Connect with us

Movies

One Missed Call: The Movie with a Killer Ringtone

Published

on

Let’s rewind to when the Motorola Razr was the phone to have, and people painstakingly spent equal amounts of time between setting the perfect Myspace layout, arranging and re-arranging their top 8, and setting a customized ringtone (sometimes for all different contacts). A few of us even had the ever-elusive ring-back tones. What a time to be alive.

Fast forward to the present, as my oldest son’s phone rang, I heard the unmistakable ringtone from One Missed Call go off. I knew he’d never seen it and likely had never heard of it. “That’s from a horror movie!” I excitedly told him. “In the movie, they were next to die when that ringtone would go off!”

This moment caused the intense realization that the ringtone seems to have outlived the film. An entire generation is using the ringtone without ever knowing its sinister backstory. This just cannot be, dear horror fans. It’s time to revisit the scary movie that gave us the legendary ringtone.

 I’ll keep things spoiler-free so that if you haven’t seen it or have forgotten, you can enjoy it mostly untarnished.

Horror in the Early Aughts

One Missed Call (2008) came about at the tail-end of The Ring and The Ring Two’s success. Those films marked the beginning of an early 2000s trend that saw many plotlines involving technology acting as a gateway between our world and the spiritual one.

Advertisement

In Shutter, the entity communicated through a haunted camera, White Noise brought the ghosts out of the film, Pulse (2006) saw spirits moving through Wi-Fi, etc.

J-horror films are famous innovators of this trend. They kickstarted the trend of entangling the spiritual and digital world, and the aughts saw a boom in Asian horror remakes. Films such as Ringu and Pulse (2001) made haunting by technology a contagion.

One Missed Call is no different as it was inspired by the J-horror film of the same name by Takashi Miike, released two years earlier.

It Starts with A Creepy Phone Call

One Missed Call centers on a group of friends who, one by one, begin receiving mysterious phone calls. When their phone rings, the sound which erupts is not their ringtone; instead, it’s a unique, ominous, chilling tune.

No matter how fast they try to answer, they are unable and are left with a missed call and a voicemail dated a few days in the future. The voicemail recording plays what will be the person’s final moments of life.

Advertisement

As a quick aside, the voicemails playing the characters precisely what their deaths will sound like give them all a fighting chance to save their fate, yet disappointingly no one ever does. Nor does anyone realize they are saying the words they heard themselves say on the voicemail just days before.

It would have helped the film if someone actively resisted that from being their fate. Of course, it brings up the conversation of preordained fate and how much we can control our destinies. But back to the reason we’re here.

The One Missed Call Ringtone

To fully appreciate the ringtone from One Missed Call, it’s interesting to note the common anxieties that the simple ringtone exploits. Music boxes and other tinkling, child-like songs seem to tap into our inner child. We subconsciously relate those sounds to childhood, putting our minds into a child-like state, making it easier to frighten us.

Moreover, the song plays on our anticipation as we await the next rhythm to come (or, to put it simply, it leaves us “waiting for the beat to drop.”) But it never does. The sound is suspenseful, absent of the sinister meaning attached to it.

Additionally, there is a particular genius in using a phone call as a vehicle for demise. So many of us dread any time our phone rings, wondering why the person didn’t text instead. This movie amplifies that dread and adds unease to having a missed call.

Advertisement

One Missed Call Review

The plot can get a little muddy, and all the spirit can do varies. The movie’s beginning sees the entity physically manifest to cause harm, whereas later, it operates in a Final Destination-esque “fate is against you” manner. However, the film does an excellent job of telling a captivating tale with no shortage of unsettling imagery. In the days following the phone call, the receiver is plagued by hallucinations that range from bugs under their skin to a figure with mouths for eyes.

Despite the shocking imagery and haunting story, one thing stands out most when the movie ends. The thing that has withstood the test of time by existing on tween phones nearly twenty years later. If nothing else, this film gave horror fans a killer ringtone.

Have you seen One Missed Call? Let us know in the comments!

Note: The theme this month at Horror Press was Haunting Melodies. Would you like the opportunity to help choose the next one? Or even the movies that we cover? Consider checking out the Horror Press Patreon, where you can become a Lead Acolyte and play a role in our content, amongst other fun benefits.

Advertisement

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

Continue Reading
Advertisement

Editorials

‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

Published

on

I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

Advertisement

This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

Advertisement

Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

Continue Reading

Movies

The Best Horror You Can Stream on Shudder in January 2026

Published

on

My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

Advertisement

A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

Advertisement

In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

Advertisement

You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement