Movies
5 Movies That Make Screambox A Must for Horror Fans in December
Among all the horror streaming platforms, Screambox has the best sleeper picks. The real out-there films, the ones you didn’t even know existed, and the ones you had long forgotten but are compelled to rewatch. From originals to horror classics to more modern films than you can shake a stick at, they’ve always got us covered.

Among all the horror streaming platforms, Screambox has the best sleeper picks. The real out-there films, the ones you didn’t even know existed, and the ones you had long forgotten but are compelled to rewatch. From originals to horror classics to more modern films than you can shake a stick at, they’ve always got us covered.
That being said, choosing what to dive into with a library as large and varied as this one is tough. If you need help with what to watch on Screambox, allow us here at Horror Press to share five recent favorites that have captivated us. From stories of wives trying to hold their house together while plagued by a deranged stalker, to soldiers fighting for their lives against cybernetic terrors, Screambox has a little bit of everything for you this month.
And no, we will not be including Terrifier 2, because even though it is great, that’s just giving recommendations on easy mode. Let’s get into it.
WHAT TO STREAM ON SCREAMBOX IN DECEMBER
DOOR (1988)
When Yasuko’s husband leaves for a three-day stay at his workplace, a housewife is forced to try and survive the increasingly violent advances of her stalker while protecting her son.
I reviewed Door earlier last month after editor James-Michael discovered it and shared its wonderfully bizarre style with me. Door really encapsulates how the cleverest of movies can be made with the smallest sets and budgets while retaining titanic amounts of talent. Regardless if you need a more unique take on the more conventional erotic psychological thrillers of the 80s and 90s, or if you’re just a fan of smaller Japanese cinema, Banmei Takahashi’s 1988 feature is just what the doctor ordered.
If evocative camerawork and great acting matter a lot in the thrillers you watch (and you also like climaxes that involve tiny chainsaws), watch it.
LIVING WITH CHUCKY (2022)
Delve into the history and the making of the Childs Play series with the voices and memories of Don Mancini, Brad Dourif, Jennifer Tilly, and many more.
When I have trouble deciding what to watch on Screambox, I can always count on its myriad documentaries. One of my favorite things about their horror documentaries is the number of special guests discussing the films they’re dissecting. Living With Chucky not only gives a ton of them, but it also gives some very sweet stories about how the Chucky movies intersected with the lives of the many people they touched, in and out of their productions. Fans of the documentaries Sharksploitation (which we also covered here!) and RoboDoc: The Creation of Robocop will have fun with this one.
If seeing how the movies you love were made is just as important as seeing a Good Guy doll slice, dice, and beat the life out of people with a yardstick, watch it.
ONYX THE FORTUITOUS AND THE TALISMAN OF SOULS (2023)
A loser amateur occultist’s life is changed forever when he wins a weekend getaway to meet his idol and gets dragged into a world of demons and witchery.
We’re a long way from Andrew Bowser’s early days of internet virality, being best known for his character Onyx: A Luciferian weeaboo weirdo and all-around dorkbag who constantly lets out a stressed “Idon’tknow!” as his catchphrase. Now he’s a full-fledged filmmaker, and his first feature that stars Onyx is actually pretty great. It’s not quite camp that carries it, but rather the sheer visible heart it has. Bowser and company succeeded in what they set out to do: making an off-the-wall horror comedy of pure absurdist humor.
If you’ve been waiting for something along the lines of Pee Wee’s Big Adventure Into Hell, or just a passion project that’s packed to the brim with fun character actors, watch it.
FRANKENSTEIN’S ARMY (2013)
A Soviet squadron at the end of World War 2 finds German supersoldier projects gone wrong: zombie robots running rampant, made courtesy of one of Victor Frankenstein’s own descendants.
A found footage film that I love for the dedication that went into its production, Frankenstein’s Army is an insane walk through a mad scientist’s workshop, packed to the brim with machinations of steel and rotted flesh; that is to say, it’s evocative as hell and twice as fun thanks to its monsters. Director Richard Raaphorst made a practical effects extravaganza that is hard not to get immersed in, utilizing its found footage aspect perfectly and delivering a thrilling creature feature ride.
If Phil Tippet’s Mad God left a longing for dieselpunk horror madness in your heart, craving crazy cyborg creature designs, watch it.
DEVILS (2023)
A detective hot on the trail of murders ends up trapped in the body of the serial killer responsible for the murders and is forced to use the criminal’s body to hunt him down.
My personal most anticipated movie coming to Screambox in December. The streaming platform’s foreign picks never miss the mark for me. Thanks to them, Project Wolf Hunting became an all-time favorite, and I expect much of the same for Devils. While its concept has been done more than a few times, the look of Devils is extremely polished, and I trust the crew around it to deliver something absolutely wild. It was produced by Il-hyung Cho, who worked on both possession mockumentary The Medium and I Saw The Devil, so I trust his track record and expect this to be a cerebral thriller with plenty of twists and turns.
If Suitable Flesh left you wanting even more body-swapping weirdness, with some crime thriller elements instead of Lovecraftian ones added to the mix, watch it.
Devils is heading to Screambox on December 5th!
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Hopefully, you’ve found more than one answer for what to watch on Screambox this month, and you best believe there will be another one of these in the future. For more of the best recommendations of horror movies and television, streaming, and beyond, stay tuned to Horror Press!
Movies
The Best Horror You Can Stream on Shudder in July 2025

Looks like another July will be spent getting cozy with Shudder in this house. Between all the new (to me) international titles and the conclusion of Hell Motel on July 29th, the app has filled my calendar for the month. Hold my texts, keep your emails in the draft folder, and don’t look for me outside. My TV and I are on a mission, and we’re prioritizing the five titles below. I hope they grab your attention and make it into your Shudder viewings this summer as well. However, I’ll be too busy watching them to know what anyone else is doing, so happy streaming whatever you decide to get into.
While we have you here, you should consider joining us for Bloody Brunches! Every Sunday at 11 AM CST / 12 PM EST, we’ll be livestreaming a new episode of Hell Motel. Who know’s who you’ll see, sometimes Ian Carpenter and crew stop by!
The Best Movies to Stream on Shudder This Month
Lake Placid (1999)
A small group of people try to capture a gigantic crocodile terrorizing the people of Black Lake, Maine. I am not an aquatic horror girl, and I am usually unimpressed with 90s action horror titles. I make a special exception for Lake Placid though. Sure, it stars Bridget Fonda, Bill Pullman, and Oliver Platt. However, real film buffs know that it’s really the late Betty White who carries this movie. Her foul-mouthed character stood on business and is the reason most of us revisit this title during the summer.
You can watch Lake Placid on July 1st.
Nyi Blorong (1982)
The South Sea Queen’s daughter rises to take a human lover. I have a long history of disliking snakes and movies about snakes. However, I’m leaning into this 1982 film because I deserve a retro Indonesian horror fantasy moment. I am also excited because it stars the late Suzzanna, the queen of Indonesian horror. I only learned about her a few years ago and wanted to spend some time with her work. As usual, Shudder is making it too easy to become a better cinephile.
You can watch Nyi Blorong on July 7th.
The Housemaid (2018)
An orphaned girl is hired as a housemaid at a haunted rubber plantation in 1953 French Indochina. Once there, she falls in love with the landowner, which sends the ghost of his dead wife into a jealous rage. I was excited to watch this just because it sounds chaotic, and I do not see enough Vietnamese horror for my liking. However, I recently discovered it is also an IFC Midnight title, so now my expectations are through the roof. IFC has been the home of upsetting, weird, and unique horror since 2010. I have a date with Shudder on July 14th, because I want this movie in my eyeballs the second it becomes available.
You can watch The Housemaid on July 14th.
Swallow (2020)
A pregnant housewife is compelled to eat dangerous objects, leading her husband and in-laws to become more controlling. Swallow had the misfortune of debuting during the top of the pandemic, so many people missed it. I found it on accident during Thanksgiving back when Showtime still had its own app. It’s quiet chaos that surprised me in a good way. I have been trying to make everyone I know watch it, and Shudder is making that so much easier this month. I am overdue for a rewatch myself, so I will also be hitting play while it’s available this July.
You can watch Swallow on July 21st.
Monster Island (2024)
A Japanese ship transporting prisoners of war and a British POW are stranded on an island where a mythical creator hunts them. Can they work together now that their very survival depends on it? I was bummed I missed this movie at Overlook Film Fest this year because all my friends loved it. So, obviously, I am thrilled Monster Island (also known as Orang Ikan) is hitting the Shudders streets so soon. I do not know what the other monster movies are doing this July because my heart belongs to this baby.
You can watch Monster Island on July 25th.
So, as usual, I will be hiding in my apartment and trying to make Shudder Saturdays my personality. I’m running at their international titles like it’s my job and revisiting a few movies I never spend enough time with. I hope your Shudder watches spark as much joy for you as I expect mine will this July.
Movies
‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

In the 90 years since its release, The Bride of Frankenstein is still the Universal Monsters franchise’s strongest film.
I first watched The Bride of Frankenstein on cable around 15 years ago. Director James Whale’s fable of a misunderstood creature’s quest for a bride really stayed with me after subsequent viewings. Speaking of The Bride, she’s the Universal Monster with the most potential for a gripping and modern reimagining that hasn’t been fully tapped into yet. Universal’s newest theme park Epic Universe, opening back in May, inspired a deeper dive into The Bride of Frankenstein, the titular role and its legacy.
Unveiling The Bride: The Plot and Power of the 1935 Classic
Immediately following 1931’s Frankenstein, The Bride of Frankenstein centers on Henry Frankenstein (Colin Clive) as the sinister Dr. Pretorius (Ernest Thesiger) urges him to collaborate on creating a mate for The Monster (Boris Karloff). In the meantime, The Monster travels across the countryside, learns to speak, and meets Pretorius. When both scientists complete and unveil The Bride (Elsa Lanchester), she rejects The Monster, motivating him to pull a lever and famously say, “We belong dead.” Pulling the lever ignites an explosion, killing The Monster, The Bride, and Pretorius.
Just as it took two scientists’ minds to create her onscreen, two individuals gave life to The Bride’s characterization and look: Lanchester and makeup master Jack Pierce, who designed nearly all the original Universal Monsters.
The Bride’s Hiss: How Lanchester Stole the Show with Limited Screentime
The Bride not being the film’s main protagonist is ironic since she’s the title character. Making the most of her brief performance, Lanchester’s swan-like mannerisms as The Bride sharply contrast with the humanity Karloff brings out of The Monster. After her dual role as The Bride and author Mary Shelley herself in the film, Lanchester took on more horror film roles like Henrietta Stiles in Willard (1971). It’s not hard to imagine what could’ve been for her career if she reprised her role in The Bride of Frankenstein’s sequels Son of Frankenstein and Ghost of Frankenstein. If a lab explosion couldn’t kill The Monster, wouldn’t it be the same for The Bride?
Besides the white streaks, Lanchester surprisingly didn’t wear a wig to portray The Bride since Pierce shaped her red hair to look the way it does. Pierce’s work on The Bride is just as iconic if not more so than Lanchester’s performance, ensuring the character became inseparable from her intended suitor in pop culture’s eyes. Case in point: There’s so much officially licensed merchandise playing up a romance between the two characters, even though The Bride can’t stand her intended mate. Beyond Lanchester and Pierce, there is one man responsible for how the film itself would come out.
James Whale’s Masterpiece: Directing The Bride of Frankenstein
Whale stitched great set designs, fantastic performances and composer Franz Waxman’s eerie score together to create a masterpiece.
Having Frankenstein, The Old Dark House and The Invisible Man under his belt by the mid-‘30s, it’s clear Whale creatively peaked while working on The Bride of Frankenstein. Although so much about Whale’s talents has been said, there’s a reason why his work on the film stands out across his filmography: He really went wild when directing it. Every character is practically cartoony, the sets are more elaborate and the plot is thematically richer than the original’s. Being an openly gay filmmaker, he cranked up The Bride of Frankenstein’s camp to legendary heights.
The Bride of Frankenstein is the final horror movie Whale directed. The novel Father of Frankenstein and its film adaptation Gods and Monsters, starring actor Ian McKellen as Whale, dramatize his life after directing the film. According to the reference book Universal Horrors by Tom Weaver, Michael Brunas and John Brunas, he initially didn’t want to direct his horror work’s apex. Just like Henry Frankenstein’s relationship with the monster he created, The Bride of Frankenstein’s production is a case of life imitating art. The Monster’s in-universe infamy further parallels Whale’s Frankenstein duology’s lasting popularity.
How The Bride of Frankenstein Shaped Horror Sequels and Adaptations
The Bride of Frankenstein’s influence can be seen across other horror films and Frankenstein adaptations.
Having “Bride of” in a horror sequel’s title is synonymous with including the main character’s female counterpart, leading to Bride of Re-Animator, Bride of Chucky, etc. The similarities go further than the titles, with The Bride of Frankenstein inspiring the former’s plot and furthering Tiffany’s arc in the latter. The Bride of Frankenstein inevitably shaped Frankenstein’s future adaptations as well.
Directed by Kenneth Branagh, Mary Shelley’s Frankenstein from 1994 closely follows the original novel. Breaking away from the novel’s narrative, its third act pays homage to The Bride of Frankenstein when Victor brings Elizabeth back to life with similarly brief screentime. Mia Goth’s seemingly red hair on the set of Guillermo Del Toro’s upcoming Frankenstein may hint at her character similarly becoming The Bride.
The Bride’s Untapped Potential for a Modern Horror Remake
With Warner Bros. releasing its own take on the character with The Bride! in 2026, it makes Universal’s reluctance to make a new remake downright egregious.
The Bride is still the literally redheaded stepchild among the Universal Monsters. When it comes to being neglected by Universal, The Creature From the Black Lagoon is the only character who rivals The Bride, but that’s another story. Universal did plan a remake directed by Bill Condon, who helmed Gods and Monsters, for its aborted Dark Universe film franchise.
The Bride’s Absence in Epic Universe’s Monsters Unchained Ride
Looking at Epic Universe, the Monsters Unchained: The Frankenstein Experiment ride apparently leaves The Bride out, even though she makes more sense to be in it than The Phantom of the Opera. However, The Bride does make meet-and-greet appearances across Dark Universe’s grounds.
Several ideas can be incredible for when Universal finally releases a remake of The Bride of Frankenstein someday. Based on what I’ve heard about 2023’s Poor Things, it’s exploration of a mad scientist’s creation’s experiences in a restrictive society is closer to what a modern reimagining should be. Having a woman behind the camera can lead to a feminist vision, delving into The Bride questioning her life’s purpose.
Until the day a proper remake debuts, the original 1935 film remains The Bride of Frankenstein’s definitive incarnation.