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The ‘Silent Night, Deadly Night’ Franchise, Ranked

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It’s beginning to look a lot like Christmas!

Which means we need to bust out some relevant Christmas horror films to watch here. And it also means there will be many listicles that put Silent Night, Deadly Night Part 2 at the top of their rankings for Christmas horror films by default. But it got me thinking that maybe we need a bit more of a meditation on this series.

Have we really written them all off so quickly because one of them is the most meme-able? I like the first few films in the series as much as the next guy, but The Ricky Chapman Trilogy that kicks us off doesn’t go beyond the pale the way everything after does. 4 & 5 are Apocrypha to the Ricky Bible, but they introduce many weird, out-there concepts that make them enjoyable bad movies.

Ranking All the Silent Night, Deadly Night Movies

So today, I’ve taken the liberty of hitching up the man-eating reindeer to the sleigh to take a retrospective ride through the Silent Night, Deadly Night franchise and find out…well, you read the title, you can do the math. Starting with…

SILENT NIGHT, DEADLY NIGHT

The one that started it all and got a bunch of people in hot water. It’s funny to think that outrage culture has pretty steadily assaulted our eyes and ears with the dumbest of controversies since time immemorial. Still, it’s even funnier knowing this movie contributed to that outrage. But beyond the controversy, this film is actually…kind of good?

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It’s the best shot of all the movies, so big props to Scream Factory for remastering it and restoring it to its fullest. It’s only a little meanspirited, which is good since it doesn’t get too heavy for its absurd concept. On top of that, the kills in the movie are exceptionally creative (antler impalings, Christmas light hangings, and sled decapitations, oh my!). My only problem is that Billy Chapman is no Ricky, he’s more serious and isn’t as much of a goofball.

I would say this ranked high up when I first started my rewatch but may go closer to the bottom of the list. Not for any technical fault of its own—just because it gets much funnier from here in…

SILENT NIGHT, DEADLY NIGHT, PART 2

Do I even have to say the line to know it’s the first thing that went through your head as you read the title? GARBAGE DAY!

Let anybody who told you Art the Clown is the best slasher villain to use a gun see this and watch them change their tune. Watching this is only enriched by not having seen the first movie, which makes it one of those sequels that is better than the first in the worst way possible. If you were unfortunate enough to watch both the first and second films in one sitting, like myself, you’d know that roughly half of the movie is flashbacks to Billy’s rampage. But that doesn’t stop it from being entertaining as all hell.

Ricky Chapman is an all-time great slasher villain and delivers some kills almost as good as the original. Eric Freeman may just be the best-worst actor of all time, which makes this movie one of the best-worst films of all time by proxy. Which makes the following film feel like a fall from grace, given its…

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SILENT NIGHT, DEADLY NIGHT 3: BETTER WATCH OUT!

A.K.A. “The one with Bill Moseley in it,” because that’s the most remarkable thing about it. He’s not even a killer Santa in this one, but I guess mixing the motifs of “killer with exposed brain pan” and “Santa Claus with murder tools” might muddy the aesthetic waters. The final entry for our boy Ricky is kind of a sad whimper to go out on because this movie’s pacing is painfully slow.

It squanders a very fun concept (psychic girl is hunted by an evil Santa Claus she keeps having visions of) in favor of watching a lobotomized Ricky taking a road trip to his murder victim and killing people off-camera on the way. Worse, it squanders Bill Moseley, who doesn’t get to act outside of lumbering with a slack jaw. It’s the cinematic equivalent of dragging your sled up the hill again: tedious, no momentum, and no fun as you wait for the next weird ass thrill ride in the franchise.

SILENT NIGHT, DEADLY NIGHT 4: THE INITIATION

And the next weird ass thrill ride in the franchise is here! Why should this even qualify when it looks and feels like Springtime in Los Angeles, and people had just forgotten to take down their Christmas decorations for months? Well, three reasons:

  1. Spontaneous combustions caused by witches.
  2. Monstrously massive bugs everywhere, designed by Screaming Mad George.
  3. Clint Howard as the resident crazy homeless guy who walks in and out of the movie.

While Ricky may be gone and its status as a Christmas movie is dubious, it’s a trip of a film with one particularly hellish sequence involving a lot of slime-covered giant insects. Some complain about its ham-fisted thematic notes of gender inequality, sex, and exploitation…but are you actually going into Silent Night, Deadly Night 4 expecting strong themes? Just enjoy this one for what it is, which is a lot of classic ick-inducing Brian Yuzna filmmaking. If you liked the weird, psychosexual nightmare that was Society, you’ll like this.

SILENT NIGHT, DEADLY NIGHT 5: THE TOYMAKER

I was going to do another A.K.A. joke here, but I realized that the twist of this movie is so weird that it outclasses even The Initiation and needs to be seen to be believed. Rewatching this, I had forgotten exactly what the deal was with our mystery killer in the film and was mouth agape when the movie jogged my memory.

The Toymaker gives some very gruesome deaths and puts the Yuletide feeling of the film at center stage with a plot about murderous toys (not Demonic Toys, we swear, please don’t sue us Charles Band!). In fact, I would argue that since the effects in this movie and the violent kills don’t feel like a rehash of Society, it’s actually a major improvement on what 4 had going on. While four is slower-paced as it tells a (somewhat) more tempered story, five is aware of how goofy the plot is, with faster and funnier editing and some truly hilariously bad performances.

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SILENT NIGHT (2012)

The final entry in the series is as plain jane of a slasher as they come but does manage to get the holiday aesthetics down pat, so even though it isn’t as wacky as the others, I’m including it in the ranking.

This film isn’t the one that reinvents the wheel or brings any fire to mankind (outside of the literal flamethrower murders depicted in it), but it is a very solid slasher. It has a cast of fun character actors, particularly Donal Logue and Malcolm McDowell, with our lead Jaime King as a no-nonsense detective hunting down our slasher. I just wish it was as madcap and off the walls as some of its predecessors were.

FINAL RANKINGS

Which is the best, which is the worst, and are there any good films in this series?

I would argue that all of them (except for 3) are great horror flicks in their own rights, since not a single one of them (except for 3) is boring (3 is getting the worst spot, sorry if I’m being redundant, but it sucks).

If I had to choose a best one, it would probably be our 5th spot on the list as The Toymaker is a diamond in the horror rough that, while lacking the bad acting of Part 2, has a genuinely insane script and all the best special effects of the series. So, from best to worst:

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  1. Silent Night, Deadly Night 5: The Toy Maker
  2. Silent Night, Deadly Night Part 2
  3. Silent Night, Deadly Night
  4. Silent Night, Deadly Night 4: Initiation
  5. Silent Night (2012)
  6. Silent Night, Deadly Night 3: Better Watch Out!

When you’ve got those cookies baking in the oven, the house smelling of pine tree, and the lights twinkling, let this list from nice to naughty help you make the right decisions on which campy horror movies to watch this holiday season.

From all of us here at Horror Press, Happy Holidays, and a Happy New Year everyone!

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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