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Buffy the Vampire Slayer At 25: “I Only Have Eyes For You”

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25 years ago, Sarah Michelle Gellar’s Buffy Summers was going through it.

She lost her virginity to her hot vampire boyfriend Angel (David Boreanaz), who then lost his soul because of a curse, went evil, and killed her computer science teacher. Principal Snyder (Armin Shimerman) was busy blaming her for everything, anything that went wrong at school, and her mother had yet to learn her daughter was the Chosen One.

As her final battle with her vampire ex seemed to be looming on the horizon, the last few episodes before said confrontation saw our beloved slayer facing many iconic monsters of the week. Teens turned sea monsters, a Freddy Krueger rip-off, and the tortured spirits of two former lovers.

We’re here to talk about the tortured spirits.

“To forgive is an act of compassion, Buffy. It’s… It’s not done because people deserve it. It’s done because they need it” Giles 

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The Buffy the Vampire Slayer season 2 episode, “I Only Have Eyes For You,” aired April 28th 1998, and it used a classic gothic ghost story as the framing. The episode used the ghosts to have our slayer and her vampire ex-boyfriend come back together via possession. The ghosts were a student who was a scorned lover and the teacher who broke off their affair in the ‘50s. The student shot his teacher after she broke it off with him and was cursed with reliving that moment repeatedly. His spirit is violent yet looking for forgiveness.

The ghost story framing helps the themes of the show shine, specifically the themes of that season—grief, heartbreak, and forgiveness. The spirit of the shooter is looking for forgiveness, something Buffy does not think he deserves. Buffy’s anger could be seen in two different ways—she’s angry at herself for all the murder and havoc that’s broken out since she slept with her ex and didn’t think she deserved forgiveness, or she views the ghost in the same way she views Angel. Either way, Buffy is a lot harsher than usual. She’s still beating herself up for what happened and blaming herself for everything that’s happening. She sees no way of ever forgiving herself or Angel. Quite frankly, she’s fucking depressed.

And speaking of depressed, there’s Giles. He’s still grieving over the loss of his love Jenny Calendar (Robia LaMorte), at the hands of Angel. He’s not just Buffy’s father figure, but the father figure to damn near every character on the show. He’s the smart, sensible one, yet here we get an irrational man desperate for one last moment with Jenny. His logic is out the window because he’s drowning in his grief. When the Scoobies tell him this spirit seems too violent to be Jenny, he tells them how it’s always good to question authority—but not right now because he’s clearly correct (he’s clearly not). It’s sad to see. He wants it to be her so badly that the usually rational watcher is being incredibly irrational. It’s humanizing and upsetting to see the group’s surrogate father spiral like this. The show also shows you how Giles doesn’t really get over his grief; he learns to manage it.

Grief is something this show always did well. If a character died, it wasn’t forgotten about an episode later. Jenny Calendar, Joyce Summers (Kirstine Sutherland), Tara Maclay (Amber Benson)—all characters who show up or are talked about long after they’ve died. Their presence is still felt (albeit mainly through The First Evil turning into 2 out of the 3 of them). The show would go on to spend the better parts of seasons 5 and 6 navigating grief. Also, Giles doesn’t get another love interest on the show besides his brief encounters with Olivia (Phina Oruche) in season 4. So, to see him grieving like this hurts—while also taking him out of the picture momentarily.

The Scoobies are on their own for this caper, making it seem scarier. The episode also leans hard on horror tropes—something it would mostly abandon in later seasons. We see Cordelia Chase (Charisma Carpenter) attacked by a snake when they invade the school and later look at a disfigured version of herself in the mirror. Willow (Alyson Hannigan) has the idea for the failed séance and gets sucked into a ghostly portal that opens up in the floor below her. Xander (Nicholas Brendon) is attacked by a demon arm popping out of his locker and choking him. But, in true Buffy fashion, the monsters are stand-ins for something else—in this case, they’re stand-ins for what Buffy and Giles are going through.

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Buffy is grieving for what could have been—the love of her life is technically still there, but the man she fell in love with is dead and gone. And while it might sound a little heavy-handed, seeing our hero endure this loss while also still dealing with everyday things like school, friendships, hiding her secret identity, and evil spirits is compelling TV (and okay, maybe those last two aren’t everyday things but if you’re a Vampire Slayer they are). Buffy spends most of the episode refusing to understand why this ghost of a murderer deserves forgiveness—but in the end, she learns it doesn’t matter why. The ghosts both get to move on only after possessing the bodies of Buffy and Angelus, bringing them together for one last kiss before the season’s over. The shooter, however, inhabits Buffy’s body as he related more to her pain. Angelus survives the gunshot because he’s a vampire, which helps the ghosts reconnect and move on from this trauma. Sarah Michelle Gellar also gives one hell of a monologue as the possessed shooter.

It’s the emotional boost she needed before facing off against Angelus a few episodes later. It makes her understand that it doesn’t matter why he’s doing all of this—she just needs to stop him. And maybe forgive herself.

Ian Carlos Crawford grew up in southern New Jersey and has an MFA in non-fiction writing. His favorite things are Buffy, Scream, X-Men, and pugs. His writing has appeared on sites like BuzzFeed, NewNowNext, Junkee, and other random corners of the internet. He currently hosts a queer Buffy and Marvel focused pop culture podcast called Slayerfest 98 and co-hosts a horror podcast called My Bloody Judy.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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