TV
Why Horror Fans Should Watch Marvel’s ‘Werewolf by Night’
From the opening title sequence, Marvel’s new Halloween special, Werewolf by Night, seems to know exactly what it is—a fun, spooky season throwback.
As the MARVEL title card flies across the screen, we hear screams and see flashes of claw marks. It’s reminiscent of classic horror films and even a little bit of Scream. The special is directed by Marvel composer Michael Giacchino, and it feels like one of the freshest things Marvel has put out in a long time.
One of the things that works especially well for Werewolf by Night is that it feels completely separate from the rest of the MCU. It feels like a fun one-off that could lead to more or something bigger— it’s new characters in a setting facing forces we haven’t seen before. It’s almost entirely in black & white and the setting seems more gothic and more ridiculous than the ones we’ve seen before.
The special opens with a narration discussing monster hunter Ulysses Bloodstone, who has recently died. He possessed a supernatural item called the bloodstone, which gave him all his powers. For his funeral, other monster hunters are in attendance to join in on a ritual hunt to see who will win and claim the Bloodstone. We quickly meet our main characters, Elsa Bloodstone (Laura Donnelly) and Jack Russell (Gael Garcia Bernal), who are there for the hunt.
Elsa Bloodstone is the daughter of the recently deceased Ulysses. We learn that she abandoned the family a few years ago. We get the impression her relationship with her father was not…great. In the comics, Elsa is a grumpy, take no crap badass. She’s fought alongside a lot of the other supernatural characters in the comics and even traveled to the Marvel Zombie Universe to fight… most of the Zombified Marvel hero lineup. In her intro, she has a meeting with her stepmother, Verussa (Harriet Sansom Harris), where they quickly give us all the familial info we need. Elsa and her stepmother clearly hate each other, Verussa explicitly tells Elsa she was her father’s biggest disappointment. Elsa, however, doesn’t care. She’s like Jessica Jones meets Buffy Summers.
Jack Russell stays mysterious for the first act. He seems nervous and calm, not as intense as any of the other monster hunters, making him immediately charming. He tells another hunter at the start that he hasn’t killed any of the monsters we see taxidermied on the wall, but has faced them before. He also says he wears his face makeup to honor his family. That’s the only info he offers up, which is clearly on purpose for the later reveal that he is our title character, our werewolf (by night).
But during said hunt, we learn that Elsa, while not trained by her monster hunter father, has some moves of her own. She gets her head smashed against some concrete Michael Myers style and shrugs it off. She is the better fighter than Jack but they eventually come together as the two non-monster hunters. Jack informs her he is there to free the monster they’re hunting (Man-Thing from the comics, here named Ted) and that Elsa just wants what’s rightfully hers, the bloodstone. They team up and help free Ted but end up caught by Verussa and the rest of the monster hunter squad.
For a short 55-minute special, there are very clearly two distinct halves—before we meet the werewolf and after. Both halves have two different monsters, Ted and Jack. The second half leans heavily on the action and throwback horror visuals in the most fun way possible.
When our leads find themselves stuck together in a cage they both panic. Jack wants to make sure he doesn’t hurt her when turned into the werewolf, so he tells her to keep eye contact and starts smelling her so he can hopefully remember her scent. It’s ridiculous and also a little bit horny. The two of them are both incredibly charming and hot, so him sniffing her to save her life works. Then there’s the incredible visuals of him turning into the werewolf. It’s all straight out of a black & white monster movie. Elsa looks on in absolute terror as the shadow of the monster he’s becoming is displayed on the wall behind her.
The werewolf visuals are even more fun than the Ted visuals. They make the werewolf move and act like he’s pulled straight out of 1966’s The Wolfman. The action here also pumps up and gets surprisingly graphic. It’s not exactly a Saw movie, but for a Marvel special on Disney+, it feels pretty bloody. Jack rips off one of the character’s ears, slashes through the stomach of another person, while Elsa slits the throat of one character, and stabs another directly in the head.
The money shot though comes as Jack is tearing through the guards in a hallway where the lights are flashing and a steel door is slowly closing behind them. The POV, the lighting, the violence—it all works, creating this incredibly engaging scene, unlike anything we’ve seen in anything Marvel has done before.
Elsa and Jack make it out safely, both getting semi-happy endings—Jack reunites with Ted and Elsa gets the bloodstone.
Werewolf by Night is the best example of action horror that we’ve gotten in a long time. Here’s hoping they give us more. Give us Elsa, Jack, and Ted fighting against Kathryn Hahn’s Agatha from WandaVision next year!
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!