Yeehaw, Uglies! Grab your chaps and boot spurs because this week, we’re heading to the lawless West. The Boulet’s exit a horse-drawn carriage into a sepia-toned...
When I originally saw the promotional material labeling Chucky as “a classic coming of rage story,” I was doubtful, but this episode really sold me on...
Last Night in Soho dazzles with its 1960s aesthetic and strong performances from Anya Taylor-Joy and Diana Rigg, but falters with pacing and an unnecessary epilogue....
Aloha, Uglies! We open this week’s episode at a far-out, fangs-out midnight beach party, Boulet style. Moon Screen and men galore, we even get to see...
Razor blades in treats? Unchaperoned teenage parties? A child dressed in a Chucky costume, playing Chucky, who in turn is playing a child? Oh boy, it’s...
When Creature from the Black Lagoon splashed onto screens in 1954, it gave birth to a very specific kind of...
David Cronenberg’s films do not delve too deeply into organized religion, but they provide an interesting lens into how a...
I learned early on that I was not supposed to make it to the end of a horror movie. As...
There is a huge difference between a movie being remembered for being good and a movie being remembered because it’s...
Tim Burton was not always my nemesis. In the not-too-distant past, I was a child who just wanted to watch...
My first feature film, Death Drop Gorgeous, was often described as its own disturbed piece of queer cult cinema due...
Most of my early happy memories are of being released by my mother, free to wander the video store. I...
Horror Press’ exploration of catharsis this month lends itself naturally to the topic of satisfying horror movie deaths. While murdering...
I was late to the Radio Silence party. However, I do not let that stop me from being one of...
I’ve come to the kind of grim conclusion that sooner or later we’re all going to succumb to horror franchise...
