Movies
7 STEPHEN KING ADAPTATIONS THAT DESERVE A REMAKE—AND WHO SHOULD REMAKE THEM
While there are plenty of uninspired retreads that we’ve seen done better the first time around, many remakes exist in their own separate sphere, living as fascinating and sometimes very fun reinterpretations of their source material. It’s safe to say we’ve all had at least one craving to see some of our favorite directors tackle a remake; either out of a sense that a story deserved better, or just to see where the artistic process takes them.
And for many horror fans who enjoy Stephen King’s works, those remakes we crave have been just about that. I find myself daydreaming pretty often about stories whose adaptations deserve a second (or third, or fourth) go around, so, I figured it was time to compile those daydreams into a proper article. Today we’ll delve into those, along with an idea of which horror filmmakers should direct them and why.
If there are two things that get a nasty rap, its horror remakes and Stephen King adaptations.
While there are plenty of uninspired retreads that we’ve seen done better the first time around, many remakes exist in their own separate sphere, living as fascinating and sometimes very fun reinterpretations of their source material. It’s safe to say we’ve all had at least one craving to see some of our favorite directors tackle a remake; either out of a sense that a story deserved better, or just to see where the artistic process takes them.
And for many horror fans who enjoy Stephen King’s works, those remakes we crave have been just about that. I find myself daydreaming pretty often about stories whose adaptations deserve a second (or third, or fourth) go around, so, I figured it was time to compile those daydreams into a proper article. Today we’ll delve into those, along with an idea of which horror filmmakers should direct them and why.
7. THE TOMMYKNOCKERS – Jason Eisener
A change of tone is one of the best reasons for a remake. Undoubtedly one of Stephen King’s silliest adaptations, the original Tommyknocker’s miniseries really betrays the disturbing source material. Imagine if you will, a found footage film about a town slowly becoming a collective of genius technopaths who can build anything they dream of—at the cost of slowly having their life forces drained by mysterious alien entities.
Eisener’s work on the V/H/S/2 segment “Slumber Party Alien Abduction”, shows he could make something horrifying out of the Tommyknocker’s Twilight Zone-esque premise without falling headfirst into the bottomless pit of cheese that plagued the miniseries.
6. MISERY – Rose Glass
With Glass’s latest venture being out this month, crime drama Love Lies Bleeding, I was spurred to revisit her debut feature Saint Maud. Five years later, the film has some of the best acting I’ve seen out of a psychological horror ever, and if there’s anyone who should be trusted in depicting one of Stephen King’s most misunderstood villains, it’s Rose Glass.
I would be lying if I didn’t say this choice was driven at least in part by a desire to see Lizzy Caplan reprise the role of Annie Wilkes, given how criminally underrated Castle Rock’s second season was; Caplan’s performance there deserved a big screen focus. Glass’s direction of actress Morfydd Clark in Saint Maud leaves no doubts in my mind she would make a stunning venture deeper into the quiet and disturbing tragedy of Annie Wilkes and Paul Sheldon’s months in the cabin, regardless of who is put in the role.
That being said, it should absolutely be Lizzy Caplan who plays her, and I won’t be taking feedback on this.
5. SILVER BULLET – Brian Duffield
Another adaptation of King’s novella Cycle of the Werewolf is, in my opinion, long overdue. While in recent years truly great werewolf movies like Josh Ruben’s Werewolves Within and Larry Fessenden’s Blackout have supplemented the genre, there’s just not enough.
Cycle of the Werewolf’s first adaptation, the 1985 Gary Busey film Silver Bullet, is fine. It’s entertaining enough as a midnight movie, but only holds up in its special effects and lacks a whole lot of the truly horrifying moments that the book has (as well as its most violent deaths).
A remake helmed by one of the most underrated monster movie directors out there, Brian Duffield, would make an excellent addition to the subgenre, and one that would give Cycle its due. Duffield’s work on the smash hit No One Will Save You brought some of the most frightening grey aliens to ever grace the small screen, and his eye for playing with the darkness to elicit fear is already off the charts, as seen with his excellent 2020 feature Underwater. The woody town of Tarker’s Mill, plagued by its lycanthrope serial killer throughout the seasons, feels like the exact right place to exercise his aesthetic strengths.
4. CUJO – Demián Rugna
I don’t want to reduce the horrors of When Evil Lurks and the skill of its incredibly talented writer-director Demián Rugna to a single scene or a single scare. But the fact is, the film’s most horrifying and dread-inducing moment is perfect evidence of why Rugna could make a new iteration of Cujo just as, if not more bloodcurdling. And the rest of the film just elaborates on that.
The story of a good dog driven to madness by sickness, and the families around him that suffer for it, Cujo is a bleak tale and one that’s every bit as horrifying of a story as it is depressing. The first film changed the ending in a major way, and mostly ignored the oppressive atmosphere for more of a thrilling story that startles, rather than one that’s as emotionally draining. Rugna knows how to craft and direct a story that will leave you feeling as empty as Cujo does. He has an eye for executing nauseatingly scary scenes, and directing chaotic violent moments that shock you completely, so he’s the only man I have in mind that could do the book justice.
3. SLEEPWALKERS – Brandon Cronenberg
If you want weird body horror, mind games, and psychosexual freakshows, you hire a Cronenberg. And who better than Infinity Pool and Possessor’s very own visionary creator to redo one of King’s strangest films yet?
One of the few works on this list that wasn’t originally a book or short story, the script King penned for Sleepwalkers is a head trip and a half: immortal psychic werecats that feed off the life force of virgin girls are feuding with actual cats. Despite its strange plot and many shortcomings dialogue-wise, Sleepwalkers is a cult classic, and nothing can take that away.
That being said, it wouldn’t hurt to modernize Sleepwalkers and get into the demented lore of the weird mother-son duo that is Charles and Mary Brady. Alice Krige and Brian Krause’s great acting and creepy dynamic in the 1992 film drive much of the plot’s intrigue. A modern character study of these two immortals, predatory beings once worshipped as gods and now reduced to simple murderers, would make for an intriguing story without sacrificing its odd and over-the-top ideas.
2. CARRIE – Gigi Saul Guerrero
One of my personal favorite King stories, it always bothered me that we haven’t gotten a Carrie adaptation accurate to the formatting of the story. Not the characterization or emotion of Carrie White, since Brian DePalma’s 1976 and Bryan Fuller’s 2002 adaptations knock that out of the park, but rather how we get to learn about the destruction of Chamberlain and the young girl responsible.
The legendary Stephen King novel is a series of firsthand accounts and witnesses to Carrie White’s rampage, scattered through journal entries, autobiographies, court testimony, and plain old narration. Carrie feels much more like a walking natural disaster that decimates the town. I believe a movie depicting the small town’s destruction as a sort of horrific mystery that has to be pieced together and understood would make for a thrilling adaptation.
Enter Gigi Saul Guerrero, who would knock this out of the park. Guerrero’s work on one of the best V/H/S segments of all time, “God of Death”, shows she more than has the chops to depict the living wildfire that is Carrie White and her town-leveling psychic abilities. Her work in such a brief amount of time shows she could easily craft some incredibly horrifying depictions of being subject to the wrath of a young scorned woman.
1. MAXIMUM OVERDRIVE – Damien Leone
Imagine it. Absolute car-nage.
Alright, now that I got that pun out of my system, the heart of the matter is that Damien Leone is an artisan when it comes to gore maximalism; we have two Terrifier films to prove that already. And while some might not appreciate his lack of subtlety, the man has what it takes to do over the top and grotesque insanely well.
On the same note, King’s original short story Trucks is fairly over the top; it’s effectively a robot apocalypse where the Terminators have been replaced with Ford F-150s and U-Haul vans that only want to tow your corpse around as a trophy. The two movie adaptations, one of the same name and the other being the infamous Maximum Overdrive are funny, but they lack much of the oomph to make the cars feel like threats. They just haven’t depicted the concept of getting horribly murdered by living cars brutally enough, and all the disgusting special effects that could come out of that.
So I say we give Damien Leone whatever he wants budget wise, and let him deliver on an exploitation movie with gruesome, aggressive killer cars absolutely decimating humans in the worst ways possible. Think Death Proof, but with kills that would make Tarantino blush.
Let he who doesn’t want to see a Honda Accord rip someone apart cast the first stone.
***
Do you have any thoughts on adaptations that should be made, or just the ones that didn’t stick the landing the first time? Let us know on Twitter or Instagram! As always, stay tuned for more articles on all things horror in movies, television, and more!
Movies
How Lucha Libre Birthed Mexico’s Wildest Horror Films
Though schlocky B-horror is often associated with American films of men in cheap rubber monster suits and small casts running around in the desert, past our southern border Mexican pop culture has a strong, storied history of B-horror surrounding luchadores, masked wrestlers. Movies where the kings of the ring beat down on anything demonic or alien that crosses their path. But those films themselves have a wild origin, stemming from a post-war hunt for identity and censorship on the basis of sex. Truly, the luchador films that became the bulk of mexploitation cinema as we know it today didn’t come from a strong desire to uplift lucha but from attempts to suppress it. To understand lucha libre and how it became popular enough to be banned from television, we have to get back to the first half of the 20th century, with the end of the Mexican Revolution.
Today’s story is one of domino effects. Of how cultural moments and political decisions can send out ripples that no one can see coming, to the most unlikely of places sometimes. It’s about the unpredictable and ephemeral nature of life, on and off film. And about how cool it is to see a guy in a silver mask elbow-drop a werewolf. This is the story of how Lucha Libre birthed some of Mexico’s wildest horror films.
Though schlocky B-horror is often associated with American films of men in cheap rubber monster suits and small casts running around in the desert, past our southern border Mexican pop culture has a strong, storied history of B-horror surrounding luchadores, masked wrestlers. Movies where the kings of the ring beat down on anything demonic or alien that crosses their path. But those films themselves have a wild origin, stemming from a post-war hunt for identity and censorship on the basis of sex.
Truly, the luchador films that became the bulk of mexploitation cinema as we know it today didn’t come from a strong desire to uplift lucha but from attempts to suppress it. To understand lucha libre and how it became popular enough to be banned from television, we have to get back to the first half of the 20th century, with the end of the Mexican Revolution.
Mexicanidad and the Rise of Masked Wrestlers
To those unfamiliar with the particulars of the Mexican Revolution, it stands as one of the most violent times of political upheaval in human history. After the deposition of decades-long oligarchical dictator Porfirio Diaz and his regime, multiple parties began to fight for control of the country as its residents sought economic relief, agrarian reform, and the cession of land back to indigenous populations.
The Revolution saw a revolving door of commandants, a cadre of different political groups fighting for a variety of different reasons, and the loss of (by the most conservative estimates) over a million lives in a civil war never before seen in Mexico. Needless to say, the Mexican national identity had been wounded severely by the conflict as doubt and fear filled the populace, and political figures like Lázaro Cárdenas, who found themselves in power following the Revolution, began to try and restore that identity.
From this turning point comes the concept of Mexicanidad, a push for Mexican pride and a reaffirming of the image of the Mexican people that was driven by the tastemakers of Mexican society in politics and media. And for Mexican men, and specifically Mexican working-class men, that evolved into an emphasis on masculinity, virility, athleticism, and what would eventually evolve into our modern conceptions of machismo.
The Television Ban That Birthed Lucha Libre Horror Films
And so came the revitalization of lucha libre, for many reasons. Wrestling as a sport had and still has a fairly low barrier to entry, making it the perfect cheap entertainment for the working class. It had previously captured the hearts of Mexican citizens as far back as the late 1800s when wrestling made its way to the country. It involved masculine displays of strength and agility, which was perfect for the Mexicanidad crowd to endorse. The sport also had a rotating cast of colorful characters, usually the same guys you saw last week but fighting with different masks on, which was the perfect draw for young audiences who soon began to see their favorite luchadors at the comic stands and in wider media.
The craze of professional wrestling spread like wildfire, and more importantly, it spread to a female audience. As female athletes became a point of cultural interest, luchadoras became a very popular element of lucha libre despite being in the minority of performers. There began a melding between the rigid roles of masculine and feminine energy, undesired by many of the political and cultural elites of mid-century Mexico.
The cultural thermometer rapidly cooled due to lucha, and in 1954, federal authorities imposed a 30-year-long ban on lucha libre on Mexican television to prevent the waters from being muddied by such “dangerous” concepts. Soon, lucha had gone from a sport beloved by all people to a brutish, lowbrow event. Which, couldn’t be further from the truth, but cultural hegemony is a hell of a drug!
CDMX’s airwaves had become a no-fly zone for masked wrestlers, and a lost media massacre ensued that caused little to no recordings of those classic matches from the 40s and 50s being kept in circulation. Whole careers had evaporated from record overnight.
But…that didn’t stop luchadors from going to the movies.
Gothic Horror Revival in Mexican Cinema
The film wasn’t just a smash hit at the box office, it was a superkick to the mouth of Mexican cinema that ended up causing a true gothic horror revival. The film’s producer and star, Abel Salazar, found enough success with the film that the Mexican market was soon saturated with gothic horror of his own design, as Hammer Horror took over the British film market.
EL SANTO, BLUE DEMON, AND THE RISE OF LUCHA LIBRE IN HORROR
Despite the television ban, you couldn’t make Mexico forget its masked heroes so easily. The two most significant of which were El Santo y Demonio Azul (more commonly referred to as Blue Demon). Well, technically both of them began as rudos (heels, or bad guys) and later became tecnicos (faces, or heroes). The point is, Santo and Blue Demon’s rivalry was a legendary one, with their masks becoming a piece of indelible Mexican iconography and recollections of their matches being burned into people’s brains.
El Santo was convinced by fellow wrestler, Fernando Osés, to join him on the set of a film he was shooting, as the recent TV ban opened up opportunities in film for wrestlers. Santo was initially signed to star in one of the first lucha films called El Enmascarado De Plata (The Man in the Silver Mask), but backed out last minute because of fears the film would fail and damage his reputation.
Santo’s actual debut pulled him into the world of monster movies that had begun to thrive in Mexico, with his first film being Santo Contra El Cerebro Del Mal (Santo vs. The Brain of Evil) in 1961. From there he went on to do Santo Contra Los Zombies (Santo vs. The Zombies), and by the time he had shot Santo vs. The Men from Hell and Santo in The Hotel of the Dead, he had been locked in as a b-horror icon.
He was of course reunited with Blue Demon throughout his career, and the two often teamed up like superheroes to fight a wide variety of fiends. Ranging from alien spiders to vampire women to Mesoamerican mummies on a rampage, there was nothing they weren’t willing to powerbomb into oblivion. Blue Demon starred in 25 films over his lifetime– Santo starred in more than 50. The two were prolific actors and artists, and despite the often irreverent nature of the films they made and the questionable quality of many of them, the two were horror icons that most of the world is simply unaware of.
Many of their films were not distributed widely, let alone localized to English-speaking territories; only a total of 4 Santo films ever got English language versions. But even if those dubs never came, we can stand and salute the wild history of b-horror that these luchador legends have given us.
Top Lucha Libre Horror Films to Watch Today
Arañas Infernales (Hellish Spiders) is a really fun piece of schlocky, monochrome, nuclear bug horror from the late 60s; the little evil alien spider puppets in this film are so doofy looking, I want ten of them. It’s pure ham and cheese as far as content goes, but it’s impossible to say it isn’t fun.
Santo y Blue Demon Contra Los Monstruos (Santo & Blue Demon vs. The Monster Men) is some oh-so-glorious technicolor nonsense that brings us a six-man grudge match between the heroes, a mummy, a werewolf, a vampire, and a Frankenstein. I don’t even have to say anything else, you know it’s too hype of a concept to turn down.
Santo Contra Las Mujeres Vampiro (Santo vs. The Vampire Women) has some genuinely unparalleled ambiance and set design, with this black and white gothic horror mixing a modernized Mexican aesthetic with the pseudo-Victorian mansion where the finale takes place. Santo dives into a nest of female vampires in white dresses to rescue a damsel in distress, and hilarity ensues. It is probably the most technically competent of all of these when it comes to its directing.
The Mummies of Guanajuato was ultimately one of if not the biggest moneymakers, as it brought the three most famous luchadores together: Santo, Blue Demon y Mil Máscaras united to put the squeeze on some mummies killing Mexican citizens. Those monsters by the way, actually look great thanks to their makeup! All the ring exhibition stuff of them wrestling in the film is impressive as well. This one is my true favorite. If I could only watch one, it would be this.
And that’s all! Well, I’m off to go watch Santo vs The Zombies again, stay chill Horror Press rea–
What’s this?
ITS EDITOR JAMES-MICHAEL WITH THE STEEL CHAIR?
HES COMING IN BECAUSE OF MY HELLBOY ARTICLE BEING TOO LONG?!
LORD HAVE MERCY!
***
Major thanks to Marjolein Van Bavel, a professor of Modern Cultural History at Radboud University, whose writing formed most of the research on the historical part of this article. She discusses luchadoras in much more detail in her article “Morbo, lucha libre, and Television: The Ban of Women Wrestlers from Mexico City in the 1950s”, which I highly recommend you check out. Her writing was one of the major resources used for this article, and as such, deserves a shoutout.
And another shoutout to Brian Schuck of Films From Beyond, who pointed me towards Doyle Green and his book Mexploitation Cinema, which is a huge resource on lucha libre in horror. Both of them are incredible, please show them some love!
And as always, good luck, and happy watching horror fans!
Movies
Menstruation Meets Mayhem: 5 Horror Films That Bleed Terror
While periods are not quite trending in horror, there are more movies than one would suspect in this niche subgenre. Obviously, Carrie’s shower scene is historical for a reason. However, using a soaked tampon as zombie bait in It Stains the Sands Red is fantastic. Even finding a gruesome murder while using a truck stop bathroom to change a tampon in Candy Land felt like relatable cinema for me as a Midwesterner. So, I thought I would pull five bloody horror movies about “Aunt Flo” going to the “Red Wedding”. These titles know that being “on the rag” is great for the genre. This is why I am cordially inviting you to step into the restroom with me so I can show you some pretty wild shit. Here are five movies that will make you hesitate the next time someone asks you what your favorite period film is.
I hate having a period. I know that is a cold take for many people who menstruate. No one enjoys the cramps, migraines, or a three to seven-day disruption from certain fun activities. Who among us is giddy when Aunt Flo arrives unless we are having a pregnancy scare? However, the thing that salts my tines the most about this painful and bloody part of life is the stigma surrounding it. Many places still charge the tampon tax. Tons of Republicans take office without understanding basic anatomy but want to regulate AFAB bodies anyway. This pisses me off, and that is why I love horror films that shove periods right in the audience’s faces. After all, menstruation is a goldmine for body horror and the perfect excuse to add buckets of blood to any movie.
While periods are not quite trending in horror, there are more movies than one would suspect in this niche subgenre. Obviously, Carrie‘s shower scene is historical for a reason. However, using a soaked tampon as zombie bait in It Stains the Sands Red is fantastic. Even finding a gruesome murder while using a truck stop bathroom to change a tampon in Candy Land felt like relatable cinema for me as a Midwesterner. So, I thought I would pull five bloody period horror movies with a visit from “Aunt Flo” or going to the “Red Wedding”. These titles know that being “on the rag” is great for the genre. This is why I am cordially inviting you to step into the restroom with me so I can show you some pretty wild shit. Here are five movies that will make you hesitate the next time someone asks you what your favorite period film is.
5 Must-Watch Horror Films That Turn Periods Into Terrifying Tales
Blue My Mind (2018)
Where You Can Watch: Prime Video and Tubi
A teen gets her period and begins to experience radical body transformations. Director and co-writer Lisa Brühlmann crafted a moody world, uninterested in playing by the rulebook. While Mia (Luna Wedler) has much bigger fish to fry than her period, I do not think we should overlook that moment in the film. It is easy to forget it in the grand scheme of things. However, nothing ushers in frightening bodily changes quite like menstruating. That moment also firmly plants this body horror movie as a unique coming-of-age tale.
Excision (2012)
Where You Can Watch: Fandango at Home, Plex, and Tubi
A high-school outcast with medical career aspirations concocts a wild plan to save her ailing sister. So much happens in this movie! There are plenty of cameos in front of this bloody backdrop, which is Pauline’s (AnnaLynne McCord) canvas. While she spends a lot of time fantasizing about blood and worrying about her sister, she does not let that stop her from cashing in her V-card. She is very upfront about her plan to lose her virginity while on her period, and she gets her bloody way. If you are looking for a movie with a period sex scene, Excision is your girl.
Ginger Snaps (2000)
Where You Can Watch: AMC+, Peacock, and Shudder
Two sisters who are loners in their suburban neighborhood find their relationship changing when one gets bitten by a werewolf. No list of period films is complete without Ginger Snaps. Both Brigitte (Emily Perkins) and Ginger (Katharine Isabelle) are teens who are so late to get their period it has become a household concern. So, it is pretty awful timing for Ginger to get hers right when her life is about to be changed forever. We love when periods are the beginning of the horror story because that is all too relatable.
Read our review of Ginger Snaps here.
Tiger Stripes (2023)
Where You Can Watch: AMC+ and Shudder
An 11-year-old girl’s world is changed when she gets her first period and begins to change into something ferocious. Writer-director Amanda Nell Eu definitely has the cutest movie on this list. I enjoyed watching Zaffan (Zafreen Zairizal) learn that it is okay to be different. More importantly, she learns that sometimes you need to rip a guy’s head off to get peace. This coming-of-age body horror movie has a lot of heart, and I am so glad it is finally streaming. Please insert this into your watch list to break up your steady diet of nightmare fuel.
Read our review of Tiger Strips here.
Verónica (2017)
Where You Can Watch: Netflix and Pluto TV
An evil entity attaches itself to a teen girl who made contact with a Ouija board. This Spanish film is inspired by true events and is possibly the most sinister period film on the list. Poor Verónica gets her first period while battling the demonic spirits invading her body. That is a lot for anyone to deal with at any age, and I am not surprised this movie lives rent-free in so many of our minds. If you enjoy this movie, you might want to watch the prequel Sister Death, also available on Netflix. However, in my opinion, Verónica is the better film.
Hopefully, some of these period films will leave you wanting more. If so, I suggest checking out what Alter has to add to the conversation. I also encourage you to boost filmmakers who know the real meaning of period horror.
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