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Bloody Hearts & Sweethearts: Your Y2K Valentine’s Day Watchlist

This Valentine’s Day, let’s travel back in time. Pick up any of these tapes from your local Blockbuster or Hollywood Video and cozy up with a date! Here is your curated Y2K Valentine’s Day watchlist.

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Picture it: America, 1999 to 2001.

Squeaky inflatable furniture and the whir of desktop computers filled our homes. Misogyny erupted in flames at Woodstock ‘99. Fear of computers crashing and planes falling out of the sky on New Years Eve was omnipresent. And teenage pop culture was becoming saturated with J-14 and Bop magazine triple threats. This mix of fear, anxiety, and raging hormones during the Y2K era provided horror with some much needed acidity. And coincidentally, the most notable ones all revolved around love, heartbreak, and lust!

This Valentine’s Day, let’s travel back in time. Pick up any of these tapes from your local Blockbuster or Hollywood Video and cozy up with a date! Here is your curated Y2K Valentine’s Day watchlist:

Lover’s Lane (2000)

13 years ago on Valentine’s Day, a maniac with a hook for a hand escapes from the local mental hospital and goes on a killing spree at Lover’s Lane, the town’s makeout-central. Teens think it is just an urban legend, until the murders begin. Directed by Jon Steven Ward, straight-to-video Lover’s Lane is actually a lot of fun, despite ripping off films like Halloween (1978) and I Know What You Did Last Summer (1997). The film is choc-a-bloc with Y2K fashion (hello, butterfly clips!), and the protagonist is a Nick Carter (Backstreet Boys) lookalike with bleached blonde ends, played by Riley Smith. Anna Faris is a natural stand-out as Jannelle in her first ever feature film role. Questionable dialogue and a brazen move by the town’s most popular girl resulted in bad aging, but The Worst Wig in Horror History slightly makes up for it. Giggle at the stupidity!

Lover’s Lane is available for rent on YouTube and Prime, and can be purchased on Blu-ray and DVD.

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Cherry Falls (1999)

“Holy Hymans, Batman! They’re killing virgins!”

Directed by Geoffrey Wright and released by Rogue Pictures, Cherry Falls is bonkers. The film opens with a teenage couple being stabbed to death in their car by a leather-clad woman with long dark hair obscuring her face. The town’s sheriff (and father to the protagonist) and his investigators discover that each female victim has “VIRGIN” carved into their skin. Fearful for their lives, Cherry Fall’s teens, who appear to shop exclusively at J. Crew and the Gap and belong in a Starbucks rather than high school, seek out ways to lose their virginities. Rape and slut-shaming jokes are abundant, giving young viewers a peek into just how problematic the early-2000s were. Nihilistic, incredibly beige, and sour, Cherry Falls is not for anyone looking for levity. Thank god for Brittany Murphy (Jodie Markin) and her twink best friend! Hang on for the ride and be rewarded with a nasty twist.

Cherry Falls is available for rent on several services (free with AMC+) and can be purchased on Blu-ray, DVD, and VHS.

The Rage: Carrie 2 (1999)

The Rage: Carrie 2 is misunderstood. Sure, it doesn’t hold a candle to the original. But this second installment overflows with teenage angst, and thankfully, offers something different for those bored with the late-1990s Scream formula. Directed by Katt Shea (Poison Ivy) and written by Rafael Moreu (Hackers), The Rage follows a new telekinetic teen: Rachel, played by Emily Bergl. Rachel deals with bullying, the death of her best friend (Mena Suvari), homophobia, and love amidst the growth of her telekinetic powers. According to Fangoria (2021), “Before it was The Rage: Carrie 2, it was The Curse, an angry, impassioned reaction to a real-life incident. In 1993, a group of high school boys from Lakewood, California, known as the Spur Posse, engaged in a series of heinous acts of sexual violence, including the boys’ use of a point system to compare their sexual exploits.” Despite this dark subject matter, The Rage is a sympathetic story. I believe it to be a worthy sequel to De Palma’s masterpiece. And what a cathartic climax!

The Rage: Carrie 2 is available for streaming on several services and can be purchased on Blu-ray, DVD, and VHS.

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Idle Hands (1999)

Idle hands are the Devil’s play-things.

Light up with your crush and dive into the madcap Idle Hands! It has been several days since Anton’s parents have gone missing, unbeknownst to the lazy stoner. Anton, played by teen heartthrob Devon Sawa, soon discovers it was he, specifically his hand, that has become possessed and murderous. Watch as Anton and his grotesquely undead friends try to reign in the demonic hand as he pines for the cute girl-next-door, Molly (Jessica Alba). Directed by Rodman Flender (Leprechaun 2) and also starring Vivica A. Fox and Seth Green, this horror comedy with a killer soundtrack is sure to be a sweet treat this Valentine’s Day. 

Idle Hands is available for rent on several services and can be purchased on Blu-ray, DVD, and VHS.

Valentine (2001)

Valentine opens with Jeremy Melton, a nerdy boy who is humiliated and beaten by his classmates at a junior high Valentine’s Day dance. After being wrongly accused of sexual assault, the boy is sent to a state-run mental facility. The bullies and bystanders must reckon with their pasts when they begin receiving threatening Valentine’s Day cards and being systematically killed by an assailant in a cherubic Cupid mask. Directed by Jamie Blanks (Urban Legend), Valentine is a typical post-Scream slasher but with an incredibly stacked cast: David Boreanaz (Buffy, the Vampire SlayerAngel), Denise Richards (Wild ThingsDrop Dead Gorgeous), Katherine Heigl (Bride of ChuckyRoswell), Mary Shelton (Sugar & SpiceScream 4), and Jessica Cauffiel (Legally BlondeUrban Legends: Final Cut). Like Idle Hands, expect some gritty 2000s nu metal throughout. Valentine will surely inspire you to make your own sweet (or sour) Valentine’s Day cards this year!

Valentine is available for rent on several services and can be purchased on Blu-ray, DVD, and VHS.

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Abigail Waldron is a queer historian who specializes in American horror cinema. Her book "Queer Screams: A History of LGBTQ+ Survival Through the Lens of American Horror Cinema" is available for purchase from McFarland Books. She resides in Brooklyn, New York.

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The Best Horror You Can Stream on Shudder in July 2025

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Looks like another July will be spent getting cozy with Shudder in this house. Between all the new (to me) international titles and the conclusion of Hell Motel on July 29th, the app has filled my calendar for the month. Hold my texts, keep your emails in the draft folder, and don’t look for me outside. My TV and I are on a mission, and we’re prioritizing the five titles below. I hope they grab your attention and make it into your Shudder viewings this summer as well. However, I’ll be too busy watching them to know what anyone else is doing, so happy streaming whatever you decide to get into. 

While we have you here, you should consider joining us for Bloody Brunches! Every Sunday at 11 AM CST / 12 PM EST, we’ll be livestreaming a new episode of Hell Motel. Who know’s who you’ll see, sometimes Ian Carpenter and crew stop by!

The Best Movies to Stream on Shudder This Month

Lake Placid (1999)

A small group of people try to capture a gigantic crocodile terrorizing the people of Black Lake, Maine. I am not an aquatic horror girl, and I am usually unimpressed with 90s action horror titles. I make a special exception for Lake Placid though. Sure, it stars Bridget Fonda, Bill Pullman, and Oliver Platt. However, real film buffs know that it’s really the late Betty White who carries this movie. Her foul-mouthed character stood on business and is the reason most of us revisit this title during the summer.

You can watch Lake Placid on July 1st.

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Nyi Blorong (1982)

The South Sea Queen’s daughter rises to take a human lover. I have a long history of disliking snakes and movies about snakes. However, I’m leaning into this 1982 film because I deserve a retro Indonesian horror fantasy moment. I am also excited because it stars the late Suzzanna, the queen of Indonesian horror. I only learned about her a few years ago and wanted to spend some time with her work. As usual, Shudder is making it too easy to become a better cinephile. 

You can watch Nyi Blorong on July 7th.

The Housemaid (2018)

An orphaned girl is hired as a housemaid at a haunted rubber plantation in 1953 French Indochina. Once there, she falls in love with the landowner, which sends the ghost of his dead wife into a jealous rage. I was excited to watch this just because it sounds chaotic, and I do not see enough Vietnamese horror for my liking. However, I recently discovered it is also an IFC Midnight title, so now my expectations are through the roof. IFC has been the home of upsetting, weird, and unique horror since 2010. I have a date with Shudder on July 14th, because I want this movie in my eyeballs the second it becomes available.

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You can watch The Housemaid on July 14th.

Swallow (2020)

A pregnant housewife is compelled to eat dangerous objects, leading her husband and in-laws to become more controlling. Swallow had the misfortune of debuting during the top of the pandemic, so many people missed it. I found it on accident during Thanksgiving back when Showtime still had its own app. It’s quiet chaos that surprised me in a good way. I have been trying to make everyone I know watch it, and Shudder is making that so much easier this month. I am overdue for a rewatch myself, so I will also be hitting play while it’s available this July. 

You can watch Swallow on July 21st.

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Monster Island (2024)

A Japanese ship transporting prisoners of war and a British POW are stranded on an island where a mythical creator hunts them. Can they work together now that their very survival depends on it? I was bummed I missed this movie at Overlook Film Fest this year because all my friends loved it. So, obviously, I am thrilled Monster Island (also known as Orang Ikan) is hitting the Shudders streets so soon. I do not know what the other monster movies are doing this July because my heart belongs to this baby.

You can watch Monster Island on July 25th.

So, as usual, I will be hiding in my apartment and trying to make Shudder Saturdays my personality. I’m running at their international titles like it’s my job and revisiting a few movies I never spend enough time with. I hope your Shudder watches spark as much joy for you as I expect mine will this July. 

 

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‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

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In the 90 years since its release, The Bride of Frankenstein is still the Universal Monsters franchise’s strongest film.

I first watched The Bride of Frankenstein on cable around 15 years ago. Director James Whale’s fable of a misunderstood creature’s quest for a bride really stayed with me after subsequent viewings. Speaking of The Bride, she’s the Universal Monster with the most potential for a gripping and modern reimagining that hasn’t been fully tapped into yet. Universal’s newest theme park Epic Universe, opening back in May, inspired a deeper dive into The Bride of Frankenstein, the titular role and its legacy.

Unveiling The Bride: The Plot and Power of the 1935 Classic

Immediately following 1931’s Frankenstein, The Bride of Frankenstein centers on Henry Frankenstein (Colin Clive) as the sinister Dr. Pretorius (Ernest Thesiger) urges him to collaborate on creating a mate for The Monster (Boris Karloff). In the meantime, The Monster travels across the countryside, learns to speak, and meets Pretorius. When both scientists complete and unveil The Bride (Elsa Lanchester), she rejects The Monster, motivating him to pull a lever and famously say, “We belong dead.” Pulling the lever ignites an explosion, killing The Monster, The Bride, and Pretorius.

Just as it took two scientists’ minds to create her onscreen, two individuals gave life to The Bride’s characterization and look: Lanchester and makeup master Jack Pierce, who designed nearly all the original Universal Monsters.

The Bride’s Hiss: How Lanchester Stole the Show with Limited Screentime

The Bride not being the film’s main protagonist is ironic since she’s the title character. Making the most of her brief performance, Lanchester’s swan-like mannerisms as The Bride sharply contrast with the humanity Karloff brings out of The Monster. After her dual role as The Bride and author Mary Shelley herself in the film, Lanchester took on more horror film roles like Henrietta Stiles in Willard (1971). It’s not hard to imagine what could’ve been for her career if she reprised her role in The Bride of Frankenstein’s sequels Son of Frankenstein and Ghost of Frankenstein. If a lab explosion couldn’t kill The Monster, wouldn’t it be the same for The Bride?

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Besides the white streaks, Lanchester surprisingly didn’t wear a wig to portray The Bride since Pierce shaped her red hair to look the way it does. Pierce’s work on The Bride is just as iconic if not more so than Lanchester’s performance, ensuring the character became inseparable from her intended suitor in pop culture’s eyes. Case in point: There’s so much officially licensed merchandise playing up a romance between the two characters, even though The Bride can’t stand her intended mate. Beyond Lanchester and Pierce, there is one man responsible for how the film itself would come out.

James Whale’s Masterpiece: Directing The Bride of Frankenstein

Whale stitched great set designs, fantastic performances and composer Franz Waxman’s eerie score together to create a masterpiece.

Having Frankenstein, The Old Dark House and The Invisible Man under his belt by the mid-‘30s, it’s clear Whale creatively peaked while working on The Bride of Frankenstein. Although so much about Whale’s talents has been said, there’s a reason why his work on the film stands out across his filmography: He really went wild when directing it. Every character is practically cartoony, the sets are more elaborate and the plot is thematically richer than the original’s. Being an openly gay filmmaker, he cranked up The Bride of Frankenstein’s camp to legendary heights.

The Bride of Frankenstein is the final horror movie Whale directed. The novel Father of Frankenstein and its film adaptation Gods and Monsters, starring actor Ian McKellen as Whale, dramatize his life after directing the film. According to the reference book Universal Horrors by Tom Weaver, Michael Brunas and John Brunas, he initially didn’t want to direct his horror work’s apex. Just like Henry Frankenstein’s relationship with the monster he created, The Bride of Frankenstein’s production is a case of life imitating art. The Monster’s in-universe infamy further parallels Whale’s Frankenstein duology’s lasting popularity.

How The Bride of Frankenstein Shaped Horror Sequels and Adaptations

The Bride of Frankenstein’s influence can be seen across other horror films and Frankenstein adaptations.

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Having “Bride of” in a horror sequel’s title is synonymous with including the main character’s female counterpart, leading to Bride of Re-Animator, Bride of Chucky, etc. The similarities go further than the titles, with The Bride of Frankenstein inspiring the former’s plot and furthering Tiffany’s arc in the latter. The Bride of Frankenstein inevitably shaped Frankenstein’s future adaptations as well.

Directed by Kenneth Branagh, Mary Shelley’s Frankenstein from 1994 closely follows the original novel. Breaking away from the novel’s narrative, its third act pays homage to The Bride of Frankenstein when Victor brings Elizabeth back to life with similarly brief screentime. Mia Goth’s seemingly red hair on the set of Guillermo Del Toro’s upcoming Frankenstein may hint at her character similarly becoming The Bride.

The Bride’s Untapped Potential for a Modern Horror Remake

With Warner Bros. releasing its own take on the character with The Bride! in 2026, it makes Universal’s reluctance to make a new remake downright egregious.

The Bride is still the literally redheaded stepchild among the Universal Monsters. When it comes to being neglected by Universal, The Creature From the Black Lagoon is the only character who rivals The Bride, but that’s another story. Universal did plan a remake directed by Bill Condon, who helmed Gods and Monsters, for its aborted Dark Universe film franchise.

The Bride’s Absence in Epic Universe’s Monsters Unchained Ride

Looking at Epic Universe, the Monsters Unchained: The Frankenstein Experiment ride apparently leaves The Bride out, even though she makes more sense to be in it than The Phantom of the Opera. However, The Bride does make meet-and-greet appearances across Dark Universe’s grounds.

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Several ideas can be incredible for when Universal finally releases a remake of The Bride of Frankenstein someday. Based on what I’ve heard about 2023’s Poor Things, it’s exploration of a mad scientist’s creation’s experiences in a restrictive society is closer to what a modern reimagining should be. Having a woman behind the camera can lead to a feminist vision, delving into The Bride questioning her life’s purpose.

Until the day a proper remake debuts, the original 1935 film remains The Bride of Frankenstein’s definitive incarnation.

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