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The Most Killer Cold Opens of The Boulet Brothers’ Dragula Season 4

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The Boulet Brothers’ Dragula’s move to Shudder arrived with its largest prize to date and some welcome production upgrades – c’mawn Shudder! Aside from a sleeker boudoir, stronger editing, and some other bells and whistles, one aspect that’s been noticeably elevated is the cold open at the start of each episode. I’ve always loved these artistic segments that tie into the week’s theme with flair and reverence for the horror genre, and now the higher-budget shorts are more stylish and spookier than ever.

These openings and their respective closers – in which the exterminated queen stars in a flashy murder scene – truly blend a reality competition series with the horror films that the Boulets and their Monsters treasure so dearly. Like everything else on The Boulet Brothers’ Dragula, the concept is unique and adds to the excitement of tuning in each week. So, in honor of these devilishly entertaining shorts, the following are my Top 3 Cold Opens of Season 4, with a few runners up for good measure.

Episode 1 – The Witch Queens of Samhain: The best opening of the entire series, in my opinion, Season 4’s premiere brings us way back to one of the earliest competitions, The Boulet Brothers’ Dragula: Origins Serving us Galadriel from Lord of the Rings doing ASMR, an ethereal voice narrates the ceremony as a group of unholy peasants participates. We witness a barbaric extermination of yore, and a former Drag Supermonster is crowned, drenched in their competitors’ blood. Suddenly, we’re in the present-day, watching horror fans with newly acquired Boulet Brothers masks ogle their prize. One by one, the masks possess their hosts and transform them into killers on behalf of their Boulet overlords – you really should leave collector’s items in their original packaging, dearies. Later, during the Extermination, we see these masked minions hunt the bottom two through the woods in a music video homage to 80s slashers.

These sequences bookend the episode to let you know Season 4 is here in a big way. This isn’t simply a cute promo teaser or a bad skit…we’re given an actual, fantastical backstory to the series and an introduction to the season in the form of a legitimate short film. The imagery in the flashback is genuinely unsettling, and the present-day bit is the stuff of a classic slasher, gradually building tension as it goes. If you didn’t know any better, you’d think you were starting up Witch Queens IV: Curse of the Drag Queenon Shudder.

Episode 4: Hair Metal Strip Club: This opener welcomes the Boulets favorite episode of every season, the Monsters of Rock challenge. It fittingly and perfectly manifests their bad bitch attitude. After reintroducing us to Season 2 winner Biqtch Puddin’s iconically filthy janitor, we watch as the Boulets enter their club in transcendent hair metal couture and take a seat at the poles. Surrounded by male erotic dancers and (presumably) mounds of cocaine, the duo sits back for a show. Unfortunately, the male in their gaze spills a solo cup full of tequila all over Madame Swanthula, and, with the snap of her fingers, the cold-hearted bitch has him choked out between some meaty thighs. Unbothered, the party continues.

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Once American Idol introduced the world to Simon Cowell, every reality television competition felt it needed that one “asshole judge” persona to keep things spicy. The Boulets are not mean, but they don’t take anyone’s crap and effortlessly embody two fabulous c-words who, now and again, show a softer side to their Monsters. These two are who they say they are, not a pair of jesters delivering zingers for our entertainment (although they do have some good ones), and the hair metal opener is entirely their brand of sex, drugs, and rock & roll. The all-white contacts and the fact that we’ve never seen them out of drag certainly help to perpetuate their intimidating mystery.

 Episode 8: Murder Marionettes: Pupaphobians beware! This week’s theme may be Killer Clowns, but the real stars of the show are the marionettes made in the Boulet’s likeness. These cackling puppets welcome us to the Circus of Clowns and its journey into madness like the good satanic ringleaders they are. Soon, their clowns are on the attack, and innocent dolls looking for a show are spewing blood at high velocity.

Of course, the creativity displayed throughout a season of The Boulet Brothers’ Dragula knows no bounds, but I was absolutely delighted by the appearance of these Barbies of the Bordello. Their pouty facial expressions and chaotic movements were a joy to behold, and I always welcome a dose of comedy with my horror. By the episode’s end, we’re even treated to marionettes of the Final Four awaiting judgment before the finale. I guess your very own personalized Annabelle is a nice consolation prize for falling short of $100,000.

Runners-Up: These two certainly stood out to me, but ultimately couldn’t murder the hair metal marionettes of Samhain.

Episode 2: Nosferatu Beach Party: In what is surely the zaniest cold open of the season, the Boulets let their guard down to reveal a campier side not often seen on the show. Shot in the style of a 1950s beach party flick, we’re treated to Drac and Swan letting loose with their men and moonscreen until an unwelcome outsider encroaches on their fun. All tea all shade to the exterminated queen of the week.

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Episode 7: Exorsisters: This blasphemous opener finds the Boulets in a tiny electric chapel, on the prowl for human sacrifice. Swan spits acid onto a crucifix via a nasty little practical effect, and it’s there they see a hunky priest at the pulpit. He’s forced to disrobe and is left cowering in fear and humiliation as they prepare for ritual sacrifice. It’s no “Judas” or “Montero” video in sheer production scale, but even so is fervently offensive to those of the cloth.

Horror openings often hook you in with a macabre precursor of what’s to come, and these gutsy Season 4 cold opens allow the show’s unique viewpoint to pop from reel one. With another season in the grave, I look forward to experiencing the Boulets one-up themselves for many more to come.

The Boulet Brothers’ Dragula is available to stream on Shudder.

Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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