TV
Our Favorite Horror Homages and Easter Eggs in ‘The Boulet Brothers’ Dragula’ Season 2
The Boulet Brothers’ Dragula is a show made with a crazy amount of love and laden with an even crazier amount of horror references and in-jokes for the fans. With some being obvious and some being deep cuts, we look back at our favorite horror references in the best drag show on television.
Bleeding Boardrooms Dry, Scanners Style
This opening of the season really did set the tone for it all. Here, the Boulet Brothers have a short-lived and very one-sided clash with some television producers who are trying to stop the show from airing. Taking a page from the book of Cronenberg’s Scanners, the duo exerts their telekinetic powers on the white-collar nuisances to gruesome effect. The show must go on, no matter who must die for it.
Felony Dodger’s Texas Chainsaw Massacre Death
Perfectly white surfaces and blood splatter. Has there ever been a better aesthetic duo for horror? In the season’s first extermination, Felony Dodger’s demise by chainsaw reminded us of the chase sequence in 2006’s The Texas Chainsaw Massacre, with the clotheslines being her final resting place as Felony gets dismembered by the Boulet’s chainsaw.
Abhora’s Art the Clown Inspired Look
Episode 2 saw a lot of incredible looks to evoke that theme of the old west ghost town, but fans of All Hallows’ Eve and Terrifier will notice Abhora’s monochrome, turn of the century makeup giving a whole lot of Art the Clown energy, especially when she gives her maniacal smile. How absolutely…well, terrifying!
Monikkie’s Take on Patience Buckner…
Another second episode look, this contestant who was exterminated untimely shared a lot of mannerisms and similarities with the sympathetic Patience Buckner, the youngest antagonist of Cabin In The Woods’ Buckner Family. She fits right in with everyone’s favorite zombie redneck torture family with her pigtails, dress, and slow-moving ghoulish performance. Just don’t call her a normal zombie, or Hadley & Sitterson won’t shut up about it.
…And Her Halloween Tribute Extermination
In what was by far my favorite extermination short film of the season, Monikkie’s signature mask took the place of a young Michael Myer’s Halloween costume. Instead of a child-sized clown, the masked queen fell prey to a mysterious killer wearing her very mask. If only we knew who could have done such a horrible thing? And more importantly, who did the killer’s nails? They look incredible!
Victoria Elizabeth Black channels the OG Dragula Driver
With episode 3 being all about rock and roll, what is more fitting than Victoria Black’s costume being a tribute to the singer-songwriter who gave us the absolute banger “Dragula”? The top-hat and dreads combo and the macabre makeup are a classic Rob Zombie look.
Israel and the Aliens
This one was more of a broad homage to the campy sci-fi and horror films of the 50s and 60s and the forefather of all horror television, The Twilight Zone. Here, we get a little origin story on everyone’s favorite tattooed manservant, Israel, where we see his former life as a police officer who, investigating the sight of the crash, meets two out of this world queens that immediately take the role of his masters.
Dahli Goes to Camp
Like Angela from Sleepaway Camp, Dahli’s killer decided to implement the kitchen as their murder weapon. However, rather than frying the victim, Angela was baked alive in a smoky, oven-fired death. The camerawork and the kill are undoubtedly reminiscent of the exact sequence where predatory camp cook Artie meets his demise.
Erika Klash, Meet John Bishop
The anime and J-Pop inspired friend to all met her match in Episode 5 and suffered some voodoo indignities in her death. Chucky fanatics (like myself, I mean, I DID cover the whole series here) will recognize this mirrors the death of Charles Lee Ray’s mentor John Bishop in Child’s Play, who suffers blunt force magical trauma. I guess this time she was just all voodoo dolled up with nowhere to run.
Disasterina Goes Psycho
In what is the most cut and dry of references in the Extermination films, Disasterina got the cold shoulder under some hot water in Episode 6. Her shower death mimicked Marion Crane’s in the 1960 classic Psycho. While the parody has been done hundreds of times, Disasterina does bring it quite a bit of charm with the A-Tier camp she was carrying throughout the season.
Immortan Drac and Immortan Swan
Less of a horror reference and more of a fun little easter egg for all of us Mad Max fans out there, our return to the wasteland saw us meeting up with a not-so-alien iteration of the Boulets. This time around, they were channeling Immortan Joe of Mad Max: Fury Road fame, watching the bombs drop with delight and two tall glasses of gasoline.
Meatloaf, Meatball, Same Thing Right?
The most complex of the episode intros, the reunion episode saw a cameo from famed drag queen Meatball, who took her place in a very layered and perfectly executed parody of Rocky Horror Picture Show. Meatball takes the place of Eddie, who comes out of a deep freeze in the film and is played by the late great singer Meatloaf (isn’t it a great play on words?). Of course, the Boulets eventually kill Meatball with an expertly placed knife throw. That is, before they go full Drayton Sawyer on the thawed-out victim and serve them to the Season 2 contestants. Hey, the girls have got to eat!
How many of these were you able to spot on your first watch-through? Let us know in the comments, and stay tuned for more The Boulet Brothers’ Dragula articles!
Make sure you check out seasons 2-3 of The Boulet Brothers’ Dragula now streaming on Shudder.
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!