Connect with us

Movies

The Best Male Full Frontal In Horror Movies

Published

on

While horror has long been considered to be a haven of exploitation of the human body, it has its limitations. For as much blood and nudity as the genre contains, one major frontier has yet to be fully explored. That would be male full frontal nudity. American cinema in particular has long been skittish about male full frontal, across all genres. The reasons for that are too wide-ranging to explore in a brief introduction. (Spoiler alert: misogyny might have a thing or two to do with it.) Whatever the circumstances, it’s still a refreshing break from the norm to behold a naked man in a horror movie. With that in mind, I’d like to break down some of the genre’s finest examples to date.

The Best Male Full Frontal in Horror

Before we dive in, I have a few housekeeping notes: First, while not all men have penises, this article will focus entirely on that particular appendage. Horror still has a long way to go with representation of characters on a broader gender spectrum, clothed or otherwise. Second, this article is ranked, but not by a standard as subjective as “hotness.” I’ve instead ranked these by their effectiveness in using nudity to provoke the audience, in a variety of ways. Third, I’m not differentiating between prosthetics and true nudity. Everything you see in a movie is fiction, in one way or another. Fourth, while I’ve obscured the penises in any screenshots I’ve used, you should probably still consider them NSFW. Just to be safe.

#10 Nail Gun Massacre (1985)

One of the unique components of the chaotic mess that is Nail Gun Massacre is its verisimilitude. Its low budget gives the sense that every building, article of clothing, etc., belonged to the filmmakers or their friends. Because of this, it achieves a kind of accidental realism. That’s what makes its copious sex and murder scenes feel genuinely dangerous and transgressive. Sex and murder are combined (naturally) in a nail gun kill involving a couple copulating against a tree. Both partners fall to the ground afterwards, completely naked. It’s grimy and raw, in a charmingly equal opportunity fashion.

#9 Pieces (1982)

Pieces is nothing if not unpredictable. Every scene provides a fresh gust of wind to keep the whirligig of the bizarro slasher spinning. One such moment is the part where the male lead is shown gratuitously and gloriously naked after a hookup. There is no reason for this scene to be placed where it is. It comes mere seconds before the movie’s infamous kung fu attack, in fact. And that approach to storytelling is exactly why the movie feels so thoroughly bonkers from beginning to end.

#8 Don’t Look Now (1973)

Donald Sutherland and Julie Christie’s sex scene in Don’t Look Now is the stuff of legend. But their nudity is used both erotically and platonically (in a later scene where they’re getting ready). This is why the movie truly shines. It shows both sides of the couple’s interactions with one another and their naked bodies. It’s a more or less complete picture of their marriage, depicted in a very short time. All the better for tearing them apart over the course of the rest of the movie.

Advertisement

#7 An American Werewolf in London (1981)

AWiN’s nudity is more than just an excuse for a kid to say, “A naked American man stole my balloons.” It’s another way for the movie to comedically explore the line between British society and outsiders. David’s Americanness is what imperils him in the first place, because he fails to heed warnings about the moors. But his new wolfishness also places him outside the norm. Waking naked after a lycanthropic night on the town, he’s plunged unexpectedly back into polite society, at a severe disadvantage.

#6 Midsommar (2019)

Christian’s nudity in Midsommar is accomplishing a lot. The reason he’s naked is that he has been coerced (somewhat) into cheating on his girlfriend. So this scene is quite literally stripping him bare, exposing how unreliable he is as a partner. However, it also taps into the inherent vulnerability of nudity. There are no more layers of protection between him and the terrible thing that’s about to happen to him. Well, I suppose it’s only terrible depending on who you ask. But you get my point.

#5 Nosferatu (2024)

The sudden appearance of the titular monster’s penis in Robert Eggers’ Nosferatu is more than just a shock gag. It’s a reminder that this shambling, rotting, towering vampire was once a human being. His decadence, disease, and desire aren’t born from some unknowable, external evil. They are merely human impulses and weaknesses gone majorly awry.

#4 Ma (2019)

Ma is riddled with outrageous moments designed to make you go, “This happened in an Octavia Spencer movie?” Ma grabbing Luke Evans’ dick and threatening to cut off is certainly one of those moments.

#3 28 Days Later (2002)

The opening scene of 28 Days Later finds Cillian Murphy’s Jim waking up naked from a coma. Vulnerability is an element of this scene, but there’s an even more potent metaphor of rebirth at play. As naked as a baby, Jim is being born into a world gone mad. And he’s going to have to grow up real quick if he hopes to survive.

Advertisement

#2 28 Years Later (2025)

Danny Boyle sure does love putting dongs onscreen, doesn’t he? The nudity of the Infected Alpha Samson in 28 Years Later is accomplishing something entirely different, though. He’s quite literally swinging his dick around, displaying his power. While the human characters (and the audience) might be shocked by his nudity, he isn’t. This gives him a huge, if unintentional, advantage, because his opponents start off on the back foot.

#1 Night of the Demon (1980)

I mean, what do you want from me here? Of course this video nasty is No. 1. I can say with some certainty that it’s the only movie where Bigfoot rips a dude’s dingdong off. Not everything has to be a metaphor.

Honorable Mentions: 2014’s Creep (one of my biggest blindspots for contemporary horror), 1983’s 10 to Midnight (which doesn’t actually have full frontal, but features a killer who gets naked to do his dirty work, and that counts for a whole lot), 2017’s Revenge (which includes intentionally objectifying a villainous man among its many worthwhile vengeful acts).

Brennan Klein is a millennial who knows way more about 80's slasher movies than he has any right to. He's a former host of the  Attack of the Queerwolf podcast and a current senior movie/TV news writer at Screen Rant. You can also find his full-length movie reviews on Alternate Ending and his personal blog Popcorn Culture. Follow him on Twitter or Letterboxd, if you feel like it.

Continue Reading
Advertisement

Editorials

‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

Published

on

I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

Advertisement

This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

Advertisement

Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

Continue Reading

Movies

The Best Horror You Can Stream on Shudder in January 2026

Published

on

My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

Advertisement

A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

Advertisement

In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

Advertisement

You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement