My first feature film, Death Drop Gorgeous, was often described as its own disturbed piece of queer cult cinema due to its over-the-top camp, practical special...
Since even before I started writing for Horror Press, I’ve wanted to get a peek behind the curtain on how horror movie productions are made. Not...
There is a duality between gay culture and the LGBTQ+ community not necessarily seen by the casual observer. On the surface, a sanitized dish sprinkled with...
Someone calls you on the phone. Already, this is a nightmare, but we’re not at the scary part yet. Let’s...
The violence of the last decade has been practically insurmountable. Every day, there seems to be another attempt to destroy...
Horror and comedy are like the angelic central heroine and her evil parasitic twin from 2021’s Malignant: they may seem...
When Creature from the Black Lagoon splashed onto screens in 1954, it gave birth to a very specific kind of...
Henry Selick’s return to the director’s chair after Coraline, represents righteousness, anti-authoritarianism, and the subtle art of not giving a...
Black horror is still a relatively new genre. Its earliest films date back to 1941, but its presence weakened over...
David Cronenberg’s films do not delve too deeply into organized religion, but they provide an interesting lens into how a...
I learned early on that I was not supposed to make it to the end of a horror movie. As...
There is a huge difference between a movie being remembered for being good and a movie being remembered because it’s...
Tim Burton was not always my nemesis. In the not-too-distant past, I was a child who just wanted to watch...