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A VERY HACKENSACK CHRISTMAS: Chucky Season 2 Episode 8 “Chucky Actually” Recap & Review

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He’ll be back. They always come back. And when this show comes back next year…man, I’m getting a serious case of déjà vu!

Jokes aside, I want to thank all my recap readers out there and hope you enjoy this last one until next October rolls around; if you like them, try out the other assorted horror morsels here on Horror Press. But in the meanwhile, let’s get this final festive R&R going!

Following Andy’s execution of the final Chucky, her life flashes before her eyes…yes, HER, because it’s Mixter who’s trapped in there. It’s revealed Charles knocked Dr. Mixter out while Glenda was taking care of Sister Ruth in the Chapel, and that’s when he got his Ade Due Damballa switch in. Chucky’s early Christmas present is a clean slate, with nobody’s knowledge of his continued survival.

Three days before Christmas, Lexy visits N.A. and drops the truth about her addiction to an audience, in which Jake is sitting as her sponsor. It’s revealed everyone ended up getting their 100 hours of community service in following the Incarnate Lord chaos that got the school closed permanently, and Jake is crashing at Chez Cross with Lexy and her family for the holidays (namely so the former Mayor Michelle Cross can exploit the good PR of taking in two orphans at Christmastime; I mean, come on, that’s publicity gold!). I also should have been more suspicious of getting the holiday gift of more Barbara Alyn-Lind in this episode because she is at her peak of playing a perfectly preened and focus test polished scumbag.

Elsewhere, Glenda keeps vigil over a comatose Glen in the hospital, reporting to Tiffany that their condition is only worsening. A desperate Glenda asks her to pull out her Jennifer Tilly persona one last time to smuggle in the Glen/da doll so they can save Glen with another soul transfer. A cop catches them red-handed and Tiff hulk smashes a vase over his head before Glenda gives into the intrusive thoughts and electrocutes the cop’s face into bursting into flames (a tribute to their first flaming kill in Seed of Chucky).

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Question: Is it still a yule log if it’s made of pork?

Unimportant.

What matters is that the transfer goes off without a hitch. Good news: Glen and Glenda are back into one doll, voiced once more by the beloved Billy Boyd! Bad news, both of Lachlan Watson’s physical incarnations in the series are now dead, so we probably won’t get them again unless it’s through flashback. Better news: the new Glen-Glenda composite, now going by G.G., looks so glam! G.G. tells Tiffany they plan to travel the world, mentioning a visit to England before mother and child part ways tearfully.

Jake gifts Devon some podcasting equipment (awkward gift choice), and Devon splashes the cold water on him when he reveals he hasn’t been into it for a while (awkward-er way to receive a gift). As everybody digs into Christmas dinner, the argument over the gift reignites, and they end up addressing their broken relationship. I love that Don Mancini took the season finale to effectively make the show a family drama where a killer doll is running around in the background.

Lexy apologizes to her mother for seeing her as the sole source of her problems, and the two have a surprisingly tender moment where they both admit they made mistakes. At night, the Hackensack Gang also reconcile for letting themselves get lost in the Chucky sauce and, do I even have to say Jake and Devon reconcile again? This is like the tenth time this season.

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Chucky, transferred into you-already-know-its-not-the-last Chucky doll, drops down the chimney with a Santa cap and the world’s quietest chainsaw. Riffing on “Twas the Night Before Christmas” inside as he munches on some cookies and milk as murder fuel, Tiffany arrives outside to get that Belle doll so she can finally transfer back into a plastic soul shell. When she breaks in, Mayor Cross catches a large Jennifer Tilly-shaped mouse stirring, and is enchanted by Tiffany long enough for Chucky to float down from the stairs like a Christmas fairy, bisecting Mayor Cross in the goriest kill of the season, and taking her off the naughty list permanently. Saving the best for last Mancini, I see you!

Tiffany and Chucky get into a verbal spat where he threatens G.G. for “misbehaving,” and Tiffany poises herself to protect the children upstairs. This leaves Chucky open for Lexy to jump down from the top rope—sorry, top of the stairs, and pin the doll. Fueled with rage, Lexy revs up the power tool and chops up seemingly the last Chucky with his chainsaw, while Tiffany runs upstairs and attempts a transfer into Belle. This only gets her a slash to the shoulder and back from Jake and Devon.

For a minute it seems like this is the end of Tiffany as the trio corners her, but if you noticed that I hadn’t mentioned Lexy’s little sister Caroline much in this episode, it’s because she only steps out here. Caroline then forces herself into a hostage situation with Tiffany holding a knife to her throat. She reveals that she’s been Chucky and Tiffany’s real daughter this whole time and has been stringing everyone along, a thought planted into her head by Chucky. Despite the trio’s protests, the sociopath in training flees with Tiffany and the Belle doll, leaving behind a heartbroken Lexy. The kids get taken into their former science teacher Ms. Fairchild’s care, which is good since she immediately believes them about Chucky. Time to get back to hunting Hackensack Gang!

In a 3-week flash forward, Tiffany hides in New York City wearing a very Selene Gallio outfit and being stared at by creepy Caroline. She gets a threatening call from Nica, who expresses her condolences but mentions that the hunt to torture her for everything she did is still on. Which doesn’t threaten Tiff much…until Nica mentions she can see her through a window. Panicking and trying to finalize the ritual to transfer her soul into the Belle doll, Voodoo for Dummies fails her. After all, we all know you can’t transfer your soul into a doll that already has one.

Standing up and wiping off his makeup, Chucky confirms that HE WAS IN THE BELLE DOLL THIS ENTIRE TIME, IN DISGUISE! He approaches Tiffany, ready for vengeance, as she screams. While we’re left to process our emotions, Chucky closes off with a song for the 22 deadly days of Christmas that confirms every kill in the season.

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We’ve been playing checkers.

Chucky has been playing chess.

And Don Mancini has been playing fifth-dimensional mind games with everyone since 1988.

VISUAL HIGHLIGHTS: I wasn’t kidding when I said the big boss saved the best for last with the death of Mayor Michelle Cross. This is potentially the gnarliest kill of the franchise, just for how it’s framed and the absurd levels of gore involved. The fact that it’s followed up with Lexy turning Chucky’s face into cubed cheese with the same chainsaw shows that no matter what threshold you have in mind for how nasty you think Chucky can be as a slasher, chances are it’s not high enough.

PERFORMANCE HIGHLIGHT: It’s not that I forgot to get everyone on the show presents this year, I just genuinely must give this to the whole ensemble of the Chucky cast. The tonal pivot of this episode and the way many of these characters’ storylines end up, both permanently and temporarily, just forced the whole cast to bring their A-game. From the sweet but not maudlin reunion of Jake and Devon to the parting of Tiffany and GG, down to even the simplest interactions between the entire gang, I don’t think there was an episode with better overall performances.

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QUOTE OF THE EPISODE.

“I feel like…if the public were just reminded of all my charitable endeavors, that, perhaps, they would just make that silly murder charge go away!”

– Tiffany Valentine, on making the most of your charity this holiday season

OVERALL RATING: 9 (Chainsaw Induced Christmas Cleanups)/10. I’d say this is the overall score for the season. Was I less critical of this season in general than my season 1 reviews? Yes, most likely. When you serve up nothing but good television, I just have less to complain about. Learning from all of the mistakes of its previous season, the pacing was tightened up to perfection, and all the intrigue we got was given satisfying payoffs; “Chucky Actually” is the embodiment of all those improvements and the promises of another great season, wrapped up and set under the tree just in time for the holidays.

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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