Movies
Alex’s Top Three of 2021
I am a self-proclaimed Reaction Whore™. When it comes to showing people films that I love, I strive to provoke an evocative response, be it shock and awe, fear, or laughter.
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Malignant
I am a self-proclaimed Reaction Whore™. When it comes to showing people films that I love, I strive to provoke an evocative response, be it shock and awe, fear, or laughter. Malignant garners all of the above in one bonkers package. Directed by horror master James Wan, I was initially perplexed by the B-movie schlock it presents. The film’s opening borders on camp and reminded me of 1999’s House on Haunted Hill. The melodrama is almost tangible in the cold, damp house where protagonist Madison resides, and the plot screams direct-to-video. But the gag is, dear reader, that this film knows exactly what it’s doing, and once you understand this, you are in for a wild ride.
The film centers on the aforementioned Madison, whose life is upended by murders she presumes to be committed by her childhood imaginary friend, Gabriel. Its plot maneuvers through themes and topics of spousal abuse, astral projection, hot cops named Kekoa, the gray morality of science, bad wigs, and ultimately lands on the patriarchal control men have over women and their bodies. And while Malignant certainly toys with these ideas, its ultimate purpose is to reveal to us a twist and climax like no other: Gabriel is not Madison’s imaginary friend. He is an extreme teratoma attached to the back of her head from birth, which remained dormant in her skull until a recent violent altercation with her now murdered husband set him free.
Yes, it is the mother of all Reaction Whore™ moments. The crowning achievement, however, is that this information is revealed while Madison is imprisoned in a holding cell with a dozen other women wherein Gabriel unleashes a bloody reckoning upon them in a moment that can only be described as “backward John Wick.” So please, don’t shame my cinematic promiscuity. I’m only trying to spread the wealth.
The Fear Street Trilogy
Not since Kill Bill and The Matrix released their respective parts within six months of one another have I had the pleasure to enjoy such a rapid-fire release schedule of a film series. Dished out on Netflix over the course of a few weeks in the height of the summer, The Fear Street Trilogy became an event in the style of the Movie of the Week that we rarely get to experience in today’s binge culture.
The trilogy tells the tale of the curse of the supposed 17th-century witch, Sarah Fier (I see what they did there), that looms over the town of Shadyside. Its overarching plot focuses on a group of teens in the phosphorescent-infused Fear Street: 1994 who are inexplicably linked to the curse and its murderous rampage. The following two films bring us further back to the washed-out nostalgia of a summer camp in Fear Street: 1978, and finally to the early American settlers of Fear Street: 1666 to delve deeper into the history of the curse and why exactly people are transforming into vicious killers, Evil Dead style.
Knowing Fear Street is based on a young adult book series of the same name, I honestly did not have high expectations going in. I was surprised with how much these films lean into their R rating, violently setting the bar high with the first kill and not letting up through three gruesome supernatural slashers worth of carnage. They also cleverly take a page from American Horror Story and retain key members of the cast to play different characters in each film. The result gave me all the feels as I grew to care for these actors and their well-developed characters right up until they were snatched from my heart in a series of kills that stand up to some of the better slashers out there. Fear Street: 1978, my favorite of the trio, ends in an especially brutal and tragic sequence between two sisters that left my jaw on the ground.
Netflix served up a thrilling summer indulgence this year, and I invite them to try it again sometime.
Titane
French filmmaker, Julia Ducournau, delivered one of the most unexpected films on the 2021 bingo card: Titane. A bizarre story on love and human evolution, it follows a dancer with a steel plate in her head who moonlights as a serial killer, is impregnated by a car, and flees her crimes to disguise herself as a man’s decade-long missing son, which then results in the pair finding unconditional love in one another and the human/machine hybrid child she births into the world.
Much can be said concerning Titane’s sophisticated themes and grotesque imagery, and perhaps that’s why it stood out to me. To take such an absurd premise and skillfully track the journey of a woman quite literally made of steel and detached from her humanity, who finds love and acceptance with a similarly lost stranger, is a thing of art. The cold steel of Titane melted away, as did my mind, by the time the credits rolled.
Movies
The Conjuring Movies, Ranked
The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.
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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.
Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.
The Entire Conjuring Franchise Ranked
#9 The Conjuring: The Devil Made Me Do It (2021)
This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.
#8 The Nun II (2023)
Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).
#7 The Curse of La Llorona (2019)
The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.
#6 Annabelle (2014)
The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.
#5 The Nun (2018)
The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.
#4 Annabelle: Creation (2017)
It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.
#3 Annabelle Comes Home (2019)
Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.
#2 The Conjuring 2 (2016)
James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.
#1 The Conjuring (2013)
Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.
Movies
A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life
Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.
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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching.
Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.
The Best Movies Directly Inspired By Ed Gein
Psycho
Where You Can Watch: Netflix
A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight.
Deranged
Where You Can Watch: Tubi
A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.
The Texas Chain Saw Massacre (1974)
Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi
Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.
The Silence of the Lambs
Where You Can Watch: Pluto TV, The Roku Channel, and Tubi
A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards.
While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime.