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Movies We’re Most Excited To See At Brooklyn Horror Film Festival

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Horror Press is pleased to sponsor the 7th annual Brooklyn Horror Film Festival (BHFF), presented by Shudder. Brooklyn Horror promises to deliver nightmare fuel and provide a platform for films that subvert expectations and push boundaries on what is considered to be a part of the genre.

From October 13-20, BHFF will present its most robust film slate to date, along with live events across Brooklyn. Horror Press writers Bash Ortega and Jenika McCrayer sat down to discuss what films and themes they’re most looking forward to seeing at the festival.

This conversation has been condensed and edited for clarity.

Bash: What’s the number one film you’re most excited to see?

Jenika: I’m most excited to see Give Me an A. It’s an anthology around the topic of abortion, which is obviously topical and important. Most of the films I picked are woman-led. I think it’s a great year for women in horror, and, on the flip side, it’s like a terrible year for women and queer people. So I’m excited to see how Give Me an A will tackle abortion rights and how it affects all women and queer people across the country.

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B: Yeah, that one that looks really interesting. It’s definitely on my list. Out of all the films, I’m most excited about All Jacked Up and Full of Worms. It looks just absolutely bizarre. I watched the trailer, and the characters talk about doing worms, and they mean eating actual live worms. It’s grotesque! Have you watched the trailer?

J: I have not watched the trailer. I like going in blind. I know that you like body horror. Are most of your picks body horror-centric?

B: For the most part, but I also have a good mix. I’m really interested in body horror, practical effects, and anything that just seems sort of like mind fuck-y. Also, Something in the Dirt looks really interesting because the premise seems funny. A supernatural force invades the main character’s apartment, and they’re fighting it, but no one believes them. The trailer is vague and has a fairly serious tone, but the film seems interesting because the premise is absurd. I’m interested in things I’ve checked out that have left me wondering, “what’s going on here?”

J: Another film I’m looking forward to seeing is Mother May I. Mostly because I’m a fan of Kyle Gallner, but also because the premise seems bonkers. His wife is possessed by his dead mother, so he has to work through all of his mother-oeidopus-complex-trauma.

B: Yeah, that one looks wild. There are a lot of mother movies at the Brooklyn Horror Film Festival this year.

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J: Definitely! I’m also interested in Mother Superior!

B: All Jacked up and Full of Worms seems to have themes of motherhood too. From the trailer, it appears like the main character gets a fake baby in the mail and then starts seeing this woman who also becomes pregnant.

J: I’m interested to see how that plays out. When I was looking through the list of movies at BHFF I sorted them by topics I want to see. Women, mothers, and LGBTQ+ issues are having a big moment. I feel like mental health is also having its moment. I know we both saw Smile last week thanks to BHFF. Other than body horror, what else are you looking forward to seeing?

B: I’m also intrigued by The Weird Kidz. How often do we get a full-length animated horror film? It’s different, and it took eight years to draw. It seems like a straightforward monster movie, but I’m hoping the animation and comedy aspects will make it more unique. The style reminds me of Family Guy and makes me wonder how horror and crude adult cartoons will combine. What else would you like to see?

J: I’m excited to see the documentaries! Especially the one about Stephen King. King On Screen is one of my first choices. I love Stephen King, and the adaptations from his books usually blow me away. Carrie is one of my favorite horror movies. I’m also excited to see this horror comedy called Next Exit. It’s about grief and the afterlife. It should be a unique experience to see how they handle something so heavy through humor.

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B: I’d also really like to see Falcon Lake. I know it’s their centerpiece film, and I’m interested to see why they’ve chosen that one. It appears to be more somber than some of the other films. It’s also the head trip category, which I’m very interested in.

J: Yeah. You love cerebral stuff.

B: Yeah. My friends make fun of me. They tell me I love movies that don’t make any sense.

J: They make perfect sense!

B: You just have to watch them five times, and then it’s fine.

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B: And then the shorts!  I think one of my personal projects will be to decide which shorts I like the best.

J: Yes! We both want to see the Slayed: LGBTQ+ Horror category.

B: Also, Slayed is a hilarious name.

J: Perfection! Speaking of LGBTQ+ horror, BHFF is also showing Swallowed.

B: Horror Press recently released an article on that one!  It looks really interesting. I read about Swallowed when I saw that we were reviewing it. I know the characters smuggle drugs by eating them.

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J: It could be pretty fun. The lineup looks absolutely wild. I love how horror is leaning into “what the fuck?” right now. I also think body horror is having a good year, which is very unfortunate for me.

B: You don’t do body horror?

J: I have a limit.

B: Very understandable.

J: But overall, I’m excited about their chosen themes.

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B: Yes! I think the “Fear in Focus: French Extremity” theme is really fun.

J: I studied French for six years. Let’s test it out! I’m excited for Baise-Moi. I don’t usually watch a lot of French horror films. I don’t get into it enough. But I hear it’s fucked up and brutal.

B: I know! Movies like Raw had such an intense reputation. So I’m hoping the movies are as extreme as BHFF says. I think they will be!

J: Yeah! I also hope to see Irreversible. It’s the Straight Cut 20th Anniversary edition. So they’re going to show it in chronological order.

B: I haven’t seen the original.

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J: The original is in reverse chronological order, about one night. It’s a rape-revenge film, which I don’t usually spend much time watching.

B: I also don’t, but I watched a couple for a paper in college.

J: I think they’re getting better, however. I’m enjoying them more. I don’t know if it’s like I’m older now or…

B: I do think they can be cathartic.

J: Right. So I’m excited to see a retelling of one that’s kind of the Classic.

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B: I’m not very familiar with Lucio Fulci, and one of the categories of BHFF is a retrospective of his work. I’m mainly focusing on seeing new films, but I am still curious to learn more about Fulci and why he was important. The one that I do really want to see by him is Zombie because it’s a loose sequel to Night of the Living Dead, which is one of my all-time favorites.

J: Oh, yeah! Night of the Living Dead is phenomenal. The whole backstory of the film, the distribution, and the casting of Duane Jones, a Black actor: all great. I’m also interested to see Zombie and how Fulci handled it. The zombie genre has exploded. Are there any other zombie movies?

B: There definitely are! There’s City of the Living Dead and The House by the Cemetery.

J: My biggest takeaway is that all of these films look amazing! I want to see every single one. But it’s literally impossible.

B: I’m also incredibly excited to see Nocebo on opening night.

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J: That one’s going to be fun!

B: Just the idea of going to opening night is exciting. I’m looking forward to seeing everyone there! I’m also excited to see the theaters because I haven’t been to Nitehawk or Williamsburg Cinemas where the films are playing.

J: Nitehawk is great! I also haven’t been to Williamsburg Cinemas. I’m usually an Alamo Girl, so I’m excited to branch out. I know some of the filmmakers will be there, and there will be some Q&A sessions. I can’t wait to see what other events they have planned around these films.

B: There are so many films that are getting their world premieres. I know you’re interested in Influencer.

J: Hell yes, I need to see this. How do you make influencing scary? Well, scarier than it already is.

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B: It’s very topical, which sometimes I feel like those movies can be a little bit too on the nose, but I think this one looks pretty interesting. Because it sounds like the horror is not online, you know? I feel like sometimes those kinds of films can be too heavy-handed and have a very narrow view. They often are just trying to say that the internet is ruining our generation, and I’m not very interested in that take.

J: I like when horror dives into the conversations that we’re currently having. Movies that touch on issues that society is facing now give us a value system and ways to move forward. Jordan Peele is having a great moment. I also enjoyed Smile. There will be a Q&A for Influencer, so I need to think of questions! I’m mostly interested in what influenced—get it?—the filmmakers to make Influencer.

J: So, we’re both looking forward to BHFF! I can’t wait to see you there! Any final thoughts?

B: Yes! I’m excited to see as much as I possibly can! There are so many new and exciting films, and I know BHFF will be a good time!

You can find tickets for BHFF on their website.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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