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Hocus Pocus 2: Teaser Trailer Breakdown and What We Know So Far

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THE WITCHES ARE BACK!

It’s been almost thirty years since Hocus Pocus first premiered. The film starring Bette Midler, Kathy Najimy, and Sarah Jessica Parker as the legendary Sanderson sister witches who are bent on stealing the lifeforce from children on All Hallow’s Eve is regarded as a Halloween classic.

Directed by Kenny Ortega, this movie still tops the charts for most-watched Halloween movies today. It has appeared on Eli Roth’s History of Horror, fourteen “Top 10” episodes of WatchMojo, and has dozens of lines that fans immediately recognize. After all, what Hocus Pocus fan doesn’t know the ending to the line, “Oh look, another glorious…”

While Max (Omri Katz), Dani (Thora Birch), and Allison (Vinessa Shaw) stole our hearts as the protagonists of the original film, we are ecstatic to see that Hocus Pocus 2 is finally on the horizon with new protagonists and a new story to tell, this time directed by Anne Fletcher.

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While many details are still unknown, the recent release of a teaser trailer left us ecstatic and anxiously awaiting more. Let’s “form a calming circle” and break down the trailer moment by moment and see what it means for this highly anticipated sequel.

Will Hocus Pocus 2 Introduce a New Familiar?

The trailer opens with a scenic shot of a black bird with red and yellow plumage flying over the water. Immediately we are left to wonder if this peculiar bird will make more of an appearance in the sequel.

Remember, the first Hocus Pocus saw the assistance of Binx: the boy (Sean Murray), who was turned into an immortal, talking cat (Jason Marsden) by the witches. This cat served as the protagonists’ familiar. Given Thackery Binx’s transition into the spirit world at the end of Hocus Pocus, it begs the question of whether there will be a helpful animal friend for the adversaries of the Sanderson sisters once more.

Or could it be that Hocus Pocus would follow in the footsteps of other Disney counterparts such as Aladdin and Sleeping Beauty which see magical villains utilizing a bird as a companion? Will evil have a familiar of its own this time?

If that’s the case, the new protagonists undoubtedly have a difficult journey ahead.

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Meeting New Characters

The next shot of the trailer sees the introduction of the sequel’s new protagonists. Pictured is Becca (Whitney Peak) and Izzy (Belissa Escobedo) standing by a bike rack in a schoolyard. In the background of the next shot, a partial name can be observed: “…Skelton High School”. Given that the original Hocus Pocus took place at Jacob Bailey High School, it seems our newcomers attend a different school. However, according to the synopsis, the story still takes place in Salem.

In the foreground of the shot, we are introduced to the third protagonist, Cassie (Lilia Buckingham), who wishes Becca a happy birthday.

“What are you guys going to do tonight?” she asks the girls.

Becca replies that they plan to binge scary movies, although the following scenes indicate otherwise.

The Next Generation of Salem Witches

The ensuing frames of the trailer follow Becca striking a match, bringing the flame to a candle nestled in the ground. She and Izzy are huddled around it, in the forest with a full moon glowing brightly in the background.

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The shot cuts away, and shows the two girls in the daytime, walking their bikes to a Salem Magic Shoppe. Gilbert (Sam Richardson), who is presumably the shopkeeper, is on the screen, explaining:

“You know legend has it, on her sixteenth birthday is when a witch gets her powers.” A black cat is shown. (Are you my familiar?)

The spoken line at the magic shop reveals a huge plot point of this sequel: the emergence of another witch. Lest we forget that the original Hocus Pocus did not initially feature protagonists that had mystical forms of magick.

Old Magick vs New Magic

In the beginning, the protagonists of the original used the magic of technology to outsmart and confound the evil witches. Most notable examples of this came from:

  • The scene where Max seemingly conjured fire in his hand via a lighter, which he then used to set off a sprinkler system he introduced as “the burning rain of death”.
  • Then, who could forget the headlights that shone brightly as sunlight as Max proclaimed the witches forgot about Daylight Savings Time.
  • Finally, the moment where a recording led the Sanderson sisters into a furnace, and they eventually emerged smoke-filled, saying “Hello, I want my book” in French:
    “Bonjour. Je veux mon livre.”

For what it’s worth, these technological tricks only deterred the witches from their goal, they did not defeat them. The protagonist trio was not successful in stopping the witches until they began adapting facets of real magick. Examples of this were Allison utilizing a salt circle, the final fight taking place on hallowed ground, and Max using the witches’ life-force absorbing potion on himself.

It will be interesting to see if the characters of Hocus Pocus 2 will follow this same trend. As sci-fi writer and scientist Arthur C. Clarke famously once said: “Any sufficiently advanced technology is indistinguishable from magic.” It was a combination of this technological “new magic” and tenets of old magick that defeated the Sanderson Sisters in the past.

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If this is to be the case again, the new characters may have a leg up on the competition as technology has boomed significantly since the witches arose last, and the trailer already shows the protagonists’ propensity to practice old magick.

Witch Worlds Collide

In a voiceover, Becca and Izzy can be heard starting to chant:

“Another year begins anew…”

Then the eerie chants of the Sanderson sisters can be heard:

“Itch-it-a-cop-ita mel-a-ka-mystica”

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If you can’t quite put your finger on how that’s familiar, the first time it was heard was during Binx’s curse in the first Hocus Pocus:

“Twist the bones and bend the back.

Itch-it-a-cop-ita mel-a-ka-mystica.

Trim him of his baby fat

itch-it-a-cop-ita mel-a-ka-mystica

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Give him fur black as black

Just like…this.”

The girls’ chant continues: “Maiden, mother, and crone too”.

“Itch-it-a-cop-ita mel-a-ka-mystica”

What better an object to make an appearance during all this spellcasting than the Sanderson’s book of magic. While shown only briefly, its stunning resolution and lifelike quality clearly reflect this digital era. The book’s bright blue eye is open once more.

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In the next shot, a book is seen shaking on a shelf, with the black cat from before eyeing it closely. Could it be that the Sanderson’s magic book made its way into the Salem Magic Shoppe?

“We call on thee with one request…” the girls’ spell continues. This time, the dialogue is no longer a voice-over. We are taken back to the shot of Becca and Izzy in the woods under a full moon as before, and it’s revealed that this is where they are as they are chanting their spell.

A zoomed-out shot of a church within a cemetery is followed by the close-up of a grave that Hocus Pocus fans will recognize immediately.

“Itch-it-a-cap-ita mel-a-ka-mystika”

“Here lies the body of William Butcherson”

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According to the cast list, Doug Jones will be reprising his role as the former love, and victim of Winifred Sanderson: Billy, in Hocus Pocus 2.

The camera flashes back to the girls in the woods as they conclude their spell:

“Help our intentions manifest.”

Just then, the iconic black flame candle bursts to life as Becca’s match ignites it. The girls seem startled by the black of the candle flame and immediately jump back.

This Halloween season, a title card begins.

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A shot of the girls staring off into the woods, looking confused or concerned. Followed by another shot, this time of a strong wind blowing the candle flame, and billowing leaves around it. Red smoke begins to emit from the earth near the candle, as the girls are left looking stricken.

Some legends….

The Earth splits, revealing a red glow emanating from within. The girls begin running, as the crack in the Earth outstretches in the opposite direction. It continues to spread until it finally forks into three, forming a pitchfork shape on the ground.

(Given the incorporation of real magickal practice (chanting on a full moon, manifestation, etc.) the pitchfork shape could very well represent the Algiz rune.  It aligns with the potential theme of discovering oneself and awakening powers.)

 ….never die, the title cards continue.

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Then the screen goes to black, and the unmistakable, immediately recognizable voice of the great Bette Midler in her role as Winifred Sanderson can be heard.

The Return of the Sanderson Sisters

 “Lock up your children!” Winifred Sanderson commands. It is then, through the flashes of strobing light that we are finally given a glimpse of the Sanderson sisters, just as glorious as ever.

“Yes Salem, we’re back!” exclaims Winifred, as the screen fades into green smoke.

As viewers may be aware, Disney tends to use green when representing a villain. How perfect that this callback to villain themes would be immediately succeeded by the title card reading “Disney’s Hocus Pocus 2”.

The same frame also informs us that the film will be available for streaming on September 30th.

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Though the trailer is almost over, there is one more morsel of information it offers before it ends.

Another Hocus Pocus song?

A man who seems to be speaking to a security guard appears on the screen, proclaiming, “Hey, it’s the Sanderson sisters! I bet you’re looking for a stage.”

“Always,” replies Winifred Sanderson, absolutely smoldering.

This moment immediately brings to mind the Sanderson sisters’ Halloween performance in Hocus Pocuswhere they hypnotized all the town’s adults to dance until they were dead via the fantastic performance of “I Put a Spell on You.”

(Dancing until death has historical roots, most notably in The Dancing Plague of 1518 where people of the ancient city of Strasbourg began dancing inexplicably for months. Hundreds joined in this dance against their will and danced until they finally dropped from exhaustion. Although the potential causes range from hysteria to mold, no one can definitively explain why this phenomenon has occurred in the past.)

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Since Max, Dani, and Allison were able to break the curse by defeating the witches, the adults survived and were left only with the memory of the epic song cover, coupled with a “marvelous introduction” by Max.

The moment in the trailer hopefully means that Hocus Pocus 2 will have its own music numbers, as Sarah Jessica Parker’s “Come Little Children” from the original Hocus Pocus is also a stand-out hit from the film.

It’s worth noting that the cast list shows drag performers Ginger Minj, Kahmora Hall, and Kornbread Jete are slotted to play drag versions of Winifred, Sarah, and Mary, respectively. Therefore, it is a possibility that the man in the trailer could have been mistaking the real Winifred Sanderson for the drag version, hence explaining his comment.

No matter the case, it seems that Bette Midler is poised to take the stage in Hocus Pocus 2, and historically that means greatness is sure to follow.

What’s more, is that Hannah Waddingham is slotted to play a role in the film. However, mysteriously, she is neither featured in the trailer nor is her character name listed on the IMDb cast list.

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With three months to go until this film’s release, this teaser trailer gave us so much and so little simultaneously. September 30th can’t come soon enough.

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

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‘Queens of the Dead’ Took a Bite Out of Brooklyn Horror Fest

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Brooklyn Horror Film Fest kicked off its 10th year with a screening of the highly anticipated Queens of the Dead. This sparkly and zombie-fied night was presented by Horror Press and set the tone for at least two after parties. As a good queen does.

Before the movie began, director and co-writer, Tina Romero, took the stage to share that she isvery proud to be my dad’s kid, and proud to carry his torch, and super super proud to do it in a way that shows queer joy and queer resilience.After watching the film, it’s clear Romero meant business as she expanded on the zombie world built by her dad, the genre icon George A. Romero.

A Scrumptious Evening

The opening night film was also unforgettable because it was followed by a Q&A afterward moderated by New York’s baddest emcee, Xero Gravity. Tina Thee Romero took the stage with cast members Samora la Perdida, Julie J., Tomas Matos, and Nina West. They kept the vibe fun but also addressed why this movie is especially important in dire times like these.

Nina West said,I’m really proud that this movie is coming out specifically right now.West explained,We talked about how important this film is right now. How queer people, I think, are going to have the opportunity to grab onto it and hopefully feel a sense of community, a sense of self, and a reminder of how vital it is to have chosen family and the ability to have space. Watching it tonight with an audience, that’s what I’m reminded of.”

The Romero Legacy is Very Much Alive and Well

Gravity opened the talk by addressing Romero’s dad’s work,So, Tina, your father’s legacy is invaluable to the horror community, especially the horror community of marginalized people. When I look into the audience, I see a bunch of queer people, a bunch of different skin tones, I see people with disabilities, and for that, I know we all appreciate George A. Romero’s legacy in terms of allyship.”

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When the applause died down, she asked Romero what Queens of the Dead has to say about our current state in society. Romero said she felt incredibly grateful that Shudder and IFC Films are putting this movie out in 2025.

Romero elaborated,It’s not easy to get a little indie movie out into the world. It’s so important that it’s coming out this year because what a year we have had. Holy shit.” 

Romero continued,It feels so good to have a big queer movie coming out in a time when our community is feeling really under the threat of erasure and under attack. I feel like what our movie says is we are here and we are wonderful, come along for the ride. I really hope that this movie brings a little bit of empathy. A little bit ofI can’t help but laugh at and love these characters.” 

Romero concluded, “I really love my father.  I love the films he made. It was very important to me to make sure his legacy continued in a way that said some shit and with queerness on screen.” 

A Night of Glitter and Gore

During the talk back, Romero shared a lot of cool facts. One being that her and co-writer Erin Judge worked on this film for ten years. She also shared that Dawn of the Dead is her favorite movie in her dad’s franchise when Gravity pointed out a couple of nods to the movie in Queens of the Dead.

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The Q&A went by entirely too quickly as the audience fell in love with this amazing crew. However, the love and community spilled into the bar area afterward. People were given the opportunity to thank everyone for their work and tell them they loved the film. People were offered penis-shaped cakes, which is a fun gag from the film. Attendees were also given a chance to get a little bloody at the hands of local makeup artist Dime. They applied bite marks and blood to everyone who wanted to feel like they were a part of the hottest zombie movie of the year. 

It was another scrumptious evening in Brooklyn. It also left many of the audience with an axe wound right in the heart. I’m excited to see how Brooklyn Film Fest follows this movie, and I will be in the bar area this weekend, waiting to see. 

Queens of the Dead will slay in theaters on October 24. 

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The Worst Blumhouse Movies and Why They Miss the Mark

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I feel like I’m always taking swings at Blumhouse Productions and would like to explain why I’m usually frustratedly screaming into a mic, “For whomst?!” My relationship as a horror fan with most of the movies this company produces cannot be summed up in quick, snide comments and eyerolls. It’s bigger than that because when Blumhouse gets it right, they get it right. Get Out, Us, Creep, Creep 2, Happy Death Day, Freaky, M3GAN, and Drop are some of my favorite movies from the last 10 years. The Paranormal Activity franchise is the reason I show up for found footage films today. 

However, while the mission to seemingly greenlight anything is good on paper, it does lead to some questionable films. Some projects feel irresponsible to fund, and some that are just bad make up the majority of their library. For every diamond, we get a bunch of movies that leave us scratching our heads and wondering if the obvious conversations were not being had. Which is why I picked four Blumhouse movies I have legitimate beef with. I think these are prime examples of why I have a hard time getting excited when the company’s PR starts up for a new project. I’m also respectfully asking if there are things in place to avoid these issues and concerns in the future.

The Exorcist: Believer

Two girls disappear in the woods and return to their families, who soon learn they are possessed by an evil entity. My surface problem with this Blumhouse movie is that they learned nothing from greenlighting the Halloween trilogy and put the cart before the horse again. However, my main grievance is that I was led to believe this would be a Black-led Exorcist movie. That would have been groundbreaking in this almost exclusively white franchise. More importantly, Leslie Odom Jr. and Lidya Jewett were more than capable of leading this movie. So, why were they shoved into the margins? We had a double exorcism and gave the non-Black child most of the cool things to do. The film also made Odom Jr.’s character the chauffeur for Chris MacNeil, who was shoehorned in for fan service and given nothing important to do. The Exorcist: Believer was unbelievably bad to boot.

Dashcam (2021)

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Two friends livestream the most terrifying night of their lives while on a road trip. This movie would have done fine because it was from the team that brought us Host. As we were still in pandemic mode, many of us were curious to see what they would do next. So, there was a lot of face cracks when it came out that problematic Twitter personality Annie Hardy would be basically playing herself in the film. From her political stances, COVID denial, racist rants, and that time she turned a pride flag into a swastika on Twitter, she’s very blatantly a person who does not need a bigger platform.

It’s irresponsible to allow a movie to use her as stunt casting in a Blumhouse production. Again, this movie would have been better off without her because it would have ridden the steam of Host. Instead, it turned people off, and some refused to see it or review it.

They/Them (2022)

A group of teens at an LGBTQ+ conversion camp suffer psychological torture at the hands of the staff while being murdered by a masked killer. I feel there were too many cis people weighing in on this movie. I personally watched an awful person who masquerades as a journalist leap into Twitter conversations where Trans and non-binary people were discussing why this movie wasn’t it. So, I chose to keep my thoughts to myself and listen to the community, who should get a say.

I encourage you to do the same. Here is the Horror Press review by Bash Ortega. I also encourage you to read Kay Lynch’s essay at Bloody Disgusting. Consequence of Sound also had a review that is worth reading. While this was one of the movies under the Blumhouse banner that had its heart seemingly in the right place, we know intention and impact are not the same thing.

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Soft & Quiet (2022)

An elementary teacher meets with other white supremacists and then commits a hate crime. This movie felt like a bunch of shocking events strewn together, and I wanted my money back for this rental. I have no idea how this film came to be what it is. Personally, I hope there is a version that doesn’t feel like racial trauma porn somewhere, but this is not it. I kept wondering who this movie is for, and the internet confirmed it wasn’t for POC. With all the ways to capture white supremacy on film, this is what they did? I feel this is the most irresponsible movie Blumhouse has subjected me to. It’s the reason I no longer get excited when I hear a filmmaker I am rooting for is working with the company. 

In Closing…

I know I come across as flippant when I drag most of Blumhouse’s films. However, it stems from a place of concern and frustration. Bad movies like Firestarter, Unhuman, Night Swim, and Imaginary are one thing. These movies that clumsily handle important topics that are the reason I’m usually waiting for their titles to hit streaming. Whether they’re putting Black leads in the backseat, greenlighting movies where internet trolls are being given roles, or adding to the canon of racial trauma porn, I’m tired. I don’t know how to fix it because I don’t know if it’s a lack of support or interference regarding the writers and directors.

I don’t know if it’s just quantity over quality leading to some messy and unnecessary movies making it through the cracks. However, if Jason Blum can unpack why M3GAN 2.0 flopped, then it would be cool for him to unpack what he’s learned from the movies that should actually be cause for concern. As a film girl, I would love to see these Blumhouse choices laid out like case studies. Whatever lessons learned and actionable items taken to not make these mistakes again, could be beneficial to other production companies that are also struggling. All I know is an honest investigation is needed if they’re going to keep yeeting films out at this rate. We want to root for all horror. However, it’s hard to do that if we’re wondering who is (or is not) in the room for so many important conversations that need to happen.

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