Connect with us

Reviews

Stranger Things: All-Encompassing Season 4 Review

Published

on

Warning: Stranger Things 4 Spoilers ahead.

With record-length episode runtimes, 13 Emmy nominations, and at least five records broken at Netflix, the success of the fourth season of Stranger Things is undeniable.

Picking up less than a year after season three left off, season four starts with the group separated. Eleven (Millie Bobby Brown) and the Byers family now live in California, Jim Hopper (David Harbour) is being held prisoner in Russia, and the rest remain in Hawkins.

While the show would eventually see forces coming together, this would not be until after Eleven is subjected to more lab experimentation, and the Hawkins group goes head-to-head with the series’ most formidable bad guy yet, Vecna (Jamie Campbell Bower). In a race to stop Max (Sadie Sink) from becoming Vecna’s next victim, the Stranger Things friends find that the situation is much more harrowing than they ever anticipated.

With the expert implementation of memorable sounds, compelling characters, and gut-wrenching presentations of love and horror, Stranger Things may be one of the best seasons yet. ’86 baby.

Advertisement

Sounds of the Season

Stranger Things did not hold back when it came to creating earworms for season four. From the return of classic hits to character quotes and unusual captions, ST4 is packed with auditory stimulation.

Reviving Classics

Max’s song that protected her from Vecna, Kate Bush’s “Running Up that Hill”, is the undisputed anthem of the season.

Its impact on viewers can be measured by the chart-topping status it has held ever since the fourth season premiered on Netflix. Kate Bush is not the only artist to enjoy their songs being introduced to the upcoming generations, as Metallica’s “Master of Puppets” is gracing charts as well.

Eddie Munson (Joseph Quinn) playing a Metallica song for “the most metal concert in the history of the world” is especially fitting, seeing as how the real person he is based upon is a notorious Metallica fan.

“Separate Worlds (Worlds Apart)” by Journey has also seen rejuvenation from the show, as it was not only played in the first trailer release but also played as the core group readied themselves for the final battle.

Advertisement

While not as much of a successful stand-out as the other songs in this list, Ella Fitzgerald & Louis Armstrong’s “Dream a Little Dream of Me” served as a haunting theme for the Creel house.

Quotes

Outside of the memorable music played in the season, many quotes from the characters have become instant favorites. Quotes from Eddie Munson tend to be the most popular, so much so that the dialogue between Eddie and Chrissy Cunningham (Grace Van Dien) was remixed into a viral music beat titled “Chrissy Wake Up”.

But it’s not just the Hellfire Club leader that had instantly classic lines this season.

Steve Harrington’s (Joe Keery) explanation about who pauses Fast Times at Ridgemont High at 53 minutes and 5 seconds or series newcomer Argyle’s (Eduardo Franco) motto for pineapple on pizza: “Try before you deny” are immediately identifiable, along with countless others from the spectacularly written season.

Stranger Captions

As anyone who has watched the season with captions on will attest, sounds that aren’t physically heard can still be memorable. The sounds of Vecna’s “ichorous” tentacles were never left to the imagination, as they could be found slithering, constricting, “squelching wetly” or, my personal favorite, “undulating moistly.”

Advertisement

There is also a variety of “stingers” ranging from ominous, to dramatic, discomforting, and horrific. Don’t worry though, as some “hokey muzak” plays, breaking up some of the tension.

Stranger Things Characters

While the cinematography and storyline are fantastic, the characters truly make the show.

Introducing New Faces

This season had its share of brand-new characters to root for or against.

New Friends

Jonathan’s (Charlie Heaton) stoner friend Argyle was instantly a fan favorite, and the adoration of Eddie Munson is already legendary. So much so that fans have started a petition to bring him back to the show, which as of this writing has over 73,000 signatures.

These two were not the only new companions that were instant favorites. Fans quickly loved Hopper’s Soviet comrade Dmitri (Tom Wlaschiha), who helped Hopper plan his jailbreak.

Advertisement

Then, the introduction of “The Peanut Butter Smuggler” Yuri (Nikola Djuricko) brought about comedic moments in an otherwise tense season. Who could forget the scene with his untouched helicopter named after Katinka?

Though given his traitorous self-interest, Yuri played more of a pseudo-villain than a friend this season, and he was far from the only one.

Pseudo Villains

Although she only appeared in 3 episodes, Angela (Elodie Grace Orkin) did an excellent job at making everyone simultaneously hate her character. Orkin’s portrayal of the popular mean girl was so phenomenal that it was all the more satisfying when Angela finally got her comeuppance by way of a roller skate to the forehead.

Mason Dye, who played Jason, also put on an excellent portrayal of a hated character, as his downward spiral and popular boy attitude were executed gracefully. While being ripped in half by an emerging gate to the Upside Down was his fate, frankly, it didn’t feel good enough.

After beating Lucas (Caleb McLaughlin) to a pulp, smashing the headset that could’ve saved Max, single-handedly preventing Lucas from saving her from Vecna, stirring up a Satanic Panic in Hawkins, and not to mention allowing Vecna his fourth kill that ripped Hawkins, Indiana in half in the first place…it would’ve been nice if he had been smacked in the forehead with a roller skate too, and then ripped in half.

Advertisement

(Violence isn’t the answer kids. It just makes for satisfying bad guy conclusions on television shows.)

Of course, mini villains Angela and Jason pale starkly in comparison when it comes to the real villain of the season.

Henry/Vecna/One

Jamie Campbell Bower’s transformation from the caring orderly to the ruthless villain was flawless. While Horror Press readers may have known that Vecna was going to have a human origin even before the season aired, few viewers saw it coming that the helpful orderly who cared for Eleven was the main antagonist all along. The Vecna identity reveal was one of the best moments of the season, which says a lot for a season so gripping and powerful.

Furthermore, Stranger Things’ resolve to have a villain created with practical effects rather than CGI was an excellent call, as Vecna’s face is already solidified amongst the haunting faces in horror. Although, Vecna’s body shots are taken a little less seriously as viewers have likened him to a skinned Grinch. Whether he has ever truly lived at the top of Mount Crumpit aside, no one can deny the terrifying nature of his presence, nor the shocking, eye-popping way in which he kills.

After all, his body count is staggering. Not only did he murder his mother and sister, not only did he decimate an entire lab full of psychic children, not only did he cause the brutal deaths of Chrissy Cunningham, Patrick (Myles Truitt), and Fred Benson (Logan Riley Bruner), and the probable brain death of Max, but season four brought about the startling revelation that One created the Mind Flayer.

Advertisement

That means all the Hawkins residents who got turned into Mind Flayer mush in season 3, Billy Hargrove (Dacre Montgomery), and all of those that got killed at the demodog coup at Hawkins Lab in season 2, including Bob Newby (Sean Astin), are all dead because of Vecna.

This of course does not even consider how many died from the ripping of Hawkins, nor how many will die before season five ends the series.

Honorable Mention

Although brief, one would be remiss not to include the appearance of horror legend Robert Englund as the wrongfully imprisoned, father of Henry/Vecna/One: Victor Creel. It is especially fitting that Englund would appear this season as the similarities to Nightmare on Elm Street are enormous.

Old Characters do New Tricks

ST4 saw dynamic characters as old favorites and demonstrated that there is more to them than we’ve seen.

Whether it was finding out that Murray (Brett Gelman) is a karate fighting badass, seeing Erica Sinclair in all of her nerd glory playing D&D, a Hopper that got ripped, a pothead Jonathan (although his character was more or less the same), Eleven trying to assimilate into school life with no powers, Max struggling with depression, Lucas as a popular kid, or Will subtly professing his love for Mike, season four presented these familiar characters in fresh ways.

Advertisement

Old Characters do Old Tricks

While some characters trod new territory, others followed their typical character paths. For example, Steve Harrington is still the honorary den mother, who is desperately seeking love, and Mike Wheeler (Finn Wolfhard) is still oblivious when it comes to matters of the heart.

Suzie (Gabriella Pizzolo) is a genius who unwittingly helps to save the day, and Joyce Byers (Winona Ryder) will still stop at nothing to save the person she loves (we can say at this point that she loves Hop, can’t we?).

While fresh takes are welcome and most times necessary, most of these characters’ greatness is ingrained by these familiar characteristics.

Love & Fear

If anyone remembers the presentation given by Beth Grant and Patrick Swayze in Donnie Darko, they’ll remember that “fear and love are the deepest of human emotions.”

If that’s the case, ST4 played on our deepest emotions as the presentations of love and fear were extraordinarily powerful and sometimes simultaneous.

Advertisement

Horror Comes to Hawkins

While the prior seasons had their share of haunting imagery (e.g., Will Byers’ autopsy, the imposing size of the smoke Mind Flayer, or people seizing into piles of human goo), the seasons of Stranger Things as a whole never felt truly scary…until now. The fourth season of the hit show wasted no time letting viewers know this season would be no walk in the park, as it opened with a mass genocide of psychic children.

If viewers had any doubts about what they were in for, Stranger Things then ended the first episode with the most horrific murder yet. Viewers were left shocked as Chrissy Cunningham floated off the ground and had her limbs snapped one by one. We don’t like this either, Eddie.

Just kidding, we loved it. Although Chrissy Cunningham would have made a compelling character for the series, and she had natural chemistry with Eddie Munson, her gruesome death served as a road sign for the season. This is the moment that told us all to buckle up, we’re in for a bumpy ride through Hawkins.

Of course, the horror didn’t stop there, as gruesome hallucinations from spiders to cradles on fire ensure nightmares for everyone. Perhaps the most chilling of all the hallucinations brought about by Vecna, lie within the first few moments of his trance, as characters do not realize at first that they are hallucinating.

This act is most terrifying, as it suggests that the world in which they think they are existing in is not the world they think it is at all. This kind of reality-bending, mind-twisting horror is by far the scariest.

Advertisement

Though gore had its place in this season too. Steve’s bloody bat wounds, Victor Creel’s gouged-out eyes, One being ripped apart by lightning, and a ripped-in-half basketball player are some of the visual depictions of horror brought about by this jaw-dropping season.

Stranger Things: Love and Ships

Fear’s antithesis played a driving force in much of the season.

Max

Since Max played a large role, it makes sense to see her involvement with love manifested in all different ways.

Lucas & Max

In its most obvious form exists the love that Lucas and Max have for each other. Lucas realized before anyone that something was wrong with Max when her Vecna-induced headaches first began.

It was Lucas’ words that rang the loudest when Max was able to escape from Vecna for the first time: “I don’t need a letter […] I’m right here.”

Advertisement

It is together that they awaited Vecna to fall into Max’s trap, it was Lucas that Max seemingly spoke her last words to, and it is by her bedside that Lucas waits patiently for her to return.

Easter Egg Alert: Lucas read The Talisman to Max as she lay in her post-Vecna coma. This story by Stephen King has been picked up by the Duffer Bros and is poised to become a future Netflix series.

Love Between Friends

When in the throes of a Vecna attack, it wasn’t just memories of Lucas that saved her from the negative thoughts that Vecna would prey upon. Max flashed back to many good times with her group of friends, and Eleven especially.

This love between friends is reciprocated as Eleven goes to great lengths to stay by Max’s side and try to save her from the Upside Down’s five-star general.

These powerful displays of friendship in the face of an evil that feeds upon trauma serve as a fantastic metaphor for the overwhelming benefit of having friends on your side when going through hard times.

Advertisement

Mileven and Byler

The relationship between Mike and Eleven has been a subject of the series from the very beginning. In the final moments of Eleven’s battle with Vecna, when all hope seemed lost, Mike opened his heart to Eleven, and hearing confirmation of his love for her helped her to grow strong enough to save the day.

While it would be more enjoyable to see Eleven empower herself, the scene was powerful, nonetheless.

It was doubly powerful because Will was the one who encouraged Mike to inspire Eleven with his love. He urged Mike on, calling back to the previous conversation that the two had.

In that conversation, it was heavily implied that Will has strong feelings for Mike. Mike, who is historically oblivious to nuanced matters of the heart, remained oblivious.

The scene, along with Noah Schnapp confirming that Will is indeed gay and in love with Mike, has a preponderance of fans rooting for the two to end up together.

Advertisement

This all calls into question what end can become of this triangle and if this doesn’t mean a tragic finale for at least one involved.

Steve, Nancy, Jonathan, Robin, and… Vecna?

Love was on the minds and motivations of many of the characters. As Eddie Munson had explained to Steve, the way that Nancy had rushed to save him with no hesitation “was as unambiguous a sign of true love as these cynical eyes have ever seen.”

Steve is always looking for love and has kept his interest in Nancy no secret from day one. This is complicated as Nancy and Jonathan are still together, and even more complicated given that their relationship seems to be on the rocks. Undoubtedly this love triangle will be a plot point in Stranger Things season five.

However, if left up to the cast members to decide, Nancy would end up with someone else entirely, as the three cast members who act the roles of this love triangle reportedly have a text thread with Maya Hawke where they share memes that ship Ronance (Robin and Nancy).

If that coupling was unexpected, allow me to introduce you to the section of the internet that wants to see Nancy end up with Vecna (Vecnancy).

Advertisement

Before mental images start to form, back to Robin, who, like Steve, is also pining for love this season, though not for Nancy. While she appears to have chemistry with Vickie (Amybeth McNulty), Robin is understandably concerned about expressing her feelings to the wrong girl in this close-minded, Satanic Panic-fueled town. Here’s hoping she and Steve can finally find love in the future.

Eddie and Dustin

While Dustin (Gaten Matarazzo) and Steve (Joe Keery) share fantastic on and off-screen chemistry, making their friendship one of the treasured aspects of the show, there was a new man in Dustin’s life this season as he found a close friendship with Eddie Munson.

From Eddie’s first appearance, it was clear that Dustin admired the D&D club leader, and it was fitting that they would traverse the Upside Down together.

No one can deny the pure elation that filled Dustin’s face as Eddie played his guitar. Their closeness was touching to witness and heartbreaking to watch end in tragedy. The bond they shared helped to deliver one of the more emotionally powerful moments of the season, as Dustin explained to Eddie’s uncle that his nephew died a hero.

That moment emanated love in its purest form.

Advertisement

The Culmination of Love and Fear

The series does not shy away from complex emotions, and the relationship between Eleven and Dr. Brenner (Matthew Modine) is one of the most complicated.

On one hand, he is her “Papa”: the only father she has known for a long time in her life. At the same time, he stole her from her mother at birth and had her mother subjected to mind-frying shock treatment when she came to retrieve her daughter from the lab, his encouraging words and fatherly nature resonated with Eleven.

Even though he medicated her against her will to stop her from running off to save her friends, he did so out of the desire to protect her, although whether this was for her or his benefit is muddled.

Given that Dr. Brenner is neither inherently good nor evil, it causes Eleven’s feelings towards him to be complicated. This is why although Eleven was willing to kill him herself, his death happening in front of her amounted to a jumble of emotions, though forgiveness did not seem to be one of them.

This brand of complex emotions appeared to extend to Vecna as well, as Eleven tried to appeal to the man within the monster during their big battle scene.

Advertisement

She tried to make excuses for him, blaming Dr. Brenner’s exploitation and control over Henry for the villain that he became. After all, they are both Brenner’s children, exploited and tattooed, forever bonded in history and powers. She can imagine what One must’ve felt because she had undoubtedly felt it herself.

Vecna’s ensuing response created one of my top three favorite moments of the season.

He explains to the young hero that people like him and Eleven are special and are wholly incapable of being affected by a “mediocre man” such as Brenner. He tells Eleven that he became this monster because of her. This follows a personal favorite superhero trope that heroes often are the creators of their biggest opponents.

This layered relationship displays the conjunction of fear and love, as mortal enemies Vecna and Eleven each played a part in creating the other, and more than likely are the only ones who can destroy each other.

Where Vecna explains that a mere human couldn’t possibly affect him, conversely, Eleven is very much affected by the support of others. Like Yin and Yang, one is strengthened by the fears of others, and the other finds strength in love.

Advertisement

Given the certain Hell to be unleashed by the largest gate to the Upside Down that Hawkins, Indiana has ever seen, the heartache from losing characters is likely only just beginning. When Stranger Things season 5 ends, will it take fan-favorite characters with it?

“Signs point to yes”

If you crave more Hawkins while awaiting the fifth and final season, check out Stranger Things: The Experience, now available in New York, San Francisco, and London.

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

Continue Reading
Advertisement

Reviews

[REVIEW] ‘Fear Street: Prom Queen’ It’s Not Great…

Published

on

I was obsessed with Fear Street as a kid. I still have my collection of the popular YA horror detailing the murder and mayhem in Shadyside. These books have moved around the country with me. I even secretly hope to adapt a few of them for the screen someday. So, I hate to be the bearer of bad news, but I have to tell you that Fear Street: Prom Queen is a strong contender for the worst movie to hit streaming (so far) this year. Here is our review of Fear Street: Prom Queen.

I felt Netflix’s 2021 Fear Street trilogy, helmed by Leigh Janiak, was okay. We had some great kills, it added intersectional lead characters as canon, and the soundtrack was a banger. Did it feel more like a project that was moved to Fear Street rather than an adaptation of any of my beloved books? Yes. Was it the worst thing that could have happened to the beloved series? No.

However, I could not help getting more excited for this fourth installment. Mainly because the title Fear Street: Prom Queen is so close to Fear Street: The Prom Queen. It gave my nerd heart hope that we would finally see one of the actual books on screen. However, we rarely get what we want in life.

A Disappointing 1988 Vibe

Fear Street: Prom Queen does take place during prom season. It does have a group of high school girls who want the crown for various reasons. We even eventually get around to some underwhelming murders. However, this 1988 moment left a lot to be desired. When it opens with the synth music and the 1980s high school, giving us Stranger Things vibes, I knew it would be different than anything that came before.

I quickly made peace with that and gave the first act grace, even when it started to experience turbulence. Not only is this installment bad, but it also undoes all of the goodwill the first three movies built with the audience. The characters feel one note, the pacing never finds the gas pedal, and by the time it got to the revealsI wanted to take a nap. 

Advertisement

Fear Street: Prom Queen and its One Dimensional Cast

We follow Lori (India Fowler), an outcast at her school who has been nominated for Prom Queen. As our narrator, she gives us the one-dimensional descriptions of everyone else. This includes her best friend Megan (Suzanna Son), who Lori tells us is a stoner and horror nerd.

We quickly realize Megan is also a Queer sidekick as this movie will not be following in the predecessor’s footsteps. There will be no queer Black characters at the front this time. Anyway, part of Lori’s deal is the town hates her mother because of mysterious events that transpired at her prom while she was pregnant with Lori.

This wild speculation and gossip has become the gospel that haunts Lori. It is also ammunition for her bully and prom queen competition, Tiffany (Fina Strazza).

Tiffany is one of the many characters that could be more interesting. However, the writing and direction will not let her be great. Each time she corners Lori to torment her with an exposition-filled monologue in whispered tones, I wondered if this was really the best option.

The way Tiffany runs her squad and twists the verbal knife into her bestie’s heart gives glimmers of a more interesting villain. Sadly, Fear Street: Prom Queen forces her also to be one-dimensional.

Advertisement

The project also wastes Lili Taylor as Vice Principal Dolores Brekenridge. A woman who demands law and order in her school but is just a stock character. However, at least it allows the actor to stop the whole affair from being a complete flatline.

My fellow millennials will also get a kick out of seeing Chris Klein as Dan Falconer. Dan is a teacher at the high school who happens to also be Tiffany’s dad. He might also have the silliest character arc of anyone in this situation. 

The Killer in Fear Street: Prom Queen

Lackluster Kills with No Tension

One of the things Fear Street (the books and the first three films) has going for them is the kills. Not only do teens die, but also the rest of the teens have to carry on as their classmates get turned into charcuterie.

Fear Street: Prom Queen opted out of all of that. The first kill is an uninspired axe to the shoulder. There was no fight, no struggle or chase. Just a whimper of a weapon going into someone’s back while they look off into the night. That aspiring prom queen is a drug dealer, so a few people ask about her, but no one really looks for her. Any hope that Christy’s (Ariana Greenblatt) whimper of a death scene would not set the tone is dashed at the prom.

Matt Palmer’s direction never allows for any tension building. This would not necessarily be a bad thing if Fear Street: Prom Queen ever found a rhythm. Or at least picked up the pace during the kills. However, they are all as slow and uninspired as the rest of the movie. Co-writers Palmer and Donald Mcleary never gave any of the characters a chance to have texture.

Advertisement

So, none of the deaths have weight on top of the killer just appearing next to the victims as if by magic. They also never got out of their way long enough to let the story do anything interesting or avoid being so formulaic. So, the few times they think they are surprising the audience falls flat.

Formulaic Storytelling and Flat Reveals

Each killer reveal was somehow equally ridiculous, expected, and underwhelming. This makes Lori’s fight for survival too tepid for us to root for her when she gets her final girl moment. 

I tried to gaslight myself into saying the movie was going for camp. After all, Tiffany and Lori have a weird dance-off to Gloria (a 1982 anthem) during the prom when things get too heated. However, as the entire runtime felt like a rehearsal instead of a performance, I might never know what the tone was supposed to be.

Sadly, I stopped trying to understand the mess and endured because that is my job. I finish things and tell people what I saw, and if I think it is worth watching. With great displeasure, I must tell you that Fear Street: Prom Queen feels like CW and Tubi had a baby behind a Radio Shack in hell. Not in a fun and chaotic way. More like the people didn’t understand the assignment and assumed their audience does not have standards.

A Letdown for Fear Street and Slasher Fans

I did not have a good time with Fear Street: Prom Queen and would like my time back. I love slashers and the books the movie is allegedly inspired by. So, I hate that it fails in both lanes.  It especially hurts because the Fear Street books are right there in all their fun glory.

Advertisement

While this did not capture any of the thrills of my favorite parts of the series, it did force me to find even more ways to appreciate the 2021 Netflix trilogy. It was not the Fear Street of our youth, but it got a few things right. Also, it at least gave horror fans something to talk about.

So, it really sucks to see this one campaigning for a spot at the bottom of the discount bin. 

Fear Street: Prom Queen is now available on Netflix.

Advertisement
Continue Reading

Reviews

[Review] ‘Bring Her Back’ A Gut-Wrenching Horror Masterpiece

Published

on

Let’s just say the Philippou brothers are about to commit highway robbery on A24’s budgeting department for the foreseeable future. The sophomore feature film of the former YouTube celebs, Bring Her Back, lands the guys a heavy two-for-two after their directorial debut. 

Bring Her Back: A Triumphant Follow-Up From Philippou Brothers

As cute and carefree as these guys are in conversation, we’d never believe the trauma Danny and Michael Philippou were about to drum up with their grief-soaked house party, Talk To Me. Representing the new generation of horror, much of the film’s praise circled around their ability to add an accurate adolescence to the low vibrational theme of loss.

Their playfulness as a duo hasn’t budged, but the twins’ newest project swaps out any source of teenage nostalgia for an extra helping of domestic dread.

It’s “feel bad “o’clock”, alright. Bring Her Back sits at the stoop of the disturbing side of extreme cinema, similar to Red Rooms or Speak No Evil (2022)– just add a gallon of the bloody stuff.

Sora Wong and Billy Barratt Shine as Siblings in Bring Her Back

The film follows Andy and Piper, siblings who are quickly placed into nightmare foster care after the sudden death of their only parent. It’s felt instantly that the innocence of these characters is about to be challenged in ways the viewer might not be ready for. The bond between Sora Wong as Piper, and Billy Barratt as her brother, Andy, is tangible. The audience will feel how the series of events stretches and disrupts their chemistry from its origin, through its conflict, to the lasting impact of its third act.

Advertisement

Piper is the younger sister. She’s visually impaired, and a victim of bullying at school. Billy is almost 18, and after years of abuse, prioritizes protecting his step-sister from the household horrors that come with adolescence. The desolation is boosted with Sally Hawkins in the role of Laura; the kids’ new foster parent. Personally, I’m thankful Hawkins retired from her career of serving comfort charisma in the Paddington series for something complex and dangerous.

Her newest role is a little relatable… and likable for a little? All around it’s demented. Laura’s fallen into immense emptiness after losing her daughter, but found a seemingly reasonable solution in providing care for kids in need, like her current foster child, Oliver. At least that’s what her alibi tells us.

Weaponizing Empathy in a Horror Movie

The amount of humanity all over this is disturbing. Care is a theme, but it’s really a gag that anyone with an ounce of empathy is subject to trip over. The facade of a safe space lets in the manipulation. The only “what if?” comes from the ability to accept a stranger’s care in a time of struggle. The Philippou’s are wicked to use our human empathy against us.

Sora Wong’s debut performance carries a lot of hope to Piper, which is basically the viewer’s lifeline. Her visual impairment makes little impact on the situation, especially because she has all of the characteristics of a role that horror fans typically hold on to, especially with the weight of this context. Hopefully the young actor finds a taste for horror in her career moving forward.

Practical Effects and Body Horror Steal the Show

The physical horrors I witnessed are some of the worst things you can do to an audience. I honestly wish y’all luck getting this stuff out of your head (complimentary). The first foster child, Oliver, puts all the current creepy children in horror to bed. As strange as Laura gets, he is the conduit of the supernatural element. Jonah Wren Phillips nailing the classic “creepy kid” thing makes him the perfect subject for Philippou’s display of practical effects. The body horror sequences are traumatizing; they last forever, and you’ll hear twice as much as you see, but they’re worth every cent spent in production. These moments make for excellent theater experiences, but I also understand if you’d rather watch at home and sob a little too.

Advertisement

Simply put, Bring Her Back weighs a thousand tons. Somehow, it’s able to complement massive amounts of grief with the kind of practical and emotional depravity you rarely see in a wide release. We are so far from the gateway, folks, so take your trigger warnings seriously.

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement