I don’t like to get personal often, but the occasion begs the exception. Horror Press turned two today, and I’d be remiss not to take this...
Ten great articles to check out that will allow you to taste test Horror Press. A little flight of editorials, interviews, and more, that will give...
What giallo movie are you according to your horoscope? From Fulci, to Argento, to Bava, every sign has a great, black-gloved psycho killer that aligns with...
The Strangler (1970), directed by Paul Vecchialli, isn’t your typical giallo, but it is captivating, and its shiny new visual sheen is something we can thank Altered Innocence for. A...
Mirror mirror on the wall, who’s the most relatable Monster of all? The fifth season of The Boulet Brothers’ Dragula has just about dumped a gallon...
Someone calls you on the phone. Already, this is a nightmare, but we’re not at the scary part yet. Let’s...
The violence of the last decade has been practically insurmountable. Every day, there seems to be another attempt to destroy...
Horror and comedy are like the angelic central heroine and her evil parasitic twin from 2021’s Malignant: they may seem...
When Creature from the Black Lagoon splashed onto screens in 1954, it gave birth to a very specific kind of...
Henry Selick’s return to the director’s chair after Coraline, represents righteousness, anti-authoritarianism, and the subtle art of not giving a...
Black horror is still a relatively new genre. Its earliest films date back to 1941, but its presence weakened over...
David Cronenberg’s films do not delve too deeply into organized religion, but they provide an interesting lens into how a...
I learned early on that I was not supposed to make it to the end of a horror movie. As...
There is a huge difference between a movie being remembered for being good and a movie being remembered because it’s...
Tim Burton was not always my nemesis. In the not-too-distant past, I was a child who just wanted to watch...
