Movies
Explaining Cloverfield & It’s Weird, Chaotic Multiverse
The Cloverfield franchise has had a long, bizarre journey to being a big-name horror franchise. The J.J. Abrams-produced sci-fi horror film had its way to theaters paved by an especially strange and engaging ARG (alternate reality game); played through the internet, fans dove into a series of puzzling websites, hidden images, and in-universe promotional materials that told a twisted story of corporate conspiracy. At its center? Slushy drinks, kawaii mascots, satellite crashes, seabed-dwelling parasites, and of course, a 300-foot-tall aquatic monster fans would dub Clover.
With viral marketing on a whole other level, a simple kaiju movie wrapped in a found footage package became THE landmark horror film of 2008 and soon embedded itself into the hearts and minds of horror fans worldwide. It became so big in fact that the brand name eventually consumed other unrelated films: The Cellar, which was eventually retitled and rewritten to become 10 Cloverfield Lane, and God Particle, which eventually became The Cloverfield Paradox.
Cloverfield as a pop culture entity is an undeniable juggernaut with active fans still discussing it and its sequels to this day. But what brings together these three films, with a prospective fourth still in development? Today, we explain exactly what makes the Cloververse tick.
The Cloverfield franchise has had a long, bizarre journey to being a big-name horror franchise. The J.J. Abrams-produced sci-fi horror film had its way to theaters paved by an especially strange and engaging ARG (alternate reality game); played through the internet, fans dove into a series of puzzling websites, hidden images, and in-universe promotional materials that told a twisted story of corporate conspiracy. At its center? Slushy drinks, kawaii mascots, satellite crashes, seabed-dwelling parasites, and of course, a 300-foot-tall aquatic monster fans would dub Clover.
With viral marketing on a whole other level, a simple kaiju movie wrapped in a found footage package became THE landmark horror film of 2008 and soon embedded itself into the hearts and minds of horror fans worldwide. It became so big in fact that the brand name eventually consumed other unrelated films: The Cellar, which was eventually retitled and rewritten to become 10 Cloverfield Lane, and God Particle, which eventually became The Cloverfield Paradox.
Cloverfield as a pop culture entity is an undeniable juggernaut with active fans still discussing it and its sequels to this day. But what brings together these three films, with a prospective fourth still in development? Today, we explain exactly what makes the Cloververse tick.
WAIT, WHAT IS THE CLOVERVERSE?
The three different films of the Cloverfield franchise take place across 4 separate universes, with the multiverse at large being dubbed the Cloververse by fans back in 2016 with the release of 10 Cloverfield Lane.
The multiverse angle was only truly established in the third film, The Cloverfield Paradox; while Paradox explores astronauts trying to access infinite energy through a particle accelerator and messing up terribly, this inciting incident is the lynchpin that connects all three films.
A scene of a conspiracy theorist named Mark Stambler (a relative of that universe’s Howard Stambler from 10 Cloverfield Lane) on television elaborates that Clover, the aliens from Lane, and other creatures could be summoned by the ignition of the Shepard particle accelerator. When the fabric of space-time was ruptured by the accelerator firing off, it “unleashed chaos” and seemingly scattered horrific aliens across the multiverse.
Hence, Cloververse.
WHAT IS CLOVER?
A juvenile kaiju of an unknown species, Clover is the most notable of the monsters released by this event. Created by concept artist and creature designer Neville Page, Clover was described by director Matt Reeves and company as a frightened child that had been wrenched from its mother, causing it to rampage across the world after being woken up.
Dubbed the Large-Scale Aggressor by the U.S. government, the creature was an alien adapted for aquatic environments and could go for extended periods of dormancy at the bottom of the ocean. It carried on its body thousands of aggressive, dog-sized parasites, which only compounded the damages done to New York by Clover’s attack.
It was also effectively unkillable, surviving everything thrown at it, including the Hammerdown Protocol bombing that ended the first film. A subtle message in the end credits reveals that the creature is still alive, and quite possibly grew into a similar giant monster seen at the end of The Cloverfield Paradox.
WHERE DID CLOVER COME FROM?
A long-time debate among Cloverfield fans was spurred by exactly this question, and by the final scene of the film which shows an object falling into the Atlantic Ocean. The ARG and J.J. Abrams’s own answers suggest the object is a satellite, but director Matt Reeves seems to believe this is the monster. Most disagree with Reeves because the ARG goes to lengths to explain the timeline of events leading up to Clover’s attack on New York, which just doesn’t work if it is Clover.
Without getting lost in the weeds of exact dates, the ARG details that a Japanese satellite known as the Chimpanzee III crashed into the Atlantic Ocean under mysterious circumstances, a portion of which ended up off the coast of New York (which we see in the final moments of the film). Tagruato, a shadowy transnational corporation with concerted interests in deep sea drilling, went on the hunt for the rest of the satellite and discovered a dormant Clover. An oil drilling station was established over the creature’s location as a coverup, and Tagruato experimentation at that drill site eventually woke it up.
In short: Clover was torn into the universe by the Shepard accelerator, went dormant at the bottom of the ocean, was woken up by Tagruato, and then subsequently went on a rampage.
WHAT WOKE UP CLOVER?
Among the many Tagruato subsidiaries, none was as popular as Slusho!, a drink company that was quickly becoming the most popular beverage in the world. A big part of the ARG is a series of video messages and emails detailing the titular soft drink was made with an addictive chemical compound called Seabed’s Nectar. Seabed’s Nectar was toxic when consumed in its raw form as seen in the Jamie videos of the ARG, causing hallucinations and eventually death in humans after continued consumption.
The Special Investigation commentary on the home release of Cloverfield revealed that the thousands of Parasites that landed in New York City with Clover all had high levels of Seabed’s Nectar in their blood. The Parasites, Clover, or both were the source of Seabed’s Nectar, and Tagruato’s misguided attempts to extract and farm it from the creatures woke it up.
Still, kind of thirsty for some Slusho.
ARE THE ALIENS FROM 10 CLOVERFIELD LANE RELATED TO CLOVER?
Probably not. Chances are they’re just one of many threats caused by a misguided attempt to harness infinite energy. J.J. Abram’s has said in the past that he’s hoping for the Cloverfield series to end up as more of an anthology than anything else, so there’s no telling where the story goes from here. I’m just hoping we get either the return of the parasites or some nasty new monster designs.
***
And that will be it for today’s Horror 101 lesson. See you in the next class and stay tuned to Horror Press’s social media feeds for more content on horror movies, television, and everything in between!
We are finally in the midst of Shudder’s 61 days of Halloween! There are so many horror movies to consume and 31 days simply isn’t enough. Use the long Labor Day weekend to kick off your horror movie countdown and add these movies to your Shudder queue. Here is a list of what I would recommend checking out to ease into the Halloween spirit right before going into full blown premature trick-or-treating mode.
The Best Movies to Stream on Shudder This Month
The Yeti (2026)
A large creature has captured people in a remote Alaskan town in the 1940s. The sheriff has put together a search-and-rescue monster hunting party to bring back the captives. It sounds like the premise of a Cold Iron Studios co-op video game in the same vein as Aliens: Fireteam Elite. The stylization from co-directors Gene Gallerano & William Pisciotta in the trailer makes me think they have cooked up a story that blends action, horror, and wilderness survival. Sign me up, sheriff!
Leave (2022)
Hunter was found as a baby abandoned in a cemetery wrapped in a cloth covered with satanic symbols. She has been searching for answers her whole life about where she came from. Her journey to find her parents takes her down a mysterious path, and she is being warned by something from the beyond to leave this mystery alone. Can she trust who this investigation is leading her towards? It’s a mysterious, supernatural, culty film that will give you chills.
Penny Lane is Dead (2026)
One crazy night in Australia with perhaps a dash of revenge. Shudder’s latest original looks to be packed with blood and violence in this story of girls just trying to have fun until the crazy cousin drugs the party and invites dangerous people to play. The trailer promises lots of body horror (trigger warning, there may be SA or threat of it). I’m not saying it will be Evil Dead level, but there’s definitely something in the Aussie water with Lee Cronin pumping out his gory deadites and mummy films, and now Mia Kate Russel with this one.
The Others (2001)
This is a PSA to the younger readers of Horror Press; stop what you’re doing and watch Nicole Kidman go 100 miles per hour in this classic ghost story with a twist. Dreary weather, massive estate, confusing corridors, creepy house servants you don’t know if you can trust, and sad British kids. The ending is an all-timer and spoilers should be avoided at all costs. It has exactly what you need to get right into the cozy, spooky mood for 61-days of Halloween.
Dark Harvest (2023)
If The Hunger Games and The Purge had a baby and raised it during Oktoberfest. Teenage boys are tasked with hunting and killing the entity known as Sawtooth Jack on Halloween night, or it could mean certain peril for their town. Of the movies I have listed here that I have not seen, this is going to be at the top of my watchlist. Teens fighting for survival on Halloween night and the battle setting is in a cornfield?! Say less. I am there with my Sam Adams seasonal in hand. Another perfect movie to cannonball me right into the Halloween spirit.
This list has been carefully curated to watch in a specific order to gear up for a Halloween marathon. Start with the wintry monster movie, move on to a macabre supernatural thriller, followed by a ramp-up in blood and gore, to then be lulled into a spooky, bump-in-the-night classic, all to end on a ritualistic hunt taking place on Halloween night. This is just getting things started for the first 30-days. Looking forward to sharing the next list to get you through October.
Anyone who follows legendary horror author Stephen King on social media or reads the back of books knows one thing. It’s harder to find something that King hasn’t blurbed than something that he has. The dude is a voracious consumer of genre media, and he finds a lot to love. It’s an admirable quality. But, speaking as someone who saw American Ultra after he praised it, you can’t always trust his recommendations. Today, I’ll cut some of the wheat from the chaff and break down the best modern horror movies he’s recommended.
Three notes: First, I have decided to define “modern” as “2001 or later.” Second, King practices good social media hygiene and has deleted many of his old posts. A lot of them are archived elsewhere. However, it’s more or less impossible to make a truly comprehensive list of his recommendations. I’ve synthesized multiple different sources and done my best to truly encapsulate the breadth of his recommendations. Third, I have not included any adaptations of his own work. He may be outspoken about the ones he doesn’t like, but he’s still obviously biased in that department.
#10 Snakes on a Plane (2006)
To quote King himself (defending putting 2012 among his top 2009 movies), “no filmgoing diet is complete without some cheese.” Snakes on a Plane is a does-what-it-says-on-the-tin movie, delivering high-flying serpentine thrills. However, it’s also a remarkably faithful resurrection of the atmosphere of old 1970s airplane thrillers.
#9 Final Destination 5 (2011)
In his Best of 2011 entry on Final Destination 5, King called it “the best since the first,” and he’s absolutely right. While the sequels probably peaked with the highway prologue in Final Destination 2, the fifth installment is pound-for-pound the most thrilling entry. Between the bridge collapse, the laser eye surgery, and the nail-biting sequence where a screw falls pointy-side-up on a balance beam, there’s no denying there’s real power here. And that’s not even mentioning the fun final twist!
#8 A Quiet Place: Day One (2024)
In a since-deleted Tweet, King called Day One “the rare ‘big Hollywood film’ that is both intimate and textured.” It’s true. A Quiet Place: Day One is a mini miracle of horror filmmaking. An IP-drenched prequel to a duology of good-not-great post-apocalyptic popcorn blockbusters shouldn’t be this genuinely stirring. Plus, relative newcomer Joseph Quinn holds his own against the awe-inspiring Lupita Nyong’o, resulting in an all-timer two-hander.
#7 The Strangers (2008)
After watching The Strangers, King took to Entertainment Weekly to pontificate about what makes good horror. If you inspire someone who literally wrote the book on horror to think about it more, you’ve done something right. Bryan Bertino’s home invasion movie is one of the grimmest movies of the 2000s, but its desperate existential dread is terrifying and perfectly in line with King’s best works.
#6 Splice (2009)
King included Splice on his Top 10 list for 2010, particularly praising the “talented actors… who take the material seriously.” How did this grotesque genetic-experimentation horror movie directed by the guy who made Cube land Adrien Brody and Sarah Polley? Who knows. But they breathe life into some already super solid material. What Brody in particular gets up to feels even more twisted because it’s the guy from The Pianist doing it.
#5 Smile (2022)
In a since-deleted Tweet, King called Smile a “good, scary horror film.” He added that “the real surprise is Sosie Bacon as Rose. What a hell of a performance.” Bacon really was a revelation, but so was debut director Parker Finn. His control over tone and pacing leads to some of the best scare sequences of the 2020s.
#4 The Rule of Jenny Pen (2024)
King’s not fucking around about the New Zealand horror film The Rule of Jenny Pen. It’s one of just two horror movies on his New York Times ballot for the best of the 21st century. The underseen movie is a real corker, too. It follows a judge (Geoffrey Rush) recovering in a care home after a stroke. However, his relaxation is ruined by a sadistic retiree (John Lithgow) who is obsessed with his baby doll puppet. Lithgow’s performance is stunning, and his thrillingly dark energy commands the screen every second he’s in front of the camera.
#3 Barbarian (2022)
In a since-deleted reply to a fan’s Tweet about Barbarian, King said “Yeah, that movie blew me away. It was crazy! Crazy GOOD!” This movie contributed what is perhaps the definitive scary basement in horror, which is no small feat. That’s all thanks to director Zach Cregger’s control over onscreen darkness (one of his many skills). The man must be a shadowmancer of some kind.
#2 Train to Busan (2016)
Train to Busan is the only other horror movie on King’s NYT ballot. It has received a lot of international recognition over the years. Perhaps more than any other non-Parasite movie from South Korea. That’s because it’s flipping amazing. Its crackling energy makes it one of the scariest fast-zombie movies in history. But it also marries that with a compelling father-daughter story. There’s really nothing Train to Busan can’t do.
#1 The Descent (2005)
King put The Descent on his 2006 best-of list, calling it “the best horror movie of the year.” Forget that. It’s one of the top horror movies of the century so far. It’s a bloody good monster movie nestled into a skin-crawlingly claustrophobic spelunking movie.
Honorable Mentions:
The Autopsy of Jane Doe (2016) – I’ve never seen it, so I can’t in good faith recommend it
Pan’s Labyrinth (2006) – A masterpiece, but it’s not really “horror”
Obsession (2026) – We gotta let this one sit, in order to avoid recency bias
