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Eli Roth Who? Exploring the Forgotten 1980s Thanksgiving Slashers

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Eli Roth’s new movie Thanksgiving (which is an expansion of the parody trailer “Thanksgiving” that was created for the 2007 throwback double feature Grindhouse) is set to premiere on November 17, which means the discourse around “Thanksgiving” is being taken out of tin foil and re-heated once more. This annoys me because I thought I’d never have to read about the idea behind the trailer again. 

The story goes like this: In the 1970s and 1980s, the slasher genre was obsessed with movies centered around holidays or special occasions. Silent Night, Deadly NightBlack Christmas. Halloween. My Bloody Valentine, New Year’s EvilMother’s Day, April Fool’s Day, Happy Birthday to Me, Prom Night, Friday the 13th, and so on. You get the picture. Roth came up with the idea to create a trailer for a fake early ‘80s slasher based around Thanksgiving because when he was a kid, “every November we were waiting for the Thanksgiving slasher movie.” 

But here’s the thing. There were actually two 1980s slashers set on Thanksgiving. To be fair to the young Roth, these Thanksgiving movies were not huge releases, nor were they actually released around the Thanksgiving holiday, so he can be forgiven for not being aware of them at the time. But they existed, dammit, and there was plenty of time between 1989 and 2007 to look into this. “Thanksgiving” is thus not really filling a void at all. He shoulda done Columbus Day, just saying.

The moral of the story is that I’m an insufferable pedant. Don’t be like me. But do come with me on a journey through the pair of movies that prove Eli Roth wrong. We’ll take a look at what they have to offer and rate them on how Thanksgiving-y they actually are, on a scale from one to five turkeys.

Home Sweet Home (1981)

Home Sweet Home isn’t a terribly memorable slasher movie, unfortunately. However, it does have the distinction of being the first of just a scant few 1980s slashers to be directed by a woman (documentarian Nettie Peña). 

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The movie is entirely watchable, though, because it is so thoroughly weird and random. Even its opening scene is disorienting: A man who seems to be hanging out in the L.A. riverbed proffers beer directly to the camera before the killer leaps into frame on the reverse shot and strangles him to death. Who is this man? And who is he offering the beer to? Is it us? We’ll never know. RIP Beer Man. This is also a movie where a teenage boy named Mistake runs around with an electric guitar amp strapped to his back while slathered in faux KISS makeup, making him look less “Starchild” and more “mime on laundry day.” Once the escaped mental patient descends on the ranch and the slashing heats up, things get a bit dull and bloodless, but it never stops offering up unpredictable and strange encounters with a vast ensemble of characters who seem to have learned about human behavior via correspondence course.

This off-kilter vibe extends to the cast, which randomly includes then-five-year-old Hocus Pocus star Vinessa Shaw. Also, as the killer, we have Jake “Uncle of Hailee” Steinfeld, the Body by Jake workout mogul who was known for being a personal trainer for celebrities, including Harrison Ford.

How Thanksgiving-y Is It? You’d be forgiven for forgetting Home Sweet Home is set on Thanksgiving in the first place. The only real indications that this is the case are the fact that the group is gathered for a turkey dinner and several mentions of Thanksgiving in the copy on the VHS box. 

1 out of 5 turkeys

Blood Rage (1987)

Hoo boy. If you thought Home Sweet Home was weird, get ready for Blood Rage. So this movie is about a young man breaking out of a mental institution and coming home, at which point a bunch of killings happen. Seems straightforward, right? Wrong. The killings are actually perpetrated by his twin brother, who framed him in the first place and is mostly just mad that his mother (Mary Hartman, Mary Hartman’s Louise Lasser) is getting engaged. It’s all very Oedipal.

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Blood Rage is a family drama potboiler that keeps crashing headlong into a 1980s slasher movie, complete with ooey gooey gore from future Terminator 2 effects guru Ed French. It’s all very heady and exciting, even if the third act could probably have used some tightening up. Also, it’s the only slasher movie I can recall where the killer stops to take a pee break, which is well worth the price of admission. 

This movie probably still rests in the “bad-good” camp, but it’s weighted so much toward the good that it’s hard even to tell the difference. In addition to Lasser and French consistently bringing the house down, Mark Soper gives a surprisingly complex performance as both twins.

How Thanksgiving-y Is It? Solidly Thanksgiving-y. The kills and many individual scenes aren’t specifically themed after the holiday, alas. But it does take place explicitly on Thanksgiving night. There’s a football game complete with tiny short shorts, Terry can’t stop pointing at his bloody blade and remarking “It’s not cranberry sauce,” and Louise Lasser has a sublime freakout scene where she sits on the floor in front of the fridge and desperately chows down on leftovers. Plus, what’s more Thanksgiving-y than a movie about what happens when a relative you can’t stand comes to town? 

3 out of 5 turkeys

This does in fact leave some wiggle room for Eli Roth’s Thanksgiving to out-festive both of these titles put together. That remains to be seen, but hopefully the new movie is a true cornucopia of Thanksgiving-ified fun. 

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Then maybe I’ll stop complaining. Probably not. But maybe.

Brennan Klein is a millennial who knows way more about 80's slasher movies than he has any right to. He's a former host of the  Attack of the Queerwolf podcast and a current senior movie/TV news writer at Screen Rant. You can also find his full-length movie reviews on Alternate Ending and his personal blog Popcorn Culture. Follow him on Twitter or Letterboxd, if you feel like it.

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The Conjuring Movies, Ranked

The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.

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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.

Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.

The Entire Conjuring Franchise Ranked

#9 The Conjuring: The Devil Made Me Do It (2021)

This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.

#8 The Nun II (2023)

Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).

#7 The Curse of La Llorona (2019)

The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.

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#6 Annabelle (2014)

The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.

#5 The Nun (2018)

The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.

#4 Annabelle: Creation (2017)

It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.

#3 Annabelle Comes Home (2019)

Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.

#2 The Conjuring 2 (2016)

James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.

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#1 The Conjuring (2013)

Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.

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A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching. 

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

The Best Movies Directly Inspired By Ed Gein

Psycho

Where You Can Watch: Netflix

A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight. 

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Deranged 

Where You Can Watch: Tubi

A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.

The Texas Chain Saw Massacre (1974)

Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi

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Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.

The Silence of the Lambs

Where You Can Watch: Pluto TV, The Roku Channel, and Tubi

A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards

While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime. 

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