Misc
Horror 101: Gene Mapping the Legacy of Jurassic Park
The first Jurassic Park film culminates with a banner that reads “When Dinosaurs Ruled the Earth” billowing toward the ground before a triumphant Tyrannosaurus rex. There was also a time when one could look back fondly on when dinosaurs ruled the silver screen, with the original trilogy being about the consequences of manipulating dino DNA for our entertainment ending back in 2001. Fourteen years later, however, the franchise that was bioengineered by Steven Spielberg in 1993 from the Michael Crichton novel of the same name had been brought back from extinction with Jurassic World. Cut to February 2025, and the first trailer has released for Gareth Edwards’ Jurassic World: Rebirth, a requel of the reboot trilogy – the 7th in the franchise – and you may be wondering how exactly we went from Sam Neil having a panic attack over a majestic Brachiosaurus to Scarlett Johansson, Mahershala Ali, and Fiyero from Wicked going toe-to-toe with a mutated “Xenorancor rex.”
The deeper you dive, the more convoluted and, as much as I hate to say it, contrived the franchise and its lore become; besides the films, there are comics, video games, TV series, and more to explore. In the essence of simplicity, I’m here to lay out the facts of the film franchise alone. The original is hands-down one of the best films of all time with SFX that holds up to this day, and the rest of the bunch are great summer popcorn fun if you turn off the Letterboxd Snooty Cinephile Filter in your brain. So, in honor of the great Mr. DNA, let’s slice open some prehistoric celluloid and get down to it! founder John Hammond, “You never had control.”

The first Jurassic Park film culminates with a banner that reads “When Dinosaurs Ruled the Earth” billowing toward the ground before a triumphant Tyrannosaurus rex. There was also a time when one could look back fondly on when dinosaurs ruled the silver screen, with the original trilogy being about the consequences of manipulating dino DNA for our entertainment ending back in 2001. Fourteen years later, however, the franchise that was bioengineered by Steven Spielberg in 1993 from the Michael Crichton novel of the same name had been brought back from extinction with Jurassic World. Cut to February 2025, and the first trailer has released for Gareth Edwards’ Jurassic World: Rebirth, a requel of the reboot trilogy – the 7th in the franchise – and you may be wondering how exactly we went from Sam Neil having a panic attack over a majestic Brachiosaurus to Scarlett Johansson, Mahershala Ali, and Fiyero from Wicked going toe-to-toe with a mutated “Xenorancor rex.”
The deeper you dive, the more convoluted and, as much as I hate to say it, contrived the franchise and its lore become; besides the films, there are comics, video games, TV series, and more to explore. In the essence of simplicity, I’m here to lay out the facts of the film franchise alone. The original is hands-down one of the best films of all time with SFX that holds up to this day, and the rest of the bunch are great summer popcorn fun if you turn off the Letterboxd Snooty Cinephile Filter in your brain.
So, in honor of the great Mr. DNA, let’s slice open some prehistoric celluloid and get down to it!
All About the Jurassic Park Franchise
How Exactly Did They Dig Up Those Dinosaurs?
When I attempted to read the novel as a kid, the dense scientific lingo explaining the intricacies of how Jurassic Park got its start proved hard to comprehend, after all – to borrow a quote from the extravagant Russian diva Katya Zamolodchikova: “I don’t know. I’m not a scientist.”
Screenwriter David Koepp and director Spielberg did their damndest to whittle it down into layman’s terms with great success, so here’s the gist of it in easy order:
- Extract dinosaur DNA from the blood of pesky mosquitoes that have been trapped in amber for millions of years.
- Since DNA degrades over time, fill in the gaps with amphibian (in this case, frog) DNA.
- Commit further genetic manipulation by making all of the dinosaurs female and lysine (an essential amino acid) deficient, retaining control over the population through an inability to procreate and a dependence on supplements.
- Use the completed DNA strands to clone dinosaurs in the lab and birth the embryos in artificial eggs.
To have an exciting movie franchise, one or more of these things must go awry, and so they do. Because certain amphibians can change sex due to environmental conditions, Dr. Alan Grant (Sam Neil) discovered that the dinosaurs began to breed in captivity despite their all-female engineering. And that lysine contingency that would cause the dinos to die off if not given specific supplements? Yeah, they ended up getting enough elsewhere in their diets. So, while a power outage due to corporate espionage is what ultimately sets the creatures free in the park, these two critical scientific oversights explain how life finds a way so that the ancient beasts can survive in the wild throughout the franchise. As paleontologist Ellie Sattler (Laura Dern) admonished park founder John Hammond, “You never had control.”
Who Are the Major Players?
Before going any further, it is best to rattle off some names and nouns within the franchise to arrive at our mutated dino freakshow destination as efficiently as possible. And though the films contain a multitude of famous faces and iconic characters ranging from Neil, Dern, and Jeff Goldblum to Chris Pratt, Bryce Dallas Howard, and even Julianne Moore – they are all mainly irrelevant to the gene-splicing drama we’re here to get to the bottom of.
- John Hammond (Richard Attenborough): Scottish venture capitalist with big dreams, Hammond learns the truths of chaos theory the hard way when his early access tour of the world’s first dinosaur theme park turns deadly. He survives the ordeal but later dies of natural causes in 1998.
- Benjamin Lockwood (James Cromwell): Introduced in the 5th film, Fallen Kingdom, we learn that Lockwood was besties with Hammond and a co-founder of their biotech company, InGen, before a falling out over the morals of turning their cloning efforts toward human experimentation.
- InGen (International Genetic Technologies): Responsible for the pair’s dino cloning efforts, InGen ran various facilities on a group of islands sold to the company by the Costa Rican government ominously nicknamed Las Cinco Muertes (The Five Deaths). After the disastrous events of the first film, InGen was later bought by Masrani Corp, which created the fully operational Jurassic World sequel park in 2005.
- BioSyn: InGen’s much more nefarious rival company that seeks to exploit the dinosaur population through military and pharmaceutical means. They are responsible for the theft of embryos in the first film, which leads to the park’s power outage and shutdown, as well as the ecological disaster our heroes must stop in Jurassic World: Dominion.
- Isla Nublar: The main island where the original park and its sequel park, Jurassic World, reside. During the events of Fallen Kingdom, a volcano erupts and destroys the island and its remaining dinosaurs.
- Isla Sorna: Also known as Site B, it is where InGen bred their dinosaurs and serves as the setting for the second and third films. Following those sequels, the dinosaurs were left on the island to roam free.
- Dr. Henry Wu (BD Wong): InGen’s chief geneticist, Wu worked for the company up through the events of Jurassic World before turning to its rival BioSyn. He redeems himself for his questionable work in genetic engineering by helping the protagonists at the end of Dominion.
- Charlotte & Maise Lockwood (Isabella Sermon): Charlotte was Benjamin Lockwood’s daughter and a brilliant scientist who successfully impregnated herself with her clone (yes, it goes there) in an elaborate workaround for her fertility issues. After giving birth to her daughter/clone, Maise, she dies due to a genetic disorder. In classic sci-fi fashion, evildoers at BioSyn seek to study Maise to better understand the cloning process.
- Indominous rex: The franchise’s first monstrous hybrid leads the charge of what’s to come. Created by Dr. Henry Wu under the orders of the Masrani Corp. to serve as a shocking exhibit at Jurassic World, it is a terrifying hybrid of T-rex, Velociraptor, cuttlefish, tree frog, and snake DNA. Larger and more deadly than the T-rex, it has the agility of a raptor and the flexible jaw of a snake, along with the ability to camouflage and regulate its body temperature.
- Indoraptor: Designed by Wu to be a smaller and more efficient version of the Indominous, its primary use is as a terrifying bioweapon for sale on the black market.
Is Bigger Always Better?
After the pretty straightforward events of the original trilogy, Jurassic World resurrected the franchise in 2015 by bringing us into a fully functional luxury dino resort on Isla Nublar. In operation for ten years, Masrani felt the public was becoming jaded by the shock and awe of these ancient reptiles. Rather than becoming complacent, Dr. Henry Wu created the Indominous rex to satiate our ever-over-it appetites — a fatal mistake. Unlike the events of the first film, which saw destruction come at the hands of meddling men, the Indomious breaks free all on its own because it’s just that good. Personnel and park-goers alike are subsequently ripped through like barbeque, including the most violent death the franchise had seen yet, and the dream that began decades ago as a twinkle in John Hammond’s eye was condemned once more. The Indominous also met its end, shuttered between the jaws of the aquatic giant, Mosasaurus.
So Is the Jurassic Park Franchise Scary?
While the sequels have always been fun, sweaty adventures in their own right, that visceral fear that made audiences drip with terror back in 1993 had largely been missing from the franchise. Despite taking plot points straight out of the 5th sequel playbook with human cloning and black market dealings, Jurassic World: Fallen Kingdom miraculously stuck the landing in the horror department. The first half, which finds our heroes Owen Grady (Pratt) and Claire Dearing (Howard) attempting to save as many dinosaurs as possible on Isla Nublar before the volcano destroys them all, includes its fair share of thrilling sequences. It’s the latter half, however, that shines in a way not seen since Spielberg’s original. Set entirely at Lockwood Manor in Northern California during the night of a black market dino auction, all hell breaks loose when the Indoraptor frees itself from confinement. It’s dark, menacing, and the stuff of nightmares; everything I imagined as a kid under the covers in my bedroom after watching Jurassic Park all those years ago – and hopefully, the direction we see Rebirth head.
What About Jurassic World: Dominion (2022)?
We don’t talk about her. It’s the worst of the bunch, propped up by a few decent set pieces and fan service that reunites the original trio for a few cute moments. Instead of focusing on the fact that dinosaurs are now running wild around the world following the events of Fallen Kingdom, the plot somehow revolves around an ecological disaster caused by mutant locusts engineered by Dr. Wu. It’s The Rise of Skywalker all over again.
Jurassic World: Rebirth and the Isle of Misfit Dinos
Much remains unknown about the plot of this Gareth Edwards-directed requel, but what morsels we’ve seen look like a potential return to form. What we can gather from the trailer is that Zora Bennett (Johansson) and Duncan Kincaid (Ali) are mercenary types hired to travel with Dr. Henry Loomis (Jonathan Bailey) to one of the presumed Las Cinco Muertes so that they can recover specimens from the three largest dinos of land, sea, and air in search for a cure for heart disease. The island is known to be the home of the failed dino clones from InGen’s past – everything these corporations have sought to leave behind – and the trailer teases us with seemingly enhanced or altogether different versions of iconic beasts we’ve seen throughout the franchise. It builds to reveal a disfigured and partially obstructed beast that Edwards described to Vanity Fair as part Rancor (of Star Wars), part H.R. Giger (of Alien fame), and a little bit of T-rex.
Sure, the “capture three legendary dinos” plot sounds like something out of a video game. Still, after the disaster of Dominion, the franchise needed to step away from the previous films, and with monster movie auteur Edwards and OG screenwriter Koepp at the helm, things sound promising. By doubling down on long-time themes of man vs. nature and the enduring consequences of genetic manipulation rather than focusing on giant bugs and cloned little girls, Rebirth has hopefully ventured into the proper jungle. And, in alignment with our goals here at Horror Press, Hammonds’s broken dreams have continued their ripple effect of tearing people limb from limb.
We are so back.
Jurassic World Rebirth is heading to theaters on July 2, 2025.
Misc
10 of the Most Important Women in Slasher History
While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.

As part of our celebration of Women’s History Month here at Horror Press, I thought it was high time to celebrate the women who helped shape my most favorite of horror subgenres: the slasher movie. Both in front of and behind the camera, women have been essential in creating some of the most iconic and well-respected slasher movies, and I shall attempt to highlight 10 (well, 11, but I won’t tell if you won’t) who have had the most impact over the decades.
While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.
Ranking this list would be both impossible and disrespectful, so I’m presenting each entry in loose chronological order, based on when their contributions to the development and continuation of the genre were most prominent.
10 of the Most Important Women in Slasher History

Stage and Screen, Personalities, pic: circa 1961, American film actress Janet Leigh in a scene from the film “Psycho” from Alfred Hitchcock (Photo by Haynes Archive/Popperfoto/Getty Images)
#1 Janet Leigh (Actor)
Besides a cameo in Halloween H20, Janet Leigh never made another proper slasher after starring in 1960’s Psycho. And yet that one appearance gave us so much. Without her agreeing to use her star power to sell the movie, only to have the rug pulled out from under the audience when she is murdered halfway through in one of the most memorably shocking scenes of the century, it is very probable that Psycho would not have been the hit that it was. Sure, Hitchcock’s name would have put butts in seats, but even he knew what he had with Leigh, to the point of employing William Castle-esque gimmickry around hiding that particular surprise.
If Leigh hadn’t had the humility to say yes to being murdered onscreen in what was – at the time – a reasonably grubby little horror picture, this seminal work would have been very different, and the entire slasher genre might have died on the vine as a result.
#2 Edwige Fenech (Actor)
Before the idea of a “scream queen” had really even been floated, Edwige Fenech brought audiences back to the giallo genre time and time again with her roles in titles like Five Dolls for an August Moon, The Strange Vice of Mrs. Wardh, The Case of the Bloody Iris, Strip Nude for Your Killer, and Your Vice is a Locked Room, and Only I Have the Key. She played a key part in the Italian genre’s domination throughout the 1970s, leading directly into the North American slasher boom of the 1980s.
#3 Debra Hill (Producer/Writer)
The unsung heroine of the Halloween franchise, Debra Hill co-wrote Halloween and Halloween II with John Carpenter, in addition to producing both films and the unrelated sequel Halloween III: Season of the Witch. In addition to being at the core of one of the most iconic slasher franchises, her work on the 1978 original cemented the rules of the slasher film in a way that early proto-slashers like Psycho, The Texas Chain Saw Massacre, and Black Christmas simply didn’t. She helped set the template for nearly every slasher movie to come, particularly every slasher movie worth its salt released between 1979 and 1984, before Nightmare on Elm Street added a new flavor to the mix.
#4 Jamie Lee Curtis (Actor)
Unless you stumbled on this site by accident, you know Jamie Lee Curtis. She cemented the idea of the scream queen and, frankly, in my humble opinion, no actor since her has really been able to carry that torch properly. After leading 1978’s Halloween, she went on to star in a variety of other slashers, helping add powder to the keg right at the beginning of the slasher boom with titles including Prom Night, Terror Train, Halloween II, and the hopelessly underrated Roadgames. Showing the same humility as her mother, who you may remember from three entries above, she has returned to her Halloween role multiple times, resurrecting the iconic franchise no less than twice, in addition to paying homage in other projects such as the Ryan Murphy horror-comedy series titled, what else, Scream Queens.
#5 Annette Benson (Casting Director)
I feel like casting directors get short shrift. Sure, directors and producers frequently have a hand in choosing who stars in what. However, even for roles where that is the case, casting directors are responsible for cutting the wheat from the chaff and putting those people in front of the directors and producers in the first place as well as – frequently – manipulating them into making the right decision and feeling like it was their own idea.
Thus, without the work of the great Annette Benson, whose best-known slasher project is the original A Nightmare on Elm Street, we wouldn’t have Robert England, Heather Langenkamp, or (for better or worse) Johnny Depp. She went on to cast the next four installments in the Elm Street franchise (hello, Patricia Arquette) as well as bringing us Viggo Mortensen in Leatherface: Texas Chainsaw Massacre III. And before all that, she cut her teeth as a casting assistant on the early parody National Lampoon’s Class Reunion.
#6 Rachel Talalay (Multi-Hyphenate)
Rachel Talalay is probably best known as the director of Freddy’s Dead: The Final Nightmare, making her the first woman to helm an installment in a major slasher franchise. And still one of the only women. But she didn’t get that job out of nowhere. She rose through the ranks on previous installments, going from being an assistant production manager on the original Elm Street to production manager on Freddy’s Revenge to line producer on Dream Warriors to producer on Dream Master. After (wisely) skipping out on Dream Child, though she did receive special thanks, Talalay returned with a vengeance to make slasher history.
Her journey also extends into other iconic slashers far from Freddy’s reach. Her slow rise above the line included eclectic stints as a production accountant on New Line’s pre-Elm Street slasher Alone in the Dark, a script supervisor and apprentice editor on The House on Sorority Row, and a first assistant director on Return to Horror High.
#7 Fern Champion and Pamela Basker (Casting Directors)
This dynamic duo is to Friday the 13th, what Annette Benson is to A Nightmare on Elm Street. In addition to casting slashers including Fade to Black, Tobe Hooper’s The Funhouse, and April Fool’s Day, they collaborated on Friday the 13th: The Final Chapter, A New Beginning, and Jason Lives, bringing us every version of Tommy Jarvis (therefore, Corey Feldman) as well as handing out early roles to Crispin Glover and Tony Goldwyn.
They also handled the L.A. casting for Friday the 13th: The Series, which isn’t really a slasher project, but helped beef up the franchise, which counts! And Pet Sematary, which also isn’t a slasher, but brought Miko Hughes to the horror genre five years before New Nightmare.
#8 Carol J. Clover (Academic)
In her 1987 essay “Her Body, Himself: Gender in the Slasher Film,” which was later published as part of her 1992 compilation Men, Women, and Chainsaws: Gender in the Modern Horror Film, Carol J. Clover coined the term “final girl,” and discussion of the slasher genre was forever changed. I think it is entirely fair to say that, without her keen analysis of the slasher, a genre which few academics had the gumption to take on at the time, we wouldn’t have had 1996’s Scream and its further dissection of the final girl trope. And without Scream, we wouldn’t have I Know What You Did Last Summer, Urban Legend, Bride of Chucky, the latter-era Chucky franchise in general, and an untold number of post-millennium slasher works.
#9 Marianne Maddalena (Producer)
Wes Craven called this woman his “guardian angel,” what more evidence could you possibly need? Just to be thorough, though, I’ll share a little bit about iconic producer Marianne Maddalena, who founded the company Craven/Maddalena Films with the master of horror. After producing Craven’s unique but ultimately unsuccessful Shocker, she went on to collaborate with him on New Nightmare and the entire Scream franchise, which she continues to steward to this day.
#10 Jennifer Tilly (Actor)
Without Jennifer Tilly, we simply wouldn’t have one of the best late-period slasher franchises in the business. Her character Tiffany Valentine, who was introduced in the fourth Child’s Play installment, Bride of Chucky, is a crackling inferno of charisma without whom the franchise would be hopelessly bereft. She has also been a fierce advocate for Chucky off-camera, unashamedly parading her association with the franchise around in other properties (including new promos for her appearance on Real Housewives). This fierce loyalty to Tiffany is likely the reason that half of the Chucky projects that followed were even allowed to be made in the first place. For that, and for everything, we must thank Jennifer Tilly from the bottom of our hearts.
Misc
Bring Billy Zane Into Your Home With Our ‘Demon Knight’ Giveaway!

We’re back with another killer giveaway! A few simple steps can bring Billy Zane right to your front door. Tales from the Crypt: Demon Knight was the first standalone Tales film, even though it was written long before the series came to be. Panned at the time, Demon Knight gained a cult following that has followed it far into the second decade of our 21st century.
Enter Our Demon Knight Giveaway!
HOW TO ENTER
Not too bad, huh? So how do you enter? Just follow these three simple steps, and you’re in the running!
Step 1. Make sure to FOLLOW US ON INSTAGRAM!
Step 2. LIKE the giveaway post!
Step 3. Go to your podcast app of choice and rate/review the Horror Press Podcast, screenshot your review, and email it to contact@horrorpress.com and use the subject line: Demon Knight!
If the winner does not respond on Instagram within 24 hours, we will randomly select another winner.
It’s so easy that even the Crypt Keeper could do it.
What You’ll Win
This isn’t just a run-of-the-mill Blu-ray that can easily be yours, it’s the beautiful Scream Factory release. If you are familiar with Scream Factory, then you should be familiar with their emphasis on special features.
This copy of Demon Knight includes the following extras:
-Audio Commentary with Director Ernest Dickerson
-Audio Commentary with Special Make-up Effects Creator Todd Masters, Visual Effects Supervisor John Van Vliet, Special Effects Coordinator Thomas Bellissimo, and Demon Performer Walter Phelan
-Under Siege: The Making of “Tales From The Crypt presents Demon Knight” – Featuring interviews with Director Ernest Dickerson, Co-producer A.L. Katz, Screenwriters Ethan Reiff, Cyrus Voris, and Mark Bishop, Stars Billy Zane, William Sadler, Brenda Bakke, Charles Fleischer, John Schuck and Dick Miller, Editor Stephen Lovejoy, Special Make-Up Effects Creator Todd Masters, Special Make-Up Effects Artists Scott Coulter and Scott Wheeler, and Demon Performer Walter Phelan (40 minutes)
-Panel Discussion from the American Cinematheque featuring director Ernest Dickerson, actor Dick Miller, and Special Effects maestro Rick Baker
-Still Gallery
-Theatrical Trailer
This giveaway has now ENDED!
Now that’s entertainment!