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HORROR 101: The Beautiful Mess of the Leprechaun Series

The Leprechaun series is a very hit-or-miss franchise. Though I hold it near and dear since it was the first horror movie marathon I ever did with friends, these films are cornier than a field in Kansas. But that doesn’t mean they don’t have an abnormal amount of backstory and lore, so they’re on the blackboard today. Let’s dig into the Leprechaun franchise’s beautiful mess, and answer the question of who or what the Leprechaun is, from the Leprechaun movie franchise.

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Welcome back to Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you. 

The Leprechaun series is a very hit-or-miss franchise. Though I hold it near and dear since it was the first horror movie marathon I ever did with friends, these films are cornier than a field in Kansas. But that doesn’t mean they don’t have an abnormal amount of backstory and lore, so they’re on the blackboard today. Let’s dig into the Leprechaun franchise’s beautiful mess, and answer the question of…

WHO IS THE LEPRECHAUN?

An ancient and sinister being—no, seriously guys, he’s a leprechaun. 

A 2000-year-old fairy of mischief and murder hailing from Killarney, Lep was once a good creature. Leprechaun: Back 2 Da’ Hood details that while most Leprechauns are peaceful and benevolent creatures that are meant to protect ancient treasures from evil and then retreat into the wilderness once their job is done, the Leprechaun’s greed consumed him, and he decided to take a stash of gold for himself. Now, he spreads chaos wherever he goes and tortures almost everyone he comes across in the hunt for his pot of gold. 

The Leprechaun is obsessed with his treasure, and anyone who gets in the way of his collection of wealth, or dares even to steal a single shilling, is subject to his magical powers and a cruel death (usually served with a limerick relevant to how he kills them). And if he doesn’t use his magic, he’ll probably just stomp you to death with a pogo stick or snap your neck.

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He also enjoys enslaving humans and capturing women to serve as his wife. Sometimes it’s to torture them, and occasionally, it’s to become the king of space as he does in Leprechaun 4. Also, he is obsessed with cleaning shoes and if he bites you, you become a were-leprechaun. For some reason? It felt pertinent to mention this given his general weird motifs, he has a lot of unexplained character quirks.

WHAT IS THE LEPRECHAUN’S NAME?

We don’t know, it’s never said. Mark Jones said the original name he had come up with for Lep was Basil, but that was never made official. And though people call him Lubdan, that name is never spoken in the movies; it came from a non-canon comic book miniseries, which is not course-relevant material as far as we’re concerned. 

WHY DOES THE LEPRECHAUN WANT GOLD? 

Leprechaun 3 teaches us, through a very mid-90s CD-ROM animation of lore, that the gold is also the source of Lep’s magic, and that each piece of it allows the holder to make a single wish. In Leprechaun 2, holders of the gold are considered immune to his magic and any harm that could come from it, but this seemed like a one-and-done deal since it’s contradicted in several other films when people get murdered despite having his gold on or in them.

HOW DO YOU BEAT THE LEPRECHAUN?

Throughout the series, a four-leaf clover (or, in Leprechaun Returns case, clover juice) is the best way to immobilize Lep before he can be destroyed with fire or some other means. In Leprechaun 2, good old-fashioned wrought iron can trap and destroy him since it burns fairy creatures. In 3, we find out through a very funny fire stunt where they swing Warwick Davis around on wires, that if you destroy his gold with fire, you can burn him alive.  

He was put down for the last time chronologically (no really, we mean it, he’s gone!) in Leprechaun: Back 2 Da’ Hood, through very extreme methods: they shoot him with hollow-point bullets that have clovers in them, then trap him inside of wet cement. 

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Like any good slasher villain though, there is no surefire way to put Lep down. No matter all the rules you establish, he keeps coming back, sometimes paradoxically reappearing in places completely different from where he died. In the first movie he fell down a well in North Dakota and was burned alive, but in the second movie somehow came to Los Angeles inside a magical tree that was brought over from Ireland. And then he ended up in space without any real reason.

Who are we to question the inscrutable and incredible mysteries of such a sacred and definitely well-made franchise? The point is your best bet is to avoid the Leprechaun altogether: don’t steal his gold and try not to be Irish if you can help it. 

WAIT, WAS LEPRECHAUN THE FIRST FRANCHISE TO GO TO SPACE?

No, that was Godzilla. When the Controller of Planet X took Godzilla to his home world back in Invasion of the Astro-Monster (1965), they accidentally invented the trope of bringing the monster into space to up the stakes. If only Leprechaun 4 had been even a fraction as good as Astro-Monster. 

…SO, WHATS UP WITH LEPRECHAUN: ORIGINS?

I don’t care who my editor sends after me, you can’t make me acknowledge WWE Studios movies. Besides, it’s just a soulless cash-grab remake and has nothing to do with the other 7 films. But Hornswoggle is in it as the Leprechaun, if mid-tier wrestlers in horror movies do anything for you. 

Do, however, watch the reboot sequel to the original Leprechaun, Leprechaun Returns, because it’s very fun.

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And that will be it for today’s Horror 101 lesson. See you in the next class and stay tuned to Horror Press’s social media feeds (@HorrorPressLLC on Twitter and Instagram) for more content on horror movies, television, and everything in between!

 

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Misc

10 of the Most Important Women in Slasher History

While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.

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As part of our celebration of Women’s History Month here at Horror Press, I thought it was high time to celebrate the women who helped shape my most favorite of horror subgenres: the slasher movie. Both in front of and behind the camera, women have been essential in creating some of the most iconic and well-respected slasher movies, and I shall attempt to highlight 10 (well, 11, but I won’t tell if you won’t) who have had the most impact over the decades.

While there are many, many runners-up on this list, and I’m certain there are just as many that I missed, in general I have focused on women whose work extends across multiple iconic entries in the genre, rather than more obscure titles or a single slasher work. Thus, we won’t be seeing directors like Home Sweet Home’s Nettie Peña and Rocktober Blood’s Beverly Sebastian, editors like The Texas Chain Saw Massacre’s Sallye Richardson, and so on. That would be its own separate list, which I would absolutely also like to compile someday. But one thing at a time.

Ranking this list would be both impossible and disrespectful, so I’m presenting each entry in loose chronological order, based on when their contributions to the development and continuation of the genre were most prominent.

10 of the Most Important Women in Slasher History

Stage and Screen, Personalities, pic: circa 1961, American film actress Janet Leigh in a scene from the film “Psycho” from Alfred Hitchcock (Photo by Haynes Archive/Popperfoto/Getty Images)

#1 Janet Leigh (Actor)

Besides a cameo in Halloween H20, Janet Leigh never made another proper slasher after starring in 1960’s Psycho. And yet that one appearance gave us so much. Without her agreeing to use her star power to sell the movie, only to have the rug pulled out from under the audience when she is murdered halfway through in one of the most memorably shocking scenes of the century, it is very probable that Psycho would not have been the hit that it was. Sure, Hitchcock’s name would have put butts in seats, but even he knew what he had with Leigh, to the point of employing William Castle-esque gimmickry around hiding that particular surprise.

If Leigh hadn’t had the humility to say yes to being murdered onscreen in what was – at the time – a reasonably grubby little horror picture, this seminal work would have been very different, and the entire slasher genre might have died on the vine as a result.

#2 Edwige Fenech (Actor)

Before the idea of a “scream queen” had really even been floated, Edwige Fenech brought audiences back to the giallo genre time and time again with her roles in titles like Five Dolls for an August Moon, The Strange Vice of Mrs. Wardh, The Case of the Bloody Iris, Strip Nude for Your Killer, and Your Vice is a Locked Room, and Only I Have the Key. She played a key part in the Italian genre’s domination throughout the 1970s, leading directly into the North American slasher boom of the 1980s.

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#3 Debra Hill (Producer/Writer)

The unsung heroine of the Halloween franchise, Debra Hill co-wrote Halloween and Halloween II with John Carpenter, in addition to producing both films and the unrelated sequel Halloween III: Season of the Witch. In addition to being at the core of one of the most iconic slasher franchises, her work on the 1978 original cemented the rules of the slasher film in a way that early proto-slashers like Psycho, The Texas Chain Saw Massacre, and Black Christmas simply didn’t. She helped set the template for nearly every slasher movie to come, particularly every slasher movie worth its salt released between 1979 and 1984, before Nightmare on Elm Street added a new flavor to the mix.

#4 Jamie Lee Curtis (Actor)

Unless you stumbled on this site by accident, you know Jamie Lee Curtis. She cemented the idea of the scream queen and, frankly, in my humble opinion, no actor since her has really been able to carry that torch properly. After leading 1978’s Halloween, she went on to star in a variety of other slashers, helping add powder to the keg right at the beginning of the slasher boom with titles including Prom Night, Terror Train, Halloween II, and the hopelessly underrated Roadgames. Showing the same humility as her mother, who you may remember from three entries above, she has returned to her Halloween role multiple times, resurrecting the iconic franchise no less than twice, in addition to paying homage in other projects such as the Ryan Murphy horror-comedy series titled, what else, Scream Queens.

#5 Annette Benson (Casting Director)

I feel like casting directors get short shrift. Sure, directors and producers frequently have a hand in choosing who stars in what. However, even for roles where that is the case, casting directors are responsible for cutting the wheat from the chaff and putting those people in front of the directors and producers in the first place as well as – frequently – manipulating them into making the right decision and feeling like it was their own idea.

Thus, without the work of the great Annette Benson, whose best-known slasher project is the original A Nightmare on Elm Street, we wouldn’t have Robert England, Heather Langenkamp, or (for better or worse) Johnny Depp. She went on to cast the next four installments in the Elm Street franchise (hello, Patricia Arquette) as well as bringing us Viggo Mortensen in Leatherface: Texas Chainsaw Massacre III. And before all that, she cut her teeth as a casting assistant on the early parody National Lampoon’s Class Reunion.

#6 Rachel Talalay (Multi-Hyphenate)

Rachel Talalay is probably best known as the director of Freddy’s Dead: The Final Nightmare, making her the first woman to helm an installment in a major slasher franchise. And still one of the only women. But she didn’t get that job out of nowhere. She rose through the ranks on previous installments, going from being an assistant production manager on the original Elm Street to production manager on Freddy’s Revenge to line producer on Dream Warriors to producer on Dream Master. After (wisely) skipping out on Dream Child, though she did receive special thanks, Talalay returned with a vengeance to make slasher history.

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Her journey also extends into other iconic slashers far from Freddy’s reach. Her slow rise above the line included eclectic stints as a production accountant on New Line’s pre-Elm Street slasher Alone in the Dark, a script supervisor and apprentice editor on The House on Sorority Row, and a first assistant director on Return to Horror High.

#7 Fern Champion and Pamela Basker (Casting Directors)

This dynamic duo is to Friday the 13th, what Annette Benson is to A Nightmare on Elm Street. In addition to casting slashers including Fade to Black, Tobe Hooper’s The Funhouse, and April Fool’s Day, they collaborated on Friday the 13th: The Final Chapter, A New Beginning, and Jason Lives, bringing us every version of Tommy Jarvis (therefore, Corey Feldman) as well as handing out early roles to Crispin Glover and Tony Goldwyn.

They also handled the L.A. casting for Friday the 13th: The Series, which isn’t really a slasher project, but helped beef up the franchise, which counts! And Pet Sematary, which also isn’t a slasher, but brought Miko Hughes to the horror genre five years before New Nightmare.

#8 Carol J. Clover (Academic)

In her 1987 essay “Her Body, Himself: Gender in the Slasher Film,” which was later published as part of her 1992 compilation Men, Women, and Chainsaws: Gender in the Modern Horror Film, Carol J. Clover coined the term “final girl,” and discussion of the slasher genre was forever changed. I think it is entirely fair to say that, without her keen analysis of the slasher, a genre which few academics had the gumption to take on at the time, we wouldn’t have had 1996’s Scream and its further dissection of the final girl trope. And without Scream, we wouldn’t have I Know What You Did Last Summer, Urban Legend, Bride of Chucky, the latter-era Chucky franchise in general, and an untold number of post-millennium slasher works.

#9 Marianne Maddalena (Producer)

Wes Craven called this woman his “guardian angel,” what more evidence could you possibly need? Just to be thorough, though, I’ll share a little bit about iconic producer Marianne Maddalena, who founded the company Craven/Maddalena Films with the master of horror. After producing Craven’s unique but ultimately unsuccessful Shocker, she went on to collaborate with him on New Nightmare and the entire Scream franchise, which she continues to steward to this day.

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#10 Jennifer Tilly (Actor)

Without Jennifer Tilly, we simply wouldn’t have one of the best late-period slasher franchises in the business. Her character Tiffany Valentine, who was introduced in the fourth Child’s Play installment, Bride of Chucky, is a crackling inferno of charisma without whom the franchise would be hopelessly bereft. She has also been a fierce advocate for Chucky off-camera, unashamedly parading her association with the franchise around in other properties (including new promos for her appearance on Real Housewives). This fierce loyalty to Tiffany is likely the reason that half of the Chucky projects that followed were even allowed to be made in the first place. For that, and for everything, we must thank Jennifer Tilly from the bottom of our hearts.

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Misc

Bring Billy Zane Into Your Home With Our ‘Demon Knight’ Giveaway!

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We’re back with another killer giveaway! A few simple steps can bring Billy Zane right to your front door. Tales from the Crypt: Demon Knight was the first standalone Tales film, even though it was written long before the series came to be. Panned at the time, Demon Knight gained a cult following that has followed it far into the second decade of our 21st century.

Enter Our Demon Knight Giveaway!

HOW TO ENTER

Not too bad, huh? So how do you enter? Just follow these three simple steps, and you’re in the running!

Step 1. Make sure to FOLLOW US ON INSTAGRAM!

Step 2. LIKE the giveaway post!

Step 3. Go to your podcast app of choice and rate/review the Horror Press Podcast, screenshot your review, and email it to contact@horrorpress.com and use the subject line: Demon Knight!

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If the winner does not respond on Instagram within 24 hours, we will randomly select another winner.

It’s so easy that even the Crypt Keeper could do it.

What You’ll Win

This isn’t just a run-of-the-mill Blu-ray that can easily be yours, it’s the beautiful Scream Factory release. If you are familiar with Scream Factory, then you should be familiar with their emphasis on special features.

This copy of Demon Knight includes the following extras:

-Audio Commentary with Director Ernest Dickerson

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-Audio Commentary with Special Make-up Effects Creator Todd Masters, Visual Effects Supervisor John Van Vliet, Special Effects Coordinator Thomas Bellissimo, and Demon Performer Walter Phelan

-Under Siege: The Making of “Tales From The Crypt presents Demon Knight” – Featuring interviews with Director Ernest Dickerson, Co-producer A.L. Katz, Screenwriters Ethan Reiff, Cyrus Voris, and Mark Bishop, Stars Billy Zane, William Sadler, Brenda Bakke, Charles Fleischer, John Schuck and Dick Miller, Editor Stephen Lovejoy, Special Make-Up Effects Creator Todd Masters, Special Make-Up Effects Artists Scott Coulter and Scott Wheeler, and Demon Performer Walter Phelan (40 minutes)

-Panel Discussion from the American Cinematheque featuring director Ernest Dickerson, actor Dick Miller, and Special Effects maestro Rick Baker

-Still Gallery

-Theatrical Trailer

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This giveaway has now ENDED!

Now that’s entertainment!

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