August was a very exciting month for Horror Press’s Abigail Waldron because her book finally hit the shelves after years of research, writing, and peer review!...
It’s immediately understood that Queer Screams: A History of LGBTQ+ Survival Through the Lens of American Cinema was a labor of love for queer historian and...
When Creature from the Black Lagoon splashed onto screens in 1954, it gave birth to a very specific kind of...
Henry Selick’s return to the director’s chair after Coraline, represents righteousness, anti-authoritarianism, and the subtle art of not giving a...
Black horror is still a relatively new genre. Its earliest films date back to 1941, but its presence weakened over...
David Cronenberg’s films do not delve too deeply into organized religion, but they provide an interesting lens into how a...
I learned early on that I was not supposed to make it to the end of a horror movie. As...
There is a huge difference between a movie being remembered for being good and a movie being remembered because it’s...
Tim Burton was not always my nemesis. In the not-too-distant past, I was a child who just wanted to watch...
My first feature film, Death Drop Gorgeous, was often described as its own disturbed piece of queer cult cinema due...
Most of my early happy memories are of being released by my mother, free to wander the video store. I...
Horror Press’ exploration of catharsis this month lends itself naturally to the topic of satisfying horror movie deaths. While murdering...