror of 2025 So Far
Feel free to wave this list in the face of your friends who say that all the horror they’ve watched this year is bad. Or just to celebrate because your favorite made the cut! Without further ado, let’s start with…
Dangerous Animals
Fun and insane animal horror movies are so hard to come across these days, but Dangerous Animals chums the waters with some fresh meat for the subgenre. Sean Byrne, best known for his work on the Australian sleeper hit The Loved Ones, tells a story reminiscent of Wolf Creek on the high seas.
A surfer and her boyfriend fall prey to a boat captain who promises a thrilling cage diving experience, but with a catch: he secretly enjoys torturing people before feeding them to sharks. Jai Courtney shines as the antagonist Tucker, whose mealy-mouthed grins and demented demeanor sell the danger our leads are in.
Clown in a Cornfield
The pick for the best slasher offering this year (until Black Phone 2 releases, #JoeHillHypeTrain) is a no-brainer. Shudder has finally delivered the long-awaited adaptation of Adam Cesare’s Clown In A Cornfield. And helmed by Eli Craig of Tucker & Dale vs. Evil fame no less! In the now dead hamlet of Kettle Springs, Missouri, a group of teens run afoul of its former mascot Frendo. While it initially presents itself as a basic corn-fed killer clown movie, if you stick with it, you’ll find it’s actually much more clever and thrilling than it lets on.
Predator: Killer of Killers
When I say Dan Trachtenberg does not miss, he does not miss in the slightest. The current creative director of the Predator franchise, fans of the series have been eating good ever since his work on 2022’s Prey, and have Predator: Badlands to look forward to early next month.
While Predator: Killer of Killers could have easily been a cheap animated film to tide over fans while they wait for Badlands, it proved to be one of the best films in the franchise yet. An anthology film featuring Yautja hunting throughout human history and across cultures, the animation here is slicker than slick. Killer of Killers delivers the action horror that everyone has been asking for from the franchise for years.
The Ugly Stepsister
When I heard The Ugly Stepsister was a collaboration between a bevy of film institutes and production companies across four different Nordic countries, I wondered what made it so special. What I saw explained it. While it is technically Cinderella, it’s specifically a retelling of Aschenputtel, one of the original and much darker iterations of Cinderella collected by the Brothers Grimm. And dark this is.
Told from the perspective of Cinderella’s stepsister Elvira, we watch her spiral as she tries to beautify herself in the ugliest of ways, all in an effort to secure a wealthy male suitor. Truly inspired costuming, grotesque body horror played for both shock and laughs, and a dead-on sense of comedic timing make this one a very memorable watch.
Weapons
Director Zach Cregger’s sophomore outing in the horror genre following his smash hit Barbarian is well-loved, and for good reason. This time, Weapons shines a spotlight on lives in a small town, and how they intersect, trying to make sense of a horrifying incident: the disappearance of 17 children who run out the front doors of their homes in the dead of night.
Cregger dances deftly on the line between horror and comedy in a way I can only describe as masterful, creating a film that is both viciously funny and aggressively disturbing. Where the film goes is a curveball, even for those who have seen the trailers, and a delightful one at that, since Weapons brings a new horror icon to the stage.
Companion
And speaking of Zach Cregger, this sci-fi horror is another one of his productions. If you’ve somehow avoided seeing anything about Companion until now and don’t know what it’s about, keep it that way and go watch it immediately. The ad campaign spoiled it, but the story is undeniably enthralling even if you know where it’s going. This movie features what is, by far, Sophie Thatcher’s most dynamic performance yet, supported by a stellar cast and the film’s pitch-black humor.
Fréwaka
The first Irish-language horror film is also one of the nation’s best cinematic offerings yet. A gripping and immersive folk horror film, it follows a home nurse named Shoo assigned to a superstitious older woman named Peig who lives on the edge of a remote village. Shoo soon begins to see dark ongoings in her dreams and waking life, plagued by the same mysterious group that Peig has been dealing with her entire life.
Fréwaka is a precision-made film, chock full of high impact editing and cinematography. It evokes a kind of existential monster, both man-made horrors of human cruelty and the mythological ones that lie deep in belief and the dark corners of Irish folklore. In short, unsettlingly effective.
Ash
Flying Lotus’ directorial career has been a point of interest for me ever since the genre shapeshifter that was Kuso and the demented parody that was his segment “Ozzy’s Dungeon” in V/H/S/99. And even with the high hopes those ventures gave me, Ash is so much more than I could have expected.
After astronaut Riya wakes up to nightmares of bodies being melted and screams of agony, she finds herself as one of only two survivors in a mission to colonize a planet gone horribly wrong. Ash is a lovely middle point between Event Horizon and The Void, a mixture that is sure to please those of us who like our science fiction dripping with an evil atmosphere and dark visuals. It also boasts some of the best color grading and lighting in any film this year.
Sinners
If you haven’t seen Sinners already, what have you been up to? Brain science? Rocket surgery? Here, visionary director Ryan Coogler tells the tale of a repressed young black man in 1930s Mississippi, trying to break away from his preacher father’s restrictive ways. His journey to do so lands him a performance at a juke joint out in the woods, one he plays so well that it lures in an ageless and relentless vampire.
Michael B. Jordan, Jack O’Connell, and Wunmi Mosaku lead an all-star cast through a mystical horror story with purpose. It explores the meaning of culture, religion, music, and the Black American experience—all while delivering one of the best vampire films of all time. The showstopping original soundtrack by Ludwig and Serena Göransson that it boasts isn’t half bad either.
Bring Her Back
I won’t mark this with the caveat of “so far”—this will be the most disturbing film you see this year. Bring Her Back blew any expectations you might have had from the Phillipou Brothers’ Talk To Me out of the water. While the premise of an orphaned brother and sister who are sent to live with an off-kilter foster mother and another mute child she’s fostering might seem predictable, this film is anything but.
It’s truly an emotionally draining watch, blow after blow with both the physical and emotional trauma it puts its characters through, and forces you to watch. It refuses to let you breathe for even a minute in its final act. It’s definitively Sally Hawkin’s finest hour as an actress, and beyond this short list, it’s firmly some of the best horror of all time.
Movies
‘Lisa Frankenstein’ How Did We Collectively Overlook This Movie?

2024 was pretty damn swamped with horror. Longlegs, Heretic, Nosferatu, I Saw the TV Glow…even over halfway into 2025, fans are still catching up on every horror flick they might have missed last year. Early on, though, we were given one of the best horror-rom-coms of the 21st century…and no one seemed to really care. Did people stop liking fun? It seems to be the only explanation for why this movie did not catch on more. Directed by Zelda Williams and written by the legendary Diablo Cody, Lisa Frankenstein was designed to be a cult classic, and should be remembered as one.
A Vibrant 80s Aesthetic That Screams Originality
One thing to note about this movie right off the bat is how unapologetically itself it is. The film is an absolute vibe, boasting an original aesthetic. There is so much 1980s nostalgia saturating the mainstream (cough, cough, Stranger Things), so it could be hard to imagine why we need another tongue-in-cheek horror-comedy set in the era. Lisa Frankenstein takes a completely original approach to the 80s. Its fashion and music concern themselves with the alternative, new wave-ish, goth-y side of the decade. It does not glorify what was big and popular, but rather picks it apart in ridiculously kitschy designs.
The film feels like a mix of Tim Burton’s brightest, suburban aesthetics, mixed with the grittier side of 80s culture and music. It is a bit of a, dare I say it, Frankenstein’s monster of a wavelength. With such striking originality, it’s hard to say why exactly the film did not find its way into viewers’ hearts.
The Bride of (Lisa) Frankenstein
The leads in the film are both phenomenal. Kathryn Newton is funny and full of life as the protagonist, who feels like a more light-hearted version of Wednesday Addams. Cole Spruce is phenomenal as the creature, playing an old-school, lovable monster. They truly play the movie as equal parts Edward Scissorhands and Juno. Speaking of…
Diablo Cody’s Cinematic Universe: A Horror-Comedy Legacy
What really puts this film on the next level is its writing. The film is written by the legendary Diablo Cody, creator of classics such as Jennifer’s Body and Juno. The film continues her legacy of teen-centric stories, combining drama, comedy, and, more often than not, bloody horror. Her originality shines through in this film without a doubt, with the humor evoking a distinctly mid-2000s indie flick feel.
Additionally, in an interview with Deadline, Diablo Cody said, “…this movie [Lisa Frankenstein] takes place in the same Universe [Jennifer’s Body]. Jennifer’s Body is of course revered as a classic horror-comedy, blending brutal supernatural lore with a ton of humor. That movie has a much higher fan base than Lisa Frankenstein, however, Cody has confirmed that these films share the same Universe. This alone should give fans of the genre another chance to consider this movie. Plus, with news of a potential Jennifer’s Body 2, Lisa Frankenstein could potentially be part of what one day may be an iconic trilogy.
A Deeper Love Letter to Art and Creation
For all the pomp and frills of teen dramedy, romcom-ishness (new word!) and bloody horror, Lisa Frankenstein has some more to say than what meets the eye. The movie is not just a romance between Lisa and The Creature. It is a romance between Lisa and art itself.
Lisa’s character is an artist from the beginning, sewing and designing her own art and fashions, fascinated by the art surrounding her. She has a passion for art and art history, and desires to create. In a sense, through her sewing and construction, The Creature is an art piece. The movie is literally a romance between her and the act of human creation.
In one of the movie’s best sequences, Lisa has a dream sequence in which she is married to the bust of The Creature, and the room is decorated like George Méliès’ A Trip to the Moon. This iconic short film from the turn of the 20th century remains one of the most impactful and inspirational films ever made, helping to pioneer narrative storytelling in film. By referencing and paying homage to this movie, Lisa Frankenstein draws a throughline between Lisa’s creation and the creation of art as a whole. This is a movie that understands its place in film history and appreciates the importance of creation on both a Divine and human creative level.