Reviews
‘Cabin Fever 2: Spring Fever’ Review: A Meth Trip That Never Ends
As a horror fan with no life, I watch a TON of horror movies. But, like nearly every horror fan, there are some films whose first viewing leaves deep impressions that will last a lifetime. I can remember where I was when I first watched House of Wax (2005), and The Evil Dead. Just to name a few. One film viewing that stuck with me most from my childhood was Cabin Fever. Probably because I watched it in a cabin in the Poconos during a once-in-a-lifetime snowstorm. While I condone little to nothing of what Eli Roth stands for nowadays, both personally and professionally, I cannot discount the effect his films had on me and my love of horror. Now, if we want to talk about a film I have apparently watched before and have zero recollection of? That would be Cabin Fever 2: Spring Fever.
What Is Cabin Fever 2: Spring Fever About?
John (Noah Segan) and Alex (Rusty Kelley) are two outcasts who find themselves on the short end of abuse from bullies and teachers alike. As prom approaches, the two friends have little hope for dates and are nearly resigned to spending the evening alone. The only chance John has for a date is his childhood crush, Cassie (Alexi Wasser), who is dating John’s biggest bully. After a series of events, catalyzed by Paul (Rider Strong) polluting a local water source, the kids of Springfield High are exposed to Paul’s deadly disease. One by one, the kids start infecting one another, leading to a prom that is bound to be bloodier than Carrie.
With a story from Randy Pearlstein and Ti West, a screenplay by Joshua Malkin, and directed by Alan Smithee (Ti West), Cabin Fever 2: Spring Fever is truly a sight to behold. Many parts of Cabin Fever 2 feel retconned to justify its connection to its predecessor. While other parts of it work deliciously within the Cabin Fever universe. It’s no coincidence that Ti West fought tooth and nail to get his name removed from this project. In fact, this might be the first Alan Smithee film I’ve covered for Horror Press (hell, maybe in general). Copious reshoots from producers turned Ti West’s vision into this slapdash product that feels tonally unsure of what the hell it is–Cabin Fever 2: Spring Fever is a goopy Frankenstein that exists in a better form on a cutting room floor somewhere…potentially lost to time forever.
Cabin Fever 2’s Biggest Problem is the Pacing
Most likely due to producer reshoots, one of the biggest sins of Cabin Fever 2 (and a general sin for film) is its pacing. CF2’s pacing starts like the final few minutes of a meth comedown, before slowly plateauing into meth fiending. Halfway through the film, brought to you by a great Patrick Hernandez “Born to be Alive” needle drop, we get our hands back on some meth. But that meth is stepped on and cut with something because the film goes completely off the rails. In both entertaining and excruciating ways.
After a solid Deputy Winston (Giuseppe Andrews) cold open, we’re given these gorgeous animated opening credits. These credits follow the source of Paul’s spread of the disease into a local water source, all the way through the bottling process, and ending in a bottle of water that’s delivered to Springfield High. And that’s when the film stops being remotely interesting.
Noah Segan Does His Best with a Bad Script
I’ve been a huge fan of Noah Segan for a long time. From Dead Girl and Scare Package, through The Pale Door and Blood Relatives, Noah Segan has always delivered for me. But even early-career Segan has a difficult time working through this awful dialogue that seems written on shoot day. Sure, Segan delivers the goods, but at what cost? His only remotely interesting early scenes exist between him and Cassie, and even those scenes only do so much to keep the viewer’s eyes glued to the screen. As the film goes on, and the action picks up, Segan finds his footing. Only it’s too little too late at that point.
But what’s a Cabin Fever film without skin-rippingly grotesque gore? The original film succeeded with crafting interesting (enough) characters that kept you enthralled until the crap finally hits the fan. Joshua Malkin’s script decides to throw all of that out of the window for whatever reason. Most of the character motivation from the first film is, indeed, sex. And there’s nothing wrong with having sex be a character’s motivating factor. But if those characters fail to be interesting in any way, shape, or form, then that’s where you have a product that will fall more flat than the skin of a degloved arm.
Ti West’s Visual Fingerprints and Where They Break Down
It’s somewhat hard to tell what was created by Ti West and what was crafted by producers, even if there is a slight tell. Many of the scenes have a distinct aspect ratio that feels very West-y. And that visual feel is kept through the entirety of the film, but with one distinct difference. Ti West has a very distinct shooting style that has carried through his entire career (except for you, MaXXXine). You can feel when the style is substantive and purposeful versus when a producer came in and was pigeonholed into shooting like that to keep visual continuity. The film’s visual tone becomes an overall detractor because, again, while it all looks the same, you can feel when it’s intended and when it’s done because they had to.
Is Cabin Fever 2: Spring Fever Worth Watching?
Overall, Cabin Fever 2: Spring Fever is a mess of a film. There are a handful of really great scenes of gore and violence, though it’s far from enough to make this product worthwhile. And screw the producers for not letting Ti West remove his name from this film. Even though my idol Larry Fessenden is in this film, I don’t think it’s worth a rewatch ever again. If you haven’t seen it, I don’t think I can even recommend it unless you’re a Ti West completionist. At least it’s better than Cabin Fever Patient Zero.
I was browsing the Arrow Video table at Brooklyn Horror Film Festival in 2024, spending way too much money. (Nearly $400!) One film really caught my eye. Its cover was unassuming but spoke loudly: two red-lit people in space suits on the top left, while a (what seemed to be) missile silo took up the rest of the cover. The cover was enough to sell me, and I threw it in my car. Little did I know that The Andromeda Strain was going to be one of the most fascinating films I have ever watched. And the book was just as spectacular.
What is The Andromeda Strain About?
Piedmont, New Mexico, is quickly thrust into chaos when a government satellite crashes into the town of 68 people. Doctors Jeremy Stone (Arthur Hill), Charles Dutton (David Wayne), Mark Hull (James Olson), and Ruth Leavitt (Kate Reid) are activated to investigate this local extinction event. But they don’t find themselves inside a normal science lab; the four doctors are sent to Wildfire, a deep underground military base (D.U.M.B.). This 5-level-deep base is our nation’s frontline defense against this cataclysmic incident, but should it escape, then all hell would break loose.
Adapting Michael Crichton’s Novel
Based on the Michael Crichton novel of the same name, The Andromeda Strain is a wonderfully contained film that’s as pulse-pounding as it is fascinating. As someone who isn’t very smart, a film (and book) like this one makes me feel educated. Sci-Fi films find themselves constantly tiptoeing a tightrope of understanding. Hell, science is in its name. Should a writer make the science aspects too dumb, either no one will believe it, or people will be bored. If a writer makes it too smart, you alienate audiences like me, whose eyes quickly gloss over.
Nelson Gidding’s script, which is fairly accurate to Crichton’s novel, does an incredible job of bringing Crichton’s fascinating novel to life. Gidding trims out some fat where needed, turning this story into an incredibly lean two-hour 10-minute self-contained epic. With stylistic assistance from director Robert Wise, Gidding keeps the near-epistolary feel of the novel. But it’s the pacing and stylization of the film that bring it to a new level.
Robert Wise’s Direction and the Film’s Unique Sci-Fi Style
Robert Wise and cinematographer Richard H. Kline bring forced monotony in the most engaging way. I love how the decontamination chapters are handled in the novel, though it could be worrying to question how that could be transcribed over to film. But it’s how the decontamination scenes are handled that adds substance to the style. These scenes are slow, tiring, and should bring the pacing to a complete stop. At this point, we’ve seen what this satellite did to the town, and we’re amped to get more context. These scenes seem to go on and on, and it’s the tedium that comes with them that humanizes the entire process. I’m sure these doctors want to get to the heart of why they’re here, and as viewers, we’re forced alongside them to sit and wait for each second to tick by through the cleaning process on EACH level.
Most of the characters are fodder for dialogue and plot advancements, but it’s the characters of Dr. Hall and Dr. Leavitt who are the most complex. Dr. Hall is trusted with the key that would detonate a nuclear bomb inside this D.U.M.B., due to what is described as the odd-man hypothesis. (This basically means, should the crap really hit the fan, a single man with no children would have the least amount of issues making a tough decision in a life-or-death scenario.) And Dr. Leavitt’s character is maddeningly deep. She suffers from a medical issue that goes undisclosed–this is due to her deep love for her work, and she would not be able to do what she does based on this issue.
The Underground Base and Production Design
But what really sells me on this film is how it all takes place in a gorgeously constructed underground military base. The set design is beyond immaculate and well-crafted. It truly feels like an authentic underground base. And it’s fascinating that I stumbled on this film at the same time I had been doing deep research into Valiant Thor, Raven Rock, and the Greada Treaty. Though that is neither here nor there.
Why The Andromeda Strain Is Essential Sci-Fi Viewing
The Andromeda Strain is a grounded, but still incredibly smart, Sci-Fact film that brings light to an oft-not-spoken-about aspect of the United States Government. It excels at telling a brilliant, life-changing story while making it palatable for all audiences. This is a film that should be shown over the course of three Fridays in a lazy teacher’s science class. Action, anxiety, and fear abound in The Andromeda Strain. It’s a film that should be on any film viewer’s watchlist.
There are countless subgenres within subgenres for horror, and one that feels underutilized is workplace horror. Unless you’re one of the lucky few, most people wake up at some point during the day, go to work, and then come home. It’s one of the few things in life that’s nearly unavoidable. While there are countless real-life examples of workplace violence, seeing exaggerated forms of it in film can still be fun. When I pitched covering The Belko Experiment for this month, I actually thought I was pitching Joe Lynch’s Mayhem. I soon found out how incorrect I had been, but figured I’d go along with it anyway.
Mike Milch (John Gallagher Jr.) and 79 of his coworkers are locked inside the towering building they come to work in every day in Bogotá, Colombia. They’re given simple instructions: murder two coworkers within the next half hour. When they fail that task, coworkers’ heads start blowing up left and right. When they’re given the next task, kill 30 people in two hours, they take it…a little more seriously.
The Belko Experiment’s Brutal Premise Sets Up High Stakes
Written by James Gunn and directed by Wolf Creek creator Greg McLean, The Belko Experiment is a painfully by-the-numbers film that offers little more than a handful of entertaining kills. Its futile attempts at commentary regarding work/life balance or just how bad “faceless” upper management is fall so flat it’s comical. Nothing like multi-millionaire James Gunn telling me how awful it is to have to work a real job for a living. Great work. And its one-dimensional characters do little more than create a slight sigh of relief when they’re dispatched without regard.
A singular attempt at cleverness is broached from the beginning when we see a colony of ants in an ant farm on someone’s desk. Oh, look at that, these workers are nothing more than mindless ants! But any attempt at following that slightly clever idea is quickly thrown away. At one point, Barry Norris (Tony Goldwyn), the big boss in the office, attempts to group up who should and shouldn’t be killed; who has the most value outside of work. Gunn had the perfect opportunity to make Barry a deep and more sinister antagonist. If Barry had grouped people into sets from most to least profitable for the company, we would have something. It would show that Barry is a forward-thinking villain who is trying to suck up to the people who get paid even MORE than him!
Missed Opportunities for a Smarter Corporate Villain
I’ll do you one better. After all of that, what if the bad guys that Barry recruited to help him cull his subordinates realized they were just pawns in the game of Big Business? So then they attempt to repent by killing Barry in the hopes that they can find a common means of escape from this hell? Why is there zero attempt at making an interesting story other than this shitty, watered-down Battle Royale with people we don’t give a shit about? Instead of anything interesting, we’re just given a group of baddies who try to get into the security office’s gun safe. The only reason we’re slightly scared of the “bad guys” is because they’re bad guys.
The only slightly interesting performances we get are from David Dastmalchian and Adria Arjona, even if it might be a fluke. As someone who is a fan of Greg McLean and the Wolf Creek series, something just felt disconnected about nearly every aspect of The Belko Experiment. I’ve brought it up before that sometimes it’s okay to have a film that doesn’t tell a great story as long as the kills can carry some of the weight. But to say this film has a story is laughable, and that carries over to how flat this film looks.
Skip The Belko Experiment and Watch Mayhem Instead
It’s weird how sour this film left me. When I was watching it, I found myself grimacing at some of the kills. And I didn’t vehemently dislike it as much as this review would suggest. But as I sat there and thought longer, I just couldn’t wrap my head around what anyone sees in this. Mayhem is an all-around better film that tackles this same subject but in a much better way. So if you ever decide to sit down and watch The Belko Experiment, maybe go watch Mayhem on Shudder instead.
