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Tokyo Horror Film Festival 2024: Short Films To Die For

Regarding film festivals, one of the unsung heroes is always the short films. Unfortunately, it seems most publications pay them little to no mind, and that’s a crying shame. Some of the best filmmakers got their start by making short films and so many future stars have short films on the festival circuit today. Let’s take a look at the short films of the Tokyo Horror Film Festival.

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Regarding film festivals, one of the unsung heroes is always the short films. Unfortunately, it seems most publications pay them little to no mind, and that’s a crying shame. Some of the best filmmakers got their start by making short films and so many future stars have short films on the festival circuit today. Let’s take a look at the short films of the Tokyo Horror Film Festival.

Stand Out Shorts Fresh From Tokyo Horror Film Festival

Kneading

Directed by Lulu & Augie Syracuse
Written by Lulu Syracuse

An office worker pisses their boss off when they forget to feed the office cat. Surely this will be a normal exchange!

Kneading is short, sweet, and to the point. Lulu and Augie Syracuse have crafted an incredibly weird and atmospheric short film with a stinger you won’t see coming a mile away. The practical effect work gets the job done and leaves a lasting impact. There’s a lot of potential within this two-and-a-half-minute short, and it will be interesting to see where they go from here.

Backward Creep

Written and Directed by Christopher G. Moore

Three friends are en route to an anime convention, but their plans are stopped in their tracks after they run over a pedestrian.

Delightfully campy, Backward Creep excels in one thing: giving audiences a good time. There’s not much to this short, and that’s fine. We have three friends who ran something over and it gets its revenge. It’s simple, in the best way possible. Some shorts try to overcompensate for their short runtimes; Moore doesn’t do that. He puts it all out there and lets you exist within this world for just a few minutes. Supposedly, there is a feature version of this in the works. If Moore keeps the feature fully practical and keeps the gnarly creature design, I’m sold.

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Chateau Sauvignon: terroir

Written by David M. Night Maire and Allyssa Rivera-Cabrero
Directed by David M. Night Maire

A young boy and his father run a winery that might be more nefarious than it seems.

Like a fine wine, Chateau Sauvignon: terroir feels a bit pretentious. It takes itself very seriously and constantly withholds from the viewer. Night Maire and Rivera-Cabrero’s script ends up feeling a bit too smart for its own good. Michael Lorz charismatically, and creepily, leads this short with the exhausted vigor of a young adult resigned to a life of depravity. The practical effects in this short look gorgeous and impactful. It’ll make you think twice before going back to a winery, that’s for sure.

Ten of Swords

Written and Directed by Faye Jackson

What would happen if you woke up dead, destined to a life of forced labor? Would you take it on the chin, or fight back?

Let’s see a show of hands if you had no clue Ten of Swords was a tarot card reference. (Raises hand.) Ten of Swords has a lot to say. It comments on forced labor, predestination (to an extent), and the human condition. Jackson’s script does a decent job of getting the point across, but the short really feels like it just goes beat to beat without any real visual flow. Overall, it’s an enjoyable watch with some great action and practical effects. The set and production design is impeccable and provides excellent world-building for this dystopian future. Knowing now, what tarot card this short references feels a bit on the nose with some of the visuals, but that doesn’t mean it’s not impactful.

Grease Bunny

Written and Directed by Benedetto Cocuzza

After a long day of work, Stacy (Haley Hammonds) gets home and orders a pizza. What could go wrong?

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The name Benedetto Cocuzza might ring a bell for a few of you. He is the founder of the indie horror video game studio Puppet Combo. I’ll be able to put my bias aside, but there isn’t a single Puppet Combo game I don’t consider a 5 out of 5. Cocuzza’s PlayStation 1 low-res style just tickles that nostalgic spot in my brain that reminds me of my childhood. If you think his short films would be stylistically different from his games, you’re wrong. Grease Bunny is a liminal body horror nightmare, dripping with grease, cheese, and pepperoni. Hammond’s campy acting perfectly embodies the Puppet Combo style, though it could possibly be a turnoff for those who aren’t familiar with Cocuzza’s style. If you’ve ever wondered what a giant pepperoni pizza monster nibbling on someone’s toes would look like, then Grease Bunny is the short film for you.

Also, go check out Puppet Combo’s games; they’re truly excellent.

Support indie game devs!

Beverly Hills Exorcist

Written and Directed by Rem Scobell

A group of exorcists in Beverly Hills attempt to exorcise a house from a giant-headed demon.

I’ll be upfront here, Beverly Hills Exorcist didn’t work for me. There’s a line of camp I can accept and enjoy…this short leaps over that line. The acting feels forced and unrehearsed and it all just happens too fast. Too much character development for too many characters happens in such a short amount of time and it feels overstuffed. Scobell’s idea is fun and could possibly work in a larger sense, but as a short film, it doesn’t.

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Body

Written and Directed by Ronald Short

An electronic Frankenstein toy makes its way into a couple’s house…and it’s moving!

Body is incredibly cute. The entire short takes place in the kitchen with Dawn (Leila Anastasia Scott) and Jack (Aaron G. Hale). Scott and Hale are incredibly adorable together and exhibit one of the most believable relationships I’ve seen in a short film. Short has created a short film that should be studied by those who want to make short films. What he created with one prop, two actors, [presumably] one camera, and some fake blood is beyond impressive. Very little happens in this short, but it’s what happens and how it happens that makes this short film charming and exciting.

The Pencil

Written by Madina Schultz and Thomas Schultz
Directed by Thomas Shultz

Sara (Mika Saruar) is an artist struggling to make ends meet. One day she finds a pencil that brings her drawings to life; flowers, money…monsters.

One of my favorite things about festival coverage is when I see a good short at a festival, and then another festival, and another, etc. At this point, I think I’ve seen The Pencil at four different festivals, and it’s well deserved. Coming in at just over 10 minutes, The Pencil tells a harrowing tale of struggle and love. Schultz’s script is tight and precise, and it gets its point across with enough time to play around a little bit. After seeing this short for the first time, I had nightmares of the short film’s creature. Well, guess what’s back in my nightmares now! The Pencil is a perfectly crafted short film that NEEDS a feature-length version.

If you get a chance to see any of these shorts at a film festival near you, be sure you do!

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Brendan is an award-winning author and screenwriter rotting away in New Jersey. His hobbies include rain, slugs, and the endless search for The Mothman.

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The Conjuring Movies, Ranked

The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.

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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.

Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.

The Entire Conjuring Franchise Ranked

#9 The Conjuring: The Devil Made Me Do It (2021)

This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.

#8 The Nun II (2023)

Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).

#7 The Curse of La Llorona (2019)

The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.

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#6 Annabelle (2014)

The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.

#5 The Nun (2018)

The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.

#4 Annabelle: Creation (2017)

It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.

#3 Annabelle Comes Home (2019)

Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.

#2 The Conjuring 2 (2016)

James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.

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#1 The Conjuring (2013)

Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.

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A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching. 

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

The Best Movies Directly Inspired By Ed Gein

Psycho

Where You Can Watch: Netflix

A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight. 

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Deranged 

Where You Can Watch: Tubi

A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.

The Texas Chain Saw Massacre (1974)

Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi

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Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.

The Silence of the Lambs

Where You Can Watch: Pluto TV, The Roku Channel, and Tubi

A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards

While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime. 

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