Misc
HORROR PRESS RESULTS: What’s The Goriest Movie of All Time?

A few months ago, after reading a rather laughable “most disturbing movies” list from Buzzfeed, we put together our own list of The 11 Most Disturbing Horror Movies Of All Time. This highly researched list (seriously, I watched way too many movies for that list), was met with a multitude of responses. “You’ve clearly never seen a disturbing movie.” “You think that’s disturbing?” “That one has too much vomit for me,” etc. Since we dedicated July to gore and gory horror films, we wondered what YOU would think the goriest horror movie is.
Your responses were all over the board and were interesting to look through. Some of the responses we received were on the money, like Martyrs, The August Underground Trilogy, The Human Centipede 2, and films of that ilk.
To whomever said Pearl, I suggest you don’t watch any of the films on this list.
After a two-week poll, the results are in!
Top Six Goriest Horror Films According to Readers
(Author’s note: there was a three-way tie for fourth place so we’ll do the top six with the tied films all taking fourth place.)
6. Hellraiser (1987)
Clive Barker’s masterful, practical effect-filled nightmare is a classic for a reason. Even those who aren’t fans of the film cannot deny just how brutal, goopy, and downright chilling the practical effects are. From one brother coming back to life and stealing his brother’s skin, to hundreds of hooks in someone’s skin ready to rip them apart, Hellraiser is truly a horror classic.
Jesus really did weep.
5. The Green Inferno (2013)
Described (by me) as the last solid film Eli Roth made, The Green Inferno was a brutal homage to the Italian cannibal films of the 70s and 80s. I remember seeing this in the theaters as a 19-year-old, and I couldn’t help but shake the feeling that I had watched something I should not have been allowed to watch in a theater. Is this what people felt when they saw Cannibal Holocaust all those years ago? Everything about The Green Inferno is impressive, even if it’s hard to watch. It may look more polished and clean than the films it was homaging, but there’s still a distinct horrific authenticity to the violence.
4. Ready or Not (2019)
To horror fans, the names Matt Bettinelli-Olpin and Tyler Gillett might ring a bell, but for general audiences, that name might not mean much. Bettinelli-Olpin and Gillett were part of the filmmaking team Radio Silence, who would have a hand in one of the best segments in the V/H/S franchise and then would go on to take over the directing reigns of Scream 5 and 6. Ready or Not would be a critical and financial success, putting their names on the map for general filmgoers. I don’t necessarily agree that Ready or Not should be on this list, even if it’s a great movie. This all goes back to one of the questions raised in our Top 11 Most Disturbing Movies list: can one scene make up for a lack of gore throughout a film?
If so, then there’s definitely one scene in Ready or Not that’s pretty gory. Other than that, ehhhhhh.
3. Evil Dead (2013)
Fede Alvarez came out swinging with his remake of this horror classic. 2013’s Evil Dead was a surprising change from the franchise’s campy horror comedy. Honestly, who can forget the tongue scene? Yuck! Evil Dead would use [reportedly] 700,000 gallons of fake blood. If that’s not enough to get you to the top of the list, I don’t know what is (even if a good portion of it was used for the blood rain). Evil Dead would be followed up with an equally gruesome, and scary, film that would go on to flip the franchise on its head with Lee Cronin’s Evil Dead Rise.
2. Terrifier 2 (2022)
This is the only film on this list that I have received death threats about! A few years ago I wrote about how I just do not like the Terrifier films, and the totally normal fans were not happy. Here’s a snippet of some DMs I received: “I hope Art cuts you from dick to head,” “I’d pay to watch Art skin you in your bedroom,” “F*gg*t.”
I can understand why this film was voted for so many times, I mean Scream 6 tooootally stole a bunch of ideas from this masterpiece! Anyway, this is your list, not mine. Um. Sure, the bedroom scene is pretty gnarly, but this 2 ½ hour bore fest just doesn’t do it for me.
1. Brain Dead/Dead Alive (1992)
Peter Jackson’s gorefest Dead Alive is beloved by many who seek gory films. The first half of the film is fairly tame, and kind of hysterical. It’s not until you get to the mid-second act that things get gross as hell. If you want to watch a practical effects masterclass of blood and viscera, then you must check out the unrated cut of Dead Alive. You can read my full thoughts on it here.
Misc
10 of the Most Important Women in Slasher History
While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.

As part of our celebration of Women’s History Month here at Horror Press, I thought it was high time to celebrate the women who helped shape my most favorite of horror subgenres: the slasher movie. Both in front of and behind the camera, women have been essential in creating some of the most iconic and well-respected slasher movies, and I shall attempt to highlight 10 (well, 11, but I won’t tell if you won’t) who have had the most impact over the decades.
While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.
Ranking this list would be both impossible and disrespectful, so I’m presenting each entry in loose chronological order, based on when their contributions to the development and continuation of the genre were most prominent.
10 of the Most Important Women in Slasher History

Stage and Screen, Personalities, pic: circa 1961, American film actress Janet Leigh in a scene from the film “Psycho” from Alfred Hitchcock (Photo by Haynes Archive/Popperfoto/Getty Images)
#1 Janet Leigh (Actor)
Besides a cameo in Halloween H20, Janet Leigh never made another proper slasher after starring in 1960’s Psycho. And yet that one appearance gave us so much. Without her agreeing to use her star power to sell the movie, only to have the rug pulled out from under the audience when she is murdered halfway through in one of the most memorably shocking scenes of the century, it is very probable that Psycho would not have been the hit that it was. Sure, Hitchcock’s name would have put butts in seats, but even he knew what he had with Leigh, to the point of employing William Castle-esque gimmickry around hiding that particular surprise.
If Leigh hadn’t had the humility to say yes to being murdered onscreen in what was – at the time – a reasonably grubby little horror picture, this seminal work would have been very different, and the entire slasher genre might have died on the vine as a result.
#2 Edwige Fenech (Actor)
Before the idea of a “scream queen” had really even been floated, Edwige Fenech brought audiences back to the giallo genre time and time again with her roles in titles like Five Dolls for an August Moon, The Strange Vice of Mrs. Wardh, The Case of the Bloody Iris, Strip Nude for Your Killer, and Your Vice is a Locked Room, and Only I Have the Key. She played a key part in the Italian genre’s domination throughout the 1970s, leading directly into the North American slasher boom of the 1980s.
#3 Debra Hill (Producer/Writer)
The unsung heroine of the Halloween franchise, Debra Hill co-wrote Halloween and Halloween II with John Carpenter, in addition to producing both films and the unrelated sequel Halloween III: Season of the Witch. In addition to being at the core of one of the most iconic slasher franchises, her work on the 1978 original cemented the rules of the slasher film in a way that early proto-slashers like Psycho, The Texas Chain Saw Massacre, and Black Christmas simply didn’t. She helped set the template for nearly every slasher movie to come, particularly every slasher movie worth its salt released between 1979 and 1984, before Nightmare on Elm Street added a new flavor to the mix.
#4 Jamie Lee Curtis (Actor)
Unless you stumbled on this site by accident, you know Jamie Lee Curtis. She cemented the idea of the scream queen and, frankly, in my humble opinion, no actor since her has really been able to carry that torch properly. After leading 1978’s Halloween, she went on to star in a variety of other slashers, helping add powder to the keg right at the beginning of the slasher boom with titles including Prom Night, Terror Train, Halloween II, and the hopelessly underrated Roadgames. Showing the same humility as her mother, who you may remember from three entries above, she has returned to her Halloween role multiple times, resurrecting the iconic franchise no less than twice, in addition to paying homage in other projects such as the Ryan Murphy horror-comedy series titled, what else, Scream Queens.
#5 Annette Benson (Casting Director)
I feel like casting directors get short shrift. Sure, directors and producers frequently have a hand in choosing who stars in what. However, even for roles where that is the case, casting directors are responsible for cutting the wheat from the chaff and putting those people in front of the directors and producers in the first place as well as – frequently – manipulating them into making the right decision and feeling like it was their own idea.
Thus, without the work of the great Annette Benson, whose best-known slasher project is the original A Nightmare on Elm Street, we wouldn’t have Robert England, Heather Langenkamp, or (for better or worse) Johnny Depp. She went on to cast the next four installments in the Elm Street franchise (hello, Patricia Arquette) as well as bringing us Viggo Mortensen in Leatherface: Texas Chainsaw Massacre III. And before all that, she cut her teeth as a casting assistant on the early parody National Lampoon’s Class Reunion.
#6 Rachel Talalay (Multi-Hyphenate)
Rachel Talalay is probably best known as the director of Freddy’s Dead: The Final Nightmare, making her the first woman to helm an installment in a major slasher franchise. And still one of the only women. But she didn’t get that job out of nowhere. She rose through the ranks on previous installments, going from being an assistant production manager on the original Elm Street to production manager on Freddy’s Revenge to line producer on Dream Warriors to producer on Dream Master. After (wisely) skipping out on Dream Child, though she did receive special thanks, Talalay returned with a vengeance to make slasher history.
Her journey also extends into other iconic slashers far from Freddy’s reach. Her slow rise above the line included eclectic stints as a production accountant on New Line’s pre-Elm Street slasher Alone in the Dark, a script supervisor and apprentice editor on The House on Sorority Row, and a first assistant director on Return to Horror High.
#7 Fern Champion and Pamela Basker (Casting Directors)
This dynamic duo is to Friday the 13th, what Annette Benson is to A Nightmare on Elm Street. In addition to casting slashers including Fade to Black, Tobe Hooper’s The Funhouse, and April Fool’s Day, they collaborated on Friday the 13th: The Final Chapter, A New Beginning, and Jason Lives, bringing us every version of Tommy Jarvis (therefore, Corey Feldman) as well as handing out early roles to Crispin Glover and Tony Goldwyn.
They also handled the L.A. casting for Friday the 13th: The Series, which isn’t really a slasher project, but helped beef up the franchise, which counts! And Pet Sematary, which also isn’t a slasher, but brought Miko Hughes to the horror genre five years before New Nightmare.
#8 Carol J. Clover (Academic)
In her 1987 essay “Her Body, Himself: Gender in the Slasher Film,” which was later published as part of her 1992 compilation Men, Women, and Chainsaws: Gender in the Modern Horror Film, Carol J. Clover coined the term “final girl,” and discussion of the slasher genre was forever changed. I think it is entirely fair to say that, without her keen analysis of the slasher, a genre which few academics had the gumption to take on at the time, we wouldn’t have had 1996’s Scream and its further dissection of the final girl trope. And without Scream, we wouldn’t have I Know What You Did Last Summer, Urban Legend, Bride of Chucky, the latter-era Chucky franchise in general, and an untold number of post-millennium slasher works.
#9 Marianne Maddalena (Producer)
Wes Craven called this woman his “guardian angel,” what more evidence could you possibly need? Just to be thorough, though, I’ll share a little bit about iconic producer Marianne Maddalena, who founded the company Craven/Maddalena Films with the master of horror. After producing Craven’s unique but ultimately unsuccessful Shocker, she went on to collaborate with him on New Nightmare and the entire Scream franchise, which she continues to steward to this day.
#10 Jennifer Tilly (Actor)
Without Jennifer Tilly, we simply wouldn’t have one of the best late-period slasher franchises in the business. Her character Tiffany Valentine, who was introduced in the fourth Child’s Play installment, Bride of Chucky, is a crackling inferno of charisma without whom the franchise would be hopelessly bereft. She has also been a fierce advocate for Chucky off-camera, unashamedly parading her association with the franchise around in other properties (including new promos for her appearance on Real Housewives). This fierce loyalty to Tiffany is likely the reason that half of the Chucky projects that followed were even allowed to be made in the first place. For that, and for everything, we must thank Jennifer Tilly from the bottom of our hearts.
Misc
Bring Billy Zane Into Your Home With Our ‘Demon Knight’ Giveaway!

We’re back with another killer giveaway! A few simple steps can bring Billy Zane right to your front door. Tales from the Crypt: Demon Knight was the first standalone Tales film, even though it was written long before the series came to be. Panned at the time, Demon Knight gained a cult following that has followed it far into the second decade of our 21st century.
Enter Our Demon Knight Giveaway!
HOW TO ENTER
Not too bad, huh? So how do you enter? Just follow these three simple steps, and you’re in the running!
Step 1. Make sure to FOLLOW US ON INSTAGRAM!
Step 2. LIKE the giveaway post!
Step 3. Go to your podcast app of choice and rate/review the Horror Press Podcast, screenshot your review, and email it to contact@horrorpress.com and use the subject line: Demon Knight!
If the winner does not respond on Instagram within 24 hours, we will randomly select another winner.
It’s so easy that even the Crypt Keeper could do it.
What You’ll Win
This isn’t just a run-of-the-mill Blu-ray that can easily be yours, it’s the beautiful Scream Factory release. If you are familiar with Scream Factory, then you should be familiar with their emphasis on special features.
This copy of Demon Knight includes the following extras:
-Audio Commentary with Director Ernest Dickerson
-Audio Commentary with Special Make-up Effects Creator Todd Masters, Visual Effects Supervisor John Van Vliet, Special Effects Coordinator Thomas Bellissimo, and Demon Performer Walter Phelan
-Under Siege: The Making of “Tales From The Crypt presents Demon Knight” – Featuring interviews with Director Ernest Dickerson, Co-producer A.L. Katz, Screenwriters Ethan Reiff, Cyrus Voris, and Mark Bishop, Stars Billy Zane, William Sadler, Brenda Bakke, Charles Fleischer, John Schuck and Dick Miller, Editor Stephen Lovejoy, Special Make-Up Effects Creator Todd Masters, Special Make-Up Effects Artists Scott Coulter and Scott Wheeler, and Demon Performer Walter Phelan (40 minutes)
-Panel Discussion from the American Cinematheque featuring director Ernest Dickerson, actor Dick Miller, and Special Effects maestro Rick Baker
-Still Gallery
-Theatrical Trailer
This giveaway has now ENDED!
Now that’s entertainment!