Movies
10 Christmas Horror Movies You Can Stream for Free This Holiday Season
We know entertainment shouldn’t be the thing that breaks the bank when you’re burning the candle at both ends. And though we love talking about the great films you can find to stream on Shudder and beyond, we would be remiss if we didn’t address the repository of free horror you could be tapping into as well. We are of course talking about Tubi, the free streaming service with more movies on it than you can probably watch in your lifetime. It’s known for some of its cornier offerings and shot on video dreck, yes, but it’s also an invaluable source of well-made films you can watch for free. And in particular, well-made horror films for all seasons. So, today, we introduce you to ten of the best Christmas horror movies you can stream on Tubi this holiday season.

The food, the gifts, the ugly Christmas sweaters. The holiday season demands you spend a lot to make the good times roll. But here at Horror Press, we want you to stretch that dollar.
We know entertainment shouldn’t be the thing that breaks the bank when you’re burning the candle at both ends. And though we love talking about the great films you can find to stream on Shudder and beyond (with plenty of out-of-this-world streaming guides by Sharai Bohannon in our It Came From Shudder series!), we would be remiss if we didn’t address the repository of free horror you could be tapping into as well.
We are of course talking about Tubi, the free streaming service with more movies on it than you can probably watch in your lifetime. It’s known for some of its cornier offerings and shot on video dreck, yes, but it’s also an invaluable source of well-made films you can watch for free. And in particular, well-made horror films for all seasons. So, today, we introduce you to ten of the best Christmas horror movies you can stream on Tubi this holiday season.
Silent Night, Deadly Night 5: The Toymaker (1992)
Okay, just for fairness’ sake, I’m going to limit myself to TWO Silent Night, Deadly Night films on this list, because Tubi has every single one in the franchise available at your fingertips. If you wanted, you could marathon them all like I did a few years back for my Silent Night, Deadly Night ranking article.
But Toymaker is no normal Silent Night, Deadly Night film. Which, you might be asking, “Wasn’t the fourth one about winter solstice witches setting people on fire and putting bugs inside them?” Which, yes, obviously that one is not normal, but this one is actually focused on Christmas! As the title implies, it follows a sinister toymaker with an unfortunate shop name, his creepy son, and the many people he terrorizes with his violent robotic toys.
This film has some hilarious moments, but played straight so you don’t have any of that wink-and-nudge routine that ruins your usual so-bad-it’s-good films. You absolutely will not see its ending coming from anywhere, so I encourage you to dive in and let it immerse you in its unique eggnog of weirdness.
Silent Night (2012)
And this Silent Night, Deadly Night remake is the other entry on the list I mentioned above. I promise it is also the only Santa slasher I’m putting on this list! Billy Chapman’s goofy love-hate relationship with Christmas has been replaced with a silent killer more akin to Michael Myers, whose mysterious motivations tie him to policewoman Aubrey Bradimore closer than she would think.
While Silent Night recreates a few of the original kills from its source material, it is mainly a special effects extravaganza that slams on the gas and cuts the brake line in terms of how brutal it can get. What collides with your eyes is a competent and fairly fun holiday horror. And if you need any more reason to watch it, Donal Logue plays a surprisingly significant role here as a drunken, rude Santa Claus screaming about figgy pudding. What else could you want?
Better Watch Out (2017)
Recently highlighted in another article ranking great Holiday horror kills, I didn’t have the pleasure of watching Better Watch Out without having the twist spoiled for me. But even lacking that experience, it’s still a film I was hooked on just due to its performances and one I will be watching again.
The film follows an insecure boy, Luke, who tries to impress his babysitter and long-time crush, Ashley, while his parents are away on Christmas Eve. His floundering attempts at acting like an adult get halted when intruders descend on the home. Both Olivia Dejonge and Levi Miller give stellar performances in this, with their dynamic driving the film’s best moments. You won’t regret going in blind on this one, trust me.
Maniac Cop 2 (1990)
You didn’t remember this one was a Christmas movie did you? I can’t blame you, since most of the holiday horror genre is saturated by killer santas and poorly puppeteered elves, whereas Maniac Cop 2 is a straightforward sequel to Officer Matt Cordell’s rampage in the first film (rest in peace to unsung horror legend Robert Zdar). After driving into a river with a beam pinned through his chest, he’s back! Somehow! Look, the mechanics of it don’t really matter, this movie has Bruce Campbell, Tom Atkins and Richard Roundtree in it. It’s surging with classic B-movie energy, has some pretty great action sequences in it, and its demanding to be seen.
It Cuts Deep (2020)
Breakups during the holidays are a nightmare as is, fraught with emotional turmoil during an already stressful time. But It Cuts Deep shows that staying together can be so, so much worse. Following Sam and Ashley, a couple whose relationship is on the verge of collapse while on a Christmas vacation, the film presents a dark comedy scenario of dwindling love turned into a psychological horror. As Sam loses his grip on their love life, an old friend reemerges and threatens to steal his girlfriend away from him, causing him to lose his grip on his sanity.
This is an ingenious horror comedy that I can’t recommend enough. It takes a while to fire up even with its brisk runtime, but around the end of the first act you will be hooked by how it takes awkward humor and turns it into thriller fuel with pinpoint comedic acting. The best comes from the interactions between Charles Gould’s Sam and John Anderson’s Nolan, whose comedic sensibilities synthesize into a perfect play between two deeply unlikable characters.
Rare Exports (2010)
A personal favorite of my friends, you might just become a holiday hero by introducing a horror lover in your life to this now-classic Norwegian film. Rare Exports follows a young boy, Pietari, and his reindeer-hunting friends and family as they discover that a research group might be tampering with the land and killing the local wildlife.
The truth about who has been doing this is much stranger than fiction, however, as what was unearthed from the local fell’s ice turns out to be much less friendly than legends have made them sound. With a dash of eldritch monstrosity spice, and a pinch of existential dread caused by the concepts it has on offer, Rare Exports delivers dark comedy through its unique premise and execution.
Black Christmas (1974)
At this point, what can even be said about Black Christmas that hasn’t been said? Forgive this exceptionally short entry on the list, but there’s only so many times you can expound the virtues of Bob Clark’s slasher masterpiece. If you have somehow never heard of or gotten to see Black Christmas, its haunting atmosphere, and its surprisingly dense and nuanced themes of reproductive agency, your homework is to watch it as soon as possible.
P2 (2007)
Being stuck at work on Christmas Eve is a fate I wouldn’t wish on my worst enemies (but hey, maybe I should get worse enemies). P2 takes that premise to a whole new level, as it follows beleaguered worker Angela being stalked by the parking lot night security guard Thomas. What results is a fun thriller led by a Wes Bentley performance that makes for a villain you love to hate. It has one of my favorite horror movie set pieces to boot, involving a very creative use of a fire hose. You also won’t find a more cathartic ending on this list.
Hosts (2020)
Hear me out since this doesn’t sound that complementary: Hosts is a film I wasn’t even aware of until I began writing this article. But in my search for something new, I found it to be an interesting piece of indie horror, reminiscent of one of my personal favorite horror films of all time, You’re Next.
It’s effectively about a family that invites their neighbors to spend Christmas eve with them, though an unexplainable event at the visiting couple’s home causes dinner to spiral into a nightmare even the Sawyers from Texas Chainsaw Massacre couldn’t cook up. Its effects are amateurish, but that doesn’t hamstring the rest of the film, which is horrifying in some of its moments.
Dead End (2003)
A film I had put off for a good long while, it was fellow Horror Press ghoul and or goblin Brendan Jesus who pushed me to actually watch Dead End (check out his very good review of it here!). Twin Peaks veteran Ray Wise stars in this one, as the head of a very dysfunctional family traveling on Christmas Eve and enduring one of the most uncomfortable car rides known to mankind.
If that isn’t stressful enough, their journey becomes an unending drive where the road never seems to close out, and tensions only seem to rise higher and higher as they fail to make progress. Also, there’s a spooky ghost hearse there! Predictability in its plot and ending aside, it’s still a pretty great film for the sheer atmosphere it generates and Wise’s killer performance. You’d do well slotting this one into your rotation when the wind chill hits, and things start getting dark early.
Movies
The Best Horror You Can Stream on Shudder in July 2025

Looks like another July will be spent getting cozy with Shudder in this house. Between all the new (to me) international titles and the conclusion of Hell Motel on July 29th, the app has filled my calendar for the month. Hold my texts, keep your emails in the draft folder, and don’t look for me outside. My TV and I are on a mission, and we’re prioritizing the five titles below. I hope they grab your attention and make it into your Shudder viewings this summer as well. However, I’ll be too busy watching them to know what anyone else is doing, so happy streaming whatever you decide to get into.
While we have you here, you should consider joining us for Bloody Brunches! Every Sunday at 11 AM CST / 12 PM EST, we’ll be livestreaming a new episode of Hell Motel. Who know’s who you’ll see, sometimes Ian Carpenter and crew stop by!
The Best Movies to Stream on Shudder This Month
Lake Placid (1999)
A small group of people try to capture a gigantic crocodile terrorizing the people of Black Lake, Maine. I am not an aquatic horror girl, and I am usually unimpressed with 90s action horror titles. I make a special exception for Lake Placid though. Sure, it stars Bridget Fonda, Bill Pullman, and Oliver Platt. However, real film buffs know that it’s really the late Betty White who carries this movie. Her foul-mouthed character stood on business and is the reason most of us revisit this title during the summer.
You can watch Lake Placid on July 1st.
Nyi Blorong (1982)
The South Sea Queen’s daughter rises to take a human lover. I have a long history of disliking snakes and movies about snakes. However, I’m leaning into this 1982 film because I deserve a retro Indonesian horror fantasy moment. I am also excited because it stars the late Suzzanna, the queen of Indonesian horror. I only learned about her a few years ago and wanted to spend some time with her work. As usual, Shudder is making it too easy to become a better cinephile.
You can watch Nyi Blorong on July 7th.
The Housemaid (2018)
An orphaned girl is hired as a housemaid at a haunted rubber plantation in 1953 French Indochina. Once there, she falls in love with the landowner, which sends the ghost of his dead wife into a jealous rage. I was excited to watch this just because it sounds chaotic, and I do not see enough Vietnamese horror for my liking. However, I recently discovered it is also an IFC Midnight title, so now my expectations are through the roof. IFC has been the home of upsetting, weird, and unique horror since 2010. I have a date with Shudder on July 14th, because I want this movie in my eyeballs the second it becomes available.
You can watch The Housemaid on July 14th.
Swallow (2020)
A pregnant housewife is compelled to eat dangerous objects, leading her husband and in-laws to become more controlling. Swallow had the misfortune of debuting during the top of the pandemic, so many people missed it. I found it on accident during Thanksgiving back when Showtime still had its own app. It’s quiet chaos that surprised me in a good way. I have been trying to make everyone I know watch it, and Shudder is making that so much easier this month. I am overdue for a rewatch myself, so I will also be hitting play while it’s available this July.
You can watch Swallow on July 21st.
Monster Island (2024)
A Japanese ship transporting prisoners of war and a British POW are stranded on an island where a mythical creator hunts them. Can they work together now that their very survival depends on it? I was bummed I missed this movie at Overlook Film Fest this year because all my friends loved it. So, obviously, I am thrilled Monster Island (also known as Orang Ikan) is hitting the Shudders streets so soon. I do not know what the other monster movies are doing this July because my heart belongs to this baby.
You can watch Monster Island on July 25th.
So, as usual, I will be hiding in my apartment and trying to make Shudder Saturdays my personality. I’m running at their international titles like it’s my job and revisiting a few movies I never spend enough time with. I hope your Shudder watches spark as much joy for you as I expect mine will this July.
Movies
‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

In the 90 years since its release, The Bride of Frankenstein is still the Universal Monsters franchise’s strongest film.
I first watched The Bride of Frankenstein on cable around 15 years ago. Director James Whale’s fable of a misunderstood creature’s quest for a bride really stayed with me after subsequent viewings. Speaking of The Bride, she’s the Universal Monster with the most potential for a gripping and modern reimagining that hasn’t been fully tapped into yet. Universal’s newest theme park Epic Universe, opening back in May, inspired a deeper dive into The Bride of Frankenstein, the titular role and its legacy.
Unveiling The Bride: The Plot and Power of the 1935 Classic
Immediately following 1931’s Frankenstein, The Bride of Frankenstein centers on Henry Frankenstein (Colin Clive) as the sinister Dr. Pretorius (Ernest Thesiger) urges him to collaborate on creating a mate for The Monster (Boris Karloff). In the meantime, The Monster travels across the countryside, learns to speak, and meets Pretorius. When both scientists complete and unveil The Bride (Elsa Lanchester), she rejects The Monster, motivating him to pull a lever and famously say, “We belong dead.” Pulling the lever ignites an explosion, killing The Monster, The Bride, and Pretorius.
Just as it took two scientists’ minds to create her onscreen, two individuals gave life to The Bride’s characterization and look: Lanchester and makeup master Jack Pierce, who designed nearly all the original Universal Monsters.
The Bride’s Hiss: How Lanchester Stole the Show with Limited Screentime
The Bride not being the film’s main protagonist is ironic since she’s the title character. Making the most of her brief performance, Lanchester’s swan-like mannerisms as The Bride sharply contrast with the humanity Karloff brings out of The Monster. After her dual role as The Bride and author Mary Shelley herself in the film, Lanchester took on more horror film roles like Henrietta Stiles in Willard (1971). It’s not hard to imagine what could’ve been for her career if she reprised her role in The Bride of Frankenstein’s sequels Son of Frankenstein and Ghost of Frankenstein. If a lab explosion couldn’t kill The Monster, wouldn’t it be the same for The Bride?
Besides the white streaks, Lanchester surprisingly didn’t wear a wig to portray The Bride since Pierce shaped her red hair to look the way it does. Pierce’s work on The Bride is just as iconic if not more so than Lanchester’s performance, ensuring the character became inseparable from her intended suitor in pop culture’s eyes. Case in point: There’s so much officially licensed merchandise playing up a romance between the two characters, even though The Bride can’t stand her intended mate. Beyond Lanchester and Pierce, there is one man responsible for how the film itself would come out.
James Whale’s Masterpiece: Directing The Bride of Frankenstein
Whale stitched great set designs, fantastic performances and composer Franz Waxman’s eerie score together to create a masterpiece.
Having Frankenstein, The Old Dark House and The Invisible Man under his belt by the mid-‘30s, it’s clear Whale creatively peaked while working on The Bride of Frankenstein. Although so much about Whale’s talents has been said, there’s a reason why his work on the film stands out across his filmography: He really went wild when directing it. Every character is practically cartoony, the sets are more elaborate and the plot is thematically richer than the original’s. Being an openly gay filmmaker, he cranked up The Bride of Frankenstein’s camp to legendary heights.
The Bride of Frankenstein is the final horror movie Whale directed. The novel Father of Frankenstein and its film adaptation Gods and Monsters, starring actor Ian McKellen as Whale, dramatize his life after directing the film. According to the reference book Universal Horrors by Tom Weaver, Michael Brunas and John Brunas, he initially didn’t want to direct his horror work’s apex. Just like Henry Frankenstein’s relationship with the monster he created, The Bride of Frankenstein’s production is a case of life imitating art. The Monster’s in-universe infamy further parallels Whale’s Frankenstein duology’s lasting popularity.
How The Bride of Frankenstein Shaped Horror Sequels and Adaptations
The Bride of Frankenstein’s influence can be seen across other horror films and Frankenstein adaptations.
Having “Bride of” in a horror sequel’s title is synonymous with including the main character’s female counterpart, leading to Bride of Re-Animator, Bride of Chucky, etc. The similarities go further than the titles, with The Bride of Frankenstein inspiring the former’s plot and furthering Tiffany’s arc in the latter. The Bride of Frankenstein inevitably shaped Frankenstein’s future adaptations as well.
Directed by Kenneth Branagh, Mary Shelley’s Frankenstein from 1994 closely follows the original novel. Breaking away from the novel’s narrative, its third act pays homage to The Bride of Frankenstein when Victor brings Elizabeth back to life with similarly brief screentime. Mia Goth’s seemingly red hair on the set of Guillermo Del Toro’s upcoming Frankenstein may hint at her character similarly becoming The Bride.
The Bride’s Untapped Potential for a Modern Horror Remake
With Warner Bros. releasing its own take on the character with The Bride! in 2026, it makes Universal’s reluctance to make a new remake downright egregious.
The Bride is still the literally redheaded stepchild among the Universal Monsters. When it comes to being neglected by Universal, The Creature From the Black Lagoon is the only character who rivals The Bride, but that’s another story. Universal did plan a remake directed by Bill Condon, who helmed Gods and Monsters, for its aborted Dark Universe film franchise.
The Bride’s Absence in Epic Universe’s Monsters Unchained Ride
Looking at Epic Universe, the Monsters Unchained: The Frankenstein Experiment ride apparently leaves The Bride out, even though she makes more sense to be in it than The Phantom of the Opera. However, The Bride does make meet-and-greet appearances across Dark Universe’s grounds.
Several ideas can be incredible for when Universal finally releases a remake of The Bride of Frankenstein someday. Based on what I’ve heard about 2023’s Poor Things, it’s exploration of a mad scientist’s creation’s experiences in a restrictive society is closer to what a modern reimagining should be. Having a woman behind the camera can lead to a feminist vision, delving into The Bride questioning her life’s purpose.
Until the day a proper remake debuts, the original 1935 film remains The Bride of Frankenstein’s definitive incarnation.