The Strangler (1970), directed by Paul Vecchialli, isn’t your typical giallo, but it is captivating, and its shiny new visual sheen is something we can thank Altered Innocence for. A...
My succinct review of Bertrand Mandico’s She is Connan: it’s a beautifully made movie, which serves as a compelling treatise on the nature of syndicated characters and...
This is the most emotionally exhausting film I’ve covered for HORROR PRESS, and I knew this would be tricky to write about. Most of my reviews...
Black Christmas (2019) opens with so much promise but immediately gets in its own way. What seemed like an attempted...
“Horror [films] should be a space of freedom, a territory for experimentation. But what happens is often the opposite.” These...
Martyrs (2008) is infamously known as one of the most disturbing films of the 21st century. It is often considered...
In a recent article, I talked about the legacy of William Castle and the many gimmicks he used to promote...
There are people who genuinely dislike jump scares for good reasons, both personal and philosophical. However, given how frequently the...
The Mexican horror film Kilometer 31 (KM 31), directed by Rigoberto Castañeda, takes the story of La Llorona and gives...
With Terrifier 3 coming out soon and promising the deaths of between 1 and 200 children as Art the Clown...
At a recent movie screening, I saw someone displaying unparalleled bravery in the audience. I saw someone willing to push...
I know The Shining is aesthetically pleasing and has a cast many of us would have killed to work with....
Gateway horror holds a nostalgic space in the horror enthusiast’s heart. Many of us fixated on the genre as children,...