TV
HAPPY BIRTHDAY PROPHECY GIRL! 9 Episodes to Celebrate the 25th Anniversary of ‘Buffy the Vampire Slayer’
If you told someone back in 1997 how popular Buffy would get, you’d probably have been laughed out of the room, down the street, and into a taxi headed straight for a Hellmouth in SoCal.
But decades later, a titanic fanbase lives on, and an unending enjoyment of Buffy Summers and the rest of the Scooby Gang defending the world lives with it. So, of course, I felt that we should look back at some of the best Buffy episodes to rewatch in celebration of the big two-five!
I Robot…You Jane
When I pick an episode to casually rewatch, I usually choose one of two depending on what mood I’m in. I Robotembodies the show’s madcap creativity and humor, partially because of the very intentional camp in the episode and partly because it’s SUPER dated (it’s about an internet demon in the late 90s, what did you expect?). It also has one of my favorite creature designs, showing the costuming and makeup that became the gold standard for sci-fi and horror shows. Oft maligned for its goofiness, its tongue-firmly-in-cheek ridiculousness is still fun to watch today.
Hush
Meet the other one of the two. On the other end of the spectrum, Hush is the better script horror-wise and directorially; everybody in Sunnydale loses their voices to mysterious, floating, organ harvesting undead that look creepy as all hell. I’ve watched this episode with a fair share of people, and it has this truly disturbing factor in its premise and execution that resonates deeply with many people. By its end, it’s a relief to see the silence broken.
The Zeppo
One of the things Buffy did best was deconstructing a lot of the show’s characters and getting to the core of who they are, all in an hour. This episode has a funny conceit, but ultimately a surprising climax that brings a whole new range of depth to Xander, a character who is an admittedly small player on the show’s massive stage. The Scooby gangs most mundane member proves himself to be extraordinary and rises to the occasion, resulting in a lot of fun.
Fool for Love
Spike is such a compelling villain; between his despicable beginnings, his redemptive arc post Initiative chip, and the dynamic love-hate relationship he has with Buffy, almost every Spike scene ends up a testament not only to the impeccable acting of James Marsters but to how great the character writing was on this show. It’s an episode all about Spike, his past, and his future with Buffy, capped off by an incredibly surprising ending that shows the humanity of one of the show’s most inhuman villains.
Surprise/Innocence
I know, I know, it’s cheating to pick two, but they’re inseparable. Innocence has a particularly special place in my heart as it’s the first episode that I ever watched. And what a confusing gut punch to start on! Arguably the best two-parter in the series, this is the apex of the show’s romantic drama with Buffy and Angel’s love being torn apart following their lovemaking and the resurgence of the Angelus persona. The triple threat of Angel, Drusilla, and the Judge is short-lived if not incredibly fun, and leads to one of the show’s most memorable deaths (“What’s that do?”).
Once More, With Feeling
What is definitively the best musical episode in television history also turns out to be one of the show’s most wonderful; a show-tune singing demon comes to Sunnydale and enchants everyone into singing and dancing. We get surprisingly good vocal performances from the entire cast, with guest star Hinton Battle and series regulars bringing serious vocal work. Not to mention the insane reveal by song as Buffy confesses to her friends that Willow bringing her back was more of a curse than a blessing. What could have been a disaster execution-wise ends up a masterpiece that doesn’t go even slightly off-key.
Graduation Day, Parts I & II
Originally, I was going to say that the Season 3 opener Anne had the best fight in the series. My editor kindly reminded me of how wrong I was with Graduation Day, arguably the best two-parter in the series. Take your pick of reasons why it’s so good: it might be that it has the show’s best choreography and stunt work with Buffy and Faith’s knockout slayer duel. It could be Buffy risking her life to save Angel. The student body banding together and fighting vampires to save the day, maybe? Or it could just be Principal Snyder lecturing to his grisly demise and Mayor Wilkin’s comically explosive death. Whatever reason it is, you’re sure to have a lot of fun rewatching.
SOME FINAL WORDS
The allegations of Joss Whedon’s reprehensible abuses of power are intolerable to all of us here at Horror Press; that being said, it’s a heavy disservice in my eyes to allow one man’s transgressions to tarnish something so much larger than him. Joss Whedon did not make Buffy alone. The dozens of other directors and writers that collaborated on the show also made Buffy. The set designers, the SFX people, the makeup and wardrobe teams that worked aesthetic miracles weekly made Buffy. And most importantly, the incredible acting of cast members like Sarah Michelle Gellar, Charisma Carpenter, Allyson Hanigan, and David Boreanaz (to name only a few) made Buffy.
On this 25th anniversary of Buffy, its important to remember: the show, and the love of that show do not belong to one person. And we don’t have to leave the hard work of all the other wonderful contributors in the past.
So, to all the wonderful cast and crew who made Buffy spectacular, I and everyone at Horror Press like to say thank you for all the memories!
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!