Film Fests
[REVIEW] Chattanooga Film Fest 2024: ‘The UFO’s of Soesterberg’ (2023) Is Out Of This World
The UFO’s of Soesterberg is a documentary that follows many people in the town of Soesterberg in the Netherlands. Director Bram Roza chronicles the sightings of UFOs throughout the town in 1979 while putting the majority of the focus on the soldiers of the Soesterberg Air Base who witnessed a large black triangular UFO in the sky. Told through talking heads, UAP site visits, and gorgeous hand-drawn animations, this documentary tells the truths of the residents of Soesterberg in a way that feels fresh and unique.
The idea of Ufology, and aliens/intelligent life from beyond our galaxy, has long intrigued me. I have always humored the idea, but it wasn’t until a recent UAP sighting that the tiny bit of skepticism I had flew out the window. Recently, I interviewed United States Air Force veteran Jeremy McGowan, who had a life-changing UAP encounter in the Jordanian desert in the 90s while on assignment. One thing we discussed, which is also the idea surrounding a documentary McGowan was in called Alien Endgame, was the possibility that there are more UAP encounters around areas storing nuclear items. The UFO’s of Soesterberg contributes even more to that truth.
A Look at the Sightings in Soesterberg, Netherlands
The UFO’s of Soesterberg is a documentary that follows many people in the town of Soesterberg in the Netherlands. Director Bram Roza chronicles the sightings of UFOs throughout the town in 1979 while putting the majority of the focus on the soldiers of the Soesterberg Air Base who witnessed a large black triangular UFO in the sky. Told through talking heads, UAP site visits, and gorgeous hand-drawn animations, this documentary tells the truths of the residents of Soesterberg in a way that feels fresh and unique.
Let’s get my singular issue with this documentary out of the way. This is in no way a character assassination of one of the interviewees who says he remembered his encounter after undergoing regression therapy. However, the idea of regression therapy is quite dubious. The definition of it, which was reviewed by Dr. Michael MacIntyre, even says the purpose of it is to “guide[s] people to remember past events.” Regression therapy is taking small bits of information and forming an idea for the patient to make them think it was their own. I think Bram Roza could have picked a different person to be a part of this story.
The UFO’s of Soesterberg (2023)
Military Testimonies Bring Credibility to UFO Encounters
It’s easy to understand why people had previously been afraid to come forward with their truths. Being labeled a cook or a whackjob when revealing an encounter was par for the course. But in 2024, that is far from the case. The search for the truth, and the endless hope for disclosure that will never come from our government, is one of the few things that can bring political parties together. When will you see AOC and Matt Gaetz on the same side of something? The only time I’ve seen them communicate peacefully was when United States Air Force veteran David Grusch (UAPTF, AARO), United States Navy veteran Ryan Graves (ASA), and United States Navy veteran Commander David Fravor sat before the United States House Committee on Oversight and Accountability and blew the whistle with salacious claims of non-human biologics being covered up by the government.
Why the Testimonies in The UFO’s of Soesterberg Matter
Roza’s inclination to tell these stories of Netherland Air Force veterans works twofold. If there were ever a group of people to believe on the topics of UAPs, it’s people in the military and the police. These groups of people must be as objective as possible to do their jobs properly, so when someone like Ryan Graves, Jeremy McGowan, or the veterans of Soesterberg, tell their stories, it adds a whole new level of credence. The UFO’s of Soesterberg doesn’t just tell the story of Dutch military members, it also tells the story of some townsfolk who also had experiences around the same time. If anything, Roza uses the story of military members to make the townspeople’s stories hold more water. I can already see the reviews, “Where are the scientists refuting this information?” We don’t need it! I don’t care what Sean Kirkpatrick said in his AARO report, it’s clear there is something far beyond the reach of our technology.
Artistic Storytelling and Animation in UFO Documentaries
The use of animation, too, adds a level of beauty and class. UAP and alien encounter documentaries have been brainwormed by The History Channel, A&E, The Travel Channel, and Animal Planet. They overlay these talking heads with garish dramatic recreations with porn-level acting and first-time filmmaker-level vignettes. Roza’s addition of hand-drawn retellings of these stories brings a finesse that most documentaries about UAPs wish they could capture.
If you’re looking for a fun and engaging documentary about alien encounters, then The UFO’s of Soesterberg will be right up your alley. If you are a skeptic who nitpicks every single aspect of experiences you should also check it out. If you don’t want to believe, then you won’t. It’s as simple as that. But if you believe in something bigger than yourself, bigger than us, then this documentary is the right pick for you.
If you’re not watching Indonesian horror, you’re missing out. The region is producing some of the craziest genre movies around right now, thanks in no small part to the efforts of writer-director Joko Anwar. His latest, Ghost in the Cell, which celebrated its North American premiere at Fantastic Fest 2026, combines everything we love about the filmmaker’s work—supernatural scares, inventive kills, and gnarly gore—along with a strong vein of comedy and political satire.
What is Ghost in the Cell About?
Ghost in the Cell centers around Dimas (Endy Arfian), a journalist whose life falls apart after he tries to run a story on corporate corruption and mysterious worker deaths. Wrongfully convicted of the horrific murder of his boss, Dimas finds himself with a one-way ticket to Cell Block C, where he quickly meets a colorful cast of prisoners—the good, the bad, and the seriously nasty. Among the good guys, there’s Anggoro (Abimana Aryasatya), who is constantly getting into trouble for defending fellow inmates, and Six (Yoga Pratama), who claims he can see people’s auras.
As if Dimas’ situation couldn’t get any worse, his arrival seems to trigger a series of brutal killings in the prison. Bodies are showing up mangled beyond recognition and displayed in positions that wouldn’t look out of place in Hannibal. It soon becomes clear that Dimas isn’t behind the murders, which begs the question: what did he bring in with him?
Anwar Embraces Horror-Comedy Whole-Heartedly
Prison is a scary place, and Anwar makes great use of the setting, with the action moving from the dingy showers where predators lurk to the bleak cellblock where inmates are at the mercy of their captors and the cafeteria where rival gangs eye each other up with ill intent.
But for all the human misery contained within the film, Ghost in the Cell is ultimately a horror-comedy, one that isn’t afraid to lean into broad slapstick and quippy dialogue when it wants to raise a chuckle. The tonal shifts can take a little while to adjust to, especially if your previous experience with Anwar comes from his more serious horror outings like Impetigore. This might be a problem if the film wasn’t actually funny, but Ghost in the Cell has enough laugh-out-loud moments to make you forget about any whiplash.
Ghost in the Cell Is a Genre-Bender to the Max
Comedy isn’t the only new flavor that Anwar has tossed into the mix. In Ghost in the Cell, dance sequences and martial-arts fight choreo sit side-by-side with some of the most extreme gore scenes seen outside a Terrifier movie in recent years. Then there’s the eerie way the spirit presents before it kills (trypophobia sufferers, beware) and the extensive critique of political corruption, power, and inequality. It’s an everything-and-the-kitchen-sink approach that shouldn’t work on paper, but under Anwar’s assured hand, it does.
It helps that for all the slapstick, the film lands a surprisingly earnest message, amplified by its vast ensemble cast. Dimas and Anggoro at times feel like main characters, but everyone in Ghost in the Cell has a big part to play, and that’s the point: in seemingly impossible circumstances, there’s strength in unity.
Ghost in the Cell Is an Endlessly Entertaining Blend of Goofiness, Heart, and Gore
If you’re looking for nonstop scares, you won’t find them in Ghost in the Cell. What you will find is a delightful blend of horror, comedy, and action that is apt to leave you grinning from ear to ear.
The film doesn’t skimp on the gore, throwing flesh and fluids at every surface. But it’s also charmingly goofy, with a cast that doesn’t take itself too seriously and a script that’s all too happy to devolve into a comedic dance scene when it feels like the spirit might strike. In every sense, Anwar is doing the most, and the end result is a film where there’s nary a dull moment in sight.
One of the great pleasures of attending Fantastic Fest is the ability to occasionally see movies that won’t be out for many months. That’s especially true with the Secret Screenings, which this year included a work-in-progress print of In a Violent Nature 2, a film that doesn’t even have a release date yet and made for a wildly entertaining midnight movie surprise.
While a few things may change between now and release, the cut shown at Fantastic Fest felt near-final. Here’s what you can look forward to when this sequel eventually slashes its way onto our screens.
Johnny Returns in In a Violent Nature 2
In a Violent Nature 2 picks up right where the action of its predecessor left off, while also introducing new aspects of the lore that slightly contradict or complicate what has already been established, a nod to the way that slasher sequels throw in new plot elements willy-nilly to suit their needs.
The second film centers on Alex (Lucas Nguyen), a quiet 14-year-old kid who misses the bus home from camp because his bullies have stuffed him in a trunk. Since his older sister works at the camp, he gets to hang out for the night while the counselors celebrate the end of the season. Unfortunately, an old fireman’s whistle has drawn the mute, hulking Johnny (Ry Barrett) to the camp—and before long, their night of revelry has turned into one of unimaginable horror.
Less Walking, More Killing
Chris Nash, who wrote and directed the first film, handles scripting duties this time around, with Nate Wilson—who served as first assistant director on the original—stepping into the director role. It feels as though Nash may have listened to viewers’ complaints about how much walking was in the original, because In a Violent Nature 2 takes a break from following Johnny on his lumbering mission. Instead, the camera largely chases Alex through the woods as he runs, trips, and stumbles away from the carnage.
This change is a mixed bag. Alex may be more a dynamic figure to follow overall, but he also makes some frustratingly poor choices, and his teenage moodiness makes him a little unlikeable. The first film also succeeded, in part, because it consciously played into how audiences consume slasher movies, with their sympathies shifting from cheering on the killer to rooting for the final girl when she triumphantly emerges. In a Violent Nature 2 feels like less of a meta-commentary on the slasher genre, though it still has plenty to offer fans of the genre, especially when it comes to kills.
In a Violent Nature 2 Takes the Gore to a Whole New Level
Mention In a Violent Nature to a horror fan and they’ll probably bring up the yoga kill within 10 seconds. For the sequel, Nash and Wilson attempt to up the ante—no small feat considering just how violent the first film was. It’s hard to top that particular kill, but In a Violent Nature 2 certainly gives it the old college try.
Shifting the focus from a single group of friends to an entire summer camp, even one that’s emptying out, instantly ups the potential body count (and harkens back to the slasher films of yore). Counsellors are slaughtered in droves, in ways more brutal than anything seen in the original film, with a few kills in particular sure to get people talking. It’s a real treat for fans of practical effects, and it’s great to see that even horror films positioning themselves as more “elevated” than the typical fare can have fun and get their hands bloody.
A Possible Set up for Another Sequel?
Minor spoilers ahead.
In a Violent Nature 2 feels like something of a response to the reception of the first film, removing what people didn’t like and piling on more of what they did. The result is a movie that feels a little less focused and meditative than its predecessor, but still incredibly fun. And with a third film heavily teased in the final minutes, it seems like we’ll be seeing more of Johnny in the near future. Based on the trajectory of other slashers, can we expect to see him fighting a psychic child next? Or—dare we dream—is he preparing for a trip to space?
Only time will tell. Better lace up your walking shoes.
When Does In a Violent Nature 2 Come Out?
In a Violent Nature 2 is slated to hit theaters sometime in 2026. Keep an eye on IFC Films and Shudder’s socials for more release information as it becomes available.
