I can’t remember the first time I saw Re-Animator. While this will probably piss someone off, my first real introduction to a variation of the source...
I have a sort of controversial horror opinion. When I think of Final Girls, I think first of none other than Halloween’s Laurie Strode. But when...
It’s a tale as old as time: A stale marriage breeds not only children but underappreciation, resentment, and a lack of identity. In the 2021 film...
Gordon produces a bizarre and almost hard-to-watch experience that hinges on Combs and Crampton’s exceptional collaboration, oscillating between grotesque and depressingly dark to mixed success. I...
When Creature from the Black Lagoon splashed onto screens in 1954, it gave birth to a very specific kind of...
Henry Selick’s return to the director’s chair after Coraline, represents righteousness, anti-authoritarianism, and the subtle art of not giving a...
Black horror is still a relatively new genre. Its earliest films date back to 1941, but its presence weakened over...
David Cronenberg’s films do not delve too deeply into organized religion, but they provide an interesting lens into how a...
I learned early on that I was not supposed to make it to the end of a horror movie. As...
There is a huge difference between a movie being remembered for being good and a movie being remembered because it’s...
Tim Burton was not always my nemesis. In the not-too-distant past, I was a child who just wanted to watch...
My first feature film, Death Drop Gorgeous, was often described as its own disturbed piece of queer cult cinema due...
Most of my early happy memories are of being released by my mother, free to wander the video store. I...
Horror Press’ exploration of catharsis this month lends itself naturally to the topic of satisfying horror movie deaths. While murdering...