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Big Tops: The Boulet Brothers’ Dragula S4 Ep8 “Killer Clowns” Recap

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Calling all Uglies, misfits, and miscreants! The Circus of Clowns has come to town, and a pair of Puppet Master-inspired Boulet marionettes introduce us to a deadly show. If you’re not careful, you’ll laugh so hard you’ll die during this one-night journey into madness. Join a cast of macabre clowns as they help your release from this mortal coil and turn your frown upside-down…forever!

The Challenge: The remaining drag bozos must conceptualize a monstrous Killer Clown floor show and participate in a clown cart death race from hell to decide who will make the Top 3. Not only does surviving this week bring the crown within reach, but the Top 3 are automatically cast in the Season 4 World Tour for 2022. Furthermore, all clown carts are not created equal, and the winner of what is presumably the final Fright Feat of the season will decide who gets which dilapidated cart. The monsters head out back to a dunk tank: Season 4’s resident clown, Merrie, is there to throw shade while the monsters throw balls to soak their competition. Her reads land flat, almost comically so, and it is Dhali who lands the most bullseyes and assigns the carts.

 The Drama: These drama sections are harder to fill in when all the villains have been sent home, eh? There’s always the reunion! Sigourney and Dhali discuss the suffocating Extermination at the Chapel of Calamity (seriously, how did they not actually die?), and Dhali breaks down in tears realizing they could have left the show for the third time – they’ve had unfinished business since Season 2 and succeeding here is the only thing that will make them realize their self-worth. Hopefully, Dahli knows they’ve already made it.

 Floor Show & Judgment: Our ringleaders leave the polka dots for the clowns and arrive at the floor show in classic Boulet style; they’re also joined by guest judges Bob the Drag Queen and Harvey Guillén of What We Do in the Shadows. The curtain rises, and each monster certainly brings their brand of horrific clownery to the stage. Hoso terrorizes in a mashup of 16th-century Korean shamans (Mudangs) and western clowns. This three-headed look showcases Hosos’s now-iconic face, but the judges worry the message gets lost in the complicated imagery. As twisted and beautiful as ever, Sigourney massacres a bundle of red balloons so large it would make Pennywise jealous. Was it horror enough? I had a similar thought as Harvey in wondering why none of the balloons she popped were filled with blood – this is DRAGULA! Saint showcases her high-fashion mime lewk, and, as mimes do, gives her most physical performance yet. However, her mime was more tragic than Killer. And finally, Dhali, as Sweet Tooth, served Ronald McDonald freakshow candy corn realness as only they could do. With “crotch candy,” great use of props, and a toothless mouth, they understood the assignment and ultimately won the challenge. The Boulet’s are considering the overall package for who should continue: Floor shows and performance, of course, but also how they behave backstage and with the crew, their professionalism, etc. In the Cauldron, Hoso continues the monsters’ trend of discrediting Sigourney and says the other three deserve it over her because they have nowhere else to turn. Offended, Sigourney retorts that as a woman in this field, she has to force herself into every situation to succeed: “Nothing is more punk than that. I’m a fucking hardcore bitch.” She also quips that Hoso is chaotic and unprofessional, perhaps too young for the crown. The drama ends there, and all four head to the starting line to begin the clown cart race. Some genuinely frightful clowns rise from the grave to torment the racers with pies to the face, and the big-breasted grand marshal, Koco Caine, steals the show – give her a spot on Season 5! Dahli wins, as they have the fastest cart, and the others’ fates are up in the air.

Extermination: We return to the marionettes under the big top, and this time all four monsters are in puppet form, too. They’re scared, and the Boulets hover over Hoso and Saint, knives ready to strike. Blood and gore splatter the curtains, but we do not see who has been filleted. TO BE CONTINUED…

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 Quote of the Episode: “That’s my favorite part of Sweet Tooth, honestly, just…gum jobs.” -Dahli

 Honorable Mention: The judges didn’t follow Hoso’s inspirations, but it was explained to us in the boudoir, and I found it her most sinister look yet.

 Rating: It’s down to the wire, and the tension is high. Anyone with coulrophobia would hate this episode, so that’s a success in my book. (8/10 Crotch Candies)

READ OUR EPISODE 9 RECAP HERE

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Creep Tapes: Mom (and Albert) (S1E6)

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We’ve reached the end of The Creep Tapes Season 1! Whew, time flies.

This season has taken us through the wild kills of Josef (Mark Duplass) over an unspecified amount of time. From open wetlands to making a true crime story, Josef has shown us the depths of his maniacal depravity. Episode 6 follows in the footsteps of Episode 5 (Brandt) by showing us a deeper look into the psyche of Josef and what makes him him.

“Mom (and Albert)” follows Josef as he makes a surprise visit to his mother’s (Krisha Fairchild) house. Shortly into Josef’s visit, he’s introduced to her new beau, Albert (John Craven). Josef isn’t sure how to take his mother’s partner and does whatever he can to make the visit as awkward as possible. But will the awkwardness turn into murder? Will this be the first Creep Tape without a kill?

(Spoilers from here on out.)

First and foremost, we finally get what we’ve all been begging for…DONG! Josef throws a fit and runs away. His mother goes looking for him and finds him naked with half of his body (head first) in a jacuzzi. He eventually comes out of the hot tub and we finally see the penis of a madman. So, for those who stuck through the first five episodes just to see if we got it, well, there you go!

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Everything about Episode 6 is freaky and paints Josef in somewhat of a sympathetic light. One of the things we learn is Josef’s unique obsession with Forest Gump. As someone who has only seen bits and pieces of Forest Gump on TNT over the years, I cannot really comment on if/why that is important. What I can comment on is the information that directly impacts Josef as a character.

When Albert arrives, his mother introduces Josef to Albert, saying, “This is my favorite son, Wolfie.” This lends us two important pieces. But before we unpack that, Josef’s mother reveals she still has his stuffed animal named Wolfie. We also learn that when Josef was six, he had a bad dream and ripped the wolf’s head off. His mother goes on to say that she didn’t sew it back on completely so that he remembered what he did. Josef has an age regression issue. He goes to check out his bed, and when he realizes it’s not his “special bed,” he throws a fit.

What does this teach us? The most obvious thing it teaches us is that Josef has been babied far too long. His mother calls him by the name that he calls his stuffed animal, which he ripped the head off of. From what we’ve learned, his mother has purposely stunted his emotional growth OR didn’t do anything to make sure Josef’s mental health was addressed from a young age. Returning to how he was introduced to Albert, she says that Wolfie is her favorite son. This either implies that Josef has siblings OR that his mother is also a pathological liar and is feeding Albert a false narrative of her life.

Given what we’ve seen to the point of Albert’s introduction, either of those two options is possible. By the time that Josef kills Albert, his mother doesn’t really seem too upset. Even though his mother shoots down Josef when he tells Albert that he wants to film with him, it’s clear she knows more than she’s leading on.

But that’s when we get the all-too-telling final shot of the season. Josef and his mother have a conversation on the ground next to where Albert is now buried. Earlier in the episode, Josef’s mother comments on how he breastfed for 6 years; he was also a biter. Cut to post-Albert kill. Josef and his mother awkwardly embrace and Josef suckles from her. It’s truly appalling and tells us all we really need to know.

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Episode 6 was fantastic and gave us a proper backstory into who Josef is and why. Now we must take into account that Josef’s mother may be just as pathological as he is, but I feel there is some truth in what she says.

The Creep Tapes has been a welcome entry into Creep cannon, and if Shudder is smart, they will have already asked Duplass and Brice to start Season 2.

What did you think about this series? Was it everything you wanted from a Creep expansion? And what was your favorite tape?

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The Creep Tapes: Brandt (S1E5)

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The Creep Tapes is nearing its finale, which is a damn shame! This season has been a blast to go through, and with any luck, we’ll hear news of a second season shortly. But there’s no need to sing our sorrows because we still have Episodes 5 and 6 to get through! Episode 5, “Brandt”, is the most experimental and mind-boggling of what we’ve seen thus far.

It’s difficult to get into this episode without spoilers, so fair warning.

“Brandt” finds Josef (Mark Duplass), who goes by Kyle, alone in a hotel room, patiently awaiting Brandt’s arrival (Scott Pitts). Brandt’s persistent tardiness slowly throws Josef into a spiral of psychosis and anger. A missed opportunity with a random hotel guest (Tai Leclaire) makes Josef angrier at a wasted opportunity. Will Brandt show up and finally meet his end at the hands of Josef? Or will This be Josef’s first kill-free tape?

This episode will surely ruffle some feathers regarding the lore of the franchise. It’s been made clear that editing goes into Josef’s tapes, which we’ve seen in some of these previous tapes and in the films. Josef spends most of this tape alone in this hotel room with Peachfuzz. And not just with the mask of Peachfuzz, but actual Peachfuzz. If you haven’t seen the episode, that might not make sense.

The scene that really makes Josef’s editing prominent is when he sits across from himself (as Peachfuzz) on the bed while they eat P.F. Chang’s—at first, this confused me. Is there a second person helping Josef commit these crimes? Then we get to the scene where Peachfuzz somehow cuts the power to the room while Josef is on camera doing something else. And this culminates in Josef getting knocked out by the butt of an axe when he opens a closet door.

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Everything points toward Peachfuzz being a second person who is NOT Josef. When Josef wakes up from being knocked out, he is in the bathtub with his hands tied above his head. BUT when Brandt finally shows up, Josef slips out of his binds. So it’s clear that Josef put himself into this situation and edited the footage in a way that made himself out to be Peachfuzz.

Whether or not this episode will work for everyone is up in the air. It took a second rewatch for it all to really sink in. Josef’s mania is on full display here. When he thinks his victim will not be showing up, it leads him down a path of self-destruction. Even though Brandt does show up, Josef follows through with editing the tape in a way that propels the idea of Peachfuzz being a separate entity from Josef the man.

One of the things we learn early on in the episode is that this is Josef’s “first solo project.” We can assume this means Brandt will be Josef’s first Peachfuzz-less kill. But in the end, Peachfuzz wins and throws the axe at Brandt. What this also does is give us somewhat of a timeline to go on. At this point in the series, we’ve witnessed Josef kill people without the use of Peachfuzz. This leads us to assume that Brandt was early on in his kill list.

It will be fun to watch people pick apart and analyze this episode over the coming weeks/months, and I’m genuinely interested to see what audiences think of this episode. With one more creep tape left in the season, what do you think will happen? Will there be any more factually accurate Josef lore? Or will we get more of a deep dive into his unhinged, pathological lying psyche?

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