Reviews
‘Everybody Dies by the End’ (2022) Review
Out of all of the found footage films of 2022, the one that stuck out most to me, again, is a mockumentary film. And, again, this one also nails the formula while still being able to make itself fresh and different from the myriad of found footage films. It should be stated, that my favorite found footage film of 2022 is The Outwaters, but there was something so refreshing about Everybody Dies by the End that I couldn’t NOT talk about it. What happens if you get a Tarantino-esque cult filmmaker who wants to make their tenth and final film, who has nothing to lose, with a cult of crewmembers ready to give their all to make one final film? Well, Everybody Dies by the End.
2022 was a year in horror, where studios, mainly smaller genre studios, took some bold chances. A24 let Ti West create two mega slasher films with X and Pearl, gave some Australian YouTubers a platform with Talk To Me, and even made Pete Davidson somewhat likable in Bodies, Bodies, Bodies. Shudder and Screambox officially went to war (I’m being hyperbolic). But for the first time since the inception of Shudder, there’s finally some competition in the field. Shudder was able to give a platform to films like Skinamarink, V/H/S/99, Christmas Bloody Christmas, Deadstream, A Wounded Fawn, Scarepackage II: Rad Chad’s Revenge, Kids Vs. Aliens, and Allegoria. Meanwhile, Screambox got their hands on Terrifier 2, The Outwaters, All Jacked Up And Full Of Worms, and Jethica! That list might not be as long as Shudder’s, but it’s impressive nonetheless.
The Standout Found Footage Horror of 2022
Out of all of the found footage films of 2022, the one that stuck out most to me, again, is a mockumentary film. And, again, this one also nails the formula while still being able to make itself fresh and different from the myriad of found footage films. It should be stated, that my favorite found footage film of 2022 is The Outwaters, but there was something so refreshing about Everybody Dies by the End that I couldn’t NOT talk about it. What happens if you get a Tarantino-esque cult filmmaker who wants to make their tenth and final film, who has nothing to lose, with a cult of crewmembers ready to give their all to make one final film? Well, Everybody Dies by the End.
Writer/director/cine-magician Ian Tripp, and co-director/star Ryan Schafer, tell the tale of a self-centered, narcissistic, charismatic ‘cult’ leader Alfred Costella (Vinny Curran) who ventures to make one final film. Al hires Calvin (Ian Tripp), and by proxy sound guy Mark (Joshua Wyble) to film the behind-the-scenes of his movie, which is also titled Everybody Dies by the End. It’s a chamber piece! What transpires through this hour and 30-minute film is funny, tense, scary, sad, and an absolute riot. I can’t remember the last time I had this much fun watching a found footage movie.
Unsettling Set Design at Camp Costella
The two selling points of Everybody Dies by the End are unquestionably the acting and the set. Let’s start with the set. Al currently resides on a ranch in the middle of nowhere, which he has monikered Camp Costella. Not only does the compound feel lived in, but it does an excellent job of making us feel isolated as well as making us feel immediately unsettled. In Camp Costella, no one can hear you scream—props to the location scout who found this spot.
Okay, there are actually more than two selling points for this film. The practical effects look gnarly, and except for a specific moment, it doesn’t seem as if there are any digital enhancements whatsoever. If there are, kudos on making them look as realistic as possible. Another impressive aspect of Everybody Dies is not only the shot composition but also just the care put into each frame. With this being a mockumentary, it’s fair to compare it to Horror in the High Desert. High Desert plays it a bit too safe, never trying anything really interesting with the camera (it’s still visually engaging though). Conversely, Everybody Dies tries and succeeds at finding new and interesting things to do with a camera; things found footage films usually don’t worry too much about. There are too many times in Everybody Dies where I had to rewind and just appreciate the composition of the shots. Tripp, and cinematographer Oscar Perez, really do something special with this film.
Stellar Acting Led by Vinny Curran’s Charisma
The last thing we would need to touch on is the acting. Nary a bad actor graces the screen. Even when the actors are purposefully acting badly, it’s still…good. Lead actor/king of comedy/young Kurt Russel Vinny Curran steals the show in Everybody Dies by the End. Vinny exudes charisma in a way I haven’t seen an actor do before. He’s so compelling that I wanted to join his cult. Watching Curran chew up the scenery makes it feel like he’s your, the viewer’s, friend. This film has sort of become a comfort movie for me. Seeing Curran on screen makes me feel safe, it makes me feel like I have a friend right next to me. Every mannerism, every line delivery, and every choice Vinny makes works way too well.
Everybody Dies by the End would make a perfect double feature with Horror in the High Desert. The juxtaposition of how mockumentaries can differ in function and form is on perfect display in these two films. Plus, both films have stellar finales. You really don’t want to sleep on Everybody Dies, especially if you’re a fan of Symbiopsychotaxiplasm.
I was browsing the Arrow Video table at Brooklyn Horror Film Festival in 2024, spending way too much money. (Nearly $400!) One film really caught my eye. Its cover was unassuming but spoke loudly: two red-lit people in space suits on the top left, while a (what seemed to be) missile silo took up the rest of the cover. The cover was enough to sell me, and I threw it in my car. Little did I know that The Andromeda Strain was going to be one of the most fascinating films I have ever watched. And the book was just as spectacular.
What is The Andromeda Strain About?
Piedmont, New Mexico, is quickly thrust into chaos when a government satellite crashes into the town of 68 people. Doctors Jeremy Stone (Arthur Hill), Charles Dutton (David Wayne), Mark Hull (James Olson), and Ruth Leavitt (Kate Reid) are activated to investigate this local extinction event. But they don’t find themselves inside a normal science lab; the four doctors are sent to Wildfire, a deep underground military base (D.U.M.B.). This 5-level-deep base is our nation’s frontline defense against this cataclysmic incident, but should it escape, then all hell would break loose.
Adapting Michael Crichton’s Novel
Based on the Michael Crichton novel of the same name, The Andromeda Strain is a wonderfully contained film that’s as pulse-pounding as it is fascinating. As someone who isn’t very smart, a film (and book) like this one makes me feel educated. Sci-Fi films find themselves constantly tiptoeing a tightrope of understanding. Hell, science is in its name. Should a writer make the science aspects too dumb, either no one will believe it, or people will be bored. If a writer makes it too smart, you alienate audiences like me, whose eyes quickly gloss over.
Nelson Gidding’s script, which is fairly accurate to Crichton’s novel, does an incredible job of bringing Crichton’s fascinating novel to life. Gidding trims out some fat where needed, turning this story into an incredibly lean two-hour 10-minute self-contained epic. With stylistic assistance from director Robert Wise, Gidding keeps the near-epistolary feel of the novel. But it’s the pacing and stylization of the film that bring it to a new level.
Robert Wise’s Direction and the Film’s Unique Sci-Fi Style
Robert Wise and cinematographer Richard H. Kline bring forced monotony in the most engaging way. I love how the decontamination chapters are handled in the novel, though it could be worrying to question how that could be transcribed over to film. But it’s how the decontamination scenes are handled that adds substance to the style. These scenes are slow, tiring, and should bring the pacing to a complete stop. At this point, we’ve seen what this satellite did to the town, and we’re amped to get more context. These scenes seem to go on and on, and it’s the tedium that comes with them that humanizes the entire process. I’m sure these doctors want to get to the heart of why they’re here, and as viewers, we’re forced alongside them to sit and wait for each second to tick by through the cleaning process on EACH level.
Most of the characters are fodder for dialogue and plot advancements, but it’s the characters of Dr. Hall and Dr. Leavitt who are the most complex. Dr. Hall is trusted with the key that would detonate a nuclear bomb inside this D.U.M.B., due to what is described as the odd-man hypothesis. (This basically means, should the crap really hit the fan, a single man with no children would have the least amount of issues making a tough decision in a life-or-death scenario.) And Dr. Leavitt’s character is maddeningly deep. She suffers from a medical issue that goes undisclosed–this is due to her deep love for her work, and she would not be able to do what she does based on this issue.
The Underground Base and Production Design
But what really sells me on this film is how it all takes place in a gorgeously constructed underground military base. The set design is beyond immaculate and well-crafted. It truly feels like an authentic underground base. And it’s fascinating that I stumbled on this film at the same time I had been doing deep research into Valiant Thor, Raven Rock, and the Greada Treaty. Though that is neither here nor there.
Why The Andromeda Strain Is Essential Sci-Fi Viewing
The Andromeda Strain is a grounded, but still incredibly smart, Sci-Fact film that brings light to an oft-not-spoken-about aspect of the United States Government. It excels at telling a brilliant, life-changing story while making it palatable for all audiences. This is a film that should be shown over the course of three Fridays in a lazy teacher’s science class. Action, anxiety, and fear abound in The Andromeda Strain. It’s a film that should be on any film viewer’s watchlist.
There are countless subgenres within subgenres for horror, and one that feels underutilized is workplace horror. Unless you’re one of the lucky few, most people wake up at some point during the day, go to work, and then come home. It’s one of the few things in life that’s nearly unavoidable. While there are countless real-life examples of workplace violence, seeing exaggerated forms of it in film can still be fun. When I pitched covering The Belko Experiment for this month, I actually thought I was pitching Joe Lynch’s Mayhem. I soon found out how incorrect I had been, but figured I’d go along with it anyway.
Mike Milch (John Gallagher Jr.) and 79 of his coworkers are locked inside the towering building they come to work in every day in Bogotá, Colombia. They’re given simple instructions: murder two coworkers within the next half hour. When they fail that task, coworkers’ heads start blowing up left and right. When they’re given the next task, kill 30 people in two hours, they take it…a little more seriously.
The Belko Experiment’s Brutal Premise Sets Up High Stakes
Written by James Gunn and directed by Wolf Creek creator Greg McLean, The Belko Experiment is a painfully by-the-numbers film that offers little more than a handful of entertaining kills. Its futile attempts at commentary regarding work/life balance or just how bad “faceless” upper management is fall so flat it’s comical. Nothing like multi-millionaire James Gunn telling me how awful it is to have to work a real job for a living. Great work. And its one-dimensional characters do little more than create a slight sigh of relief when they’re dispatched without regard.
A singular attempt at cleverness is broached from the beginning when we see a colony of ants in an ant farm on someone’s desk. Oh, look at that, these workers are nothing more than mindless ants! But any attempt at following that slightly clever idea is quickly thrown away. At one point, Barry Norris (Tony Goldwyn), the big boss in the office, attempts to group up who should and shouldn’t be killed; who has the most value outside of work. Gunn had the perfect opportunity to make Barry a deep and more sinister antagonist. If Barry had grouped people into sets from most to least profitable for the company, we would have something. It would show that Barry is a forward-thinking villain who is trying to suck up to the people who get paid even MORE than him!
Missed Opportunities for a Smarter Corporate Villain
I’ll do you one better. After all of that, what if the bad guys that Barry recruited to help him cull his subordinates realized they were just pawns in the game of Big Business? So then they attempt to repent by killing Barry in the hopes that they can find a common means of escape from this hell? Why is there zero attempt at making an interesting story other than this shitty, watered-down Battle Royale with people we don’t give a shit about? Instead of anything interesting, we’re just given a group of baddies who try to get into the security office’s gun safe. The only reason we’re slightly scared of the “bad guys” is because they’re bad guys.
The only slightly interesting performances we get are from David Dastmalchian and Adria Arjona, even if it might be a fluke. As someone who is a fan of Greg McLean and the Wolf Creek series, something just felt disconnected about nearly every aspect of The Belko Experiment. I’ve brought it up before that sometimes it’s okay to have a film that doesn’t tell a great story as long as the kills can carry some of the weight. But to say this film has a story is laughable, and that carries over to how flat this film looks.
Skip The Belko Experiment and Watch Mayhem Instead
It’s weird how sour this film left me. When I was watching it, I found myself grimacing at some of the kills. And I didn’t vehemently dislike it as much as this review would suggest. But as I sat there and thought longer, I just couldn’t wrap my head around what anyone sees in this. Mayhem is an all-around better film that tackles this same subject but in a much better way. So if you ever decide to sit down and watch The Belko Experiment, maybe go watch Mayhem on Shudder instead.
