TV
The Four Titans: The Boulet Brothers’ Dragula S4 Ep10 “Grand Finale” Recap
The finale of this generation’s Grand Guignol is upon us! We open on the four titans pensively wandering around Los Angeles to the tune of Alicia Goodwyn’s “Flashes of You.” In an uncharacteristically hopeful moment, Saint, Sigourney, Dhali, and Hoso are stripped down to their most human forms. Will their accomplishments thus far, and their plans for the finale, lead them to the sanguine crown? That’s for the Boulets to decide.
The Challenge: The number of finalists may have changed, but the Battle for the Crown remains the same. Each shall prepare distinct floor shows based on the three tenants of The Boulet Brothers’ Dragula – Horror, Filth, and Glamour – and perform a lip-sync to Austra’s “Change the Paradigm” during Glamour. Before they take the stage, the monsters must spill their guts during a visit to the Boulets’ podcast “Creatures of the Night.” We see the Boulets in the Twin Peaks boudoir ready to interview their Uglies for the first time. Saint joins first, and emphatically states she is not Saint 2.0, but Saint Perfected, and will turn it out during the lip sync; let’s hope so. Next up, Sigourney discusses the struggles of being an AFAB queen and hopes her life experience will snatch the crown and bring attention to others like herself. She insists she will still bring her glamour to the other categories, but at what cost? Dahli follows and reflects on their borderline self-extermination from Season 2 and rising from the ashes. Every artform evolves, she says, and should not be bound by limitations. Last but not least, Hoso resolves to inspire international and Asian ghouls, as she is now an iconic face of the franchise. Her recent journey through chemotherapy has pushed her to defy the odds.
The Drama: Despite disagreement at the Last Supper, the foursome enter the boudoir on good terms. Hoso is proud, stating they all deserve the crown. In the spirit of things, Dhali shows a moment of vulnerability and repentance. They have felt worthless for years due to past mistakes, but arriving at the finale gives a glimmer of blood-stained hope.
Glamour: Without further ado, the Boulets appear onstage via a flashy laser show, and the grand finale begins! Sigourney stuns and slays the lip-sync in her usual silhouette, blood-splattered in the vein of a toned-down Carrie; has she set the glamour bar too high for her own good? Dhali serves their version of glamour in a gender-bending ringmaster lewk, and perhaps out lip-syncs Sigourney. Hoso displays range in understated, yet richly saturated traditional Korean glamour. Meanwhile, dripping in sequins and blood spatter, Saint outshines her glamorous hair with an overstated dress.
Horror: In what the Boulets feel is her strongest look, Sigourney transforms into a mad science seductress. She guzzles some potions, and her face comes undone, oozing and peeling in an exhibition of comedy and restraint. Blasphemy personified; Dhali struts the stage as an undead bishop in an unfortunately uninspired performance. Hoso Terra Toma lives up to her name and gives new meaning to the term “fivehead” – sporting five heads on her shoulders – in a bloody hospital gown moment. She is high-performance art, showcasing her pain from chemo in a powerful moment the Boulet’s wish was grosser and more fashionable. Lastly, Saint is a quintessential childhood nightmare as the tooth fairy who leaves gore, rather than coin, under your pillow.
Filth: Sigourney transitions from face-melting to pustule-popping in a nightgown befitting glamour rather than filth. Dhali astonishes in the Boulets’ favorite performance of the night, providing a voyeuristic window into a scene of autoerotic asphyxiation that speaks to our morbid curiosity as a society. Pushing herself to the limit, Hoso shocks “like a dagger in the heart” with an irreverent and disturbing commentary on how the western world views Asians – especially post-covid. And Saint, as a 1950’s housewife, takes cleaning out the litterbox to the next level by ingesting its contents in a nauseating display.
Crowning: Who will claim the title of the next drag supermonster? Sigourney, the beauty pageant killer queen; the morbidly fabulous Dahli; sophisticated and talented Saint; or Hoso, the incredibly monstrous storyteller? The four titans gather and await an unholy coronation. After an arduous, years-long journey from Season 2, Dahli is CROWNED. Drenched in blood, they cackle their way to the underworld, and it cuts to black.
Quote of the Episode: “We now anoint you with the blessing of filth, the freedom of drag, the power of glamour, and the terror of horror…” -Swanthula
Honorable Mention: Saint’s tooth fairy was out of a Guillermo Del Toro film and one of the night’s best.
Rating: Season 4 culminated in a breathtaking display of Horror, Filth, and Glamour. Thank you for a fascinating descent into hell. (9/10 Shudder Subscriptions)
TV
The Creep Tapes: Mom (and Albert) (S1E6)
We’ve reached the end of The Creep Tapes Season 1! Whew, time flies.
This season has taken us through the wild kills of Josef (Mark Duplass) over an unspecified amount of time. From open wetlands to making a true crime story, Josef has shown us the depths of his maniacal depravity. Episode 6 follows in the footsteps of Episode 5 (Brandt) by showing us a deeper look into the psyche of Josef and what makes him him.
“Mom (and Albert)” follows Josef as he makes a surprise visit to his mother’s (Krisha Fairchild) house. Shortly into Josef’s visit, he’s introduced to her new beau, Albert (John Craven). Josef isn’t sure how to take his mother’s partner and does whatever he can to make the visit as awkward as possible. But will the awkwardness turn into murder? Will this be the first Creep Tape without a kill?
(Spoilers from here on out.)
First and foremost, we finally get what we’ve all been begging for…DONG! Josef throws a fit and runs away. His mother goes looking for him and finds him naked with half of his body (head first) in a jacuzzi. He eventually comes out of the hot tub and we finally see the penis of a madman. So, for those who stuck through the first five episodes just to see if we got it, well, there you go!
Everything about Episode 6 is freaky and paints Josef in somewhat of a sympathetic light. One of the things we learn is Josef’s unique obsession with Forest Gump. As someone who has only seen bits and pieces of Forest Gump on TNT over the years, I cannot really comment on if/why that is important. What I can comment on is the information that directly impacts Josef as a character.
When Albert arrives, his mother introduces Josef to Albert, saying, “This is my favorite son, Wolfie.” This lends us two important pieces. But before we unpack that, Josef’s mother reveals she still has his stuffed animal named Wolfie. We also learn that when Josef was six, he had a bad dream and ripped the wolf’s head off. His mother goes on to say that she didn’t sew it back on completely so that he remembered what he did. Josef has an age regression issue. He goes to check out his bed, and when he realizes it’s not his “special bed,” he throws a fit.
What does this teach us? The most obvious thing it teaches us is that Josef has been babied far too long. His mother calls him by the name that he calls his stuffed animal, which he ripped the head off of. From what we’ve learned, his mother has purposely stunted his emotional growth OR didn’t do anything to make sure Josef’s mental health was addressed from a young age. Returning to how he was introduced to Albert, she says that Wolfie is her favorite son. This either implies that Josef has siblings OR that his mother is also a pathological liar and is feeding Albert a false narrative of her life.
Given what we’ve seen to the point of Albert’s introduction, either of those two options is possible. By the time that Josef kills Albert, his mother doesn’t really seem too upset. Even though his mother shoots down Josef when he tells Albert that he wants to film with him, it’s clear she knows more than she’s leading on.
But that’s when we get the all-too-telling final shot of the season. Josef and his mother have a conversation on the ground next to where Albert is now buried. Earlier in the episode, Josef’s mother comments on how he breastfed for 6 years; he was also a biter. Cut to post-Albert kill. Josef and his mother awkwardly embrace and Josef suckles from her. It’s truly appalling and tells us all we really need to know.
Episode 6 was fantastic and gave us a proper backstory into who Josef is and why. Now we must take into account that Josef’s mother may be just as pathological as he is, but I feel there is some truth in what she says.
The Creep Tapes has been a welcome entry into Creep cannon, and if Shudder is smart, they will have already asked Duplass and Brice to start Season 2.
What did you think about this series? Was it everything you wanted from a Creep expansion? And what was your favorite tape?
TV
The Creep Tapes: Brandt (S1E5)
The Creep Tapes is nearing its finale, which is a damn shame! This season has been a blast to go through, and with any luck, we’ll hear news of a second season shortly. But there’s no need to sing our sorrows because we still have Episodes 5 and 6 to get through! Episode 5, “Brandt”, is the most experimental and mind-boggling of what we’ve seen thus far.
It’s difficult to get into this episode without spoilers, so fair warning.
“Brandt” finds Josef (Mark Duplass), who goes by Kyle, alone in a hotel room, patiently awaiting Brandt’s arrival (Scott Pitts). Brandt’s persistent tardiness slowly throws Josef into a spiral of psychosis and anger. A missed opportunity with a random hotel guest (Tai Leclaire) makes Josef angrier at a wasted opportunity. Will Brandt show up and finally meet his end at the hands of Josef? Or will This be Josef’s first kill-free tape?
This episode will surely ruffle some feathers regarding the lore of the franchise. It’s been made clear that editing goes into Josef’s tapes, which we’ve seen in some of these previous tapes and in the films. Josef spends most of this tape alone in this hotel room with Peachfuzz. And not just with the mask of Peachfuzz, but actual Peachfuzz. If you haven’t seen the episode, that might not make sense.
The scene that really makes Josef’s editing prominent is when he sits across from himself (as Peachfuzz) on the bed while they eat P.F. Chang’s—at first, this confused me. Is there a second person helping Josef commit these crimes? Then we get to the scene where Peachfuzz somehow cuts the power to the room while Josef is on camera doing something else. And this culminates in Josef getting knocked out by the butt of an axe when he opens a closet door.
Everything points toward Peachfuzz being a second person who is NOT Josef. When Josef wakes up from being knocked out, he is in the bathtub with his hands tied above his head. BUT when Brandt finally shows up, Josef slips out of his binds. So it’s clear that Josef put himself into this situation and edited the footage in a way that made himself out to be Peachfuzz.
Whether or not this episode will work for everyone is up in the air. It took a second rewatch for it all to really sink in. Josef’s mania is on full display here. When he thinks his victim will not be showing up, it leads him down a path of self-destruction. Even though Brandt does show up, Josef follows through with editing the tape in a way that propels the idea of Peachfuzz being a separate entity from Josef the man.
One of the things we learn early on in the episode is that this is Josef’s “first solo project.” We can assume this means Brandt will be Josef’s first Peachfuzz-less kill. But in the end, Peachfuzz wins and throws the axe at Brandt. What this also does is give us somewhat of a timeline to go on. At this point in the series, we’ve witnessed Josef kill people without the use of Peachfuzz. This leads us to assume that Brandt was early on in his kill list.
It will be fun to watch people pick apart and analyze this episode over the coming weeks/months, and I’m genuinely interested to see what audiences think of this episode. With one more creep tape left in the season, what do you think will happen? Will there be any more factually accurate Josef lore? Or will we get more of a deep dive into his unhinged, pathological lying psyche?