Reviews
[REVIEW] Travel Is War in ‘Red Eye’ (2005)
Red Eye follows Lisa Reisert (Rachel McAdams), a manager at a high profile hotel in Miami that’s set to host the current administration’s Deputy Secretary of Homeland Security Charles Keefe (Jack Scalia). Lisa is on her way back to Miami after a funeral in Texas. While waiting for the plane, Lisa meets the very charming Jackson Rippner (Cillian Murphy). Their blooming connection is halted when the delayed plane begins to board. Lisa finds her seat on the plane and learns she’s seated next to Jackson! But not all that glitters is gold when it turns out Jackson definitely isn’t who he says he is.
Airplanes are a golden goose setting for horror films, and the set is highly underutilized. Post-9/11, plane horror understandably took a step back from horror for a few years. They would make a strong comeback with films like Red Eye, Flightplan, United 93, and, most importantly, Snakes on a Plane. Interestingly, one of the last major scenes in a horror film to take place on a plane pre-9/11 was the catalyst for one of horror’s beloved aughts franchises with Final Destination. Red Eye and Flightplan exist in that weird synchronicity in film where two similar films release roughly simultaneously; both were released in 2005. Of these two films, Red Eye always stuck with me slightly more.
Red Eye follows Lisa Reisert (Rachel McAdams), a manager at a high profile hotel in Miami that’s set to host the current administration’s Deputy Secretary of Homeland Security Charles Keefe (Jack Scalia). Lisa is on her way back to Miami after a funeral in Texas. While waiting for the plane, Lisa meets the very charming Jackson Rippner (Cillian Murphy). Their blooming connection is halted when the delayed plane begins to board. Lisa finds her seat on the plane and learns she’s seated next to Jackson! But not all that glitters is gold when it turns out Jackson definitely isn’t who he says he is.
Wes Craven’s Red Eye: A Grounded Horror Gem
After a five-year hiatus following Scream, Wes Craven took 2005 by storm with this and Cursed. There’s a reason most don’t immediately think of Red Eye when Wes Craven’s name comes to mind. It’s unlike much of his previous work–it’s grounded and relevant. But what Craven does visually is an attempt at subverting the genre, as he’s usually wont to do. Red Eye is written by Carl Ellsworth (with story credit to Ellsworth and Dan Foos) and directed by Wes Craven. There’s a crazy quote in the special features on the disc where Executive Producer Mason Novick says, “The story of Red Eye is about the worst plane ride you could take.” Something about saying that in 2005 is…odd. Moving on.
Keeping in touch with his deep horror roots, Craven crafts the relationship between Lisa and Jackson almost as a mid-aughts romcom. Jackson helps Lisa in line; he almost “guesses” her drink; it’s cute and light! Most other filmmakers of that time would aurally bathe these scenes with jaunty, will they/won’t they music. Craven sets the scene for a burgeoning relationship between these two while accompanying it with a chilling thriller score. You can’t help but feel these two connecting visually, and the score just undercuts that feeling with impending dread.
There’s another great subversion with the perfect setup and payoff. This one comes directly from Ellsworth (and a great deal of it goes to Cillian Murphy’s acting). Early in the film, once Jackson reveals his motives, he goes on this monologue about how Lisa (women) are emotionally driven with their responses and how it’s detrimental to their character, while men are rational and forward thinking. The payoff here is when Jackson’s to-the-second calculated plan falls apart at the drop of a hat, and Lisa’s “emotionally driven” response saves both her and her father’s lives. It’s such a beautiful and cathartic moment.
Why Red Eye Stands Out in Wes Craven’s Filmography
What’s most impressive about Red Eye is Craven’s direction. Red Eye was shot on a soundstage where they built the body of a plane, which really lends to its authenticity. It makes me look back at No Way Up and laugh at how awful their plane set looks. With the overwhelming majority of the film taking place on a plane, Craven and cinematographer Robert D. Yeoman find new and creative ways to make the film look great. I’m not claustrophobic and I don’t mind airplanes, but there were many moments where I felt uncomfortably isolated and at a loss for breath during the film.
In today’s climate of daily plane accidents caused by an idiot from South Africa, maybe airplane horror will make a comeback. Red Eye is far from Wes Craven’s best film, but it’s far better than My Soul To Take and Cursed. Wes Craven has continually pushed the envelope throughout his career, and Red Eye was different enough to fit his mold. Getting Rachel McAdams and Cillian Murphy before their careers skyrocketed gives this film a bit of a genie-in-a-bottle feeling. There’s a sort of magic within Red Eye that we don’t often get in theatrical horror anymore, but hopefully, it can be replicated by some of the new voices in horror.
Reviews
Madame Morbid Trolley Tour Review: Is It Worth It?
Most people find that stretching their dollar still barely gets them by in today’s economy. I am very particular about what I spend my spare money on regarding extracurriculars. And no one likes to feel like their money is wasted. Madame Morbid Trolley Tours wasn’t an experience I had been familiar with. Maybe that’s because I’m chronically offline for most of my life. So this leads to the perfect question: in today’s turbulent economy, is Madame Morbid Trolley Tours worth the price? The short answer is unquestionably, yes. But it’s more than just a simple yes.
My wife and I arrived at the designated meeting point 15 minutes before the scheduled departure time. A handful of minutes later, a gorgeous, e-candle-lit trolley pulled up to the side of the road. We were greeted by impeccably on-brand Allison Chase, our tour guide, and trolley driver ‘Mad’ Matt Zaller. The wonderfully cheery duo invited us on the trolley, and the tour was set to begin.
400 Years of Death, Destruction, and Infrastructure
After a welcoming video intro from someone who knows a thing or two about busting ghosts, we set off on the inaugural Madame Morbid Trolley Tour in its ninth year of operation. From the Brooklyn Naval Yard all the way to Dumbo, and more, this tour magnificently chronicles 400 years of history, the good and the bad, expertly. No matter how much you think you may know about Brooklyn history, I can bet there will be something new learned within the first 15 minutes of the tour. From the first-ever plane crash to one of the worst theater fires in history, this tour covers tragedies that the greatest horror writers couldn’t conceive.
The Deadly [Charming] Docent
Allison Chase led the fascinating tour in character from the moment we stepped on the trolley until our departure. But Allison’s character was not forced or fake; you could feel Allison’s passion for not just morbid history, but the accuracy of it. Some of the stories we heard were steeped in historical context, and it was not boring for a single second. The Madame Morbid Trolley Tour is not your standard full-talking tour. It’s a mixed-media adventure of some of Brooklyn’s darkest moments.
During “downtime” (the times between locations), we were edutained by mini documentaries (that were quite funny). Some of the “downtime” was filled with traffic trivia (I won a needle pen!). And other times were show-and-tell-like, with objects passed around for us to examine. But there was never a moment of silence that wasn’t purposeful. All in all, Allison’s knowledge and passion shone like the luminosity of a full moon.
Is Madame Morbid Trolley Tours Worth It?
The Madame Morbid Trolley Tour was not just a fun night out for my wife and me, but it was a delightfully dark night of edutainment. It should also be noted that ‘Mad’ Matt’s driving skills were fantastic. There was a time when I had become enamored with how Matt handled the narrow streets of Brooklyn before realizing that I needed to refocus my attention on Allison. The Madame Morbid Trolley Tour is an exceptionally fun evening of horror and history that will make you think twice next time you walk down the streets of Brooklyn. It is worth the money, and then some. There’s no better activity for a cold, dark October night than the Madame Morbid Trolley Tour.
For more information on Madame Morbid Trolley Tours, and to get your tickets, click here!
Reviews
‘Cujo’ (1983): A First-Time-Watch Review
I don’t know what’s wrong with me. I should have watched the Stephen King adaptation Cujo a million years ago. First of all, I was a voracious King reader in middle school. The other thing I was obsessed with during those years was Friends. You know, the show that hinges a major episode’s subplot on Rachel (Jennifer Aniston) watching Cujo for the first time. Whatever the reason was, I never got around to it, but I’m rectifying that oversight now.
What is Cujo About?
Cujo tells a relatively simple story. Donna Trenton’s (Dee Wallace) a housewife who’s cheating on her husband Vic (Daniel Hugh-Kelly) with local handyman Steve (Christopher Stone). There’s no accounting for taste, because Vic is 10 times hotter and Steve doesn’t own a bed frame. Look, Donna. I know Vic has that awful David Hasselhoff hair, but I promise the 1980s will end sooner or later. It’ll be OK.
Donna’s attempted termination of this affair ultimately leads to its discovery. Amid this drama, her car breaks down at a mechanic’s isolated farmhouse, trapping her and her son, Tad (Danny Pintauro). You see, the mechanic’s dog, Cujo, freshly christened with rabies, is patrolling the area and attacking everything in sight.
Dee Wallace Is Cujo’s Not-So-Secret Weapon
It would be impossible to start a worthwhile review of Cujo without praising Dee Wallace. The woman is a genre icon, naturally. Think about this: She had only appeared in seven theatrical movies before starring in Cujo. Four of those movies are The Stepford Wives, The Hills Have Eyes, E.T., and The Howling. But this woman didn’t become an icon simply by accidentally stumbling into some iconic titles. She is simply terrific as Donna, using her darting eyes and taut expression to deliver oodles of subtext. You instantly get the sense of how trapped she feels by marriage and motherhood without her uttering a single word.
A good performance is vital, here. Because there’s a hell of a lot of drama to get through before she’s trapped in that damn car. But Wallace instantly shoves you into Donna’s perspective, whether you like it or not. This makes it all the more potent when she is menaced by Cujo. Her desperate attempts for survival, also impeccably performed, have true weight because she seems like a real person. She is also given an incredible scene partner in Danny Pintauro. The future Who’s the Boss? star, who was only six when shooting Cujo, has a perfect everychild quality. His innocence heightens the peril. But so does that fact that he is just as irritating as every six-year-old you’ve ever met.
This movie truly captures how annoying it must be to be stuck in a life-and-death situation with a child. This is a compliment, I swear! Donna is worn down by every aspect of the situation, including her own son’s inability to cope with it. And this ratchets up the tension even further, to an almost unbearable degree.
Cujo Is a Mixed Bag, But Worthwhile Overall
The movie doesn’t work if Cujo himself doesn’t work, and at first I was real worried that he wouldn’t. In the first half, the St. Bernards that play Cujo onscreen are often shown to be wagging their tails in delight. Which kind of undercuts the reality of the situation, I’d say. But the editing and the special effects step in to fix what animal training couldn’t. The attack scenes in the second half are constructed with quick cuts that never let you get too much purchase. It’s a good approach for keeping viewers off-kilter.
Also, Cujo becomes less and less recognizable as a cuddly canine the further the movie gets. It’s a simple trick, really. He ends up getting coated with more and more slime. Saliva, pus, blood, and what have you. This is good for making him feel like a true movie monster. Plus, it’s a good mirror for the sliminess inside the car as it gets covered in sweat, blood, and grime.
The second half of the movie ultimately works like gangbusters. It’s a shame that Cujo is too cowardly to get Donna and Tad in the car before the halfway point. This decision is somewhat faithful to the book’s structure as I remember it. However, it diminishes the weight of the long days that they spend in the car. We really need to feel that crushing stretch of time, and we don’t. When Tad is suffering from dehydration, it’s not a gut punch. Honestly, I just found myself asking, “Already?” It’s good that they gave the movie a happier ending, because the classic grimdark Stephen King finale wouldn’t have landed.
Is Cujo Worth Watching in 2026?
At the end of the day, Cujo is a solid movie and I’m glad I finally watched it. However, it’s not such a stone-cold classic that I’m not at least a little intrigued by that upcoming Netflix remake…



