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The Best Horror You Can Stream on Netflix in October 2025

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I have decided that this month is dedicated to horror shows I enjoyed binging on Netflix. Is this because I have been thinking about rewatching Marianne since I added it to August’s streaming guide? Yes. Is it also because Halloween month is the perfect time to curl up with shows about dead people and cursed things? Also, yes. So, I plucked five titles from the streamer that I do not talk about enough. I am also making that your problem, as I encourage you to watch each of these. While Netflix might not have the scariest library in the game, they do have some gems that are perfect binges for this cozy time of year. Let us dive in and find your next series, shall we?

The Best Movies to Stream on Netflix This Month

All of Us Are Dead (2022)

A zombie outbreak leaves high school students trapped in their school. If you are a horror fan, then you know that nothing hits quite like a South Korean zombie tale. Which is why these 12 episodes are a journey that I wish everyone would take. These kids who hate each other being forced to work together to survive is high-level drama. The betrayal, the death, and the tension lead to some of the most chaotic TV you might see this month. More importantly, if you dig the show, Netflix has greenlit it for a second season. So, you are not late to the party, but arriving right before the second beer run.

Dead Boy Detectives (2024)

Two spirits chose to opt out of the afterlife and stay on Earth to solve supernatural crimes. Dead Boy Detectives was everything I ever wanted in a series, and I am still salty it was cancelled. So, I hate that we do not see where these lovable characters would end up in a second season. I want more well-written intersectional horror, and I want it now. Because men are awful, I have to point out that this is based on a Neil Gaiman comic book. So, it is sticky if you are (understandably) wishing him well in hell and not wanting to engage with anything inspired by his work. I was never a fan of his stuff, which is how I know this writer’s room worked their asses off on this adaptation. These eight episodes were the main reason to keep Netflix last year, and the show deserved a longer season (and life).

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Interview with the Vampire (2022- Present)

A vampire shares his very long story with a cynical journalist. I almost skipped this show because the movie put me to sleep so many times as a kid. This series is my favorite Anne Rice adaptation, so I am glad I tuned in. It is sexy, smart, and sophisticated. It is a decadent, bloody little treat with one of the most talented casts on TV at the moment. This is the perfect time to check it out, as Netflix just added the second season in September. Now subscribers can experience the love, lust, and loss like the rest of us before the third season arrives.

Kingdom (2019-2020)

When the king goes down, the prince must take the throne and protect his subjects from a plague. If you like zombies and period-piece horror, then open Netflix and hit play now. I checked this show out because I saw Bae Doona (Sense 8) was in the cast. By the time the two seasons were over, I was a different person, and I am welcome. I do not know who we need to talk to about getting more South Korean historical horror shows, but get them on the phone ASAP. This series has drama, mess, and violence. I might need to rewatch this, too, instead of just telling other people to check it out.

Tomorrow and I (2024)

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A four-part anthology exploring the intersection of futuristic technologies and Thai culture. At first glance, this seems like Thailand’s version of Black Mirror, but Tomorrow and I is definitely her own weird thing. It became one of my favorite shows of last year, and not nearly enough people watched it. As usual, Netflix dropped an international banger in silence. So, people have to stumble upon it or hear about it from the streets. It is a shame because it is one of the better sci-fi horror anthologies we have gotten in years. This beautifully complicated show explores the human condition and examines Thailand’s political landscape. The whole season is worth watching, but the last episode is the one that dealt the most psychic damage. So, save the finale for when you want to have your entire day ruined and feel your feelings. 

Let us know if any of these Netflix binges are in your immediate future this Halloween season. You can also let us know which shows you are digging that did not make this list. We are nosy that way. Happy Halloween month!

Sharai is a writer, horror podcaster, freelancer, and recovering theatre kid. She is the host of the podcast of Nightmare On Fierce Street, one-half of Blerdy Massacre. She has bylines at Fangoria, HorrorBuzz, NightTide, and she is Co-EIC of Horror Movie Blog. She spends way too much time with her TV while failing to escape the Midwest. You can find her most days on Instagram and Twitter. However, if you do find her, she will try to make you watch some scary stuff.

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The Best Horror You Can Stream on Shudder in September 2026

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We are finally in the midst of Shudder’s 61 days of Halloween! There are so many horror movies to consume and 31 days simply isn’t enough. Use the long Labor Day weekend to kick off your horror movie countdown and add these movies to your Shudder queue. Here is a list of what I would recommend checking out to ease into the Halloween spirit right before going into full blown premature trick-or-treating mode.

The Best Movies to Stream on Shudder This Month

The Yeti (2026)

A large creature has captured people in a remote Alaskan town in the 1940s. The sheriff has put together a search-and-rescue monster hunting party to bring back the captives. It sounds like the premise of a Cold Iron Studios co-op video game in the same vein as Aliens: Fireteam Elite. The stylization from co-directors Gene Gallerano & William Pisciotta in the trailer makes me think they have cooked up a story that blends action, horror, and wilderness survival. Sign me up, sheriff!

Leave (2022)

Hunter was found as a baby abandoned in a cemetery wrapped in a cloth covered with satanic symbols. She has been searching for answers her whole life about where she came from. Her journey to find her parents takes her down a mysterious path, and she is being warned by something from the beyond to leave this mystery alone. Can she trust who this investigation is leading her towards? It’s a mysterious, supernatural, culty film that will give you chills.

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Penny Lane is Dead (2026)

One crazy night in Australia with perhaps a dash of revenge. Shudder’s latest original looks to be packed with blood and violence in this story of girls just trying to have fun until the crazy cousin drugs the party and invites dangerous people to play. The trailer promises lots of body horror (trigger warning, there may be SA or threat of it). I’m not saying it will be Evil Dead level, but there’s definitely something in the Aussie water with Lee Cronin pumping out his gory deadites and mummy films, and now Mia Kate Russel with this one.

The Others (2001)

This is a PSA to the younger readers of Horror Press; stop what you’re doing and watch Nicole Kidman go 100 miles per hour in this classic ghost story with a twist. Dreary weather, massive estate, confusing corridors, creepy house servants you don’t know if you can trust, and sad British kids. The ending is an all-timer and spoilers should be avoided at all costs. It has exactly what you need to get right into the cozy, spooky mood for 61-days of Halloween.

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Dark Harvest (2023)

If The Hunger Games and The Purge had a baby and raised it during Oktoberfest. Teenage boys are tasked with hunting and killing the entity known as Sawtooth Jack on Halloween night, or it could mean certain peril for their town. Of the movies I have listed here that I have not seen, this is going to be at the top of my watchlist. Teens fighting for survival on Halloween night and the battle setting is in a cornfield?! Say less. I am there with my Sam Adams seasonal in hand. Another perfect movie to cannonball me right into the Halloween spirit.

This list has been carefully curated to watch in a specific order to gear up for a Halloween marathon. Start with the wintry monster movie, move on to a macabre supernatural thriller, followed by a ramp-up in blood and gore, to then be lulled into a spooky, bump-in-the-night classic, all to end on a ritualistic hunt taking place on Halloween night. This is just getting things started for the first 30-days. Looking forward to sharing the next list to get you through October.

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The 10 Best Modern Horror Movies Recommended By Stephen King

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Anyone who follows legendary horror author Stephen King on social media or reads the back of books knows one thing. It’s harder to find something that King hasn’t blurbed than something that he has. The dude is a voracious consumer of genre media, and he finds a lot to love. It’s an admirable quality. But, speaking as someone who saw American Ultra after he praised it, you can’t always trust his recommendations. Today, I’ll cut some of the wheat from the chaff and break down the best modern horror movies he’s recommended.

Three notes: First, I have decided to define “modern” as “2001 or later.” Second, King practices good social media hygiene and has deleted many of his old posts. A lot of them are archived elsewhere. However, it’s more or less impossible to make a truly comprehensive list of his recommendations. I’ve synthesized multiple different sources and done my best to truly encapsulate the breadth of his recommendations. Third, I have not included any adaptations of his own work. He may be outspoken about the ones he doesn’t like, but he’s still obviously biased in that department.

#10 Snakes on a Plane (2006)

To quote King himself (defending putting 2012 among his top 2009 movies), “no filmgoing diet is complete without some cheese.” Snakes on a Plane is a does-what-it-says-on-the-tin movie, delivering high-flying serpentine thrills. However, it’s also a remarkably faithful resurrection of the atmosphere of old 1970s airplane thrillers.

#9 Final Destination 5 (2011)

In his Best of 2011 entry on Final Destination 5, King called it “the best since the first,” and he’s absolutely right. While the sequels probably peaked with the highway prologue in Final Destination 2, the fifth installment is pound-for-pound the most thrilling entry. Between the bridge collapse, the laser eye surgery, and the nail-biting sequence where a screw falls pointy-side-up on a balance beam, there’s no denying there’s real power here. And that’s not even mentioning the fun final twist!

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#8 A Quiet Place: Day One (2024)

In a since-deleted Tweet, King called Day One “the rare ‘big Hollywood film’ that is both intimate and textured.” It’s true. A Quiet Place: Day One is a mini miracle of horror filmmaking. An IP-drenched prequel to a duology of good-not-great post-apocalyptic popcorn blockbusters shouldn’t be this genuinely stirring. Plus, relative newcomer Joseph Quinn holds his own against the awe-inspiring Lupita Nyong’o, resulting in an all-timer two-hander.

#7 The Strangers (2008)

After watching The Strangers, King took to Entertainment Weekly to pontificate about what makes good horror. If you inspire someone who literally wrote the book on horror to think about it more, you’ve done something right. Bryan Bertino’s home invasion movie is one of the grimmest movies of the 2000s, but its desperate existential dread is terrifying and perfectly in line with King’s best works.

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#6 Splice (2009)

King included Splice on his Top 10 list for 2010, particularly praising the “talented actors… who take the material seriously.” How did this grotesque genetic-experimentation horror movie directed by the guy who made Cube land Adrien Brody and Sarah Polley? Who knows. But they breathe life into some already super solid material. What Brody in particular gets up to feels even more twisted because it’s the guy from The Pianist doing it.

#5 Smile (2022)

In a since-deleted Tweet, King called Smile a “good, scary horror film.” He added that “the real surprise is Sosie Bacon as Rose. What a hell of a performance.” Bacon really was a revelation, but so was debut director Parker Finn. His control over tone and pacing leads to some of the best scare sequences of the 2020s.

#4 The Rule of Jenny Pen (2024)

King’s not fucking around about the New Zealand horror film The Rule of Jenny Pen. It’s one of just two horror movies on his New York Times ballot for the best of the 21st century. The underseen movie is a real corker, too. It follows a judge (Geoffrey Rush) recovering in a care home after a stroke. However, his relaxation is ruined by a sadistic retiree (John Lithgow) who is obsessed with his baby doll puppet. Lithgow’s performance is stunning, and his thrillingly dark energy commands the screen every second he’s in front of the camera.

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#3 Barbarian (2022)

In a since-deleted reply to a fan’s Tweet about Barbarian, King said “Yeah, that movie blew me away. It was crazy! Crazy GOOD!” This movie contributed what is perhaps the definitive scary basement in horror, which is no small feat. That’s all thanks to director Zach Cregger’s control over onscreen darkness (one of his many skills). The man must be a shadowmancer of some kind.

#2 Train to Busan (2016)

Train to Busan is the only other horror movie on King’s NYT ballot. It has received a lot of international recognition over the years. Perhaps more than any other non-Parasite movie from South Korea. That’s because it’s flipping amazing. Its crackling energy makes it one of the scariest fast-zombie movies in history. But it also marries that with a compelling father-daughter story. There’s really nothing Train to Busan can’t do.

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#1 The Descent (2005)

King put The Descent on his 2006 best-of list, calling it “the best horror movie of the year.” Forget that. It’s one of the top horror movies of the century so far. It’s a bloody good monster movie nestled into a skin-crawlingly claustrophobic spelunking movie.

Honorable Mentions:

The Autopsy of Jane Doe (2016) – I’ve never seen it, so I can’t in good faith recommend it

Pan’s Labyrinth (2006) – A masterpiece, but it’s not really “horror”

Obsession (2026) – We gotta let this one sit, in order to avoid recency bias

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