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‘A Creepshow Holiday Special’ Review: Bite-Sized Horror for the Holidays

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Prepare to see Kris Kringle as you’ve never seen him before.

Released in 2020, A Creepshow Holiday Special, directed by Greg Nicotero, tells a unique Christmas tale. The special is immediately captivating as it opens with a man trying to gain access to a church, claiming he’s the Naperville Ripper. Nicotero’s production then introduces us to a cast of self-proclaimed therianthropes (people who change into different animals under the full moon).

To know more about the plot is to do yourself an injustice, as the storyline presents exquisite, light-hearted, one-of-a-kind Christmas horror. The uniqueness of the storytelling fits right into the Creepshow universe, with much campiness and little runtime.

Putting the Creep into A Creepshow Holiday Special

From the premiere of the first Creepshow in 1982 and throughout its subsequent sequels and series, every presentation delivers a mixed bag of stories. Some tales are instances of pure horror (as season one, episode one will attest), some consist of unforgettable campiness (as any fan of the original film can picture Stephen King proclaiming, “Jordy Verrill, you lunkhead!”), while finally, other acts are touching masterpieces of horror (as in Old Chief Woodenhead in Creepshow 2).

No matter which subgenre a Creepshow story applies, any skit introduced by the infamous Creep is bound to be unforgettable.

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Moreover, every feature has an over-the-top comic book zaniness with which all the tales have come to be associated. This presentation aesthetically fits right in with intense hues of green, purple, yellow, and blue. If you wonder where it places amongst its counterparts, this excerpt from the Creepshow catalog is campy to the highest degree.

Campiness that Works

From five minutes in, A Creepshow Holiday Special makes its intentions known. It is a show that does not take itself too seriously. But that outlook is precisely why its humor works. If Greg Nicotero had tried to present this same story from a purely horrific standpoint, it would’ve fallen flat because the plot itself is humorous.

After all, it’s a show about a support group for people who change under the full moon, and the animals they claim to change into run the gambit from cheetahs to tortoises, and that’s only the first third of the plot.

This volume of Creepshow isn’t a show to watch when you’re looking for something to scare you; watch A Creepshow Holiday Special when you want to be entertained and perhaps a little disgusted. It is not without gore, as campy as the tale and special effects may be. Enjoy the story about to unfold before you because I can guarantee you haven’t seen it done elsewhere.

Unique Short Storytelling

One thing about holiday horror is that the ideas for stories can get old very fast. How many evil Santa iterations can modern horror explore before audiences no longer find the concept palatable? This storytelling repetition drives me to welcome any comedic newness to the category with open arms. A story about Shapeshifters Anonymous, with a connection to the holidays in a big way? Sign me up. Even though it covers tropes that films have done elsewhere countless times, it ties everything together in a way that is wholly unique and simultaneously fun.

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The other place this production shines is its 40-minute runtime. It doesn’t beat you over the head with its humor or violence. A Creepshow Holiday Special shows you what you need to know about the story and then succinctly wraps everything up in an ending you will not see coming.

The End of A Creepshow Holiday Special

The conclusion of this special is filled with twists and turns that match and exceed the show’s already outlandish plot. The last five minutes alone are so over the top that, given a million years, I wouldn’t have guessed the ending. Since horror tends to be overwhelmingly predictable, a surprise finale is always welcome.

A Creepshow Holiday Special takes the nature of the Christmas season and subverts it in a silly yet blasphemous way. It is campy and creative and is a welcome addition to the Creepshow family.

Check out the wild ride, A Creepshow Holiday Special, for yourself on Shudder.

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A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

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When You Need a Scary Movie That’s Actually Scary: ‘Terrified’

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Horror fans are constantly searching for a horror movie that will scare them. Predictability is one of the major culprits of the dilution of horror in horror films. Many of us feel it has already been done and then gets redone ad infinitum. There tends to be a format that scary movies follow, making it so that even new films don’t feel new. And those that try to differ from this pit of repetition tend to find themselves so far on the fringes that the work doesn’t translate well to general audiences.

The film Terrified on Shudder is widely regarded as one of the best that the horror platform offers, and with good reason. With its continuous sequences of pure nightmare fuel, there is no telling what will happen from one minute to the next. As the mystery unfolds, the terror only rises until reaching a crescendo of full-on calamity. Through the perspectives of numerous characters, Terrified tells a chilling story that doesn’t let up, even after it’s over. If you want a scary movie to watch, Terrified is objectively it.

A Unique Story Structure Created a Great Horror Film

The way the movie opens immediately lets viewers know something otherworldly is happening. The story follows the paranormal experiences of different people in a small place in Buenos Aires and the ensuing investigation into these experiences.

The way Terrified tells its tale is one thing that makes it stand out among other horror movies. The story unravels in a way that makes it feels like everyone is the main character, thus making all their experiences feel much more personal and horrific. It’s difficult to know whom we’re supposed to be paying the closest attention to, so we pay more attention to everyone, magnifying the horror. Additionally, numerous storylines take place all at once, causing a total onslaught of tragedy and horror sequences in a way that makes complete sense. The storyline also stood out for the fluid timeline as frequent time jumps occur.

Time Flies When You’re Terrified

Just as a character remarks in the film, time moves differently here. The constant action-packed sequence of events that unfolds creates a sense of time distortion where minutes fly by. This is because viewers’ brains are working overtime to process everything they’ve just seen – the ramifications of what they’ve witnessed while simultaneously being thrust into a new scenario, a new horror, another tragedy. The way everything is presented, one gruesome moment after another, it’s like your brain doesn’t even have time to fully process the last haunting images you saw before you’re grappling with another three. The haunting imagery in this film is unrelenting.

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What Makes This Scary Movie Worth the Watch

What’s a scary motion picture without some haunting imagery? When it comes to Terrified, take your pick. A monster under the bed, footprints that travel up walls, and head-turning corpses are only some of this film’s spooky visuals.

The movie uses some gore but does not lean on it to be scary. Likewise, the film doesn’t rely on jump scares, but they are sweat-inducingly effective when they inevitably do happen.‘

Yet, all of this is not where the true terror of Terrified lies.

Maybe it’s because your brain doesn’t have time to process every event before another happens. Perhaps it’s the strange event sequencing, how time jumps back and forth. Maybe it’s the way that everyone is the main character, so the thought of anyone being safe from the events about to unfold feels dismal. Perhaps it’s the onslaught of horrific imagery. Whatever the case, Terrified excels as a horror movie because it sticks with you after it’s over.

Given the depiction of back-to-back tragedies, the film is immediately rewatchable because it all happens quickly. The way this film can balance so much going on at once without ever feeling sloppy, cluttered, or difficult to follow is an impressive feat. Doubly impressive are the nightmarish images that leave a lasting impact. However, it cannot go without saying that these same images may have been washed out in a lesser horror film had it followed the typical storyline format. Director Demián Rugna’s unique approach to storytelling created an action-packed unpredictable tale that makes this movie so recommendable. If you haven’t seen this film before, it’s time. If you have seen it, you’re probably due for a rewatch.

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Stream Terrified on Shudder today!

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‘M3GAN’ Review: M0th3r Has Arrived

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Load up those gifs and ready your fingertips because a new horror icon has landed.

She’s M3gan, but after a viral marketing campaign that had everyone, including your favorite aunt, calling her “Mother,” you already knew that. Directed by Gerard Johnstone (Housebound), with a story by Malignant duo James Wan and Akela Cooper (who also penned the script), this meme has quite the pedigree. The hype train is real, and while M3GAN does an excellent job at sprinkling in iconic moments and one-liners while maintaining a relatable thematic throughline, it does so at the expense of a compelling plot. Its charm, however, is that despite containing story beats you can clock by watching the trailer, M3GAN is simply too much fun to care.

The film follows newly orphaned Cady (Violet McGraw, a young Daveigh Chase doppelgänger) as she goes to live with her quintessentially millennial aunt Gemma (Allison Williams), a brilliant roboticist working at a toy company. Parenting does not come naturally to the detached and overworked Gemma. So, in the only way she knows, Gemma pawns off the responsibility of helping Cady cope with the death of her parents – as well as conveniently enacting live-in nanny status – to her passion project, the true to size and pussy bow-clad AI companion M3gan. Her plan works until it doesn’t, and everything goes gloriously haywire. If you think you’ve seen it before, you almost certainly have, but this familiar story is in drag.

Those memes were not a fluke, and she’s here to make it clear: M3gan cuts deep. She knows just what to say to make you second guess everything you’ve ever done, and her one-two punch carries enough whiplash to leave you in a coma or worse. She’s a dancer, a singer, a quadrupedal runner, a killer, and a friend. The film’s fusion of practical effects and CGI brings M3gan to life just short of Avatar photorealism, and voice actor Jenna Davis – no stranger to going viral – has mastered the art of feigned innocence. Gemma, M3gan’s creator and rival, does her best at holding her ground against the doll as they vie for Cady’s affection. Williams has snagged another significant horror role, playing the worst millennial you’ll ever meet (Marnie from Girlsincluded) as the Cindy Lauper of Dr. Frankensteins – she just wants kids to have fun. And while M3GAN is relatively low on actual horror stakes, one scene during the film’s climax sees the pair facing off at the dining table in a moment fraught with genuine tension.

Given that M3GAN’s actual Dr. Frankensteins are behind Malignant and Housebound, it’s no surprise that dark comedy is its greatest asset. It is deadly unserious most of the time. When your grin might begin to lose grip, M3gan sings an acapella lullaby of David Guetta and Sia’s “Titanium” or casually flings her latest victim’s ear over her shoulder. The laughs are a mixture of camp, subtle, and satirical. Lazy parenting, suburban living, and the carelessness of technological advancement are all up for grabs, and no collectible toy is safe from Allison Williams’ scissors.

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It is to Akela Cooper’s credit that M3GAN can bob and weave through such a riotous tale of a killer doll while not losing focus on its ideas about our unhealthy digital reliance and even poignantly touching upon childhood grief. As if the projectionist accidentally spliced in some Saturday morning cartoons, M3GAN opens with a commercial for the fictional “Purrpetual Petz,” a traditionally annoying toy not unlike Furbys of the 1990s. This idea of a forever companion, whether in the form of an exotic creature, a 4’4” sassy android, or even an iPad, informs our prevalent lack of connection to other humans. Whether used as a means to avoid reality or as parenting by proxy, M3gan is that digital crutch personified. Before you know it, she’s an inseparable “part of the family.” What happens when we lose that connection to our versions of M3gan? If Cady’s actions are anything to go by, we become indignant Veruca Salts of Willy Wonka & the Chocolate Factory fame. Cooper isn’t exaggerating, that’s for sure.

However, this wild ride has pitfalls. If you were to de-drag M3GAN, the film’s bones are that of your stereotypical January throw-away horror flick. There’s no guessing how it will play out – although one of its final scenes does include a nice nod to Aliens – and while I enjoyed myself, I did not leave the theater absolutely gagging as expected. When the action hits its stride, and a lovely needle drop begins the third act, M3GAN does not go as hard as I hoped. I hate to add fire to the flames, but while there are fantastic PG-13 horror films, one as biting as M3GAN deserves a hard R rating. In fact, in a recent LA Times interview, Cooper let the cat out of the bag and said the film had been edited down to PG-13 after its marketing went viral and the suits wanted to cash in on the TikTok crowd. It’s a shame because as M3gan devolves into a sadistic killer, that cold AI side of her gets very dark and twisty.

M3gan’s dark side definitely ponders her existential Westworld fantasy throughout the film’s runtime. While Child’s Play is the obvious comparison point, I could not help but find some Jurassic Park philosophizing in there as well. The unintended consequences of our creations through state-of-the-art technology feel like a not-so-distant reality. We may not see dinosaurs in our lifetime, but Teslas are combusting on the streets as you read this, and we have created innate digital addiction as a disease of the human race. On a macro level, we could bring about the End Times as we are all dramatically slayed by agile android dolls. To quote Dr. Ian Malcolm: “Yeah, but your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.”

Ultimately, M3GAN succeeds in so many ways that it deserves its time in the sun. It may not be the taut techno-thriller of your dreams, but it’s a great way to ring in horror for 2023. Most will know if the film’s humor is for them after one glance at its trailer and marketing, and if you’re on the fence, just dive in. At best, you’ll cackle along with the crowd, and at worst, you’ll probably install one of those screen time management apps on your phone. There is, of course, a wink toward a potential sequel by its conclusion and one unresolved plot thread that would allow a revisit to expand upon the film’s themes in a big way. Plus, there’s the inevitable M3gan/Chucky/Esther/Annabelle pint-sized villain throwdown event the powers-that-be would be fools to ignore.

Spoiler Alert: M3gan would end them.

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Make sure you watch the trailer for M3gan below.

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