Movies
7 STEPHEN KING ADAPTATIONS THAT DESERVE A REMAKE—AND WHO SHOULD REMAKE THEM
While there are plenty of uninspired retreads that we’ve seen done better the first time around, many remakes exist in their own separate sphere, living as fascinating and sometimes very fun reinterpretations of their source material. It’s safe to say we’ve all had at least one craving to see some of our favorite directors tackle a remake; either out of a sense that a story deserved better, or just to see where the artistic process takes them.
And for many horror fans who enjoy Stephen King’s works, those remakes we crave have been just about that. I find myself daydreaming pretty often about stories whose adaptations deserve a second (or third, or fourth) go around, so, I figured it was time to compile those daydreams into a proper article. Today we’ll delve into those, along with an idea of which horror filmmakers should direct them and why.
If there are two things that get a nasty rap, its horror remakes and Stephen King adaptations.
While there are plenty of uninspired retreads that we’ve seen done better the first time around, many remakes exist in their own separate sphere, living as fascinating and sometimes very fun reinterpretations of their source material. It’s safe to say we’ve all had at least one craving to see some of our favorite directors tackle a remake; either out of a sense that a story deserved better, or just to see where the artistic process takes them.
And for many horror fans who enjoy Stephen King’s works, those remakes we crave have been just about that. I find myself daydreaming pretty often about stories whose adaptations deserve a second (or third, or fourth) go around, so, I figured it was time to compile those daydreams into a proper article. Today we’ll delve into those, along with an idea of which horror filmmakers should direct them and why.
7. THE TOMMYKNOCKERS – Jason Eisener
A change of tone is one of the best reasons for a remake. Undoubtedly one of Stephen King’s silliest adaptations, the original Tommyknocker’s miniseries really betrays the disturbing source material. Imagine if you will, a found footage film about a town slowly becoming a collective of genius technopaths who can build anything they dream of—at the cost of slowly having their life forces drained by mysterious alien entities.
Eisener’s work on the V/H/S/2 segment “Slumber Party Alien Abduction”, shows he could make something horrifying out of the Tommyknocker’s Twilight Zone-esque premise without falling headfirst into the bottomless pit of cheese that plagued the miniseries.
6. MISERY – Rose Glass
With Glass’s latest venture being out this month, crime drama Love Lies Bleeding, I was spurred to revisit her debut feature Saint Maud. Five years later, the film has some of the best acting I’ve seen out of a psychological horror ever, and if there’s anyone who should be trusted in depicting one of Stephen King’s most misunderstood villains, it’s Rose Glass.
I would be lying if I didn’t say this choice was driven at least in part by a desire to see Lizzy Caplan reprise the role of Annie Wilkes, given how criminally underrated Castle Rock’s second season was; Caplan’s performance there deserved a big screen focus. Glass’s direction of actress Morfydd Clark in Saint Maud leaves no doubts in my mind she would make a stunning venture deeper into the quiet and disturbing tragedy of Annie Wilkes and Paul Sheldon’s months in the cabin, regardless of who is put in the role.
That being said, it should absolutely be Lizzy Caplan who plays her, and I won’t be taking feedback on this.
5. SILVER BULLET – Brian Duffield
Another adaptation of King’s novella Cycle of the Werewolf is, in my opinion, long overdue. While in recent years truly great werewolf movies like Josh Ruben’s Werewolves Within and Larry Fessenden’s Blackout have supplemented the genre, there’s just not enough.
Cycle of the Werewolf’s first adaptation, the 1985 Gary Busey film Silver Bullet, is fine. It’s entertaining enough as a midnight movie, but only holds up in its special effects and lacks a whole lot of the truly horrifying moments that the book has (as well as its most violent deaths).
A remake helmed by one of the most underrated monster movie directors out there, Brian Duffield, would make an excellent addition to the subgenre, and one that would give Cycle its due. Duffield’s work on the smash hit No One Will Save You brought some of the most frightening grey aliens to ever grace the small screen, and his eye for playing with the darkness to elicit fear is already off the charts, as seen with his excellent 2020 feature Underwater. The woody town of Tarker’s Mill, plagued by its lycanthrope serial killer throughout the seasons, feels like the exact right place to exercise his aesthetic strengths.
4. CUJO – Demián Rugna
I don’t want to reduce the horrors of When Evil Lurks and the skill of its incredibly talented writer-director Demián Rugna to a single scene or a single scare. But the fact is, the film’s most horrifying and dread-inducing moment is perfect evidence of why Rugna could make a new iteration of Cujo just as, if not more bloodcurdling. And the rest of the film just elaborates on that.
The story of a good dog driven to madness by sickness, and the families around him that suffer for it, Cujo is a bleak tale and one that’s every bit as horrifying of a story as it is depressing. The first film changed the ending in a major way, and mostly ignored the oppressive atmosphere for more of a thrilling story that startles, rather than one that’s as emotionally draining. Rugna knows how to craft and direct a story that will leave you feeling as empty as Cujo does. He has an eye for executing nauseatingly scary scenes, and directing chaotic violent moments that shock you completely, so he’s the only man I have in mind that could do the book justice.
3. SLEEPWALKERS – Brandon Cronenberg
If you want weird body horror, mind games, and psychosexual freakshows, you hire a Cronenberg. And who better than Infinity Pool and Possessor’s very own visionary creator to redo one of King’s strangest films yet?
One of the few works on this list that wasn’t originally a book or short story, the script King penned for Sleepwalkers is a head trip and a half: immortal psychic werecats that feed off the life force of virgin girls are feuding with actual cats. Despite its strange plot and many shortcomings dialogue-wise, Sleepwalkers is a cult classic, and nothing can take that away.
That being said, it wouldn’t hurt to modernize Sleepwalkers and get into the demented lore of the weird mother-son duo that is Charles and Mary Brady. Alice Krige and Brian Krause’s great acting and creepy dynamic in the 1992 film drive much of the plot’s intrigue. A modern character study of these two immortals, predatory beings once worshipped as gods and now reduced to simple murderers, would make for an intriguing story without sacrificing its odd and over-the-top ideas.
2. CARRIE – Gigi Saul Guerrero
One of my personal favorite King stories, it always bothered me that we haven’t gotten a Carrie adaptation accurate to the formatting of the story. Not the characterization or emotion of Carrie White, since Brian DePalma’s 1976 and Bryan Fuller’s 2002 adaptations knock that out of the park, but rather how we get to learn about the destruction of Chamberlain and the young girl responsible.
The legendary Stephen King novel is a series of firsthand accounts and witnesses to Carrie White’s rampage, scattered through journal entries, autobiographies, court testimony, and plain old narration. Carrie feels much more like a walking natural disaster that decimates the town. I believe a movie depicting the small town’s destruction as a sort of horrific mystery that has to be pieced together and understood would make for a thrilling adaptation.
Enter Gigi Saul Guerrero, who would knock this out of the park. Guerrero’s work on one of the best V/H/S segments of all time, “God of Death”, shows she more than has the chops to depict the living wildfire that is Carrie White and her town-leveling psychic abilities. Her work in such a brief amount of time shows she could easily craft some incredibly horrifying depictions of being subject to the wrath of a young scorned woman.
1. MAXIMUM OVERDRIVE – Damien Leone
Imagine it. Absolute car-nage.
Alright, now that I got that pun out of my system, the heart of the matter is that Damien Leone is an artisan when it comes to gore maximalism; we have two Terrifier films to prove that already. And while some might not appreciate his lack of subtlety, the man has what it takes to do over the top and grotesque insanely well.
On the same note, King’s original short story Trucks is fairly over the top; it’s effectively a robot apocalypse where the Terminators have been replaced with Ford F-150s and U-Haul vans that only want to tow your corpse around as a trophy. The two movie adaptations, one of the same name and the other being the infamous Maximum Overdrive are funny, but they lack much of the oomph to make the cars feel like threats. They just haven’t depicted the concept of getting horribly murdered by living cars brutally enough, and all the disgusting special effects that could come out of that.
So I say we give Damien Leone whatever he wants budget wise, and let him deliver on an exploitation movie with gruesome, aggressive killer cars absolutely decimating humans in the worst ways possible. Think Death Proof, but with kills that would make Tarantino blush.
Let he who doesn’t want to see a Honda Accord rip someone apart cast the first stone.
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Do you have any thoughts on adaptations that should be made, or just the ones that didn’t stick the landing the first time? Let us know on Twitter or Instagram! As always, stay tuned for more articles on all things horror in movies, television, and more!
Movies
The Conjuring Movies, Ranked
The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.
The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.
Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.
The Entire Conjuring Franchise Ranked
#9 The Conjuring: The Devil Made Me Do It (2021)
This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.
#8 The Nun II (2023)
Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).
#7 The Curse of La Llorona (2019)
The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.
#6 Annabelle (2014)
The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.
#5 The Nun (2018)
The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.
#4 Annabelle: Creation (2017)
It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.
#3 Annabelle Comes Home (2019)
Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.
#2 The Conjuring 2 (2016)
James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.
#1 The Conjuring (2013)
Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.
Movies
A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life
Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.
Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching.
Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.
The Best Movies Directly Inspired By Ed Gein
Psycho
Where You Can Watch: Netflix
A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight.
Deranged
Where You Can Watch: Tubi
A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.
The Texas Chain Saw Massacre (1974)
Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi
Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.
The Silence of the Lambs
Where You Can Watch: Pluto TV, The Roku Channel, and Tubi
A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards.
While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime.