I did not go into The Nun II with high hopes. I only recently rewatched The Nun and was underwhelmed for a second time, primarily with the scares and structure. Valak’s first feature film had some redeeming qualities but didn’t feel like a necessary addition to the Conjuring universe. The demonic entity that had so much influence with so little screentime in the first two Conjuring films never really jumped out at me until the end of The Nun, and by then, it was too late.
A Marked Improvement From the Original
I can confidently say The Nun II is far and away from its predecessor’s flaws, even if it has a few of its own. When The Nun II has its rough spots, they can drag. But when it pulls off what it’s going for, it is fiery and fun in its execution with its own aggressive voice.
The Nun II: Sister Irene vs. Valak’s Deadly Rampage
The Nun II, for the uninitiated (nun-initiated?), follows Sister Irene again as she hunts down her rival Valak. Thought to have been sealed away in the first film, Valak uses the body of Irene’s friend Frenchie to wreak havoc across Europe, with her final stop on the massacre tour being a boarding school in France. As Sister Irene and her apprentice, Sister Debra, try to figure out what Valak wants and where she’s going, bodies pile up around Frenchie and the children, leaving no one safe.
The opening of this film is perfectly executed in its nastiness; if you’ve been craving something as spicy as Evil Dead Rise, The Nun II has you covered, and it’s shocking how high quality it is. The Nun II is a nastier take on Sister Irene’s first journey, with some mean-spirited and enjoyable kills left in Valak’s wake. When people die in this film, they die hard, and it’s just the kind of hateful behavior you’d expect from a demon with a reputation like Valak’s.
Bonnie Aarons Returns as Valak (Pay Her Warner Bros.)
Bonnie Aarons is always a treat, and that’s no different here since she gets a lot of screen time just demolishing her victims’ bodies and minds. The practical effects used in the film are few and far between. Still, many of the digital effects on display are top-notch (barring one very bad, PS3 graphics-looking effect involving a Valak painting).
Though the absence of Damien Bachir hurts (especially their justification for why he isn’t in the film, which felt downright weak), the film’s cast still brings the heat like a packed church on Easter Sunday. Taissa Farmiga is just as enjoyable as she was the first time around playing the soft-spoken but wise Sister Irene. The script here shows you how she’s grown from the experience in the first film and gives us a better glimpse into her life before the convent, which was a welcome surprise. While it takes until the movie’s final sequence for her to really play with the explosive exorcist action the film has been teasing, she gives it her all and has me wondering what other horror franchises she could helm as the lead as I left the theatre.
Standout Performances Amid a Mixed Bag
Storm Reid does well as the young Sister Debra, an American novitiate having a crisis of faith and tagging along searching for a miracle. Regrettably, her character doesn’t have enough room to breathe, as she only gets a pittance of backstory and a borderline nonexistent arc. In terms of her performance, I really can’t complain since she shows her pipes with some great screaming and terrified acting. Jonas Bloquet’s return to the role as the fan favorite Frenchie actually lets him stretch his acting chops beyond comic relief, and if he doesn’t get more roles as an antagonist after this, I would be surprised; this film utilizes him perfectly and doesn’t downplay his grotesque, haunted performance for anything.
Stunning Set Design Elevates The Nun II’s Atmosphere
Speaking of utilizing something perfectly, everyone who sees this movie will agree that the set design is incredible. The Nun liked to bask in dark corridors and open spaces that made shots visually boring rather than spooky. The Nun II, in contrast, has these terrific, rich environments throughout the boarding school that are filled to the brim with set decoration that all falls into the right place; the rooms feel layered and full, and they actually help generate a lot of tension. The whole school becomes a series of interconnected set pieces for the big finale, shot expertly by Michael Chaves, who captures the destruction and transformation of the school with creative shots (and improved lighting from his last venture with Valak).
The score is an improvement from the first, to be sure, ditching the overly droning chorus of chants for a proper soundtrack, but don’t expect anything sonically groundbreaking or particularly new. That being said, the sound design of the rest of the film is crucial to enjoying it. The Nun II is one of those films that feels almost mandatory to watch with great speakers at home or in the theatre. Otherwise, a good chunk of the scares will fall flat, and the destructive finale will lose much of its oomph. This goes doubly for the cheaper jump scares that amount to a loud noise and a snap zoom onto Valak’s face; they’re as effective as getting whipped on your ear with a rosary in the theatre, so imagine that through cheap headphones.
A Lengthy Horror Journey
The Nun II is noticeably hamstrung in its pacing thanks to its hefty hour and fifty-minute runtime, nearly half an hour longer than the first. This is primarily due to the film’s structure, which alternates between our protagonists’ and antagonists’ plots, which go back and forth quite a bit. When the two plots converge, you feel an interesting climax coming. Still, the stories being so separate means that the film’s third act needs to be stretched out and padded to oblivion so these characters can interact. You get a truly incandescent finale when Sister Irene and Valak clash, but I’d be lying if I said I didn’t start getting bored waiting for it to arrive.
Is The Nun II Worth Watching?
As much as I complain about horror movies being too long, The Nun II ends up being a fun enough romp that I can mostly look past it on the first go around; your mileage may vary. I found it an enjoyable, biting sequel that ups the ante despite its pacing problems. Fans of the original will love it, and those who disliked the original should find a glimmer of hope in how the cinematography comes together for this one. As far as movies to begin the Halloween horror season go, you could do a lot worse, so watch it in theatres if you can.
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