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Cowabunga, Queers!: Charles Busch’s ‘Psycho Beach Party’ (2000)

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Psycho Beach Party is delicious. 

Originally a 1987 stage play by Charles Busch, a drag performer and PBP screenwriter, Psycho Beach Party is the quintessentially queer horror comedy satire and parody of the early-2000s, and we don’t talk about it enough. This could be due to the popularity of another horror comedy parody of the same year: Scary Movie (2000). However, while Scary Movie has queer characters, they are marred by extremely pervasive stereotypes that have persisted in film, especially horror, for decades. Psycho Beach Party, on the other hand, has more to offer horror queers than Scary Movie. It was created by a queer individual and satirizes 1950s/1960s conservatism and family values. This campy summer flick that draws from films like Psycho (1960) and Surf Party (1964) deserves more recognition for its creativity and proud queerness.

Central to Psycho Beach Party is camp. Much like Drop Dead Gorgeous (1999), Jawbreaker (1999), and …But I’m a Cheerleader (1999), this film has a sinister sparkle that makes it a delightful, nostalgic summer watch for millennials and Gen-Z Y2K-enthusiasts. It flirts with traditionally queer subversive subtext while making itself accessible to new viewers who love the early-aughts style as well as love the familiar faces of several actors. Psycho Beach Party falls into the subgenre of horror-comedy spoof, parody, and/or satire. Ask anyone about early-00s horror comedies, and the Scary Movie franchise would be frequently mentioned. Bridging the gap between the first horror spoof comedies Saturday the 14th (1981) and Student Bodies (1981)Scary Movie found its audience in horror and the mainstream, thanks to the wildly-popular Wayans Brothers. 

There is not much satire to be found in Scary Movie, unlike Psycho Beach PartyScary Movie suffers from an overuse of harmful queer stereotypes, while Psycho Beach Party uses queer characters and themes to analyze 1950/1960s-era misogyny, homophobia, and transphobia. Scary Movie digs itself into society’s deep-rooted history of homophobia and transphobia while presenting audiences with a fun mashup of horror’s most beloved films. As a result of its popularity, the franchise would continue to perpetuate negative queer stereotypes in popular culture, further entrenching them in pop culture discourse. A prominent example is Ms. Mann, the girls’ gym coach in the franchise’s first installment. Ms. Mann, in a matter of just a few minutes of screentime, divulges to protagonist Cindy that she essentially transitioned (MTF) to gain an athletic edge (a dangerous myth within past and current right-wing circles), then proceeds to sexually harass Cindy. Scary Movie writers had the nerve to slip in just one more harmful myth perpetuated in Hollywood films for decades: Ms. Mann has a Nazi S.S. uniform hanging behind her desk.

Psycho Beach Party, thanks to screenwriter and creator Charles Busch, does not take the film in such a toxic direction. PBP feels targeted at queers with an appreciation for the horror genre and camp sensibilities, and there is a certain tenderness in how it treats its queer characters. Unlike Scary Movie’s predatory gays, the queers of PBP are not malicious, nor do they fall into the cliche of getting knocked off by the end of the film. PBP reclaims tired horror queer stereotypes from films such as Psycho while introducing new possibilities for the genre, including having a drag queen be a police captain in a 1960s beach town (the John Waters-Divine connection is not lost on me). There is even a queer history callback to Christine Jorgensen, one of the first transgender public figures, having surgically transitioned with the help of a doctor in Denmark in 1952, receiving worldwide media attention.

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Now, let’s grab our surfboards and drop into this wacky, campy, and totally nectar 2000s flick!

Psycho Beach Party is a classic who-done-it. Teenage Florence Forrest (Lauren Ambrose), desperately seeks the approval of the cool surfers down by the beach, particularly the popular Starcat (Nicholas Brendon) and Kanaka (Thomas Gibson), a mythic beach fixture that hangs out with high schoolers and surfs massive waves via green screen. Florence, dubbed Chicklet by her new surfer chums, exhibits symptoms of multiple personalities just around the time murders begin in her town. Chicklet; her bookish, horror-obsessed best friend Berdine; her new flirtatious acquaintance Marvel Ann (played by the wonderful Amy Adams, giving us another fabulous iteration of her horny cheerleader character from Drop Dead Gorgeous (1999)); her ragtag team of surfer bros; her secretive mother; and an aging B-horror movie star are all under the surveillance of Police Captain Monica Stark.

Meet the cast and Capt. Stark’s prime suspects:

Character: Florence “Chicklet” Forrest 

Played by: Lauren Ambrose (Can’t Hardly Wait, Yellowjackets) 

Surf Status: Total grommet.

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Red Flags: the classic horror film affliction of multiple personality disorder.

Character: Captain Monica Stark

Played By: Charles Busch (Addams Family Values, Die, Mommie, Die!)

Town Gossip: She has a past with the legendary Kanaka!

Red Flags: A cop.

Character: Marvel Ann

Played By: Amy Adams (Drop Dead Gorgeous, Enchanted, Sharp Objects)

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Surf Status: None, groupie

Red Flags: Too horny

Character: Berdine

Played By: Danni Wheeler (Sabrina, the Teenage Witch)

Town Gossip: she reads far too into cheesy horror films for feminist and queer subtext…

Rainbow Flag: yes.

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Character: Starcat

Played By: Nicholas Brendan (Buffy, the Vampire Slayer)

Surf Status: the insufferable Leader

Red Flags: a big-headed psychology major who knows way too much…

Characters: Yo-Yo & Provoloney

Played By: Nick Cornish (Buffy, the Vampire Slayer, Dawson’s Creek) & Andrew Levitas (writer and producer)

Surf Status: two bros who love waves and chicks and oily beach wrestling 

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Rainbow Flags: yes.

Character: Kanaka

Played By: Thomas Gibson (Dharma & Greg, Criminal Minds)

Surf Status: A GOD.

Red Flags: exclusively hangs out with high schoolers.

Character: Rhonda

Played By: Kathleen Robertson (Beverly Hills 90210, Scary Movie 2)

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Town Gossip: None, starts it all.

Red Flags: definitely uses antigay slurs.

Character: Ruth Forrest

Played By: Beth Broderick (Sabrina, the Teenage Witch, Sharp Objects)

Town Gossip: lover of the Armed Forces…

Red Flags: questionable parenting choices.

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Character: Lars

Played By: Matt Keeslar (Waiting for Guffman, Scream 3)

Town Gossip: None, beloved quiet foreign exchange student.

Red Flags: a foreign exchange student in a horror movie.

Psycho Beach Party (2000) is streaming on Tubi

Abigail Waldron is a queer historian who specializes in American horror cinema. Her book "Queer Screams: A History of LGBTQ+ Survival Through the Lens of American Horror Cinema" is available for purchase from McFarland Books. She resides in Brooklyn, New York.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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