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French Extremity Film ‘Irreversible’ Gets New Release

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Gaspar Noé’s infamous film Irreversible will return to theaters on February 10th in its proper chronological order, titled Irreversible: Straight Cut. It’s a graphic and devastating account of revenge that is not for the faint of heart.

After 20 years, Irreversible is still as shocking as ever

The original film unfolds in reverse chronological order as we spend a day with Alex (Monica Belucci), her current Marcus (Vincent Cassel), and her still-pining ex-boyfriend Pierre (Albert Dupontel).

The story begins at the end: We see a wounded Marcus being carried out of the gay nightclub Le Rectum on a stretcher, closely followed by Pierre in handcuffs. We eventually discover that Marcus and Pierre have spent most of the night desperately hunting a man known as Le Tenia (“the Tapeworm”) to enact revenge for Alex’s brutal rape and beating earlier in the evening.

The movie’s tagline, “time destroys all things,” becomes devastatingly more apparent as time goes on. The reverse chronological order is effective at disorienting the viewer, and we are not fully aware of how much was lost over the course of this ill-fated evening until the first few hours of the day are revealed at the end of the movie.

French Extremity At Its Most Potent

I had the opportunity to see the “Straight Cut” version during the seventh annual Brooklyn Horror Film Festival. The film was shown as one of the festival’s Closing Night films to celebrate its 20th anniversary. BHFF’s theme for 2022 was French Extremity, a subgenre of transgressive French films that push the envelope on brutality and is not afraid to spotlight human depravity.

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Man is the real monster in French Extremity films, and Irreversible is no exception.  This movie is infamous for its nine-minute assault scene and the violent revenge enacted at Le Rectum.

Seeing Irreversible in its proper chronological order was an experience. Closing Night took place at Nitehawk Cinema, a popular dine-in theater in Brooklyn.  The audience was warned that no alcohol would be served in the few minutes leading up to that infamous nine-minute assault scene, so I ordered two glasses of wine ahead of time.

It wasn’t enough. Although I have seen the original film, nothing can prepare you for that scene. I chugged both of my wines and spent most of that time watching people leave the theater, stealing quick glances at the screen. Nine minutes feels like an eternity.

Straight Cut or Original?

Many people will ask which version of Irreversible is better. As someone who enjoys fucked up films, this one is pretty fucked up regardless of the sequence of events. I’m still filled with dread as soon as I hear that pounding theme.  In my opinion, both versions have their merits, although being presented with this story in its proper chronological order doesn’t make it any less devastating.

My recommendation for Irreversible comes with several trigger warnings for sexual assault, transphobia, and homophobia. Irreversible is not a movie I would recommend to a casual horror fan, but both versions are an experience that should not be missed.

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Irreversible: Straight Cut releases theatrically February 10th. You can purchase tickets here!

Jenika McCrayer (she/her) is a writer and horror enthusiast based in Brooklyn, NY. Her adoration for the sociopolitical aspects of the genre inform her writing on gender, politics, and education.

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Found Footage Feature Fund Announced by Duplass Brothers

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Horror has, once again, proven it is the greatest force of positivity in the world of art today. Duplass Brothers Productions, known for its Creep franchise, has partnered with the Transgender Film Center to create the Found Footage Feature Fund. It was unveiled at Fantastic Fest, and promises an intersection of analog terror and empowered voices.

This is a fully financed, $25,000 grant for Trans filmmakers to tell original stories. The only criteria is that films should incorporate some element of found footage, collage, or other form of experimental media within their project.  Mark Duplass, along with Trans Film Center Executive Sav Rodgers, says this is an opportunity not just to support independent storytellers, but to empower Trans filmmakers. A message we can totally get behind.

This fund is a phenomenal response to an era of discrimination, battling bigotry with action, art, and creativity.. The fund will open on October 23rd and close on November 7th. The grantee will be selected in December.

Source Bloody-Disgusting

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‘V/H/S Halloween’ Promises Seasonal Horror with New Trailer

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The V/H/S franchise is back and scarier than ever, just in time for the season of the witch. The series, which began with its initial entry in 2012, promises a new theme with each installment. Themes such as science-fiction, 1994, and 1999 have been covered, but this year’s may prove both the scariest and the most fun: Halloween. Even more exciting is, about two months after announcement, the trailer for V/H/S Halloween has finally been released.

The trailer is itself a total blast. Starting with a 90s-family-movie-esque voice over, the intro back to the Halloween commercials of the early 2000s. The viewer is welcomed to an array of nostalgic, seasonal costumes, decorations and animatronics, only to be blindsided by a switch to ominous music and bloody, grungy terror with autumnal flare. One could most likely expect possessions, masked killers and nightmare-inducing mascot characters. So far, this seems perfect for Goosebumps fans.

Directors for this installment include genre favorites Alex-Ross Perry, Paco Plaza, and more. V/H/S Halloween will be released on SHUDDER on October 3rd.

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